Paris Belongs to Us (1961)
Paris nous appartient (original title)Reference View | Change View
- Not Rated
- 2h 21min
- Drama, Mystery
- 13 Dec 1961 (France)
- Movie
- 1 win & 1 nomination.
- See more »
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Complete, Cast awaiting verification
Betty Schneider | ... |
Anne Goupil
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Giani Esposito | ... |
Gerard Lenz
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Françoise Prévost | ... |
Terry Yordan
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Daniel Crohem | ... |
Philip Kaufman
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François Maistre | ... |
Pierre Goupil
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Brigitte Juslin | ... |
Birgitta
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Noëlle Leiris |
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Monique Le Porrier | ... |
Juan's Sister
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Malka Ribowska | ... |
Tania Fedin
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Louison Roblin | ... |
Ida
(as Louise Roblin)
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Anne Zamire | ... |
Aniouta Barsky
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Paul Bisciglia | ... |
Paul
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Jean-Pierre Delage | ... |
Monsieur Boileau
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Claus Von Lorbach |
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Jean Martin |
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Henri Poirier | ... |
Jean-Val - L'assistant de Gérard
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André Thorent | ... |
Bernard
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Jane Car |
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Jacqueline Dupuis |
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Claire Fischer |
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Teresa Gracia |
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Danielle Vercoutre |
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Liliane Weiner |
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Roland Daviller |
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Fernand George |
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François Robert |
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José Sebastian |
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Jean-Marie Robain | ... |
De Georges
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Jean-Luc Godard | ... |
Un homme à la terrasse
(as Hans Lucas)
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Jean-Claude Brialy | ... |
Jean-Marc
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Rest of cast listed alphabetically: | |||
Claude Chabrol | ... |
Un homme à la party (uncredited)
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Jacques Demy | ... |
L'ami de la femme attachée (uncredited)
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Jacques Rivette | ... |
Romanian man at the party (uncredited)
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Directed by
Jacques Rivette |
Written by
Jacques Rivette | ... | (scenario and dialogue) & |
Jean Gruault | ... | (scenario and dialogue) |
Produced by
Claude Chabrol | ... | co-producer |
Roland Nonin | ... | producer |
Music by
Philippe Arthuys |
Cinematography by
Charles L. Bitsch |
Editing by
Denise de Casabianca |
Editorial Department
Ghislaine Desjonquères | ... | assistant editor |
Production Management
Robert Lachenay | ... | unit manager |
Second Unit Director or Assistant Director
Jean Herman | ... | assistant director |
Isabelle Phat | ... | assistant director |
Alain Pozarnik | ... | assistant director |
Sound Department
Christian Hackspill | ... | sound |
Camera and Electrical Department
Bernard Largemains | ... | key grip |
André Mrugalski | ... | assistant camera |
Georges Pierre | ... | still photographer |
Script and Continuity Department
Laura Mauri | ... | script supervisor |
Additional Crew
Suzanne Schiffman | ... | dialogue coach |
Production Companies
Distributors
- Contemporary Films (1962) (United Kingdom) (theatrical) (subtitled)
- Merlyn Films (1962) (United States) (theatrical) (subtitled)
- Neue Filmkunst Walter Kirchner (1967) (West Germany) (theatrical)
- BFI Video (2006) (United Kingdom) (DVD)
- Kinowelt Home Entertainment (2011) (Germany) (DVD)
- Lumière Home Entertainment (2010) (Netherlands) (DVD)
- PFA Films (1961) (Italy)
- The Criterion Channel (2020) (United States) (tv) (digital)
- The Criterion Collection (2016) (United States) (DVD)
Special Effects
Other Companies
Storyline
Plot Summary |
Anne Goupil is a literature student in Paris in 1957. Her elder brother, Pierre, takes her to a friend's party where the guests include Philip Kaufman, an expatriate American escaping McCarthyism, and Gerard Lenz, a theatre director who arrives with the mysterious woman Terry. The talk at the party is about the apparent suicide of their friend Juan, a Spanish activist who had recently broken up with Terry. Philip warns Anne that the forces that killed Juan will soon do the same to Gerard. Gerard is trying to rehearse Shakespeare's "Pericles", although he has no financial backing. Anne takes a part in the play to help Gerard, and to try to discover why Juan died. Written by Will Gilbert |
Plot Keywords | |
Taglines | You Either Dig This Film Or You Don't See more » |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | As an inside joke, in "The 400 Blows", the film Antoine and his parents go to see is "Paris Belongs to Us", which wouldn't be released for another two years. See more » |
Goofs | Near the end, when Pierre is on a public phone at Dupleix, a poster near him reads "DIMANCHE 31 MAI" (Sunday 31 May), advertising a meeting of the Parti Socialiste Unifié. May 31st was a Sunday in 1959, and this scene was filmed in late 1958. However, the film is supposed to be taking place in June 1957, so it makes no sense that a meeting is being advertised nearly 2 years in advance. See more » |
Movie Connections | Featured in Jacques Rivette le veilleur: 1-Le jour (1990). See more » |
Crazy Credits | "Paris belongs to nobody." PEGUY See more » |
Quotes |
Anne Goupil:
[reading aloud from Shakespeare's The Tempest]
Full fathom five thy father lies / Of his bones are coral made / Those are pearls that were his eyes / Nothing of him that doth fade / But doth suffer a sea-change / Into something rich and strange See more » |