In 1983, the Walker Art Center in Minneapolis, Minnesota, along with Media Study/Buffalo, created a touring retrospective of avant-garde films, primarily feature-length ones and a few shorts, which they called “The American New Wave 1958-1967.” To accompany the tour, a hefty catalog was produced that included notes on the films, essays by film historians and critics, writings by major underground film figures and more.
The retrospective was created at a time when financially viable independent filmmaking was on the rise, such as films made by John Sayles, Wayne Wang and Susan Seidelman. According to the co-curators of the retrospective, Melinda Ward and Bruce Jenkins, the objective of the tour was to:
provide a more adequate picture than conventional history affords us of a rare period of American cinematic invention and thereby prepare a coherent critical and historical context for the reception of the new work by the current generation of independent filmmakers.
The retrospective was created at a time when financially viable independent filmmaking was on the rise, such as films made by John Sayles, Wayne Wang and Susan Seidelman. According to the co-curators of the retrospective, Melinda Ward and Bruce Jenkins, the objective of the tour was to:
provide a more adequate picture than conventional history affords us of a rare period of American cinematic invention and thereby prepare a coherent critical and historical context for the reception of the new work by the current generation of independent filmmakers.
- 11/25/2017
- by Mike Everleth
- Underground Film Journal
An experimental film by an Irish playwright, shot in New York with a silent comedian at the twilight of his career? Samuel Beckett’s inquiry into the nature of movies (and existence?) befuddled viewers not versed in film theory; Ross Lipman’s retrospective documentary about its making asks all the questions and gets some good answers.
First there’s the film itself, called just Film from 1965. By that year our high school textbooks had already enshrined Samuel Beckett’s Waiting for Godot as a key item for introducing kids to modern theater, existentialism, etc. … the California school system was pretty progressive in those days. But Beckett had a yen to say something in the film medium, and his publisher Barney Rosset helped him put a movie together. The Milestone Cinematheque presents the UCLA Film & Television Archive’s restoration of Film on its own disc, accompanied by a videotaped TV production...
First there’s the film itself, called just Film from 1965. By that year our high school textbooks had already enshrined Samuel Beckett’s Waiting for Godot as a key item for introducing kids to modern theater, existentialism, etc. … the California school system was pretty progressive in those days. But Beckett had a yen to say something in the film medium, and his publisher Barney Rosset helped him put a movie together. The Milestone Cinematheque presents the UCLA Film & Television Archive’s restoration of Film on its own disc, accompanied by a videotaped TV production...
- 3/18/2017
- by Glenn Erickson
- Trailers from Hell
Fund This ‘Notfilm’: About the 1965 Film ‘Film’ Written by Samuel Beckett and Starring Buster Keaton
Buster Keaton appeared in some very weird movies following the advent of sound pictures. There’s that Mexican sci-fi comedy Boom in the Moon I mentioned on Fsr a while back. There’s the Eastman Kodak industrial film The Triumph of Lester Snapwell, in which he plays a clumsy photographer who travels through time so he can experience an easy-use Instamatic camera. And of course all those crazy ’60s beach movies, where he performed silly slapstick involving bikinis, boobs and a politically incorrect portrayal of a Native American. But his oddest has to be Film, the 1965 short he reluctantly starred in, which was scripted by absurdist playwright Samuel Beckett (his only original written directly for the screen), helmed by theatre director Alan Schneider, produced by controversial publisher Barney Rosset, edited by Oscar-nominated documentarian Sidney Meyers (The Quiet One; The Savage Eye) and shot by legendary cinematographer Boris Kaufman (L’Atalante; On the Waterfront). Almost 50 years since its...
- 11/23/2013
- by Christopher Campbell
- FilmSchoolRejects.com
Albert Nobbs and the other nominations for the 2012 Irish Film and Television Academy Awards have been announced. The 9th Annual Irish Film and Television Awards (IFTAs) “sole aim is to celebrate Ireland’s notably talented film and television community. The ceremony is considered to be one of Ireland’s most prestigious awards event, and can be viewed as the Irish equivalent to the American Oscars.” The awards ceremony will be held on February 11, 2012 at the Convention Centre Dublin (Ccd).
The full listing of the 2012 Irish Film and Television Awards is below.
Film Categories
Best Film
Albert Nobbs – Alan Moloney, Bonnie Curtis, Julie Lynn and Glenn Close (Parallel Film & TV Productions)
Charlie Casanova – Terry McMahon (Source Productions)
Stella Days – Jackie Larkin & Leslie McKimm (Newgrange Pictures)
The Guard – Ed Guiney, Andrew Lowe, Chris Larke, Flore Fernandez Marengo(Element Pictures)
Director Film
Rebecca Daly – The Other Side of Sleep (Fastnet Films)
John Michael McDonagh...
The full listing of the 2012 Irish Film and Television Awards is below.
Film Categories
Best Film
Albert Nobbs – Alan Moloney, Bonnie Curtis, Julie Lynn and Glenn Close (Parallel Film & TV Productions)
Charlie Casanova – Terry McMahon (Source Productions)
Stella Days – Jackie Larkin & Leslie McKimm (Newgrange Pictures)
The Guard – Ed Guiney, Andrew Lowe, Chris Larke, Flore Fernandez Marengo(Element Pictures)
Director Film
Rebecca Daly – The Other Side of Sleep (Fastnet Films)
John Michael McDonagh...
- 1/11/2012
- by filmbook
- Film-Book
Steve Carson took on the role of Director of Programmes for RTÉ television in February 2009. Coming from a production background he has already changed RTÉ's commissioning method and has looked to refresh the schedules for both RTÉ One and RTÉ Two. Iftn spoke with Steve to find out what made him apply for the position in the first place, how 'The Savage Eye' reflects modern RTÉ programming and what Irish audiences really want.
- 10/7/2010
- IFTN
Maverick director best known for his film of Ulysses – widely seen as a noble failure
There must be something quixotic about a director who sets out to make a film of James Joyce's Ulysses. A passionate Joycean, Joseph Strick, who has died aged 86, was undeterred by the challenge and the obstacles: "Even before I made it, people were saying it was unfilmable. I think the truth is, some people just find the book unreadable."
The iconoclastic Strick first envisaged an 18-hour version, faithful to every word, but unsurprisingly he could not get anyone to finance it. When the final two-hour version, shot in Dublin, was completed in 1967, it fell foul of censorship – just like the novel. The British Board of Film Censors requested 29 cuts to remove sexual references from Molly Bloom's final, expletive-laden soliloquy. Strick obliged by replacing all of the offending footage with a blank screen and a high-pitched shrieking sound.
There must be something quixotic about a director who sets out to make a film of James Joyce's Ulysses. A passionate Joycean, Joseph Strick, who has died aged 86, was undeterred by the challenge and the obstacles: "Even before I made it, people were saying it was unfilmable. I think the truth is, some people just find the book unreadable."
The iconoclastic Strick first envisaged an 18-hour version, faithful to every word, but unsurprisingly he could not get anyone to finance it. When the final two-hour version, shot in Dublin, was completed in 1967, it fell foul of censorship – just like the novel. The British Board of Film Censors requested 29 cuts to remove sexual references from Molly Bloom's final, expletive-laden soliloquy. Strick obliged by replacing all of the offending footage with a blank screen and a high-pitched shrieking sound.
- 6/17/2010
- by Ronald Bergan
- The Guardian - Film News
Oscar-winning director, screenwriter and producer Joseph Strick has died from congestive heart failure at the age of 86.
Strick, who was born in Pennsylvania, died on 1 June in Paris, France, where he had lived for several years.
He won the Academy Award for Best Documentary Short Subject in 1970 for Interviews With My Lai Veterans, which he wrote, produced and directed.
He also won the British Academy Television Awards (BAFTA) Flaherty Documentary Award for his 1959 film, The Savage Eye.
But Strick was perhaps best known for his screen adaptations of risque literary works including The Balcony, Ulysses and Tropic of Cancer, starring Rip Torn.
He hit headlines in 1970 after losing a court battle to overturn the X rating awarded to Tropic by the Motion Picture Association of America. The movie retained its adult rating until the early 1990s, when it was lowered to allow anyone 17 and over to view the film.
Other notable movie credits include Never Cry Wolf, Ring of Bright Water and A Portrait of the Artist as a Young Man.
Strick is survived by his second wife, Martine Rossignol Strick, and their two children, as well as his three kids from his first marriage.
Strick, who was born in Pennsylvania, died on 1 June in Paris, France, where he had lived for several years.
He won the Academy Award for Best Documentary Short Subject in 1970 for Interviews With My Lai Veterans, which he wrote, produced and directed.
He also won the British Academy Television Awards (BAFTA) Flaherty Documentary Award for his 1959 film, The Savage Eye.
But Strick was perhaps best known for his screen adaptations of risque literary works including The Balcony, Ulysses and Tropic of Cancer, starring Rip Torn.
He hit headlines in 1970 after losing a court battle to overturn the X rating awarded to Tropic by the Motion Picture Association of America. The movie retained its adult rating until the early 1990s, when it was lowered to allow anyone 17 and over to view the film.
Other notable movie credits include Never Cry Wolf, Ring of Bright Water and A Portrait of the Artist as a Young Man.
Strick is survived by his second wife, Martine Rossignol Strick, and their two children, as well as his three kids from his first marriage.
- 6/8/2010
- WENN
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