This Rebel Breed (1960) Poster

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7/10
Worth seeing just for two actresses on the cusp of stardom.
Hey_Sweden19 April 2020
"This Rebel Breed" is a sordid and solid, racially-charged black & white juvie melodrama about two young detectives, Frank (Mark Damon), a half-black / half-Mexican, and Don (Douglas Hume), a white, sent to high school on an undercover mission. They will infiltrate - or, at least, attempt to infiltrate - separate youth gangs in order to expose the miscreants behind various shady goings-on. Frank buys trouble through his attraction to the pretty Lola (Rita Moreno, an Oscar winner two years later for the film version of "West Side Story"). You see, Lolas' brother Manuel (Richard Laurier) is a very angry young man who hates anybody who isn't Mexican.

This is engagingly trashy stuff, with a straightforward and entertaining plot. We have characters indulging in contraband, violence, and partying, while they're accompanied by a lively soundtrack. It's all played to the hilt by an attractive and talented cast. In addition to the endearing Moreno, we have Dyan (spelled Diane here) Cannon as "Wiggles", the girlfriend of the films' main antagonist. Dyan figures in what has to be a pretty unexpected revelation. And boy, is our main antagonist quite a piece of work: an unsubtle sleaze who gets young black kids to smoke grass. His name is Buck Madison, and as played by an actor named Richard Rust, he's the kind of guy whose comeuppance you eagerly anticipate. Other familiar faces such as Gerald Mohr (as the police lieutenant supervising Frank and Don), Jay Novello (as Lola and Manuels' father), Al Freeman Jr., and Hari Rhodes also turn up.

Despite possessing some winning ingredients for fans of this kind of thing, this wasn't as big a success as the producer, William Rowland, really wanted. So he re-released it to grindhouses and drive-ins five years later, with some newly shot softcore scenes (in which Hume reprised his role) incongruously added. This re-release version is known as "Black Rebels", and runs about six minutes longer. Both versions are available on DVD.

Seven out of 10.
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6/10
When The Subtext Is Deemed More Important Than The Text
boblipton5 June 2019
It's a drive-in exploitation movie which tries to say something about toleration, as Police Lieutenant Gerald Mohr sends in a man undercover to try bust up a middle-class marijuana ring, and pick up some evidence on who killed Don Eltner. They've got Mexican Richard Laurier in jail, but he didn't do it. Meanwhile, blackfaced Mark Damon tries to get close to Eitner's sister, Rita Moreno.

It's the Los Angeles, suburban response to the urban THE BLACKBOARD JUNGLE, from the other side. It's a spiffy grindhouse movie, with lots of young lovelies -- it's Dyan Cannon's second film role, but while director Richard Bare and DP Monroe Askins aren't afraid to show you the real slums, there's a certain air of trying to overstate the case visually, particularly with the two-shot portraits, with one person standing downscreen to the left, and the other upscreen and to the right that seems trite after a while. That sense of making the point first and the story later gives the movie a lecturing tone that prevents it from being great.
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2/10
What are a 27 and a 23 year-old doing in high school?!
planktonrules8 May 2010
This is yet another exploitational release from Something Weird Video. This particular DVD features a double-feature--this film and "Murder in Mississippi".

"Black Rebels" (also known as "The Rebel Breed") is about juvenile delinquents--in particular, kids who resort to racially motivated crimes. To combat this problem, the cops send two recent police academy graduates to a local high school to pose as students. However, the guys playing 'students' were 27 and 23 years of age! In fact, none of these teens looked close to being teenager. And, to make it worse, one of these pseudo-teens looks silly, as he's supposed to play a guy who is a biracial Latino--but this effect was achieved by painting his skin--it's quite obvious. And, oddly, some times he is a lot more black-looking than others!!

Despite the silly casting, the film doesn't pull a lot of punches--at least when it comes to sex. This movie, despite claiming to address serious social ills and sporting some real honest-to-goodness actors, is pure sleaze from start to finish. Under the guise of 'education', the film makers were able to insert (perhaps a bad choice of words) a lot of material that normally would have never been allowed in films due to the production code that was still in effect in 1960. Over-age students groping breasts, wiggling breasts of girls wearing just a push-up bra and panties as well as lots of sexual innuendos make this an interesting film--even if the quality is suspect...very, very suspect! It's pure trash--but the sort of trash you just can't stop watching!! Plus, at the 26 minute mark (to begin with) you get to see a WHOLE LOT MORE of some of the young ladies!! In fact, it's clear that this nudity was added later to spice up the movie--as it is edited into the film poorly and with no context. Plus, the film I watched was five minutes longer than the running time listed on IMDb. I just can't imagine a lot of these actors willingly appearing in such a salacious film.

A couple actresses to look out for is a young and quite pretty Rita Moreno in the female lead (age 29). This is before her breakout appearance in "Westside Story" (for which she won an Oscar) and I am sure she never would have made "This Rebel Breed" if she'd done the other movie first!! The other, in a much smaller role, is Dyan Cannon (23)--playing a girl named 'Wiggles'. Pretty subtle, huh?! Fortunately for their careers, they kept their clothes on throughout.

So is it worth seeing apart from the value as sleaze or because of curiosity in seeing Moreno and Cannon? Well, if you are looking for a good film, keep on looking. But, like a good old train wreck, there is just something about this film that keeps you looking. It's certainly bad, but funny at the same time. My score of 2 is because of the low quality of the film overall. But entertainment-wise (for bad film buffs), this one gets a 9!

By the way, this film was co-directed by Richard L. Bare. No, despite the name, he was not a porn director but became famous for directing such wholesome family fare as "Green Acres" and "Petticoat Junction"!

My favorite line in the film--"Son, get yourself a haircut...before someone makes a pass at you". I also loved the 37 minute mark where the two guys are wiggling about in a strange manner with topless ladies while a third lady has their back to them--dancing the Twist! What's with THAT?! Who thought up this crazy scene?!
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4/10
Applause for a great subject matter, but eye roll for the dialog.
mark.waltz12 August 2022
Warning: Spoilers
Having been in films since 1950, Rita Moreno had played a teenager in 1952's "The Ring" which dealt with racial issues, so seeing her as a high school student in this is quite laughable. The film covers all the racial issues of the day, hatred between every race and absolutely no fraternization between them. The cops are determined to get a handle on teen racial violence in the school and break up the gangs (selling grass!), so several of the baby faced cops get to infiltrate the school as students. Mark Damon wears dark makeup to pass as half black and half Mexican, and looks really silly, especially with the insinuation that he's of high school age.

A very liberal schoolteacher tries to get them to work together so he assigns students of different races to work together. Of course the liberal teacher utilizes his own dated lingo when referring to various races, referring to the only Asian student as "yellow". In the context of being 1960, it's accurate but still head shaking.

Then there's the parents of a rich white kid, the mother not knowing that "fuzz" means police and dad telling the son to get his hair cut so another boy won't make a pass at him. The area where this takes place seems rather upscale so the various races in this school seem to come from better backgrounds.

Moreno is very good in spite of the age miscasting, showing quiet hurt when a group of white girls snub her when she tries to be nice. She gets a speech where she shakes in front of the class that shows how much better this could have been had they worked harder on the script. Insinuations indicate that she has crushes both on a white boy and the fake mixed race character played by Damon. The individual gangs have really laughable names too.

The typical wise older Hispanic man (Jay Novello) as the father of Moreno and the very racist Richard Laurier, expresses quiet disgust over the anti-black and white rants of his older son, hoping to keep his younger son, Eugene Mazzola, from beginning to think that way. It's insinuated that his late wife was Caucasian but the three kids had more physical attributes of their father. Damon, who's supposed to be mixed, is verbally spat on by both Hispanics and blacks.

This has so many great ideas, but dated concepts, a very low budget and really bad trite dialog keeps it from being nothing more than cheap exploitation. The violence is often accompanied by some really headshaking dialog, and the kids aren't as tough as they are pretending to be. In fact, a knife fight between several boys had me wondering when the Leonard Bernstein music would start along with the finger snapping and ballet dancing.
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3/10
You may want to take a shower after watching this film
scsu197523 November 2022
Warning: Spoilers
This movie has something to offend everyone (especially those interested in the art of filmmaking).

Gerald Mohr plays a detective who sends two cops undercover at the local high school. The cops are played by Mark Damon and Douglas Hume. Their job is to find out who or what is causing racial disturbances at the school. Damon is supposed to pretend he is half Mexican and half black. The makeup man tries to convince us by giving Damon's face the George Hamilton look. Hume is just supposed to pretend he's a white guy. As is usual in films of this type, all the "kids" look about ten years older than they are supposed to be

There are three gangs at the school: the Royals (white dudes), the Ebonys (black dudes), and the Caballeros (Mexican dudes). For some strange reason, they just all can't get along. Damon tries to get in with the Caballeros, but he is shunned because he is part black. He can't get in with the Ebonys because he is part Mexican. Along the way, we are treated to racial slurs which would be excised from films today. And everybody packs a switchblade.

Rita Moreno plays a Mexican whose brother is the leader of the Caballeros. When her boyfriend is killed, suspicion falls on her brother (but we already know who the real culprit is). Moreno looks great; too bad she is stuck in this piece of crap - fortunately, West Side Story was just around the corner. Dyan Cannon (billed as Dianne) has a small but meaty role as a character named "Wiggles." Use your imagination. Here, Cannon looks uncannily like my favorite B-movie tramp, Yvette Vickers. The most repulsive character in the film is played by Richard Rust, who is the leader of the Royals. He is so low that he foists some marijuana on a couple of little black kids.

Oh, back to the plot. Turns out some fat guy is selling the grass to the schoolkids, with Rust's assistance. Tubby's theory is that if he can incite the schoolkids to violence, they will buy his stash to get high for the rumbles. This is what passes for entrepreneurship in the 1960s.

The final rumble involves the Royals, the Caballeros, the two undercover cops, plus Moreno and her onscreen father, played by character actor Jay Novello. The fat guy ends up handcuffed to a lawn jockey. Damon and Moreno make nice to each other. Mohr tells everyone to wise up.

Several scenes were obviously added to this film after its initial release. Most seem to involve Hume walking into a room unannounced and coming across some scantily clad dames making out with guys. My guess is that the film was then re-released to sleazy drive-ins. It should have been incinerated instead.
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8/10
Engrossing teen drama
Woodyanders28 January 2015
Warning: Spoilers
After odious drug dealer Buck Madison (a pleasingly slimy portrayal by Richard Rust) accidentally murders the white boyfriend of Lola Montalvo (a fine and appealing performance by Rita Moreno), Lola seeks to get revenge on Buck. This all culminates in a wild race riot at the home of amiable rich guy Winnie (the extremely engaging Kenny Miller) involving not only white, black, and Mexican gangs, but also a couple of undercover cops and even Lola's honest working class dad Pappa Montalvo (well played with moving dignity by Jay Novello).

Director Richard L. Bare, working from a gutsy script by Morris Lee Green, relates the absorbing story at a steady pace, addresses the ugly and thorny hot button issue of racism in an admirably frank and provocative manner, maintains an earnest tone throughout, and vividly captures the turbulence of the early 1960's. This movie further benefits from solid acting from a capable cast, with especially sturdy contributions from Mark Damon as likable narc Frank Serano, Gerald Mohr as the no-nonsense Lt. Robert Brooks, Tom Gibson as Buck's brutish enforcer Muscles, Dyan Cannon as ditsy moll Wiggles, and Richard Laurier as Lola's angry and overprotective brother Manuel. The sharp black and white cinematography by Monroe Adams makes neat use of fades and dissolves. David Rose's spare jazzy score hits the snazzy spot. Only the obviously tacked-on gratuitous soft-core nude and sex scenes cheapen this otherwise praiseworthy film.
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