Poster

Barabbas ()


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Governor Pontius Pilate gave the populace a choice to spare either Barabbas, a criminal, or Jesus, condemned as a heretic, from crucifixion. The masses chose Barrabas, and he is haunted by the image of Jesus for the rest of his life.

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Cast verified as complete

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Barabbas
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Rachel
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Pontius Pilate
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Sara
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Peter
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Sahak
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Rufio
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Julia
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Torvald
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Lucius
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Joseph of Arimathea (as Arnoldo Foa')
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Lazarus
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Disciple
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Vasasio
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Scorpio
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Man Pleading for Release of Prisoner
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Officer (as Carlo Giutini)
Giovanni Di Benedetto ...
Officer (as Gianni Di Benedetto)
Robert Hall ...
Commander of Gladiators
Rina Braido ...
Tavern Reveler
Nando Angelini
Tullio Tomadoni ...
Blind Man
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Bearded Gladiator
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Officer (as Frederich Ledebur)
Marcello Di Martire
Spartaco Nale ...
Overseer
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Beggar Woman
Vladimiro Picciafuochi ...
Guard with Rufio
Rest of cast listed alphabetically:
Vanoye Aikens ...
Prisoner in Mines (uncredited)
Anna Alexandrief ...
(uncredited)
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Maria (uncredited)
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(uncredited)
George Birt ...
(uncredited)
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Dragged Gladiator (uncredited)
Harold Bradley ...
Gladiator (uncredited)
William Lyon Brown ...
(uncredited)
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Gladiator (uncredited)
Colm Caffrey ...
(uncredited)
Alfio Caltabiano ...
Gladiatior Trainer (uncredited)
Miranda Campa ...
Maria's Sister (uncredited)
Omero Capanna ...
Citizen (uncredited)
E. Cardone ...
(uncredited)
James Frank Clark ...
(uncredited)
Livia Cordaro ...
(uncredited)
Dave Crowley ...
(uncredited)
Dale Cummings ...
(uncredited)
Ralph Dammers ...
(uncredited)
Carolyn De Fonseca ...
Woman at Tavern (uncredited)
Jim Dolen ...
(uncredited)
Vera Drudi ...
Salome (uncredited)
George Ehling ...
Roman Gladiator (uncredited)
Naci Erhun ...
Oyuncu (uncredited)
Jody Excell ...
(uncredited)
Arnaldo Fabrizio ...
Dwarf in Arena (uncredited)
Audrey Fairfax ...
(uncredited)
John Farksen ...
(uncredited)
Charles Fawcett ...
Old Man Warning Rachel (uncredited)
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Mary Clopas (uncredited)
Bente Friedrichsen ...
(uncredited)
Robert Gardett ...
Priest (uncredited)
Maureen Gavin ...
(uncredited)
Hela Gerber ...
(uncredited)
Eugene Gervasi ...
(uncredited)
Larry Hall ...
(uncredited)
...
(uncredited)
John Horne ...
(uncredited)
Rick Howes ...
(uncredited)
William Kiehl ...
Soldier (uncredited)
Carlo Latimer ...
Gladiator (uncredited)
Giancarlo Lolli ...
(uncredited)
Marilyn Lombardo ...
(uncredited)
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Disciple (uncredited)
Natasha Lytess ...
(uncredited)
Rocco Roy Mangano ...
Jesus Christ (uncredited)
Maria Marchi ...
(uncredited)
Joan Maslow ...
(uncredited)
Walter Maslow ...
(uncredited)
David Maunsell ...
(uncredited)
Ed McReedy ...
(uncredited)
Maria Mizar ...
(uncredited)
...
(uncredited)
Sandro Mondini ...
Man in Rufio's Procession (uncredited)
David Montresor ...
(uncredited)
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High Priest (uncredited)
Burt Nelson ...
(uncredited)
Remington Olmsted ...
Guard in Mines (uncredited)
John Palance ...
(uncredited)
Luciano Palumbo ...
(uncredited)
Piero Pastore ...
Nicodemus (uncredited)
Joseph Pilcher ...
(uncredited)
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Mary Magdalene (uncredited)
Sacha Podgorsky ...
(uncredited)
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Man in Tavern (uncredited)
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(uncredited)
Margherita Sala ...
(uncredited)
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Gladiator (uncredited)
Gaetano Scala ...
Gladiator (uncredited)
Nino Segurini ...
Apostle John (uncredited)
Honoré Singer ...
(uncredited)
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Beggar (uncredited)
Malis Stroyberg ...
(uncredited)
Dan Sturkie ...
(uncredited)
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Patrician in Arena (uncredited)
Peter Tavis ...
(uncredited)
Jacopo Tecchi ...
Apostle Thomas (uncredited)
Darix Togni ...
Lion trainer (uncredited)
Marilyn Tosatti ...
(uncredited)
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Emperor (uncredited)
Wladimiro Tuicovich ...
(uncredited)
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Man Making Crown of Thorns (uncredited)
A. Valentinsich ...
(uncredited)
Giovanni Vari ...
Worker in Mines (uncredited)
Karin von Faber ...
Minor Role (uncredited)
...
(uncredited)
Veronica Wells ...
(uncredited)
Jay Weston ...
(uncredited)
Christa Windish-Graetz ...
(uncredited)

Directed by

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Richard Fleischer

Written by

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Christopher Fry ... (screenplay)
 
Pär Lagerkvist ... (novel "Barabbas")
 
Nigel Balchin ... () (uncredited)
 
Diego Fabbri ... () (uncredited)
 
Ivo Perilli ... () (uncredited)
 
Salvatore Quasimodo ... (Italian dialogue) (uncredited)

Produced by

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Dino De Laurentiis ... producer
Luigi Luraschi ... associate producer

Music by

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Mario Nascimbene

Cinematography by

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Aldo Tonti ... director of photography

Editing by

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Raymond Poulton
Alberto Gallitti ... (uncredited)

Art Direction by

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Mario Chiari ... (art direction)

Costume Design by

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Maria De Matteis

Production Management

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Bud Spencer ... assistant production manager (uncredited)

Art Department

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Maurizio Chiari ... set dressing

Stunts

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Alfio Caltabiano ... master of arms
Elio Bonadonna ... stunts (uncredited)
Giovanni Bonadonna ... stunts (uncredited)
Sal Borgese ... stunts (uncredited)
Carlo Latimer ... stunts (uncredited)
Vincenzo Maggio ... stunts (uncredited)
Fabio Testi ... stunts (uncredited)
Friedrich von Ledebur ... additional stunts (uncredited)
Nazzareno Zamperla ... stunt coordinator (uncredited) / stunts (uncredited)

Camera and Electrical Department

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Cristo Verrillo ... electrician

Music Department

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Franco Ferrara ... conductor
Ennio Morricone ... music arranger (uncredited)

Additional Crew

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Ralph B. Serpe ... assistant to producer (as Ralph Serpe)
Rosetta Calavetta ... voice dubbing: Valentina Cortese (uncredited)
Emilio Cigoli ... voice dubbing: Harry Andrews (uncredited)
Gualtiero De Angelis ... voice dubbing: Robert Hall (uncredited)
Maria Pia Di Meo ... voice dubbing: Silvana Mangano- a few lines only (uncredited)
Arnoldo Foà ... voice dubbing: Anthony Quinn (uncredited)
Nando Gazzolo ... voice dubbing: Norman Wooland (uncredited)
Pino Locchi ... voice dubbing: Ivan Driesault (uncredited)
Riccardo Mantoni ... voice dubbing: Arnoldo Foà (uncredited)
Bruno Persa ... voice dubbing: Jack Palance (uncredited)
Giuseppe Rinaldi ... voice dubbing: Ernest Borgnine (uncredited)
Lydia Simoneschi ... voice dubbing: Katy Jurado (uncredited)
Renato Turi ... voice dubbing: Arthur Kennedy (uncredited)
Crew verified as complete

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

In times of great upheaval during Passover in early-first-century Jerusalem, the fifth governor of the Roman province of Judaea, Pontius Pilate, finds himself before a pressing dilemma. As part of a tradition, the indecisive ruler offers the agitated crowd the choice to have either Jesus of Nazareth or the murderer, Barabbas, released from Roman custody; but, instead, the people demand the release of the thief. Now, as Jesus takes Barabbas' place on the cross, an inhumane act of punishment paves the way for an arduous spiritual journey of faith, leading Barabbas to Sicily's dark sulphur mines, and the blood-soaked soil of Emperor Nero's Coliseum. Will Jesus' sacrifice set Barabbas, the slave, free? Written by Nick Riganas

Plot Keywords
Taglines "The motion picture that begins where the other big ones leave off" See more »
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Additional Details

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Also Known As
  • Barabba (Italy)
  • Barrabás (Spain)
  • Barrabàs (Spain, Catalan title)
  • バラバ (Japan, Japanese title)
  • Barabasz (Poland)
  • See more »
Runtime
  • 137 min
Country
Language
Color
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Sound Mix
Filming Locations

Did You Know?

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Trivia The solar eclipse that takes place during the crucifixion scene was the real thing, an event for which director Richard Fleischer delayed shooting in order to capture the ethereal nature of the phenomenon on 2/15/61. See more »
Goofs When Barabbas is sent to the sulfur mines, a guard chains him to another prisoner by hammering closed an iron link shaped like a 'C' with both ends of the 'C' glowing red-hot. The same technique is shown at least one other time. However, it's not the ends of the 'C'-shape that should be glowing red-hot in order to hammer the link closed, it is the middle, where it needs to bend. Cold iron is brittle and needs to be heated to bend or it will fracture. See more »
Movie Connections Featured in The Romans (1987). See more »
Quotes Peter: [Arrested for arson, Barabbas has been brought to the dungeons housing the Christians falsely accused of the act] This burning city is no work of ours. This isn't how the new kingdom is going to be made. You were wrong.
Barabbas: Who are you to tell me I'm wrong?
Peter: Many years ago, we spoke together. Do you remember?
Barabbas: No.
Peter: You asked me why I was making a net so far from the sea.
Barabbas: Jerusalem. The street of the potters.
Peter: You were as mistaken then as you are again now.
Female Christian: We didn't set fire to the city.
Male Christian: You've done the work of the wild beasts of the emperor.
Female Christian: Are you a lunatic?
Male Christian: It was his fire, you fool. Not God's.
Barabbas: [the realization of his error sinks in] Why can't God make himself plain? What's become of all the fine hopes, the trumpets, the angels, all the promises? Every time I've seen it end up in the same way, with torments and dead bodies, with no good come of it. Huh? All for nothing.
Peter: Do you think they persecute us to destroy nothing? Or, for that matter, do you think that what has battered on your soul for twenty years has been nothing? It wasn't for nothing that Christ died. Mankind isn't nothing. In His eyes, each individual man is the whole world. He loves each man as though there were no other.
Barabbas: I was the opposite of everything he taught, wasn't I? Why did He let Himself be killed instead of me?
Peter: Because being farthest from Him, you were the nearest.
Barabbas: I'm no nearer than I was before.
Peter: Nor any farther away. The truth of the matter is, He's never moved from your side. I can tell you this: there has been a wrestling in your spirit back and forth in your life which, in itself, is knowledge of God. By the conflict you have known Him. I can tell you as well that so it will be with the coming of the kingdom. A wrestling back and forth and a laboring of the world spirit, like a woman in childbirth. We are only the beginning. We won't see the time when the earth is full of the kingdom. And yet, even now, even here, the hour at the end of life, the kingdom is within us. There's nothing more to fear. Upon us, the years will be but many years, many martyrdoms. The ground of men is very stubborn to mature. But men will look back to us in our day, and will wonder, and remember our hope. It is the end of the day. We shall trust ourselves to a little pain, and sleep, saying to world, "Godspeed."
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