In the French Style (1963)
Reference View | Change View
- 1h 45min
- Drama, Romance
- 26 Sep 1963 (UK)
- Movie
A young American art student must decide whether to stay in Paris with her boyfriend or go back to the U.S. when her wealthy father arrives to bring her back.
Director:
Writers:
Photos and Videos
Cast
| Jean Seberg | ... |
Christina James
|
|
| Stanley Baker | ... |
Walter Beddoes
|
|
| Philippe Forquet | ... |
Guy
|
|
| Addison Powell | ... |
Mr. James - Christina's Father
|
|
| Jack Hedley | ... |
Bill Norton
|
|
 |
Maurice Teynac | ... |
Baron Edward de Chassier
|
|
|
James Leo Herlihy | ... |
Dr. John Haislip
(as James Herlihy)
|
|
|
Ann Lewis | ... |
Stephanie Morell
|
|
|
Jacques Charon | ... |
Patrini
|
| Claudine Auger | ... |
Clio Andropolous
|
|
|
|
Barbara Sommers | ... |
Madame Piguet
|
| Moustache | ... |
Bistro Owner
|
|
| Rest of cast listed alphabetically: | |||
|
|
Marc Arian |
|
|
|
|
Florence Blot |
|
|
|
|
Claude Mercutio |
|
|
|
|
Louis Saintève |
|
|
|
|
Albert Simono |
|
|
|
|
Michel Wyn | ... |
Man with dark glasses in the bar
|
Directed by
| Robert Parrish | ||
Written by
| Irwin Shaw | ... | (screenplay) |
| Irwin Shaw | ... | (stories: "In the French Style"; "A Year to Learn the Language") |
Produced by
| Claude Ganz | ... | associate producer |
| Robert Parrish | ... | producer |
| Irwin Shaw | ... | producer |
Music by
| Joseph Kosma | ||
Cinematography by
| Michel Kelber | ||
Editing by
| Renée Lichtig | ||
Editorial Department
| Françoise London | ... | assistant editor |
Art Direction by
| Rino Mondellini | ||
Makeup Department
| Michel Deruelle | ... | makeup artist |
| Jacques Dessange | ... | coiffure |
| Phuong Maittret | ... | makeup artist |
Production Management
| Roger Ferret | ... | unit production manager |
| Ludmilla Goulian | ... | director of production |
Second Unit Director or Assistant Director
| Michel Wyn | ... | assistant director |
Art Department
| Jacques Brizzio | ... | assistant art director |
| Jane Eakin | ... | paintings |
Sound Department
| Denise Baby | ... | sound effects editor |
| Jean Monchablon | ... | sound |
Camera and Electrical Department
| Wladimir Ivanov | ... | camera operator |
Costume and Wardrobe Department
| Philippe Venet | ... | wardrobe: Miss Seberg |
Music Department
| André Girard | ... | conductor |
Script and Continuity Department
| Marie-José Guissart | ... | continuity (as Marie-Jose Guissard) |
Additional Crew
| Jean-Étienne Siry | ... | poster designer (as Siry) |
| Suzanne Wiesenfeld | ... | production assistant |
| Catherine Wyler | ... | assistant to producers (as Cathy Wyler) |
| Jean Seberg | ... | voice dubbing: Jean Seberg (uncredited) |
Production Companies
Distributors
- Columbia Pictures Corporation (1963) (United Kingdom) (theatrical)
- Columbia Pictures (1963) (United States) (theatrical)
- Columbia-Bavaria Filmgesellschaft m.b.H. (1963) (West Germany) (theatrical)
- Columbia Film (1964) (Sweden) (theatrical)
- Kamera (1964) (Norway) (theatrical)
- Columbia (1964) (France) (theatrical) (as Columbia Films S.A.)
- Sony Pictures Home Entertainment (2011) (United States) (DVD) (dvdr)
- Twilight Time (2016) (World-wide) (Blu-ray)
Special Effects
Other Companies
- Manhattan Music (music publisher)
Storyline
| Plot Summary |
A young American girl studying art in Paris can't decide if she wants to stay or go back home. She meets a young French boy and they fall in love, but her wealthy father arrives in Paris to take her back to the U.S. Written by frankfob2@yahoo.com |
| Plot Keywords | |
| Taglines | It was Paris...she was a young beautiful American girl...and she fell in love with love! (Print ad) See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
| Certification |
Additional Details
| Also Known As |
|
| Runtime |
|
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Box Office
| Budget | $750,000 (estimated) |
Did You Know?
| Trivia | This was the first and only feature film to be produced by the eminent writer Irwin Shaw (although he later produced a documentary film). Shaw had expressed loud and frequent dissatisfaction with earlier films based on his work (although the then-anonymous critic of "Time" magazine accused him of "crying into his champagne"), and decided that this screenplay, which he had adapted from two of his own short stories, would be protected if he produced the film himself, with his close friend Robert Parrish directing. The film was well-received by critics - though not the "Time" writer, who said that, if Shaw carried on like this, he would soon be "crying into his beer". See more » |
| Movie Connections | Referenced in Jean vs "Lilith" (Jean & Jane Part 4) (2017). See more » |