The Best Man (1964) Poster

(1964)

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8/10
An inside look at what goes on behind the scenes at political conventions
blanche-210 September 2006
Henry Fonda and Cliff Robertson are neck and neck for the Presidential nomination in "The Best Man," a 1964 film based on the play by Gore Vidal, who also wrote the screenplay. The film sports an outstanding cast including Margaret Leighton, Kevin McCarthy, Edie Adams, Lee Tracy, Edie Adams, Ann Sothern, Shelley Berman, Gene Raymond and Howard K. Smith.

Fonda is William Russell, a wealthy man of principle, though he cheats on his wife; Robertson is Joe Cantwell, who chases Communists, is a "man of the people," and plays dirty. At one point, each candidate has something on the other that could lose them the nomination. Nowadays, of course, these items would have come out long, long before the convention. "One word from me and Joe Cantwell is out of politics," Russell muses to his wife (Leighton). But can he say the word? This is a fascinating look at the machinations of getting a President nominated, and asks the question, can a man retain his integrity and still be a politician? Vidal's answer comes as not much of a surprise.

Fonda played presidents and politicians throughout his career. As Russell, he has reserve and dignity. He keeps you guessing. Robertson does a great job as a disloyal sleaze. Lee Tracy, who started in silents, is fantastic as the current, ill President, repeating the role he played on Broadway. The rest of the cast is uniformly good.

So much of what is stated in "The Best Man" remains true today. I doubt these races are handled much differently now. The more things change, the more they remain the same. Especially in politics.
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8/10
Politics In The Convention Era
bkoganbing5 February 2007
The Best Man in a sense was dated before it ended its Broadway run of 520 performances in the 1960-1961 season. John F. Kennedy with his string of primary victories had the nomination almost decided before the Democrats met in Los Angeles that year to nominate him. After that, money raised and spent wisely in primaries decided nominations in both parties long before the conventions met. The last convention where there was a semblance of a contest was the 1976 Republican convention where it was not certain until the balloting that Gerald R. Ford would be the GOP candidate.

This film takes us back to the era of the smoke filled room although candidate Cliff Robertson pointedly tells former president Lee Tracy that he does not smoke. We've got two candidates at this fictional Democratic convention circa the sixties. One is Henry Fonda former Secretary of State, an intellectual in politics modeled on Adlai E. Stevenson and Cliff Robertson a no nonsense street fighter of a U.S. Senator that Joe McCarthy was the prototype.

By the way back in those days Joe McCarthy could easily have been a Democrat. Note that Robertson has the support of the lily white south in the era before the civil rights revolution. Minor candidate John Henry Faulk, a southern governor, is most concerned about mandated integration of his state's public schools. Back then the Dixie part of this country had a big influence in the Democratic party, the Republicans were almost moribund in many southern states. But they were a growing force.

Neither Fonda or Robertson really understands the motivations of the other. They're both courting the support of Lee Tracy a former Truman like president. In actual fact, Truman counted for very little once he was out of the White House. He anointed no successor in 1952 and in 1956 and 1960 his candidates were W. Averill Harriman and Stuart Symington respectively and both came up very short.

Fonda and Robertson both have dirt of varying degrees on the other. Fonda's dirt is supplied by former army buddy of Robertson's Shelley Berman who says that Robertson was gay. As it turns out Robertson ratted out a bunch of gay men in the service and got smeared in retaliation with the label. That sad to say has not changed even with don't ask don't tell in the Defense Department.

Fonda and Robertson's roles on Broadway were played by Melvyn Douglas and Frank Lovejoy. Lee Tracy who was the only carry over from Broadway, won a Tony Award and was nominated for an Oscar, but lost to Peter Ustinov for Topkapi. Tracy's is a finely etched portrayal of a bitter old man now out of real power and seeing his power to control events slipping by. Made even more bitter by the fact that he reads the characters of Fonda and Robertson very well, but can't influence either.

Gore Vidal aided in the transition of his play to the screen and it survived the journey from Broadway none the worse for wear. It's a fascinating look at a bygone era of politics when the national conventions meant something as opposed to being the media shows they are today.

In which we hope then as now that The Best Man will win out.
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8/10
The Great Lee Tracy Actually Gets To Curse On screen
Handlinghandel22 February 2006
What a pleasure to see Lee Tracy in his later years! He plays a President who is terminally ill-- not that Conservative, mudslinging candidate Cliff Robertson cares about his health.

The movie has some weird, faux cinema verite angles. It may not be great art as a movie. But what a screenplay, courtesy of Gore Vidal! Rarely are audiences treated to such literate dialogue and politic insight and wisdom.

Henry Fonda is very good as the upright candidate in a primary. Margaret Leighton, whom I love, is charming as his wife, though it's odd that a senator would have a British-accented wife.

Robertson, not a particular favorite generally, is superb as his rival. His tactics make the flesh crawl.

Kevin McCarthy as Fonda's aid is very good. Edie Adams as a political hostess is a scream -- and she seems just right.

And Tracy. He is both funny and touching. What a splendid actor that man was! In so many early movies, he delivered long, elegant bits of dialogue in what seemed to be a single take. That guy was load with talent. What a shame he self-destructed. But here he was, back again.

This is one of a kind and most definitely worth a visit.
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10/10
mutually assured destruction
RanchoTuVu8 December 2005
A sharp as nails look at US politics, maybe a bit old fashioned, but in a good way, with great performances and writing, and very well put together. It pits the packaged candidate of "the people", a scary Cliff Robertson against the principled liberal played by Henry Fonda, with Lee Tracy as the dying ex-president whose endorsement both vie for. While he favors Robertson for his decisiveness, he fears his utter lack of principles, but can't support the wavering Fonda. Sex, mental illness, shady characters dredged up by political operatives (in this case a great part by Shelley Berman), the fabulous portrayals of both of the wives (especially a cute and dangerous Edie Adams), the film transcends the characters, and hits home as much today as when it came out in 1964.
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The more politics changes the more it remain the same..
Falkenberg20069 September 2006
I work at a movie theatre and in a time of one-week wonders ( yes, one film with an action star lasted 3 days in our chain !) it is refreshing to see a film again where the acting is good and the story keeps your interest.

I am watching this movie after not seeing it for 30 years. It made an impression on me and I started listening to both Gore Vidal and William F Buckley because of it.

Henry Fonda's character is clearly based on Adlai Stevenson. Cliff Robertson echoes Richard Nixon so much it is scary. His arrogance is such that he gives the former President orders !

People decried the smoke-filled room politics of this era but I wonder if we got better leaders back then. They seemed to make decisions based on the courage of their convictions and not what the latest poll says. Fonda's character comments on his ignoring polls, whereas now, politicians can't seem to brush their teeth without worrying about public opinion and not what is best for the country.

The actors in this movie didn't need special effects and could ACT unlike so many of the baby-faced wanna-bes of today.

This movie reflects sex, immorality, infidelity, integrity. God and judgement day are even mentioned, something that is anathema today. And what's shown in here shows that times change but one could replace current politicians for these actors and see them immediately.

Lee Tracy is great in this movie and it could be easily watched for just his performance.

Of note, is the glad-handing by William Russell at a public pool. No security guards, no secret service people.

And mention of a nervous breakdown by Fonda's character. Remember Thomas Eagleton?

If you haven't seen this movie, see it and Seven Days In May afterward. It will give you an idea of how poliiics was looked upon in a totally different era.

George Senda Concord, Ca.
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8/10
Powerful Political Convention Drama; Lee Tracy Steals the Show
mrb198018 May 2007
Warning: Spoilers
Folks unfamiliar with early 1930s movies probably wonder who that old guy playing ex-Pres. Art Hockstader is, because he's so good. It's Lee Tracy, of course, and he makes "The Best Man" well worth watching.

The setting is a national presidential convention, with the two leading candidates played well by Henry Fonda and Cliff Robertson. The film shows the rituals followed during these events, and really shows the viewer the backroom deals and personal attacks that are part of the game.

Fonda plays the upstanding, honorable, and somewhat cynical candidate, who is trying to play by the rules and win on his own merits. Robertson, who made a living playing slightly wacko, off-center type characters, is the venal, win-at-any-cost candidate who will stop at nothing to destroy Fonda and capture the nomination. In the end, Fonda tires of the entire ordeal and throws all his support behind an unknown candidate, who is assured of nomination.

A better-cast movie would be very hard to find. Besides Fonda and Robertson, Shelley Berman as a wimpy informer, Kevin McCarthy as Fonda's hustling top aide, plus Ann Sothern and Edie Adams, this film is packed with great talent. Howard K. Smith even plays himself!

However, the movie is stolen by Lee Tracy, as the curmudgeonly ex-Pres. Art Hockstader, who is terminally ill with cancer but determined to support the right candidate. In the early 30s, Tracy had a corner on Hollywood's fast-talking wise-guy characters, and rightly so. His star fell rapidly after the 1934 self-destruction of his reputation, but he's back 30 years later in a simply magnificent and commanding performance, just a few years before his death.

Try to catch "The Best Man" to see Tracy in action and for a true mid-1960s experience, frozen in time.
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6/10
Time Capsule
telegonus1 July 2002
The movie version of Gore Vidal's play The Best Man is an excellent time capsule of its period, the sixties, when political conventions still mattered, getting one's picture on the cover of Time magazine was the best thing that could happen to a national politician's career, and when hints of mental illness and sexual peccadilloes were still whispered about rather than discussed openly. Franklin Schaffner directs energetically, and the film has an air of urgency to it that make it seem like it's saying something of great importance. It does have something to say, and while I wouldn't call it trivial the movie and its writing is nowhere near as good as it's been cracked up to be. A good deal of one's appreciation of this film will depend on one's opinion of Gore Vidal's literary status. If one rates him as great, the movie a splendid interpretation of his work and his ideas. But if one doesn't, and I don't, then it's a different kettle of fish. First to the movie.

The story revolves around a power struggle that is going on behind the scenes at a national political party's convention (it isn't made clear what the party is, but one can safely assume it's the Democrats). Leading candidate for the presidential nomination William Russell is a former secretary of state, intellectual, writer of books, deep thinker, and liberal conscience. To anyone familiar with the period the character is obviously based on Adlai Stevenson. His chief opponent for the nomination, Joe Cantwell, is a somewhat younger man, a ruthless opportunistic conservative more or less in the Nixon mould. What Nixon or someone like Nixon is doing seeking the Democratic nomination is never made clear, but no matter. That bachelor Cantwell has a skeleton or two in his closet is indicated by rumors of his homosexuality. But Russell has his problems, too, womanizing, an apparent nervous breakdown, and worst of all for a politician, indecisiveness. Both men seek the support of ailing former President Art Hockstader, a pragmatic diamond in the rough politician of the old school, and clearly based on Harry Truman, who, though he leans toward and agrees with liberal Russell, has his doubts about him personally. He'd like to stop Cantwell from getting his party's nomination and isn't sure that Russell is the man to do it. A former officer in Cantwell's unit from the war is willing to squeal on him regarding the homosexual issue. Russell hears the man out, and takes an instant dislike to him. He wants to stop Cantwell, but not that badly. There is a confrontation between Russell and Cantwell. Russell equivocates. Ex-president Hockstader is disgusted with him for not using the "dirt" on Cantwell, and chaos ensues at the convention.

This is a perfectly respectable play and movie, and I have no problem with it except that its insight into people is skin-deep. The actors are not to be blamed. Henry Fonda is appropriately dignified as Russell, Lee Tracy, in his last screen role, is salty as Hockstader, and Cliff Robertson is correctly one-dimensional as the venal Cantwell. The outstanding supporting cast, which includes Ann Sothern, Kevin McCarthy and Gene Raymond, is flawless. What Vidal has to say, which is that politics is an often ugly business, has been said before. He has nothing new to add but the sexual angle, which is mildly interesting. There's little imagination in The Best Man. It's never inspired. The dialogue is adequate, yet never brilliant; and the characters credible without being dynamic. During the course of the film I felt like I was watching a reasonably well-thought out essay. It was never boring, and often skillfully done, and yet I was never drawn into it emotionally, or cared for the people it was about. There's something lacking in Vidal here and in all his work. Maybe it's a contempt for humanity, or maybe just a lack of caring. I find it hard to take anyone seriously who opines as often as Vidal does on a variety of issues, who cares so little for the people those issues ultimately concern.
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9/10
Who is the right type of man to be President?
theowinthrop17 May 2009
Warning: Spoilers
Although dated because Gore Vidal placed too much emphasis on the importance of a convention, THE BEST MAN is one of those movies that should be shown the week just before a Presidential primary, convention, debate, or election is held. It is an important statement on what the public really deserves from its leaders, and also what the public frequently ends up getting.

The date of the events would be roughly 1968 or possibly 1972, as Joe Cantwell (Clift Robertson's character) served in World War II. The World War II Presidents lasted from General Eisenhower to George H. W. Bush, but the youth of Cantwell limits his having a run after 1972. Cantwell (as was pointed out in another review) is based on Joe McCarthy, although the candidates seem to be Democrats, not Republicans. To be fair he is an amalgam of several figures: Huey Long (with Gene Raymond as a brother Earl - although Earl is made the older brother), and Estes Kefauver, the Tennessee Democratic Senator who fought the Mafia and ended up Stevenson's rival in 1956, and then his Vice Presidential running-mate. Cantwell has made a hard-hitting reputation against communists and mobsters. But he does not care what methods he uses to achieve his goals. At one point one sees him strong-arming delegates through blackmail.

As was pointed out his rival, William Russell, is based on two time candidate and loser Adlai Stevenson. Russell actually has an even earlier lineage. His name is the same as Lord William Russell, a 17th Century Whig "liberal" nobleman, and political writer, who was executed for treason in a questionable trial in 1683 in what was called "the Rye House Plot" (supposedly against the life of King Charles II and his brother the Duke of York). Gore Vidal obviously chose the name to suggest a hopelessness in the man's ambitions from the start.

Russell also turns out to have had a nervous breakdown of a quasi-violent nature that was covered up by the then President Art Hochstedter (Lee Tracy). This is based on the tragedy (in the Truman Administration) of our first Secretary of Defence, the brilliant James Forresthal, who killed killed himself (threw himself out of a window) from a hospital he was being treated at in 1949. Russell (in Vidal's fiction) was Hochstedter's Secretary of State at the time of his breakdown.

Cantwell has massive appeal to the group that Nixon would label "the silent majority". He is one of them, and he knows that they think the way he does. To achieve what they want they will do anything. He has a contempt for effete, liberals like Russell. Russell, who has written a book on his views of the world (similar to Democrat - turned Republican - Wendell Wilkie), loathes Cantwell and his strong arm methods.

Russell is married (his wife is played by Margaret Leighton). She resents his womanizing, but like Eleanor Roosevelt admires the man - and will support him if he will refrain from humiliating her in the White House. Cantwell is a family man with children (his wife is played by Edie Adams). He does compartmentalize home-life and political being, but Adams also understands this.

Cantwell is ready to spring the report his brother acquired of the nervous breakdown of Russell. But Russell's assistant (Kevin McCarthy) has found evidence of a nasty rumor about Cantwell in the army. A fellow soldier stationed with Cantwell (Shelley Berman) is ready to expose that Cantwell had a homosexual episode while in the service.

Both candidates hope to get ex-President Hochstedter's blessing for the nomination. But though he likes Russell, Hochstedter doubts Russell's fighting ability and decisiveness. Hochstedter hates Cantwell (who openly despises him as well), but he knows Cantwell can fight. But he is aware that Cantwell (to win his point) can overkill ridiculously. He also is aware that for himself time may be running out.

Other figures are on the sidelines: A southern governor who wants to put a stop to this nonsense about integration (played by blacklist hero John Henry Faulk), an outspoken "Pearl Mesta" type of Washington hostess, giving social tips to the potential first ladies (Ann Southern). And other favorite son candidates, including Richard Arlen.

Gore Vidal's family has been involved in American politics for many decades, his grandfather being Senator Thomas Gore of Oklahoma. Distantly he is related to our former Vice Presient Al Gore. So he has made his fable of politics very rich and thought provoking. Who indeed should our political fates be in the hands of? His conclusion is as clever as his viewpoints are wise.
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7/10
"He fires a cannon to kill a bug."
oOoBarracuda10 November 2016
Warning: Spoilers
Director Franklin J. Schaffner tackled ruthless political campaigning with his 1964 film The Best Man. Starring Henry Fonda and Cliff Robertson, the film takes its inspiration from a screenplay written by political writing giant Gore Vidal. Two men vying for the endorsement of the former president, one will stop at nothing, while the other is determined to retain his dignity, The Best Man illustrates the journey of both. The Best Man is an engaging political drama revealing a behind-the-scenes look at the depths some will take to attain the highest power in the land.

Two men of the same party, William Russell (Henry Fonda) and Joe Cantwell (Cliff Robertson) have engaged in a political in-fight to gain the endorsement of their party's former president. Both men are not without their faults; William Russell has a reputation for being a philanderer, Joe Cantwell is a ruthless politician who is determined to not let anyone impede his way to the top. Nearing their party's convention, it is crucial for one of the two, the top contenders, to gain the endorsement of the aging president. The president, however, hasn't made any indication of who he will support, even at a dinner in which he would have typically announced his endorsement, he remains neutral. As the convention draws near, the stakes rise and both men are tested to their limits; how far will they go for power?

The Best Man has a wonderful opening montage in which the audience meets the two candidates, instantly learning their tendencies toward decency. Henry Fonda is, of course, the one the audience wants to side with, has he ever played a character that was anything less than lily-white? I have an interesting relationship with Henry Fonda, I always adore him when I happen to see him in something, yet have never sought out any films because he was in them. I have a mind that tends towards the obsessive in that when I see someone I enjoy watching, I seek out everything they've ever done. Anyway, Henry Fonda was as wonderful in this film as he is in every other role I've enjoyed of his. Also, a welcome surprise was seeing Kevin McCarthy in this film so soon after seeing him and enjoying his role in Invasion of the Body Snatchers (mental note: must check out more of his work). Having done all my undergraduate work in Political Science and being aware of copious amounts of polling data, I found it interesting that the names they chose for the film "CANTwell" and MerWIN. On a surface level, when only thinking about the film, it becomes clear that the subtext establishes that Cantwell will not win, and Merwin, will, in fact, emerge the victor. Many cues clearly indicate that this film was written by a political insider. First of all, It is rare for a political film to address in-fighting between members of the same party. Typically, the main crux of political films deals with the ultimate battle between the members of the opposite party. Likewise, it is interesting to see a film where the action of the film is centered around a party convention rather than an election. The Best Man is a wonderful film dealing with a political theme; it has aged incredibly well, with communism being the only outdated concept, which is easily substituted for the woeful group of the time. The Best Man is a wonderful puzzle all the way to the end, with the President's ultimate goal being realized in the end. A film that keeps the audience engaged all the way through the increasingly suspenseful and exciting final act, The Best Man is a film to see for political enthusiasts and novices alike.
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9/10
To Hell with both of you!
krorie19 February 2006
Gore Vidal was a TV fixture during the Vietnam War era using his wild wit to lay low conservatives such as William F. Buckley Jr. Vidal was also one of the most gifted and talented political playwrights of the period. "The Best Man" is one of his best works. Obviously Henry Fonda as Presidential hopeful William Russell represents the "egghead" Adlai Stevenson. Fonda even physically resembles Stevenson. Cliff Robertson as Presidential hopeful Joe Cantwell is a dead ringer for Richard Milhous Nixon. Ironically Robertson would use Hollywood politics to snatch the Oscar a few years later for "Charly."

There are several outstanding performances in this film. Fonda and Robertson have already been mentioned. Lee Tracy was deservedly nominated for an Oscar for best supporting actor for his performance as former President Art Hockstader who controls the nomination process at the party's national convention until cancer brings him down. This picture represented somewhat of a comeback for Tracy. While filming "Viva Villa!" in Mexico a drunk Tracy urinated from a balcony onto the heads of Mexican soldiers parading below leading to an international incident. It gave a whole new meaning to raining on someone's parade. Tracy, a truly distinguished actor, himself died of cancer a few years after "The Best Man" was released.

A few of the cast members noted for their comic talents give splendid dramatic readings. Shelley Berman plays a confused ex-soldier who accuses Joe Cantwell of having done a degenerate act while serving with him in the Aleutian Islands. Ann Sothern has the role of a busy body who thinks she's a king maker. Sexy Edie Adams (Ernie Kovac's widow) appears as Joe's wife hoping to be the future First Lady. And the great John Henry Faulk who was blacklisted in the 50's because of persons like Joe, fought and won, plays a corn pone Southern politician.

Don't miss the heavenly Mahalia Jackson, perhaps the best gospel singer of the 20th century, belting out an old spiritual at the opening of the convention. Her time on the screen is much too brief. Howard K. Smith doesn't have an acting problem since he plays himself but his appearance makes the convention seem more realistic. The entire cast makes a good showing. However, Kevin McCarthy is virtually wasted in the thankless role of Russell's campaign manager.

Gore Vidal writes with much wit and wisdom. There are subtle hints of humor from time to time that require the viewer's devout concentration. This is definitely not escapist type fare. The film analyzes American politics not just from the standpoint of 1960/64 but from the Republic's 200 plus year history. The revelations presented in "The Best Man" are just as true in the year 2006 and will be rerun to some extent during the Presidential conventions in the summer of 2008.

The ex-President Art Hockstader refers to the results of the convention as putting a king in the castle, a far cry from George Washington's views that being President was a civic duty. When asked if he should be called King, Washington replied, "No, Mr. President will do." We haven't had a Washington in the President's house since.
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7/10
Insightful and still relevant, it's an excellent political drama
jacobs-greenwood14 October 2016
Warning: Spoilers
Directed by Franklin J. Schaffner, and written by Gore Vidal, this excellent political campaign drama stars Henry Fonda and Cliff Robertson as the two frontrunner candidates hoping to be selected as the Presidential nominee at their party's convention. Lee Tracy (giving his final feature film performance), who received his only Academy recognition with a Supporting Actor Oscar nomination for his role, plays the "hick" President of the United States, who's secretly dying from cancer but still wields a lot of power in the process.

Surprisingly still relevant for today, the film delivers an insightful, biting look at the behind the scenes wrangling, wheeling and dealing, that must go on at a wide open political convention where no clear candidate is the right choice, or has sewn up the position in advance: dirty politics, questions of character, decisions as to whether to use damning evidence against one's opponent which may jeopardize the party's chances of winning the overall election, etc..

Fonda plays Secretary of State William 'Bill' Russell, whose marriage to his British wife Alice (Margaret Leighton) has been over for a long time due to his multiple affairs over the years. However, on the eve of the convention and for the purposes of his Presidential (and her First Lady) aspirations, the two agree to a "treaty" - to pretend to be as one so that he might win the nomination and (almost by default) then the presidency. She must then deal with Sue Ellen Gamadge (Ann Sothern), a powerful lobbyist who represents women's issues for the party. Russell is thought to be an intellectual who thinks about every issue (perhaps too) thoroughly, which causes some like President Art Hockstader (Tracy) to question his decisiveness. Kevin McCarthy plays Russell's campaign manager Dick Jensen.

Robertson plays working man hero and Senator Joe Cantwell, who'd made a name for himself linking the Mafia with communism and writing a book titled the "Enemy Around Us"; Edie Adams plays his loving wife Mabel, the mother of their three children. Gene Raymond plays Joe's brother Don, (a former Senator?) who'd lost to Hockstader in a Presidential campaign of his own years earlier and now acts as Joe's campaign manager. Shelley Berman plays Sheldon Bascomb, a man who surfaces out of Joe's military past with a secret that might destroy his chances of earning his party's nomination - especially since Joe is supported by the conservative wing of the party.

Cantwell has a bombshell of his own to drop, a psychiatric evaluation of Russell that calls into question the Secretary of State's mental health, labeling him a manic depressive that might crack under stress. Though Cantwell thinks of bringing this information to the light of day as a public service, his telling this to Hockstader so enrages the President that he withdraws his planned endorsement of ruthless Joe, calling him stupid for using a "cannon to crush a bug". Hockstader then works behind the scenes for Russell, though later lectures him about his indecisiveness to use Bascomb's dirt about Cantwell.

Mahalia Jackson appears as herself, singing at the pre-convention banquet; Howard K. Smith also appears as himself, the news anchor correspondent during the convention. John Henry Faulk plays a southern state "Sons of the Confederacy" Governor T.T. Claypoole, who Hockstader kids is a progressive liberal; T.T. is instead a candidate who's not shy about voicing his racial prejudices and is slippery with his loyalties to either of the frontrunners, holding out for whomever will promise him a spot on the ticket as the vice presidential candidate. William Ebersol plays a relatively unknown candidate, western state Governor John Merwin, and Richard Arlen plays the other candidate, the former Attorney General now Senator Oscar Anderson. George Furth plays the President's secretary, aide.
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10/10
An Excellent Morality Play
gunnarvl16 May 2005
Gore Vidal's "The Best Man" is one of my favorite films. Though written at a time when political conventions still mattered, the subject matter is still very appropriate. Basic moral questions are asked and soul searching by the thoughtful viewer takes place. How far would you go to win? Would you knowingly slander a political opponent with false information to gain the upper hand? How much of a candidates past is relevant today?

The cast is brilliant. Henry Fonda, Cliff Robertson, Lee Tracy, Ann Sothern, all are wonderful. Mahalia Jackson makes a cameo singing her heart out at a pre-convention gathering. One of the candidates is rumored to have had psychological problems. Womanizing is another issue. There are homosexual rumors flying around concerning another candidate. Another candidate is a racist.

What is really interesting is Vidal's take on the supposed "two party system". In this movie, there is only one party, as the candidate to be nominated is according to the former President "almost certain to become our next President". This is prophetic on Vidal's part, as the two major party's today have drifted so similarly close to each other on many issues, it is sometimes difficult to distinguish them.

To correct the other reviewer of this film, Cliff Robertson does not play a bachelor candidate. Edie Adams does a great job playing his attractive wife.

"The Best Man" is great film, nearly as relevant today, as it was over 40 years ago. Now, if it was only available on DVD.
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7/10
Best man falls
Lejink30 November 2018
I've been looking out Hollywood political thrillers from the early 60's and so came to this one after recently seeing features like "The Manchurian Candidate", "Seven Days In May" and "Advise And Consent", all top movies in my view. I hadn't heard of this one at all for some reason but it compares very well with those mentioned above.

Like them, it's filmed in newsreel-crisp black and white and takes an extremely caustic view of domestic U.S. politics, perhaps even more so than those predecessors I listed. There is no single main character it seems, from the president on down, not prepared to get down and dirty to get into power. Cliff Robertson's young, thrusting, no-holds-barred Senator Joe Cantwell, quite prepared to trawl up and air in public the troubled medical history of his older, more principled rival, William Russell, played by Henry Fonda. But Fonda's own campaign team think they have mud to sling back at Cantwell, an alleged homosexual dalliance of his in the army, no doubt in the same platoon as Don Murray in Preminger's "Advise And Consent" and both they and the ailing incumbent president (like president Fredric March in "Seven Days In May") want him to use this dirt (again like president Franchot Tone in "Advise And Consent") to get high by going low to paraphrase a recent president.

Adapted by Washington-watcher Gore Vidal, of the four films mentioned, this is perhaps the most damning of the American election process. I was again surprised at the airing of all this personal dirty linen before the viewing public of the day as I didn't think such personal characteristics or traits as homosexuality or psychological health issues could be so damaging to a candidate's electability even back in the early 60's, but what do I know.

That said, I didn't appreciate the simpering whimpering characterisation of the stoolie army chum of Cantwell's prepared to expose his alleged gay past plus I was also surprised that at the party convention, the casting votes to nominate a candidate could be transferred as a block without even consulting their own electorate which for me made the admittedly tense conclusion (although again using the same dramatic plot device as "Advise And Consent" as the catalyst for the climax) seem incredible and unlikely in these here democratic United States. Better and more realistic I thought was the backstabbing double-dealing perpetrated by the country's chosen representatives, best exemplified by Robertson's character rhyming off all the sleaze he has on swing-senators to arm-twist their support for him.

Fonda, as in "Advise And Consent" is excellent as the closest thing to a principled character in the movie, as is Robertson as the Nixon / McCarthy hybrid Cantwell (with a little, leavening slice of Bobby Kennedy thrown in for good measure). Lee Tracy, who'd played the part of the knowingly unscrupulous old president on Broadway is excellent in his Oscar-nominated role. Women don't get major parts in the film, but Margaret Leighton and Eddie Adams do well as the non-adoring and adoring wives of the candidates while Anne Sothern steals more than a few scenes as the would-be powerbroking matriarch of the women's vote. Director Franklin Schaffner certainly captures the bustle and tension of a close fought electoral fight.

I personally can't get enough of this type of movie and will seek out others from the same era for further comparison. Even if I didn't find this one quite as thrilling as "Manchurian", as engrossing as "Seven Days" or as provoking as "Advise" it still bears comparison with its illustrious contemporaries.
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5/10
Gore Vidal's script is nasty, superficial examination of party politics...
Doylenf5 February 2007
Like Gore Vidal himself, THE BEST MAN is a strictly superficial look behind the scenes of party politics, with Vidal taking stabs at the less than perfect candidates vying for the office of President of the United States.

He gets digs at everyone in Washington, D.C., exposing the silly wives with daydreams of becoming First Lady (EDIE ADAMS), the women who know how to play double-cross with charm and skill (ANN SOTHERN), and two men who are entirely different in character--HENRY FONDA (supposedly based on Adlai Stevenson) and CLIFF ROBERTSON (an unethical man who stops at nothing to play dirty and may have been based on Richard Nixon). It smacks of 1960s political scene--but since not much has changed since that time as regards political conventions, it's still timely enough to represent a time capsule of that period.

Fonda is Fonda; Cliff Robertson is a one-dimensional bad guy; but there are some juicy performances among the sterling supporting cast, including LEE TRACY as the current President (an outspoken man of homespun values, based presumably on Harry Truman), and MARGARET LEIGHTON, ANN SOTHERN, KEVIN McCARTHY and GENE RAYMOND doing workmanlike jobs in less substantial roles.

If you like your politics full of cynicism and not necessarily full of wit, THE BEST MAN should appeal to you--especially if you like Vidal's current brand of rather nasty commentaries on today's political scene.

Trivia note: LEE TRACY, as the ill president, did succumb to cancer a few years later, after winning an Oscar nomination as Best Supporting Actor for this film.
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MUDSLINGING!
yenlo11 February 2000
60's flick about political mudslinging between two candidates who are vying for their party's nomination for president. The action takes place at the convention as both Henry Fonda and Cliff Robertson dig up the dirt about each other. Compared to today's politics this 64 film actually seems tame. Fun to watch especially during a presidential election year.
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8/10
Fascinating Political Drama
kenjha18 February 2011
Two men vie for the presidential nomination of a party. Based on a play by Vidal, this is a fascinating behind-the-scenes look at the political machinations on the campaign trail. Although the name of the party is not identified in the film, the candidates display elements of both Democratic and Republican values. Fonda is the decent, old-school liberal while Robertson is his ruthless, right-leaning rival. Both turn in excellent performances. The standout in the fine supporting cast is Tracy as a former president who must decide which candidate to endorse. This is an ideal companion piece to "Advise and Consent," made a couple of years earlier and also starring Fonda.
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8/10
political movie of the era
SnoopyStyle18 July 2016
In a Presidential convention, William Russell (Henry Fonda) and Joe Cantwell (Cliff Robertson) are the leading candidates. Russell is a principled intellectual with personal issues that could haunt him. His estranged wife Alice is supportive publicly. Cantwell is a populist on the outside, and a ruthless opportunist on the inside. His wife is superficial. They struggle for the endorsement of the departing President Art Hockstader. Cantwell threatens to Hockstader that he would release Russell's secret psychiatric hospital records. In his all important speech, Hockstader doesn't give a direct endorsement throwing the convention open. He has concerns about Russell but vows to stop Cantwell.

This is a political movie of the era. The main characters are referencing politicians of the time. It loses a little with the passage of time. Fonda and Robertson are exceptional. Writer Gore Vidal injects the movie with plenty of behind the scenes realism. It is more real than most political thrillers of that era.
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7/10
What is Best
sol-13 March 2016
Competing for their party's presidential nomination, two popular United States politicians consider using underhanded slander tactics to gain an advantage in this scathing look at the American political process. The presidential hopefuls are played by Henry Fonda and Cliff Robertson respectively, however, the best performance in the film comes from Lee Tracy who received an Oscar nomination for his role as the cynical, terminally ill incumbent president who cannot decide whether the unadventurous Fonda or the spineless Robertson is better to endorse. Full of moralistic dialogue, the film feels a little preachy at times and Fonda and Robertson are painted a little too much like polar opposites for credibility, but either way, the film offers a memorable insight into dirty politics and the systems in place that breed dirty politics. There is great irony in how Fonda and Robertson spend more time working out whether or not to take down one another than they do on debating issues and policies at hand. There is also much to consider with Tracy equating Fonda making a decision on whether to take down Robertson at the same level of making a political decision in the best interest of the nation. The film has curious time capsule status too these days, or at least in terms of the tactic proposed in order to take Robertson down. Times have certainly changed, but have politics changed that much?
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10/10
STILL PACKS A WALLOP AFTER ALL THESE YEARS
tcchelsey28 October 2020
THE BEST MAN remains pretty potent stuff after all these decades, and having watched it for that long my conclusion is that not much has really changed. True, there are some critics who will comment that was then and this is now, but the underlying truth remains, and will always for that matter, that people don't change. And while we're on the subject of people, the seven deadly sins come into play and, yes, in the world of politics, what better testing ground is there? If you really want to condense this engaging story, all one has to do is watch the stellar performance turned in by Lee Tracy (an Oscar nominee hands down) who portrays the former president of the United States, now at death's door, who lays it all on the table with the dire warning, throw in a touch of arrogance and cynicism, to be careful of what you wish for. Nothing changes. The brass ring will always be there and with it different names, but underneath the same people with the same agenda. What's the old cliché, be careful of the pat on the back because it may set you back. Spot on with THE BEST MAN and some fifty years from now, a new generation of viewers will say about the same thing. Scary stuff, but well worth putting at the top of your viewing list.
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7/10
Hail, Dirty Politics! - And May The Best Man Win!
strong-122-47888524 February 2014
Released in 1964 - It was on account of Cliff Robertson (one of my favourite actors of the 1960s) that I decided to watch The Best Man. And, after the show was all over, I was certainly very impressed by both Robertson's powerful performance and by the riveting intensity of this first-rate political drama.

Filmed in b&w, The Best Man's story is set in sunny Los Angeles, during a huge political convention, where the 5 delegates running for the office of U.S President meet (along with their many, many supporters) to see which one of them will be the victorious winner in this race for the most-coveted of all positions.

The two reigning front-runners in this "winner-takes-all" campaign are Joe Cantwell (played by the young and handsome, Cliff Robertson) and William Russell (played by the older and somewhat weary, Henry Fonda).

Soon enough Cantwell and Russell, as the ultimate favourites, square-off for a literal political showdown.

With each of these men vying to gain the all-important endorsement from the present U.S. President, Art Hocksteader, matters inevitably turn to ruthless muck-slinging where the name of the game is, yes, "Dirty Politics".

With its top-notch cast, its superb direction by Franklin Schaffner, and its scathing screenplay penned by Gore Vidal, I'd confidently rate The Best Man (now 50 years old) as one of the best political dramas ever made.

From start to finish, this film holds the viewer's undivided attention with its compelling story-line of a behind-the-scenes look at dirty, American politics.
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8/10
Realistic
billcr123 May 2018
The Best Man is from 1964 and it could have been made today. Gore Vidal first wrote it as a play which he later adapted for the screen. Vidal had real life experience as an insider in politics. He was on a first name basis with JFK. Henry Fonda stars as an idealistic politician running for president. Cliff Robertson is his opponent in a primary before the election. The man has no scruples and will do anything to win the election. The wheeling and dealing are shown in a very realistic manner. Vidal's script cuts like a razor sharp scalpel. More then fifty years later and nothing has changed. We need more Gore Vidal's today to cut through all the BS.
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7/10
Splendid political and incisive drama , well based on Gore Vidal's play about two presidential contenders
ma-cortes10 November 2021
Nice drama that populates the dark and twisted vision of the American electionswith fascinating interpretation by Henry Fonda , easily the most stimulating acting . A brilliant adaptation of a known play dealing with politic intrigues and plenty of familiar faces formed by an all-star-cast who gives extraordinary acting . It's convention time , Caucus , and front runner Secretary of State William Russell (Henry Fonda) finds himself confronting Senator Joe Cantwell (Cliff Robertson) . The honest , kind Russell hopes to elevate politics beyond the personal attack . While Cantwell is a corrupt politician who wants to win at whatever cost and he'll stop at nothing to get it by using cheated strategy , blackmailing voters , and willing to crush any opponent . Both of whom crucially need the support of the sick ex-President Hockstader (Lee Tracy's flamboyant acting). But ex-president is called upon to confirm the controversial nominee Cantwell . As Hockstader believes Russell's inability to act that's his main gap . Both of them have evidences that can give light to sinister secrets from the past . But then , things go wrong . Does The Best Man Always Get To The White House? . The Best Man is Dynamite .

A thorny , darkly satiric tract about two candidates who vie for endorsement of the aging ex-president and trample political ethics in the process . Gripping and attractive movie that contains over-the-top performances, engrossing drama , intrigue , corruption , political events and a special vision of US polls and its behind-the-scenes in which both pitted candidates make discoveries about themselves , their set-ups, strengths , and eventually accepting weakness . Thought-provoking and compelling film in which abounds top-drawer acting among the popular stars ; thoughtful screenplay from Gore Vidal based on his play : ¨The Best Man¨ wheeling with a suspenseful intrigue about two controversial candidates and their strong confrontation for the party power , as the stakes become higher and each team has to decide how dirty they are prepared to get . Main and support cast are very fine , there abounds magnificent performances such as Henry Fonda as a man of conviction and Clift Robertson as a political street fighter who practices a "means justifies the ends" . They're very well accompanied by an awesome support cast , such as : Edie Adams , Margaret Leighton , Shelley Berman , Ann Sothern , Gene Raymond , Kevin McCarthy, among others . Furthermore , stands out Lee Tracy as the ailing ex-President giving an adequate underplaying and the scene-stealing best , Edie Adams .

It displays appropriate cinematography in black and white by Haskell Wexler . Atmospheric and evocative musical score by Mort Lindsey .This engrossing , riveting picture was effective and competently directed by Franklyn J Schaffner . He made excellent motion pictures such as "The Planet of the Apes", "Patton, " "Papillon" , ¨"Nicholas and Alexandra" , after the flop of his film titled " Islands in the Stream ", in which went on to coincide with the actor of "Patton" , George C. Scott , he decided to embark on a project more commercial and successful as "The Boys From Brazil" ; however , ¨Sphinx¨ ,¨Lionheart¨, ¨Si Giorgio¨ were other box office failures . ¨The best man 1964¨, rating : 7.5/10. The flick will appeal to Henry Fonda and Clift Robertson fans . Better than average , worthwhile watching .
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8/10
dirty politics: still business as usual
mjneu597 November 2010
Gore Vidal, always one of our more honest and entertaining political insiders, provides a typically critical look at the closeted skeletons and backstabbing power plays behind a national presidential convention, where Henry Fonda and a young Cliff Robertson square off for their party's nomination. Fonda, more or less typecast as the more rational candidate, plays an admirable but unexciting character surrounded (thankfully) by a gallery of colorful eccentrics bordering on, but never quite reaching, the level of caricature. Chief among them is his rival, Robertson, a sleazy right-wing demagogue modeled, according to the author, after Richard Nixon, although his paranoid tirades would fit comfortably anywhere in the shallow soapbox of post-Reagan political discourse. Oscar nominee Lee Tracy and comedian Shelley Berman lend memorable support, but the real star of the film is Vidal's barbed wit and malicious political insight, none of which has aged a day, even while the old-style national convention depicted here has long since devolved into a meaningless charade of choreographed soundbites and corporate slogans.
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6/10
WOW
mehden-k29 October 2020
Who watching this in October 2020, some things never change.
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5/10
Oh, the humanity!
LibertyValance-321 June 2008
The funniest thing here is reading the contorted, puzzled attempt to assert that Robertson's character is based on Nixon, but why would "Nixon" be running for the Democratic nomination against "Adlai Stevenson." The reason is that Robertson's character was based on John F. Kennedy (not Nixon) of that close family friend of the Kennedys, Sen. Joe McCarthy.

Now, doesn't it make more sense? Jack Kennedy, in the late 1950s, still parroting the line of his old man (who was a Hitler fan), was the coldest warrior ever to seek the White House.

Of course, getting his brains blown out has martyred & deified him, but he was once a tough-titty anti-commie.

So, if you do a little research, you can find sources that say Joe Cantwell = Jack Kennedy. It's not a perfect match, Just as William Russell is a womanizer where Adlai Stevenson was dogged by degenerate rumors, but JFK was said to be Vidal's inspiration for Cantwell.
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