Directed by
| Robert Hartford-Davis | ||
Writing Credits (in alphabetical order)
| Derek Ford | ... | (original screenplay) |
| Donald Ford | ... | (original screenplay) |
Cast (in credits order) verified as complete
Produced by
| Robert Hartford-Davis | ... | producer |
| Michael Klinger | ... | executive producer |
| Robert Sterne | ... | associate producer |
| Tony Tenser | ... | executive producer |
Music by
| Malcolm Mitchell | ||
Cinematography by
| Peter Newbrook | ... | director of photography |
Editing by
| Teddy Darvas | ||
Art Direction by
| Bernard Sarron | ||
Costume Design by
| Jackie Cummins | ||
Makeup Department
| Jimmy Evans | ... | makeup artist |
| Bobbie Smith | ... | hair stylist |
Second Unit Director or Assistant Director
| Gordon Gilbert | ... | assistant director |
| Ross MacKenzie | ... | first assistant director |
| Roger Simons | ... | assistant director |
Art Department
| Sid Leggett | ... | prop man |
Sound Department
| Red Law | ... | sound re-recordist |
| Ken Reynolds | ... | boom operator |
| Bert Ross | ... | sound mixer |
| Jack Smart | ... | sound camera operator (uncredited) |
Camera and Electrical Department
| Colin Corby | ... | clapper loader |
| Dennis C. Lewiston | ... | camera operator (as Dennis Lewiston) |
| Bert Lott | ... | grip |
| Ronnie Fox Rogers | ... | focus puller (as Ronnie Fox-Rogers) |
| Laurie Turner | ... | still photographer |
Costume and Wardrobe Department
| Jackie Cummins | ... | wardrobe mistress |
Editorial Department
| John Poyner | ... | assistant editor |
| David Woodward | ... | assistant editor |
Music Department
| Malcolm Mitchell | ... | conductor |
Script and Continuity Department
| Phyllis Crocker | ... | continuity (as Phil Crocker) |
Additional Crew
| Nat Miller | ... | production controller |
| Ann Guttridge | ... | production secretary (uncredited) |
