For nostalgic excitement there's no better '60s pop compendium than this! An impossibly eclectic mix of talent at the Santa Monica Civic, in a brilliantly produced live show recorded in the wonder of Electronovision! The lineup is incredible: The Rolling Stones, James Brown and Lesley Gore on the same stage? The T.A.M.I. Show; The Big T.N.T. Show Blu-ray Shout Select (Shout! Factory) 1964 / B&W / 1:66 & 1:85 widescreen / 112 + 93 min. / Electronovision / Collector's Edition / Street Date December 2, 2016 / 29.98 Starring T.A.M.I.: The Beach Boys, The Barbarians, Chuck Berry, The Blossoms, James Brown and The Flames, Marvin Gaye, Gerry and the Pacemakers, Lesley Gore, Jan & Dean, Billy J. Kramer and the Dakotas, Smokey Robinson & The Miracles, The Supremes, The Rolling Stones Toni Basil, Glen Campbell, Teri Garr, Jack Nitzsche, Leon Russell, Phil Spector, David Winters. T.N.T. David McCallum, Ray Charles, Petula Clark, Bo Diddley, Joan Baez, Phil Spector, The Ronettes,...
- 11/5/2016
- by Glenn Erickson
- Trailers from Hell
While James Brown fans already got the opportunity to see Chadwick Boseman as the Godfather of Soul in this summer's Get on Up, Alex Gibney (Finding Fela, Taxi to the Dark Side) tackled the real thing in HBO's Mr. Dynamite: The Rise of James Brown, a new documentary on the singer that premiered Monday night.
More hagiography than warts-and-all bio — the film omits Brown's arrests on weapons charges and only mentions one instance of many domestic abuse allegations in passing — the Mick Jagger-produced film still enlists many of Brown's former musicians,...
More hagiography than warts-and-all bio — the film omits Brown's arrests on weapons charges and only mentions one instance of many domestic abuse allegations in passing — the Mick Jagger-produced film still enlists many of Brown's former musicians,...
- 10/28/2014
- Rollingstone.com
HBO has picked up U.S. and Canadian TV rights for Alex Gibney’s Mr. Dynamite: The Rise Of James Brown, a documentary about the early years of the musical giant to the pinnacle of his career as The Godfather of Soul. The film, produced by long-time Brown fan Mick Jagger, will debut on HBO on Oct. 27.
The documentary tracks Brown’s shift from the R&B sounds that dominated black music in the early years after WWII to the funk sound he pioneered. Brown was particularly known for his searing live performances at the Apollo Theater, on The T.A.M.I. Show (where he was the second-to-last performer, playing before Jagger’s Rolling Stones) and elsewhere. Archival footage of some of that material is part of the doc.
Gibney, a 2008 Oscar winner for his documentary Taxi To The Dark Side, worked with a wide array of historical and archival material from...
The documentary tracks Brown’s shift from the R&B sounds that dominated black music in the early years after WWII to the funk sound he pioneered. Brown was particularly known for his searing live performances at the Apollo Theater, on The T.A.M.I. Show (where he was the second-to-last performer, playing before Jagger’s Rolling Stones) and elsewhere. Archival footage of some of that material is part of the doc.
Gibney, a 2008 Oscar winner for his documentary Taxi To The Dark Side, worked with a wide array of historical and archival material from...
- 9/4/2014
- by David Bloom
- Deadline
Is it overselling it to claim that James Brown's 18-minute performance on 1964's The T.A.M.I. Show rivals the moon landing as the choicest footage of human achievement of the 1960s? Stanley Kubrick couldn't fake this: Hot-footing in a crisp, checkered vest and jacket, Brown connected the world of then to the world of now. (You can relish it at two rare screenings of the omnibus concert film at Lincoln Center Aug. 31.)
First, he glides through the mod "Out of Sight," often on just one foot. Then, stopping on an unexpected dime, he lays into the ballad "Prisoner of Love," but that archaic song can't hold him. Like the song form itself, or the teen-oriented pop of Jan and Dean and the rest of The T.A.M.I. Show, "Prisoner of Love" is an envelope, and Brown's a h...
First, he glides through the mod "Out of Sight," often on just one foot. Then, stopping on an unexpected dime, he lays into the ballad "Prisoner of Love," but that archaic song can't hold him. Like the song form itself, or the teen-oriented pop of Jan and Dean and the rest of The T.A.M.I. Show, "Prisoner of Love" is an envelope, and Brown's a h...
- 8/27/2014
- Village Voice
The Sixties, Tom Hanks' ten-part documentary series on CNN, is slated to start this May. But last night saw the debut of "The British Invasion" episode, presumably to capitalize on the fiftieth anniversary of the Beatles' appearance on The Ed Sullivan Show. The hour kicked off with the Beatles arriving in the States, and as familiar as that story is, we'd pay to see a documentary just on that week: every moment is golden, from the interviews with hysterical fans to the Elvis impersonation by Ringo Starr. Then, armed...
- 1/31/2014
- Rollingstone.com
The long-lost 1964 concert film The T.A.M.I. Show opens with an upbeat montage of its performers racing from all corners of the Earth to the Santa Monica Civic Auditorium. For two magical nights, October 28th and 29th, 1964, Santa Monica was the epicenter of youth culture, a Mecca for teenyboppers eager to scream their lungs out for an astonishing array of top performers. The opening montage captures the breadth of talent on display for a concert for what was alternately known as Teen Age Music International or Teenage Awards Music International. The Rolling Stones and ...
- 3/31/2010
- avclub.com
If you've never seen The T.A.M.I. Show, the 1964 youth-concert explosion that has just been released on DVD for the first time, then by all means get hold of a copy of it. It's an electric surge of '60s rock-and-soul energy that will leave you bopping, laughing, and generally awed at the crackly pop fervor of the moment it captures. I confess that I didn't realize, until now, how unique that moment was. The first time I saw The T.A.M.I. Show, back in 1979 (it was then a fixture on the revival-house and college film-society circuit), I was, at the time,...
- 3/28/2010
- by Owen Gleiberman
- EW.com - The Movie Critics
Last night was the Oscars which were, by tradition, too long, not particularly funny, and predictable. I mean, it was wonderful that The Hurt Locker and Kathryn Bigelow won, but it wasn't surprising. Surprising would have been if Quentin Tarantino had taken directing for Inglourious Basterds and District 9 had won for Best Picture. This year did manage to feature one of the few Oscar montages I've ever heard people say they liked, in the form of the John Hughes tribute, but then foisted interpretive dance on us and kept up with the incredibly misguided "half an hour of actors telling other actors what awesome actors they are" method of introducing the Best Actor and Actress categories. I just feel like the Oscars overall are a huge time sink, they lasted three and a half hours. Where did that time go? They didn't even perform best songs, there was no...
- 3/8/2010
- by Intern Rusty
Shout Factory will release "The T.A.M.I. Show : Collector's Edition", March 23, for the first time on DVD.
Taped live in 1964 @ California's Santa Monica Civic Auditorium, the 'Teenage Awards Music International' concert movie, offers two hours of concert performances by 12 acts, including the Rolling Stones (with Brian Jones), James Brown, Chuck Berry, the Beach Boys, the Supremes and the Barbarians.
"It was all live, no postproduction," said "T.A.M.I." director Steve Binder, who has released the film with executive producer Bill Sargent.
Conceived as an offshoot of an international nonprofit organization that would produce yearly concerts/awards ceremonies for network broadcast, "The T.A.M.I. Show" was taped seven months after the Beatles appeared on "The Ed Sullivan Show", debuting November 14, 1964, at 33 Los Angeles-era theaters, then released in North America December 1964.
Hosts Jan & Dean introduced a lineup of musical acts that also included Marvin Gaye, Smokey Robinson & the Miracles, Lesley Gore,...
Taped live in 1964 @ California's Santa Monica Civic Auditorium, the 'Teenage Awards Music International' concert movie, offers two hours of concert performances by 12 acts, including the Rolling Stones (with Brian Jones), James Brown, Chuck Berry, the Beach Boys, the Supremes and the Barbarians.
"It was all live, no postproduction," said "T.A.M.I." director Steve Binder, who has released the film with executive producer Bill Sargent.
Conceived as an offshoot of an international nonprofit organization that would produce yearly concerts/awards ceremonies for network broadcast, "The T.A.M.I. Show" was taped seven months after the Beatles appeared on "The Ed Sullivan Show", debuting November 14, 1964, at 33 Los Angeles-era theaters, then released in North America December 1964.
Hosts Jan & Dean introduced a lineup of musical acts that also included Marvin Gaye, Smokey Robinson & the Miracles, Lesley Gore,...
- 3/6/2010
- by Michael Stevens
- SneakPeek
New York TV station Wliw 21 is airing for the first time on TV the uncut 1964 rock and roll concert film The T.A.M.I. Show, the second movie filmed in Electronovision from producer Bill Sargent. The telecast takes place on March 6 at 8:00 Pm. The movie was shot live at the Santa Monica Civic Auditorium in front of a crowd of 5,000 screaming teenagers. T.A.M.I. stood for Teen-Age Music International a foundation known for granting music scholarships. Popular singing duo Jan and Dean who topped the charts in 1963 with their huge hit "Surf City" were tapped to host and they sneak in a few songs including “The Little Old Lady from Pasadena” and “Sidewalk Surfin.”
The eclectic array of rock acts assembled to perform come from the music worlds of R&B, Motown, surf music, the British invasion, garage rock, and girl groups. The concert opens with Chuck Berry and...
The eclectic array of rock acts assembled to perform come from the music worlds of R&B, Motown, surf music, the British invasion, garage rock, and girl groups. The concert opens with Chuck Berry and...
- 3/3/2010
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Today - Monday, November 16, join cult film director Katt Shea (Poison Ivy, The Rage: Carrie 2) at Trailers From Hell for the trailer to The Pom Pom Girls. Even in 1976 Joe Rubin's drive-in sexploitation hit was considered a cut above the usual, so its relative obscurity today can only be ascribed to its long unavailablity.
Then, on Wednesday, November 18, join Allison Anders for the trailer to The Big T.N.T. Show. Aip's 1966 followup to the smash rock concert hit The T.A.M.I. Show is fun but had less cultural impact. The lineup is stellar but producer Phil Spector didn't hit the jackpot this time out.
Then, on Wednesday, November 18, join Allison Anders for the trailer to The Big T.N.T. Show. Aip's 1966 followup to the smash rock concert hit The T.A.M.I. Show is fun but had less cultural impact. The lineup is stellar but producer Phil Spector didn't hit the jackpot this time out.
- 11/16/2009
- by Superheidi
- Planet Fury
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