Pretty much a stylistic and thematic sequel to Scorpio Rising, only not quite as long and engaged and definitely not as dark. The action, for three minutes, is a man polishing his car. However, the imagery is of some serious lovemaking, and we're not talking about tongue-in-cheek "hur hur hur he's boning his car dudes", we're talking straight-up fetishizing of a vehicle obviously feminized, with seating in the shape of vaginae and an engine that looks like it has breasts. The car itself is, ironically enough considering its femininity, a perfect body, with bright shining clean skin and sleek design, less than 2% body fat and real muscle.
In terms of the title, Kenneth Anger is not ignorant of what KKK means. Like in Scorpio Rising, he replaces cultural idiosyncrasy with a queer eye for alternative meanings. With his love of alchemy, different "chemical" elements (such as the artifice of the car, the blue tight-fit clothing of the man, the fuzzy boa he polishes the car with, and the pink background) turn one thing (the simple act of polishing and starting a car) into another (sex and death, Eros of the imagery and Thanatos of the title).
--PolarisDiB
In terms of the title, Kenneth Anger is not ignorant of what KKK means. Like in Scorpio Rising, he replaces cultural idiosyncrasy with a queer eye for alternative meanings. With his love of alchemy, different "chemical" elements (such as the artifice of the car, the blue tight-fit clothing of the man, the fuzzy boa he polishes the car with, and the pink background) turn one thing (the simple act of polishing and starting a car) into another (sex and death, Eros of the imagery and Thanatos of the title).
--PolarisDiB
