The Appaloosa (1966)
Reference View | Change View
- Approved
- 1h 38min
- Action, Drama
- Oct 1966 (Austria)
- Movie
Man tries to recover a horse stolen from him by a Mexican bandit.
Director:
Writers:
Stars:
Awards:
- 1 win & 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
Marlon Brando | ... |
Matt Fletcher
|
|
Anjanette Comer | ... |
Trini Medena
|
|
John Saxon | ... |
Chuy Medena
|
|
Emilio Fernández | ... |
Lazaro
(as Emilio Fernandez)
|
|
Alex Montoya | ... |
Squint Eye
|
|
Miriam Colon | ... |
Ana
|
|
Rafael Campos | ... |
Paco
|
|
Frank Silvera | ... |
Ramos -Pig Farmer
|
|
Larry D. Mann | ... |
Priest
|
|
Rest of cast listed alphabetically: | |||
Argentina Brunetti | ... |
Yaqui Woman (uncredited)
|
|
Debra Domasin | ... |
Paquita (uncredited)
|
|
Abel Fernandez | ... |
Mexican Farmer (uncredited)
|
|
Raven Grey Eagle | ... |
Minor Role (uncredited)
|
Directed by
Sidney J. Furie |
Written by
James Bridges | ... | (screenplay) and |
Roland Kibbee | ... | (screenplay) |
Robert MacLeod | ... | (novel) |
Produced by
Allan Miller | ... | producer |
Music by
Frank Skinner |
Cinematography by
Russell Metty | ... | director of photography |
Editing by
Ted J. Kent |
Editorial Department
Peter Colbert | ... | assistant editor |
Art Direction by
Alexander Golitzen | ||
Alfred Sweeney |
Set Decoration by
Oliver Emert | ||
John McCarthy Jr. | ... | (as John McCarthy) |
Makeup Department
Hank Edds | ... | makeup artist |
Larry Germain | ... | hair stylist |
Clair Holgate | ... | hair stylist |
Mark Reedall | ... | makeup artist |
Phil Rhodes | ... | makeup artist |
Bud Westmore | ... | makeup artist |
Production Management
William S. Gilmore | ... | unit production manager (as William S. Gilmore Jr.) |
Edward Muhl | ... | in charge of production |
Wallace Worsley Jr. | ... | unit production manager (as Wallace Worsley) |
Second Unit Director or Assistant Director
Carl Beringer | ... | assistant director |
Douglas Green | ... | assistant director |
Art Department
Virgil Clark | ... | set coordinator (uncredited) |
John Faltis | ... | props (uncredited) |
William Nunley | ... | props (uncredited) |
Sound Department
James R. Alexander | ... | sound |
Lyle Cain | ... | sound |
William Griffith | ... | sound |
Waldon O. Watson | ... | sound |
Bruce Smith | ... | sound (uncredited) |
Special Effects by
Ben McMahan | ... | special effects |
Stunts
Paul Baxley | ... | stunt coordinator (uncredited) / stunt double: Marlon Brando (uncredited) / stunts (uncredited) |
Hank Calia | ... | stunts (uncredited) |
Bob Herron | ... | stunts (uncredited) |
Bob Orrison | ... | stunts (uncredited) |
David Perna | ... | stunts (uncredited) |
Roy N. Sickner | ... | stunts (uncredited) |
Jerry Summers | ... | stunts (uncredited) |
Camera and Electrical Department
Charles Cowie | ... | grip (uncredited) |
Ledge Haddow | ... | assistant camera (uncredited) |
Max Nippell | ... | gaffer (uncredited) |
Eddie Pyle | ... | camera operator (uncredited) |
Kenneth Smith | ... | grip (uncredited) |
Costume and Wardrobe Department
Helen Colvig | ... | costumes: men |
Norman Mayreis | ... | wardrobe |
Rosemary Odell | ... | costumes: women |
David Watson | ... | wardrobe |
Olive Koenitz | ... | wardrobe (uncredited) |
Music Department
Joseph Gershenson | ... | music supervisor |
Ethmer Roten | ... | musician: flute (uncredited) |
Script and Continuity Department
Bob Forrest | ... | script supervisor |
Additional Crew
Salvador Baguez | ... | technical advisor (as Salvador Baquez) |
Poppy del Vando | ... | choreographer |
Celia Webb | ... | dialogue coach |
Marie Squire | ... | stand-in: Marlon Brando (uncredited) |
Production Companies
- Universal Pictures (presents)
Distributors
- Universal Pictures (1966) (United States) (theatrical) (as Universal Pictures Corporation)
- Empire Universal Films (1966) (Canada) (theatrical)
- Rank Film Distributors (1966) (United Kingdom) (theatrical)
- Universal Film (1966) (Sweden) (theatrical)
- Universal Pictures Proprietary (1966) (Australia) (theatrical)
- Universal Pictures Proprietary (1966) (New Zealand) (theatrical)
- Société Anonyme Universal-Film (1966) (France) (theatrical)
- Société Anonyme Universal-Film (1966) (Belgium) (theatrical)
- Universal Film A/S (1966) (Denmark) (theatrical)
- Universal Filmverleih (1966) (West Germany) (theatrical)
- Atlantic Filmverleih (1966) (Austria) (theatrical)
- Universal Pictures Corporation of Peru (1966) (Peru) (theatrical)
- Jaime Puig Arosemena (1966) (Colombia) (theatrical)
- Universal Pictures do Brazil (1966) (Brazil) (theatrical)
- Universal Films Argentina (1966) (Argentina) (theatrical)
- Luis Martinez Producciones Cinematograficas (1966) (Venezuela) (theatrical)
- Universal Pictures Corporation of Puerto Rico (1966) (Puerto Rico) (theatrical)
- Universal Pictures Corporation of Chile (1966) (Chile) (theatrical)
- Universal Films (1966) (Panama) (theatrical)
- La Universal (Cis Distribuidora de Peliculas) (1966) (Cuba) (theatrical)
- Universal Pictures Corporation of Mexico (1966) (Mexico) (theatrical)
- National Broadcasting Company (NBC) (1969) (United States) (tv)
- MCA/Universal Home Video (1996) (United States) (VHS)
- MCA/Universal Home Video (1996) (United States) (video) (laserdisc)
- Universal Home Entertainment (2004) (United Kingdom) (DVD)
- Universal Pictures Home Entertainment (UPHE) (2005) (United States) (DVD) (Marlon Brando - 4-Movie Collection)
- Koch Media (2007) (Germany) (DVD)
- NBC Universal Television Distribution (2011) (World-wide) (tv) (syndication)
- Elephant Films (2016) (France) (video)
- Koch Media (2016) (Germany) (Blu-ray)
- Koch Media (2016) (Germany) (DVD)
- Rete 4 (2016) (Italy) (tv)
- Universal Pictures Home Entertainment (UPHE) (2016) (United States) (DVD) (Universal Vault Series)
- Kino Lorber (2019) (United States) (Blu-ray)
- Kino Lorber (2019) (United States) (DVD)
- Artaire Films (2020) (Spain) (VOD)
Special Effects
Other Companies
- Pacific Title (titles)
- Cinematique (cosmetics)
- Universal City Studios (produced at)
Storyline
Plot Summary |
Matt Fletcher, a Mexican-American buffalo hunter is constantly harassed and humiliated by bandit general Chuy Medina. When the bandit steals his horse - the appaloosa of the title - he sets out to even scores; at the climax, single-handedly, he takes on the whole gang. Written by alfiehitchie |
Plot Keywords | |
Taglines | Southwest to Sonora rode the lustful, the lawless... to live on the edge of violence! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
|
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Did You Know?
Trivia | According to co-star John Saxon, Marlon Brando's relationship with director Sidney J. Furie got to the point where Brando, when getting ready to do a close-up, would be reading a book. He would only lower the book when Furie yelled "Action." When he yelled "Cut," Brando would raise the book again. According to Peter Manso's book on Brando, however, Brando and Furie met years later. Brando was quoted to have said, "I thought you were a no-good double-crosser, and I didn't know if I could trust you, but I saw the film and you have the great sense of the best visual directors. Let's do another movie together." Furie, according to the book, replied, "Never!" Furie, for his part, claims that they only came to blows once on the entire shoot of The Appaloosa (1966). See more » |
Goofs | The Appaloosa which portrays the title character was actually a registered Appaloosa stallion named Cojo Rojo. He was born in 1960 and just prior to being used for the film he was racing on the California tracks. He sired several foals, including several race champions. During filming a few other similarly marked horses were used as stunt horses, but the majority of work was done by Cojo Rojo. See more » |
Movie Connections | Referenced in Enemy at the Gates (2001). See more » |
Quotes |
Matt Fletcher:
The next time you point a gun at me, you better pull that trigger, because I'm going to blow you into so many pieces your friends will get tired of looking for you. See more » |