A Man for All Seasons (1966)
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- G
- 2h 0min
- Biography, Drama
- 16 Dec 1966 (USA)
- Movie
- Won 6 Oscars. Another 28 wins & 9 nominations.
- See more »
Photos and Videos
Cast verified as complete
Paul Scofield | ... |
Sir Thomas More
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Wendy Hiller | ... |
Alice More
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Leo McKern | ... |
Thomas Cromwell
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Robert Shaw | ... |
King Henry VIII
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Orson Welles | ... |
Cardinal Wolsey
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Susannah York | ... |
Margaret More
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Nigel Davenport | ... |
Duke of Norfolk
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John Hurt | ... |
Richard Rich
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Corin Redgrave | ... |
William Roper
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Colin Blakely | ... |
Matthew
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Cyril Luckham | ... |
Archbishop Cranmer
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Jack Gwillim | ... |
Chief Justice
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Thomas Heathcote | ... |
Boatman
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Yootha Joyce | ... |
Averil Machin
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Anthony Nicholls | ... |
King's Representative
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John Nettleton | ... |
Jailer
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Eira Heath | ... |
Matthew's Wife
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Molly Urquhart | ... |
Maid
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Paul Hardwick | ... |
Courtier
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Michael Latimer | ... |
Norfolk's Aide
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Philip Brack | ... |
Captain of Guard
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Martin Boddey | ... |
Governor of Tower
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Eric Mason | ... |
Executioner
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Matt Zimmerman | ... |
Messenger
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Vanessa Redgrave | ... |
Anne Boleyn
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Rest of cast listed alphabetically: | |||
Raymond Adamson | ... |
(uncredited)
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Chris Adcock | ... |
Man in Court (uncredited)
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Trevor Baxter | ... |
1st Man (uncredited)
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Sylvia Bidmead | ... |
Young Woman (uncredited)
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Jack Bligh | ... |
Old Man in Scene 33 (uncredited)
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Bridget Brice | ... |
Young Woman (uncredited)
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Jan Carey | ... |
2nd Girl (uncredited)
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Garrett Cassell | ... |
Owen (uncredited)
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David Collings | ... |
Kings Messenger (uncredited)
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Gladys Dawson | ... |
Old Woman (uncredited)
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Howard Douglas | ... |
Jury Foreman (uncredited)
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Edwin Finn | ... |
1st Scholar (uncredited)
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Arthur Goodman | ... |
High Priest (uncredited)
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Laura Graham | ... |
4th Girl (uncredited)
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Raymond Graham | ... |
Academic (uncredited)
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Harvey Hall | ... |
Courtier (uncredited)
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Gay Hamilton | ... |
2nd Handmaiden / 3rd Girl (uncredited)
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Fiona Hartford | ... |
1st Girl / 1st Handmaiden (uncredited)
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Drewe Henley | ... |
(uncredited)
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Walter Horsbrugh | ... |
2nd High Court Judge (uncredited)
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Ross Hutchinson | ... |
4th Courier (uncredited)
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Donald Layne-Smith | ... |
2nd Scholar (uncredited)
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Graham Leaman | ... |
1st Monk (uncredited)
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Leonard Llewellyn | ... |
Petitioner (uncredited)
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Patrick Marley | ... |
2nd Monk (uncredited)
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Julie Martin | ... |
2nd Maid (uncredited)
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Robert Mill | ... |
Servant (uncredited)
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Robert Morris | ... |
Gentleman Usher (uncredited)
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Harry Paris | ... |
Oarsman (uncredited)
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Arnold Peters | ... |
6th Courier (uncredited)
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Christine Pollon | ... |
1st Woman (uncredited)
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Arnold Ridley | ... |
Innkeeper (uncredited)
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Johnny Rossi | ... |
Man in Court (uncredited)
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Jack Sharp | ... |
Juror (uncredited)
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Iain Sinclair | ... |
3rd Man (uncredited)
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Philip Stewart | ... |
Juror (uncredited)
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Nick Tate | ... |
Master At Arms (uncredited)
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Michael Wade | ... |
2nd servant / 2nd Young Man (uncredited)
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Gina Warwick | ... |
3rd Handmaiden (uncredited)
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Fred Wood | ... |
Man in Court (uncredited)
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Directed by
Fred Zinnemann |
Written by
Robert Bolt | ... | (from the play by) |
Robert Bolt | ... | (screenplay) |
Produced by
William N. Graf | ... | executive producer |
Fred Zinnemann | ... | producer |
Music by
Georges Delerue | ... | (music composed by) |
Cinematography by
Ted Moore | ... | (photographed by) |
Editing by
Ralph Kemplen |
Editorial Department
Glenn Hyde | ... | second assistant editor (uncredited) |
Casting By
Robert Lennard |
Production Design by
John Box |
Art Direction by
Terence Marsh |
Makeup Department
Eric Allwright | ... | makeup |
Helene Bevan | ... | hairdresser (as Helen Bevan) |
Gordon Bond | ... | hairdresser |
George Frost | ... | makeup |
Production Management
William Kirby | ... | production supervisor |
Second Unit Director or Assistant Director
Peter Bolton | ... | assistant director |
Patrick Carey | ... | second unit director |
Al Burgess | ... | assistant director (uncredited) |
Bill Graf | ... | second assistant director (uncredited) |
Art Department
Peter Dukelow | ... | construction manager |
Josie MacAvin | ... | set dresser |
Howard Terpning | ... | poster artist |
Roy Walker | ... | assistant art director |
Ken Barley | ... | apprentice plasterer (uncredited) |
Michael Guyett | ... | trainee scenic painter (uncredited) |
Sound Department
Buster Ambler | ... | sound |
Marcel Durham | ... | assistant editor |
Bob Jones | ... | sound |
Harry Miller | ... | dubbing editor |
Special Effects by
Nick Allder | ... | special effects assistant (uncredited) |
Stunts
Nosher Powell | ... | stunts (uncredited) |
Eddie Stacey | ... | stunts (uncredited) |
Camera and Electrical Department
Bob Kindred | ... | camera operator (as Robert Kindred) |
Maurice Gillett | ... | supervising electrician (uncredited) |
Ronald Lenoir | ... | set rigger (uncredited) |
Mike Roberts | ... | camera operator (uncredited) |
Michael Walter | ... | key grip (uncredited) |
Robert Willoughby | ... | special still photographer (uncredited) |
Costume and Wardrobe Department
Joan Bridge | ... | colour costume design |
Jackie Cummins | ... | wardrobe |
Elizabeth Haffenden | ... | colour costume design |
Music Department
Georges Delerue | ... | music conducted by |
Script and Continuity Department
Connie Willis | ... | continuity (as Constance Willis) |
Additional Crew
Patrick McLoughlin | ... | technical adviser |
Catherine O'Brien | ... | unit publicist (uncredited) |
Michael Turk | ... | boatmaster (uncredited) |
Production Companies
Distributors
- Columbia Pictures Corporation (1966) (United Kingdom) (theatrical) (presents)
- Columbia Pictures (1966) (United States) (theatrical)
- Columbia Film (1967) (Sweden) (theatrical)
- Columbia Filmes (1967) (Portugal) (theatrical)
- Columbia (1967) (Argentina) (theatrical)
- Columbia (1967) (France) (theatrical) (as Columbia Films S.A.)
- Columbia-Bavaria Filmgesellschaft m.b.H. (1967) (West Germany) (theatrical)
- Kamera Film Aktieselskap (1967) (Norway) (theatrical)
- Sony Pictures Releasing (1967) (India) (theatrical) (as Columbia Films of India)
- Columbia Films of India (1967) (India) (theatrical)
- Columbia Films S. A. (1968) (Mexico) (theatrical)
- National Broadcasting Company (NBC) (1973) (United States) (tv)
- RCA/Columbia-Hoyts Home Video (1984) (Australia) (video)
- RCA / Columbia Pictures Video (1986) (United Kingdom) (VHS)
- LK-TEL (1987) (Argentina) (VHS)
- RCA/Columbia Pictures International Video (1987) (Argentina) (VHS)
- RCA/Columbia Pictures Video (1987) (Japan) (VHS)
- RCA/Columbia Pictures Home Video (1992) (United States) (video) (laserdisc)
- Columbia TriStar Home Video (1996) (United States) (video) (laserdisc)
- TV.Berlin (1998) (Germany) (tv)
- Columbia TriStar Home Video (1999) (United States) (DVD)
- Columbia TriStar Home Video (2000) (United Kingdom) (DVD)
- Columbia TriStar Home Entertainment (2001) (Germany) (DVD)
- ORF 2 (2001) (Austria) (tv)
- Österreichischer Rundfunk (ORF) (2001) (Austria) (tv)
- Premiere 7 (2004) (Germany) (tv)
- Premiere Filmfest (2006) (Germany) (tv)
- Premiere Nostalgie (2006) (Germany) (tv)
- Sony Pictures Home Entertainment (2006) (United States) (DVD)
- Sony Pictures Home Entertainment (2007) (Germany) (DVD) (Deluxe Edition)
- ServusTV Deutschland (2011) (Germany) (tv)
- ServusTV (2011) (Austria) (tv)
- Sky Nostalgie (2014) (Germany) (tv)
- Twilight Time (2015) (United States) (Blu-ray) (video)
- ORF III (2016) (Austria) (tv)
- Eureka Entertainment (2017) (United Kingdom) (DVD) (Blu-ray & DVD)
- Chili Cinema (2018) (Germany) (video) (VoD)
- Netflix (2018) (Canada) (video) (VOD)
- Netflix (2018) (Singapore) (video) (VOD)
- Netflix (2018) (United Kingdom) (video) (VOD)
- Netflix (2018) (United States) (tv)
- Netflix (2018) (United States) (video) (VOD)
- iTunes (2018) (Germany) (video) (VoD)
- The Criterion Channel (2020) (United States) (tv) (digital)
- ARTE (2021) (France) (tv)
- ARTE (2021) (Germany) (tv)
- Kabel Eins Classics (2023) (Germany) (tv)
- LK-TEL Vídeo (Brazil) (VHS)
Special Effects
Other Companies
- Westrex Recording System (sound recording system)
Storyline
Plot Summary |
The story takes place in sixteenth century England. But men like Sir Thomas More, who love life yet have the moral fiber to lay down their lives for their principles, are found in every century. Concentrating on the last seven years of the English Chancellor's life, the struggle between More and King Henry VIII hinges on Henry's determination to break with Rome so he can divorce his current wife and wed again, and good Catholic More's inability to go along with such heresy. More resigns as Chancellor, hoping to be able to live out his life as a private citizen. But Henry will settle for nothing less than that the much respected More give public approval to his headstrong course. Written by alfiehitchie |
Plot Keywords | |
Taglines | ...a motion picture for all times! See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Filming Locations |
Box Office
Budget | $2,000,000 (estimated) |
Did You Know?
Trivia | Producer and director Fred Zinnemann, as quoted in his autobiography, calls this the easiest movie he ever made, thanks to the extraordinary caliber of the crew, and the actors and actresses, and the way they worked together. See more » |
Goofs | Lord Chancellor Wolsey did not die in office; he was removed from the office of Lord Chancellor by Henry (because of his displeasure at Wolsey's failure to secure a divorce from Catherine), and died more than a year after Sir Thomas More became Lord Chancellor. Wolsey did, however, remain Archbishop of York. See more » |
Movie Connections | Featured in Precious Images (1986). See more » |
Quotes |
William Roper:
So, now you give the Devil the benefit of law! Sir Thomas More: Yes! What would you do? Cut a great road through the law to get after the Devil? William Roper: Yes, I'd cut down every law in England to do that! Sir Thomas More: Oh? And when the last law was down, and the Devil turned 'round on you, where would you hide, Roper, the laws all being flat? This country is planted thick with laws, from coast to coast, Man's laws, not God's! And if you cut them down, and you're just the man to do it, do you really think you could stand upright in the winds that would blow then? Yes, I'd give the Devil benefit of law, for my own safety's sake! See more » |