Retrospective to include around 20 East and West German feature and documentary films from cinema and television.
The Retrospective of the 66th Berlin International Film Festival (Feb 11-21) is to be dedicated to the year 1966, a year considered to be a turning point in German cinema.
“The year 1966 stands for extraordinary films in the West and the East, films which broke new artistic ground,” said Berlinale festival director Dieter Kosslick.
“The Retrospective 2016 shows the audacious revolt and tentative exploration in a time of transition.”
The strand will include around 20 East and West German feature and documentary films from cinema and television. Additionally, more than 30 films of short and medium length - a typical format at the time - will feature in film programmes and as supporting films.
In 1966, the New German Cinema wave received critical acclaim at major film festivals for the first time.
At the Berlinale, Peter Schamoni’s debut No Shooting Time for Foxes (Schonzeit für Füchse) won a...
The Retrospective of the 66th Berlin International Film Festival (Feb 11-21) is to be dedicated to the year 1966, a year considered to be a turning point in German cinema.
“The year 1966 stands for extraordinary films in the West and the East, films which broke new artistic ground,” said Berlinale festival director Dieter Kosslick.
“The Retrospective 2016 shows the audacious revolt and tentative exploration in a time of transition.”
The strand will include around 20 East and West German feature and documentary films from cinema and television. Additionally, more than 30 films of short and medium length - a typical format at the time - will feature in film programmes and as supporting films.
In 1966, the New German Cinema wave received critical acclaim at major film festivals for the first time.
At the Berlinale, Peter Schamoni’s debut No Shooting Time for Foxes (Schonzeit für Füchse) won a...
- 11/17/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
East Side Stories, Edinburgh
Looking at post-reunification depictions of East Germany like The Lives Of Others or Good Bye Lenin! it's easy to forget that the Gdr had its own highly productive state film studio, the Defa. And despite the Soviet control, it didn't just churn out Stalinist tractor operas. Some of its films were even suppressed by the authorities, like 1966's Traces Of Stones, a construction site love triangle coloured by party politics (much acclaimed when it was finally released in 1990), or 1973 hit The Legend Of Paul And Paula, with a modern take on love and marriage. By the 1980s, Defa even had the guts to tackle gay issues in Coming Out. The neo-realist-influenced Berlin: Schönhauser Corner, on the other hand, gives you a flavour of what 1950s life was really like behind the Iron Curtain.
Filmhouse, Sun to 11 Dec
John Pilger, London
You can count on the veteran...
Looking at post-reunification depictions of East Germany like The Lives Of Others or Good Bye Lenin! it's easy to forget that the Gdr had its own highly productive state film studio, the Defa. And despite the Soviet control, it didn't just churn out Stalinist tractor operas. Some of its films were even suppressed by the authorities, like 1966's Traces Of Stones, a construction site love triangle coloured by party politics (much acclaimed when it was finally released in 1990), or 1973 hit The Legend Of Paul And Paula, with a modern take on love and marriage. By the 1980s, Defa even had the guts to tackle gay issues in Coming Out. The neo-realist-influenced Berlin: Schönhauser Corner, on the other hand, gives you a flavour of what 1950s life was really like behind the Iron Curtain.
Filmhouse, Sun to 11 Dec
John Pilger, London
You can count on the veteran...
- 12/4/2010
- by Steve Rose
- The Guardian - Film News
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