User Reviews

A lot of 1960s B westerns turned out to be remakes of 1950s B films - especially those starring Audie Murphy - and this is no exception. Its a remake of Showdown in Abilene starring Jock Mahoney. This is so close to the original that the original writer of Showdown, Berne Giler, gets a 'screenplay' credit although I suspect that means Giler's original script was handed to the other credited writer, John Black, who made a few nominal changes to update it for the budget and to try and disguise that this was a remake by changing the character names.

Looking suspiciously as if it was intended originally as a Murphy vehicle, this humdrum affair features singer Bobby Darin as a gunfighter who can't put on a gun again after accidentally killing his best friend but naturally is forced to do so at the end. Darin struggles in the acting stakes - someone must have told him to wear black gloves as a symbol of being psychologically disturbed (maybe he saw Kirk Douglas in The Last Sunset - of which more later) although no-one comments on this even when he wears them indoors - and bites his lips a lot. He's also too slight to be a feared gunman and looks faintly ridiculous in nicely pressed tight beige trousers.

The background plot is a range war between cattlemen and sodbusters. However, being that this is a cheap film, all of the shots of cattle herds and civil war fighting are taken from other films shot on different film stock and it shows. This being a Universal release the production has been allowed to raid the Universal library and che civil war shots are from Shenandoah and many, if not all of the shots of cattle herds are from aforementioned The Last Sunset including shots of a cattle herd crossing a river into a town and being put into a cattle corral. So, instead of seeing any cattle everything is largely confined to the standing Universal western town set and a few indoor sets.

The film is lamentable short on much action until the end. Further Darin's character came across to me as a complete cad. Darin's chopped off Leslie Neilson's arm, killed his brother and then tomcatted his fiancée(whom Darin also humiliates by being blatantly unfaithful too by screwing another woman virtually infront of her and then dumping this other gal when the ex-financee changes her mind). Neilsen should have shot Darin dead.

I thought Don Galloway came off best as the laid back deputy quite happy to serve any sheriff, no matter how corrupt.

Are you kidding me - Bobby Darin - in a Western? I would have lost that bet big time. But you know what, he wasn't that bad. There were a few times I thought he was over-acting the role but in general a credible job. One problem though, was his casting as a baby face in the starring hero role. Like Audie Murphy, the matinée good looks don't always work when going up against the town bully or a gnarly gunslinger like Joe Slade (Donnelly Rhodes). Not only that, but when sized up against some of the other players, he was pretty much on the small side.

But all in all, the story was pretty good. Now Leslie Nielsen - I guess I've seen him too many times in Airplane and Police Squad pictures to take him seriously in a dramatic role. So with that club hand of his, injured by Cal Wayne (Darin) when they were youngsters, it looked like a caricature and any minute I was expecting the kind of treatment we got from Kenneth Mars as the inspector in "Young Frankenstein". It came pretty close at one point too, when he started banging the hand on the back of a chair, but that was it. You have to admit though, Nielsen's character Grant Evers looked pretty fast on the draw for a cripple. It would have been something if the final showdown was between him and Cal.

You know who got the short end of the stick here though, don't you? After all her fussing over Cal, Leann (Barbara Werle) got broomed so quickly she didn't even show up at the end of the picture. She could at least have gotten eighteen yellow roses for her trouble.

Some celebrities weren't born to be leading men. Handsome but slight of stature Bobby Darin is a prime example. The "Splish Splash" songwriter and singer is miscast as a resourceful but tortured sheriff in William Hale's lackluster Universal Picture's western "Gunfight in Abilene" with Leslie Nielsen. Mind you, Darin had proved he could act. After all, he received an Academy Award nomination for Best Supporting Actor for his performance in the Gregory Peck movie "Captain Newman, M.D." Meantime, this thoroughly predictable law & order oater about the usual tension simmering between pugnacious cattlemen and resentful sodbusters is nothing more than an uninspired remake of director Charles F. Haas' "Showdown in Abilene" (1956) that top billed a far more formidable Jock Mahoney. Comparatively, in an early scene when the hero intervenes in the action from hotel balcony, Darin wears his shirt open partially, while Mahoney displays his naked muscular torso. Interestingly enough, producer Howard Christie bankrolled the original sagebrusher, and he doesn't deprive this dreary horse opera of anything that a polished western requires. The streets teem with lots of extras, and the stores appear less generic than either might in the typical B-movie oater. The stock footage of cattle in long shots doesn't look like stock footage used one time too many. In other words, like its star, "Gunfight in Abilene" is a handsome looking western.

An immaculate, silver-tongued, Leslie Nielsen plays the chief villain, but he is no match for Lyle Bettger in the original "Abilene. He differs from Bettger because he sports a wooden hand rather than a stump. Nevertheless, Nielsen isn't a helpless cripple who solicits sympathy. He uses his wealth to keep Abilene under his thumb. Nielsen is an urbane, well-dressed, cattleman and his hooligans ride the range roughshod over the passive farmers. These were the days, we're told, when you could shoot trespassers on sight because you were within your legal rights. The farmers are struggling to cast off Evers' dominance, but they lack the courage. Darin is former Confederate officer Cal Wayne. During the American Civil War prologue, Darin makes a convincing officer, but he doesn't retain a shred of believability when he arrives in Abilene. As it turns out, Wayne accidentally shot and killed Nielsen's younger brother during a chaotic battle. Impulse more than caution prompted Cal to gun down his friend before he recognized that he wasn't the enemy. Our mentally castrated hero experiences so much guilt for killing his friend that he shuns guns. Captured while struggling to get his friend to a hospital, Wayne wound up languishing for the remainder of the war in a Union prisoner-of-war camp.

After the South surrenders, Wayne rides back to Abilene to find Grant Evers (Leslie Nielson of "Airplane!") making life unbearable for the farmers. For example, in an early scene, Evers' men tear down a barbed wire fence, and its owner gets entangled in the wire as it coils around him. Evers's men then stampeded their steers through the farmer's property, and the cattle trampled the crops. Later, a young farmer, Cord Decker (Michael Sarrazin of "Sometimes A Great Notion"), comes home from the war to his wife. Unlike Cal, Decker served in the Union Army. Unfortunately, he incurs the wrath of Evers' right-hand henchman Slate when he suggests Cal is better qualified to be the town sheriff. It is only a matter of time until the wicked Slate (Donnelly Rhodes of "Touched by a Killer") crosses paths with Decker and bullwhips him. This scene is probably the most violent. This is all the timid farmers need to unit them and rise up against Evers. Slade hates the way that his boss Evers has given into the farmers. First, Evers convinced Slade to relinquish his badge; Slade had bullied the farmers as Evers' bought and paid for gunman. Second, Evers showed weakness when he gave into the farmer's initial claims for his steers devastating crops. After this moment of reconciliation with the farmers, Evers persuaded his old friend Cal to pin on the sheriff's badge. It seems that Cal was responsible for Evers' missing hand. Predictably, Cal posts an ordinance that firearms are forbidden now inside the city limits, and he has to beat up one of Evers' unruly ruffians to prove that he can still defend himself.

Of course, there is the question of the woman, Amy Martin (Emily Banks) who promised herself to Cal. Everybody, including Amy, believed Cal had died during the war. She has since agreed to marry Grant Evers. When Cal shows up in Abilene, Amy regrets her decision. Slowly, the wedge between Cal and Evers deepens, but it is the evil Slate who precipitates the bloodshed when he whips Cord to death. At the same time, a gulf of discontent has been widening between Slade and his boss. Slade kills Evers after Evers tries to pay him off and send him packing. It is always a dramatic mistake to let the second-string villain kill the first-string bad guy. Inevitably, Cal musters the strength of mind to buckle on a pistol belt. Similarly, sticking to the western formula, Slade must have the first shot before our hero can vanquish him. "Journey to Shiloh" director William Hale qualifies as a thoroughly conventional craftsman until the inevitable showdown between Slade and Cal. At this point, Hale relies on Dutch tilt camera angles to depict the gunplay. Make no mistake, the gunfight looks good, but it isn't high drama. This may qualify as Donnelly Rhodes' best performance; he is a villain you love to hate. . Anybody who doesn't know that Leslie Nielson used to play straight roles instead of specialize in comedy may be alarmed at his villainous turn as Darin's adversary. Altogether, "Gunfight in Abilene" is a tolerable western, but "Showdown in Abilene" completely overshadows it in virtually every respect.

In the 1960s,due to the very stiff competition from television and the European Spaghetti westerns, it was common for Universal to remake some of their low budget 1950s westerns in order to make more money and restore favour with the masses. GUNFIGHT IN ABELINE was made in 1967 and is a remake of their 1956 effort, SHOWDOWN AT ABELINE.During the American Civil war, Confederate soldier Cal Wayne(BOBBY DARIN)accidentally kills his friend in battle, traumatised and distraught, Cal vows never to use a gun again. At the end of the war, he returns home to Abeline,Kansas where he is pressured into taking the job of sheriff by ruthless entrepreneur Grant Evers(LESLIE NIELSEN)in order to keep tensions between the ranchers and farmers under control, but as range war looms will Cal be forced to use his gun once again...

GUNFIGHT IN ABELINE is a solid and plausible western, not one of the best I've seen, but still serviceable and entertaining. It has good, tight direction, it's excellently scripted, but a bit slow in some scenes, I found the whole love triangle uninteresting, it was handled much better in the original,I felt it didn't really bring much to this film, it just bogged it down and made it feel longer. As with most other westerns, I was impressed with the camera-work, but this was ruined by the terrible print shown by 5USA who showed it in 1:33:1 full screen rather than it's proper 2:35:1 widescreen,However,the shots of the horses riding and racing across the plains were fantastic and exhilarating, I thought the shots of the cattle were also terrific, even if they did look to be pinched from another film, it was great to see them as there were no such shots in the original. The storyline was really intriguing and gripping and tension is built up superbly as the film progresses. The main title song "Amy" was beautiful, one of the loveliest songs I've ever heard in a film, the performances were also very good, Bobby Darin was competent in the lead but Leslie Nielsen and Donnelly Rhoades gave magnificent performances which overshadowed his. Two scenes in the film which really stood out for me were the scene at the start where Cal kills his friend and the scene near the end in which Slade murders Evers,both scenes gave the film a fantastic new dimension in terms of the way they were filmed and acted and they were simply incredible. Darin chills the audience in the firstly mentioned scene with his raw disbelief, fear and desperation and in the second scene, the shot of Rhoades' face as he casually and coldly shoots Evers several times will make the hairs on the back of your neck stand up.

The action scenes were exciting and incredibly put together, but they were done better and more briskly in the original, the final showdown between Wayne and Slade was a let down and was horrible compared to the one in the original, this one was just so anti climax it hurt. The suspense is built up amazingly and there are some awesome camera angles, but the part in which Wayne shoots Slade has got to be one of the worst death scenes I've ever seen in a film, Slade simply frowns and collapses to the ground, this ruined the film for me as from the beginning, tension had been built up remarkably and I was biting my nails waiting for an epic showdown. Another factor which tarnished my view of the film was the fact that the brutal whipping scene had apparently been omitted from the TV version. Before the character is about to be thrashed, the scene just fades away, making it appear to the viewer that the whipping was never included in the finished film, but according the IMDb message board for the film, the full whipping sequence was included uncut in a print that was shown on Encore westerns. I was gravely disappointed that Channel 5 committed it from their version, it let the whole film down completely and also ruined an incredible sequence in the film as this scene was exceptionally written and was probably the most taut, intense and chilling scene in the whole film. The battle montage at the beginning of the film was brilliant, the shots of the thundering cannons were both electrifying and spectacular and blew me away, something like this in the original would have looked outstanding.

It's nowhere near as good as the original, but GUNFIGHT IN ABELINE is an engrossing western drama with a powerful and interesting script and impressively acted scenes and strong characters.However it does have it's flaws, at times the dialogue really slows the film down as some of it is just pointless and mushy,the final showdown was terrible and the removal of the whipping scene really destroyed the film, but I think if it was to get a proper, uncut DVD release, then I would enjoy it as much as I should have done. It's well above average and sill has the energy to entertain and excite, it's a great film to watch on a dull, rainy afternoon.8/10.