One + One (1968)
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- Not Rated
- 1h 51min
- Documentary, Music
- 22 Apr 1969 (USA)
- Movie
While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, Godard reflects on 1968 society, politics and culture through five different vignettes.
Director:
Writer:
Stars:
Photos and Videos
Cast
| Sean Lynch | ... |
Commentary (voice)
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| Mick Jagger | ... |
Self - The Rolling Stones
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| Brian Jones | ... |
Self - The Rolling Stones
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| Keith Richards | ... |
Self - The Rolling Stones
(as Keith Richard)
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| Charlie Watts | ... |
Self - The Rolling Stones
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| Bill Wyman | ... |
Self - The Rolling Stones
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| Anne Wiazemsky | ... |
Eve Democracy
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| Iain Quarrier | ... |
Fascist porno book seller
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Frankie Dymon | ... |
Black power militant
(as Frankie Dymon Jnr.)
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| Danny Daniels | ... |
Black power militant
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Ilario Bisi-Pedro |
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| Roy Stewart | ... |
Black power militant
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Linbert Spencer |
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Tommy Ansah | ... |
Black power militant
(as Tommy Ansar)
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Michael McKay |
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Rudi Patterson |
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Mark Matthew |
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Karl Lewis |
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Bernard Boston |
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| Nike Arrighi |
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| Françoise Pascal |
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| Joanna David |
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Monica Walters |
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Glenna Forster-Jones | ... |
Interviewer in wrecker's yard
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Elizabeth Long |
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Jeannette Wild |
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Harry Douglas |
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Colin Cunningham |
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Graham Peet |
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Matthew Knox |
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Barbara Coleridge |
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| Rest of cast listed alphabetically: | |||
| The Rolling Stones | ... |
Themselves
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| Marianne Faithfull | ... |
Self - backing singer (uncredited)
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| James Fox | ... |
Self (uncredited)
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Nicky Hopkins | ... |
Self (piano / organ) (uncredited)
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| Clifton Jones | ... |
Black power militant (uncredited)
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| Anita Pallenberg | ... |
Self - backing singer (uncredited)
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Directed by
| Jean-Luc Godard | ||
Written by
| Jean-Luc Godard | ... | (writer) |
Produced by
| Eleni Collard | ... | executive producer |
| Michael Pearson | ... | producer |
| Iain Quarrier | ... | producer |
Cinematography by
| Anthony B. Richmond | ||
Editing by
| Kenneth F. Rowles | ... | (as Ken Rowes) |
Makeup Department
| Linda DeVetta | ... | makeup artist |
Production Management
| Paul De Burgh | ... | production manager |
| Clive Freedman | ... | production manager |
Second Unit Director or Assistant Director
| John Stoneman | ... | assistant director |
| Tim Van Rellim | ... | assistant director |
Sound Department
| Derek Ball | ... | sound mixer |
| Arthur Bradburn | ... | sound mixer |
| Colin Charles | ... | boom operator |
| Garth Marshall | ... | boom operator |
Camera and Electrical Department
| Colin Corby | ... | assistant camera |
| Les Parrott | ... | clapper loader (uncredited) |
Script and Continuity Department
| Valerie Booth | ... | continuity |
Additional Crew
| Berenice Adams | ... | production assistant |
| Jacqueline Nellist | ... | production secretary |
| Renée Glynne | ... | uncredited |
| Peter Jaques | ... | director of publicity (uncredited) |
Production Companies
Distributors
- Connoisseur (1968) (United Kingdom) (theatrical)
- New Line Cinema (1969) (United States) (theatrical)
- Svensk Filmindustri (SF) (1970) (Sweden) (theatrical)
- Umbrella Entertainment (2006) (Australia) (theatrical)
- ABKCO Films (2003) (United States) (DVD)
- Carlotta Films (2008) (France) (Blu-ray) (DVD)
- Fabulous Films (2007) (United Kingdom) (DVD)
- Images Distribution (France)
- Koch Media (2015) (Germany) (DVD)
- Koch Media (2015) (Germany) (Blu-ray) (DVD)
- Magnetic Video (United States) (VHS)
- Pan Vision (2006) (Finland) (DVD)
- Shock (2013) (Australia) (DVD)
- Umbrella Entertainment (2006) (Australia) (DVD)
- Umbrella Entertainment (2006) (Australia) (tv)
- Umbrella Entertainment (2006) (Australia) (video) (VOD)
- Viacom (1987) (United States) (tv) (syndication)
- Warner Home Video (2006) (Germany) (DVD)
- Yleisradio (YLE) (2008) (Finland) (tv)
Special Effects
Other Companies
Storyline
| Plot Summary |
Godard's documentation of late 1960s Western counter-culture, examining the Black Panthers, referring to works by LeRoi Jones and Eldridge Cleaver. Other notable subjects are the role of news media, the mediated image, a growing technocratic society, women's liberation, the May revolt in France and the power of language. Cutting between three major scenes, including the Rolling Stones in the studio, the film is visually intercut with Eve Democracy (Wiazemsky) using graffiti which amalgamates organisations, corporations and ideologies. Godard also examines the role of the revolutionary within Western culture. Although he believes Western culture needs to be destroyed, it can only be done so by the rejection of intellectualisation. "There is only one way to be an intellectual revolutionary, and that is to give up being an intellectual"
Written by |
| Plot Keywords | |
| Taglines | Jean-Luc Godard on Black Power, Rape, Murder, Fascism, Acid, Pornography, Sex, Revolution, Brutality and all the other things that make life worth living. See more » |
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| Parents Guide | Add content advisory for parents » |
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Additional Details
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Did You Know?
| Trivia | The producer of the film added film of The Rolling Stones performing the completed version of "Sympathy for the Devil" at the end of the movie in an attempt to make it more commercial. Jean-Luc Godard was so incensed by this that he punched the producer during a talk at London's National Film Theatre. See more » |
| Movie Connections | Edited into Une vague nouvelle (1999). See more » |