In Name Only (TV Movie 1969) Poster

(1969 TV Movie)

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6/10
Why not just watch the 1952 film instead? Both are good, but the original is better.
planktonrules29 May 2020
"In Name Only" is a made for TV movie that is a remake (or more like a re-working) of the 1952 film "We're Not Married!". I just found it today on YouTube and if you decide to watch it, be forewarned that the copy is pink....very, very pink! It is supposed to be in full color...but somehow the print turned a pinkish tone. Otherwise, it is is decent shape....sound, clarity of the picture, etcetera.

The film begins with a couple (Ann Prentiss* and Michael Callan) learning something shocking....the minister they hired for some weddings they had planned several years ago turned out to be an actor, not a minister. Four weddings (including their own) were officiated by this faux-father and so the couple are tracking down the couples to inform them of this mistake. Included are many flashbacks of the original weddings as well as how they react today.

So is it any good? Yes...but. First, the film is a reworking of another film...so why not just watch the original (and better) movie? Second, sometimes the film tried a bit too hard and was kooky when it might have worked better had the film been a bit more subtle (the hippie/cop wedding comes to mind). Still, it is enjoyable....and is worth seeing provided you love pink!

By the way, at one point Callan says to Eve Arden "Thank you, Vincent Price". This is a reference to something many won't remember today...that Vincent Price had a world famous art collection. And, oddly, he worked with Sears to market art to the masses!! Wow...how times have changed.

*When I saw Ann Prentiss, I thought for sure she was her sister, Paula. They both look and sound very similar...almost like they were twins.
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5/10
A good cast helps this by the numbers comedy.
mleatherwood120 February 2019
This was included in the first season of The ABC Movie of the Week launched in 1969. One of the series first tries at comedy, it's got a good cast, notably Eve Arden, who elevates every scene she's in. Bill Daily's character has some funny moments, as does Herb Edelman's. Elsa Lanchester is delightfully eccentric, and on a historical note this is one of the films that Ann Prentiss made in her heyday before darker times befell her. Elinor Donahue and Ruth Buzzi are also on hand as 2 of the wives "in name only". There are some amusing ideas floating around but not enough to really get it going. Episodic in that each couple has a story which unfolds around the premise. That helps it from bogging down more than it does, but overall it's just ok.
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4/10
Matrimony, American Style!
mark.waltz15 December 2021
Warning: Spoilers
I'm wondering if this was unintended pilot for a TV series that never came to fruition starring Michael Callan, Ann Prentiss and Eve Arden, the saga of a marriage bureau that is not licensed and they're running around trying to fix all the unmarried couples they've united in wedded bliss. Well bliss isn't exactly the word. Some of these couples aren't really ready to be remarried legally and it's up to the three to change their minds.

It might as well have been a third season of "Mothers-in-Law" where Kaye Ballard and Arden show up to sing "Oh Promise Me" or "Because" just as they had on that two season sitcom. Eve is basically playing the same character, and she is as caustic and intrusive as she and Kaye were with their offspring. With the variety of 60's and early 70's countercultures, it certainly could have been a colorful group of guests to fill out at the most half a season before running out of steam.

It's a wild bunch of real oddball characters, starting with Bill Dailey who finds that he still has an eye for the ladies upon learning that he's not really married and his starry-eyed wife, Elinor Donahue. Then there's an argumentative couple of hippies with the groom's oddball mother, Elsa Lanchester, sticking her nose in everywhere, much like Arden and Ballard did. Ruth Buzzi and Herb Edelman deal with her wealthy, domineering father Alan Reed in a plotline that could have led to "The Father's in Law".

So you get a mixed bag of situations, none of them really gems, but it's always interesting to see the plethora of guest stars that shows like this had. Historically, it's not really interesting although Edelman and Buzzi are funny with Edelman a real hoot in his Beatles wig. This is very similar to the 1952 all star movie comedy "We're Not Married" which ironically featured Arden. Even at 75 minutes, it does seem a bit over long because two of these situations are enough and it doesn't have enough starry power or big studio gloss.
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