Kali Uchis has revealed her third studio album, Red Moon in Venus. The project is out today 3rd via Geffen Records, and to promote the record, she’s going on a North American tour (get tickets here).
While Uchis’ last album, 2020’s Sin Miedo (del Amor y Otros Demonios), was recorded in Spanish, she sings Red Moon in Venus in English. “Love is the message,” the artist said of the LP. “Red Moon in Venus is a timeless, burning expression of desire, heartbreak, faith, and honesty, reflecting the divine femininity of the moon and Venus. The moon and Venus work together to make key aspects of love and domestic life work well. This body of work represents all levels of love — releasing people with love, drawing love into your life and self-love. It’s believed by many astrologers that the blood moon can send your emotions into a spin, and...
While Uchis’ last album, 2020’s Sin Miedo (del Amor y Otros Demonios), was recorded in Spanish, she sings Red Moon in Venus in English. “Love is the message,” the artist said of the LP. “Red Moon in Venus is a timeless, burning expression of desire, heartbreak, faith, and honesty, reflecting the divine femininity of the moon and Venus. The moon and Venus work together to make key aspects of love and domestic life work well. This body of work represents all levels of love — releasing people with love, drawing love into your life and self-love. It’s believed by many astrologers that the blood moon can send your emotions into a spin, and...
- 3/3/2023
- by Carys Anderson
- Consequence - Music
Big Thief will release their new album — which boasts a mystical mouthful of a title, Dragon New Warm Mountain I Believe in You — Feb. 11 via 4Ad.
The announcement arrives alongside another single, “Time Escaping,” which joins four previously released tracks now attached to the LP. The album, available for preorder, follows 2019’s Two Hands.
“One of the things that bonds us together as a band is pure magic,” Big Thief’s Adrianne Lenker said in a statement. “I think we all have the same guide and none of us have...
The announcement arrives alongside another single, “Time Escaping,” which joins four previously released tracks now attached to the LP. The album, available for preorder, follows 2019’s Two Hands.
“One of the things that bonds us together as a band is pure magic,” Big Thief’s Adrianne Lenker said in a statement. “I think we all have the same guide and none of us have...
- 11/16/2021
- by Larisha Paul
- Rollingstone.com
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By Fred Blosser
In Bryan Forbes’ “The Raging Moon” (1971), a sudden, devastating illness leaves 24-year-old Bruce Pritchard (Malcolm McDowell) a paraplegic. A friend asks if he was stricken by polio. “I don’t know what it is,” Bruce answers. “I can’t pronounce it, but it’s not polio.” Whatever the nature of his life-altering blow, he reacts the same way that most of us would probably react, with stony, simmering self-pity and anger. McDowell is at his intense best in those scenes, calling to mind the all-time master, James Cagney, in portraying a volatile character whose temper threatens to explode through his edgy quiet any moment. Now confined to a wheelchair, Bruce becomes a charity case and moves into an assisted-living facility. There, he sullenly brushes off overtures by the staff and the other residents. “How do you think you’ll like being here?...
By Fred Blosser
In Bryan Forbes’ “The Raging Moon” (1971), a sudden, devastating illness leaves 24-year-old Bruce Pritchard (Malcolm McDowell) a paraplegic. A friend asks if he was stricken by polio. “I don’t know what it is,” Bruce answers. “I can’t pronounce it, but it’s not polio.” Whatever the nature of his life-altering blow, he reacts the same way that most of us would probably react, with stony, simmering self-pity and anger. McDowell is at his intense best in those scenes, calling to mind the all-time master, James Cagney, in portraying a volatile character whose temper threatens to explode through his edgy quiet any moment. Now confined to a wheelchair, Bruce becomes a charity case and moves into an assisted-living facility. There, he sullenly brushes off overtures by the staff and the other residents. “How do you think you’ll like being here?...
- 11/24/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
” I didn’t have the courage to die. I knew what I had to do to stay alive. “
Gregory Peck in The Stalking Moon (1968) vailable on Blu-ray From Warner Archive. Ordering information can be found Here
Veteran army scout Sam Varner (Gregory Peck) agrees to escort a former Apache captive (Eva Marie Saint) and her half-Apache son to safety across a sprawling Southwest of desert wastelands and imposing mountains. But shadowing their path is a renegade killer dead set on getting the boy back.
Peck powerfully reunites with his To Kill a Mockingbird producer, Alan J. Pakula, and director, Robert Mulligan, for a suspenseful tale with the direct leanness and hypnotic landscape of classic Westerns. Events tighten around Varner, his charges and his best friend (Robert Forster) like a noose. The siege is relentless. The terror grows. And the stage is set for a final, violent showdown between hunter and hunted.
Gregory Peck in The Stalking Moon (1968) vailable on Blu-ray From Warner Archive. Ordering information can be found Here
Veteran army scout Sam Varner (Gregory Peck) agrees to escort a former Apache captive (Eva Marie Saint) and her half-Apache son to safety across a sprawling Southwest of desert wastelands and imposing mountains. But shadowing their path is a renegade killer dead set on getting the boy back.
Peck powerfully reunites with his To Kill a Mockingbird producer, Alan J. Pakula, and director, Robert Mulligan, for a suspenseful tale with the direct leanness and hypnotic landscape of classic Westerns. Events tighten around Varner, his charges and his best friend (Robert Forster) like a noose. The siege is relentless. The terror grows. And the stage is set for a final, violent showdown between hunter and hunted.
- 3/16/2020
- by Tom Stockman
- WeAreMovieGeeks.com
Forster in Tarantino's "Jackie Brown".
By Lee Pfeiffer
Actor Robert Forster has passed away from brain cancer at age 78. Forster enjoyed a long career that included many major feature films as well appearances on popular television shows. He made his feature film debut in director John Huston's 1967 pyscho-sexual drama "Reflections in a Golden Eye". In the film, Forster played a hunky U.S. Army private with a penchant for taking nude nighttime horseback rides, a scenario that obsesses a secretly gay officer played by Marlon Brando. He would soon land a plum supporting role opposite Gregory Peck in the 1969 western thriller "The Stalking Moon". That same year, Forster had a rare leading role in director Haskell Wexler's controversial and acclaimed counter-culture drama "Medium Cool" that chronicled the riots at the `1968 Democratic convention in Chicago. Stardom didn't follow, however, and Forster soon found himself laboring in supporting roles in mostly forgettable films.
By Lee Pfeiffer
Actor Robert Forster has passed away from brain cancer at age 78. Forster enjoyed a long career that included many major feature films as well appearances on popular television shows. He made his feature film debut in director John Huston's 1967 pyscho-sexual drama "Reflections in a Golden Eye". In the film, Forster played a hunky U.S. Army private with a penchant for taking nude nighttime horseback rides, a scenario that obsesses a secretly gay officer played by Marlon Brando. He would soon land a plum supporting role opposite Gregory Peck in the 1969 western thriller "The Stalking Moon". That same year, Forster had a rare leading role in director Haskell Wexler's controversial and acclaimed counter-culture drama "Medium Cool" that chronicled the riots at the `1968 Democratic convention in Chicago. Stardom didn't follow, however, and Forster soon found himself laboring in supporting roles in mostly forgettable films.
- 10/12/2019
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Robert Forster, a character actor best known for “Twin Peaks” and his Oscar-nominated performance in Quentin Tarantino’s “Jackie Brown,” has died. He was 78.
The New York native, who suffered from brain cancer, died Friday in his Los Angeles home.
Forster made his first impression on Hollywood audiences in back-to-back movies set in the Army, the first being in 1967 playing the free-spirited, birthday-suit-loving Army private Ellgee Williams in John Huston’s “Reflections in a Golden Eye,” starring Marlon Brando and Elizabeth Taylor. The next year, he played a half-breed scout in “The Stalking Moon” opposite Gregory Peck.
Also Read: Hollywood's Notable Deaths of 2019 (Photos)
In the years that followed, Forster had roles in films like “The Lady in Red,” “The Black Hole,” “Delta Force” and “Peacemaker,” but it was Quentin Tarantino’s “Jackie Brown” that gave his career a boost… and an Oscar nomination for Best Supporting Actor.
Jobs in...
The New York native, who suffered from brain cancer, died Friday in his Los Angeles home.
Forster made his first impression on Hollywood audiences in back-to-back movies set in the Army, the first being in 1967 playing the free-spirited, birthday-suit-loving Army private Ellgee Williams in John Huston’s “Reflections in a Golden Eye,” starring Marlon Brando and Elizabeth Taylor. The next year, he played a half-breed scout in “The Stalking Moon” opposite Gregory Peck.
Also Read: Hollywood's Notable Deaths of 2019 (Photos)
In the years that followed, Forster had roles in films like “The Lady in Red,” “The Black Hole,” “Delta Force” and “Peacemaker,” but it was Quentin Tarantino’s “Jackie Brown” that gave his career a boost… and an Oscar nomination for Best Supporting Actor.
Jobs in...
- 10/12/2019
- by Rosemary Rossi
- The Wrap
Academy Award winner Alvin Sargent, who penned an extraordinary number of popular and critically successful films, from “Paper Moon” and “Ordinary People” to the “Spider-Man” sequels of the 2000s, died Thursday, his talent agency Gersh confirmed to Variety. He was 92.
Sargent won adapted screenplay Oscars for “Julia” in 1978 and “Ordinary People” in 1981 and was also nominated in the category in 1974 for “Paper Moon.” (He also received Writers Guild awards for all three films.) The writer worked with many of Hollywood’s top directors over the course of his career, including Alan J. Pakula, John Frankenheimer. Paul Newman, Peter Bogdanovich, Sydney Pollack, Fred Zinnemann, Robert Redford, Martin Ritt, Norman Jewison, Stephen Frears and Wayne Wang, though not always when those helmers were doing their best work.
Sargent started as a writer for television but broke into features with his screenplay for 1966’s “Gambit,” a Ronald Neame-directed comedy thriller starring Michael Caine,...
Sargent won adapted screenplay Oscars for “Julia” in 1978 and “Ordinary People” in 1981 and was also nominated in the category in 1974 for “Paper Moon.” (He also received Writers Guild awards for all three films.) The writer worked with many of Hollywood’s top directors over the course of his career, including Alan J. Pakula, John Frankenheimer. Paul Newman, Peter Bogdanovich, Sydney Pollack, Fred Zinnemann, Robert Redford, Martin Ritt, Norman Jewison, Stephen Frears and Wayne Wang, though not always when those helmers were doing their best work.
Sargent started as a writer for television but broke into features with his screenplay for 1966’s “Gambit,” a Ronald Neame-directed comedy thriller starring Michael Caine,...
- 5/11/2019
- by Carmel Dagan
- Variety Film + TV
Weirder, wilder, and more unruly than I remember, The Parallax View (1974), remains a deeply paranoid conspiracy drama. Directed by Alan J. Pakula, the film feels like a dry run for All the President's Men, which Pakula made two years later.Pakula began as a producer, working with director Robert Mulligan, for 1957's Fear Strikes Out, a character drama starring Anthony Perkins as a baseball player, followed by To Kill a Mockingbird, Love with the Proper Stranger, Baby the Rain Must Fall, Inside Daisy Clover, Up the Down Staircase, and The Stalking Moon; most are respectable dramas (the last was an odd little Western) during a fairly bleak and dry period in American cinema. Finally, Pakula got behind the camera as a director at the age...
- 4/19/2011
- Screen Anarchy
When Jackie Brown was released twelve years ago expectations were off the charts. It had been three and a half long years since Quentin Tarantino had rocked the movie world with the one-two punch of Reservoir Dogs (1992) and Pulp Fiction (1994). Since then he had laid relatively low, directing a segment of the anthology Four Rooms, writing the vampire hybrid From Dusk Til Dawn, and performing several forgettable “acting” roles (remember Destiny Turns On The Radio? ……didn’t think so.) I remember my own expectations and anticipation for Jackie Brown when I first heard that Tarantino had cast ebony action icon Pam Grier in the lead. I assumed that he was going to take a crack at the Blaxploitation genre that he was a such a fan of and was honestly expecting afros, pimps, and bell-bottoms but, with the exception of it’s lead and some funky music from those films,...
- 8/19/2009
- by Tom
- WeAreMovieGeeks.com
Actor Robert Forster at West Hollywood eatery The Silver Spoon.
The Whole World Is Watching: Robert Forster Remembers Chicago ‘68
by Jon Zelazny
Editor's Note: This article originally appeared on EightMillionStories.com August 21st, 2008
When the Democratic National Convention begins next week, a deeply divided party will strive to reunify, and attempt to forge a nationally acceptable policy to extricate the nation from a failed war.
Forty years ago this week, the Democratic Party was in similar straits. But the political wrangling at the 1968 convention in Chicago’s International Auditorium was wholly eclipsed by the events happening directly outside: the heavily-televised spectacle of brutal, ongoing street battles betweens thousands of Vietnam war protesters, the Chicago police, and the Illinois National Guard.
Robert Forster was there. Best known for his 1997 Oscar-nominated role as bail bondsman Max Cherry in Quentin Tarantino’s Jackie Brown, the veteran actor covered the tumultuous ‘68 convention as a local TV news cameraman.
The Whole World Is Watching: Robert Forster Remembers Chicago ‘68
by Jon Zelazny
Editor's Note: This article originally appeared on EightMillionStories.com August 21st, 2008
When the Democratic National Convention begins next week, a deeply divided party will strive to reunify, and attempt to forge a nationally acceptable policy to extricate the nation from a failed war.
Forty years ago this week, the Democratic Party was in similar straits. But the political wrangling at the 1968 convention in Chicago’s International Auditorium was wholly eclipsed by the events happening directly outside: the heavily-televised spectacle of brutal, ongoing street battles betweens thousands of Vietnam war protesters, the Chicago police, and the Illinois National Guard.
Robert Forster was there. Best known for his 1997 Oscar-nominated role as bail bondsman Max Cherry in Quentin Tarantino’s Jackie Brown, the veteran actor covered the tumultuous ‘68 convention as a local TV news cameraman.
- 4/14/2009
- by The Hollywood Interview.com
- The Hollywood Interview
Director Robert Mulligan, beloved by actors for his low-key style and temperament behind the camera, has passed away at age 83. Mulligan began directing in live TV productions in the 1950s but graduated to feature films with the acclaimed production of Fear Strikes Out. His career highlight was helming the 1962 classic screen adaptation of To Kill a Mockingbird for which he was nominated for an Oscar. Under his direction, star Gregory Peck won the Best Actor Academy Award for his immortal performance as Atticus Finch in the film. Mulligan never directed blockbuster hits, but several of his productions proved to be extremely popular with audiences and critics. Among them: Come September, Love With the Proper Stranger, Baby, The Rain Must Fall (the latter two starring Steve McQueen), Up the Down Staircase, Summer of '42 and the bittersweet comedy Same Time, Next Year. However, some of his best work remained under-rated, including...
- 12/22/2008
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Robert Mulligan, who directed "To Kill a Mockingbird" and "Summer of '42," among other films, died Friday of heart disease at his Connecticut home. He was 83.
Mulligan received a best director Oscar nomination in 1963 for "Mockingbird."
The brother of actor Richard Mulligan, he also directed "The Great Impostor," "Love With the Proper Stranger," "Baby, the Rain Must Fall," "Inside Daisy Clover," "Up the Down Staircase" and "The Other." He also narrated "Summer of '42."
Known for his diffident nature and sensitivity toward players, Mulligan directed five different actors in Oscar-nominated performances: Gregory Peck, Mary Badham, Natalie Wood, Ruth Gordon and Ellen Burstyn, with Peck winning the best actor Oscar for "Mockingbird."
He also elicited consistently fine performances from a range of his players, including Anthony Perkins in "Fear Strikes Out," Jennifer O'Neill in "Summer of '42," Robert Redford in "Inside Daisy Clover" and Richard Gere in "Bloodbrothers."
Mulligan earned his...
Mulligan received a best director Oscar nomination in 1963 for "Mockingbird."
The brother of actor Richard Mulligan, he also directed "The Great Impostor," "Love With the Proper Stranger," "Baby, the Rain Must Fall," "Inside Daisy Clover," "Up the Down Staircase" and "The Other." He also narrated "Summer of '42."
Known for his diffident nature and sensitivity toward players, Mulligan directed five different actors in Oscar-nominated performances: Gregory Peck, Mary Badham, Natalie Wood, Ruth Gordon and Ellen Burstyn, with Peck winning the best actor Oscar for "Mockingbird."
He also elicited consistently fine performances from a range of his players, including Anthony Perkins in "Fear Strikes Out," Jennifer O'Neill in "Summer of '42," Robert Redford in "Inside Daisy Clover" and Richard Gere in "Bloodbrothers."
Mulligan earned his...
- 12/21/2008
- by By Duane Byrge
- The Hollywood Reporter - Movie News
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