Plot: An astronaut (Adam Driver) transporting a cargo of people to their new home crash-lands on Earth sixty-five million years ago. Faced with the dangerous terrain and a whole lot of dinosaurs, he must try to recover an escape ship while protecting the crew’s sole survivor, a young girl (Ariana Greenblatt).
Review: 65 is a decent middle-of-the-road action movie. While it’s undeniably underwhelming, given that it comes from the guys who hatched the idea for A Quiet Place and stars the great Adam Driver, there’s enough action jammed into the scant ninety-minute running time to merit a ticket. But, it tries to do too much, namely by indulging in some world-building it doesn’t have the time for.
When I first saw the trailer for Scott Beck and Bryan Woods’ 65, I assumed that Adam Driver’s character was a human who somehow ended up in the past.
Review: 65 is a decent middle-of-the-road action movie. While it’s undeniably underwhelming, given that it comes from the guys who hatched the idea for A Quiet Place and stars the great Adam Driver, there’s enough action jammed into the scant ninety-minute running time to merit a ticket. But, it tries to do too much, namely by indulging in some world-building it doesn’t have the time for.
When I first saw the trailer for Scott Beck and Bryan Woods’ 65, I assumed that Adam Driver’s character was a human who somehow ended up in the past.
- 3/9/2023
- by Chris Bumbray
- JoBlo.com
Greywood’S Plot! September 16 – Digital Platforms (Worldwide) Greywood’s Plot!, a pitch-black horror/comedy from producers Jason Goldberg (Glorious) and Brandon Waites (Followed), premieres on digital September 16 from Terror Films. A labor of love, sending four real life friends into the wilderness of northern Minnesota to film a no budget 1950’s creature feature; with a …
The post *** Official Trailer *** Greywood’S Plot! – from the producers of Glorious and Followed appeared first on Horror News | Hnn.
The post *** Official Trailer *** Greywood’S Plot! – from the producers of Glorious and Followed appeared first on Horror News | Hnn.
- 9/8/2022
- by Adrian Halen
- Horror News
Plot: A software update from a major tech corporation sends robots on a hunt to round up the human race, and the last humans left, the Mitchell family, are tasked with bringing down the machine uprising. Review: Since their breakout with the colorful and charming Cloudy with a Chance of Meatballs, writer/producer/director team Phil Lord and Christopher Miller…...
- 4/21/2021
- by Matt Rooney
- JoBlo.com
In order to make accurate predictions about the potential Cannes Film Festival lineup, it’s first important to explore which films definitely won’t make the cut. The glamorous French gathering is notorious for waiting until the last minute before locking in every slot for its Official Selection. That includes competition titles, out of competition titles, a small midnight section and the Un Certain Regard sidebar. Cannes announces the bulk of its selections in Paris on April 13, but until then, there are plenty of ways to make educated guesses. Much of the reporting surrounding the upcoming festival selection is simply lists of films expected to come out this year. However, certain movies are definitely not going to the festival for various reasons.
That’s why our own list of potentials doesn’t include “Image Et Parole,” Jean-Luc Godard’s followup to “Goodbye to Language,” which sales agent Wild Bunch now anticipates as a 2018 title.
That’s why our own list of potentials doesn’t include “Image Et Parole,” Jean-Luc Godard’s followup to “Goodbye to Language,” which sales agent Wild Bunch now anticipates as a 2018 title.
- 3/31/2017
- by Chris O'Falt, Eric Kohn, Jude Dry, Kate Erbland, Steve Greene and Zack Sharf
- Indiewire
Happy End
Director: Michael Haneke
Writer: Michael Haneke
In mid-2015, Michael Haneke officially confirmed he would be abandoning a project known as Flashmob and focusing on different film to be set in France. As usual, the auteur was rather terse as concerns details on either endeavor. In October, while being honored at the International Film Festival of Morelia, Isabelle Huppert (who has starred in three Haneke productions, The Piano Teacher, Time of the Wolf and Amour) announced she’d be re-teaming with Haneke for a fourth time. Finally, major news broke on the project the last week of December with the news of Amour star Jean-Louis Trintignant joining Huppert in Haneke’s Happy End. Plot details are still unconfirmed, but the focus of the film will be the notion of family while migrants will serve as a subtext.
Cast: Isabelle Huppert, Jean-Louis Trintignant
Production Co./Producer(s): Pictanovo
U.
Director: Michael Haneke
Writer: Michael Haneke
In mid-2015, Michael Haneke officially confirmed he would be abandoning a project known as Flashmob and focusing on different film to be set in France. As usual, the auteur was rather terse as concerns details on either endeavor. In October, while being honored at the International Film Festival of Morelia, Isabelle Huppert (who has starred in three Haneke productions, The Piano Teacher, Time of the Wolf and Amour) announced she’d be re-teaming with Haneke for a fourth time. Finally, major news broke on the project the last week of December with the news of Amour star Jean-Louis Trintignant joining Huppert in Haneke’s Happy End. Plot details are still unconfirmed, but the focus of the film will be the notion of family while migrants will serve as a subtext.
Cast: Isabelle Huppert, Jean-Louis Trintignant
Production Co./Producer(s): Pictanovo
U.
- 1/15/2016
- by Nicholas Bell
- IONCINEMA.com
For the countless fans of the Leone-spangled, Morricone-adorned legacy of the great Spaghetti Westerns, it’s tough to accept that the revolver-toting sub-genre of decades past has died a death. Given a fitting and wonderful send-off by Eastwood’s Unforgiven, Andrew Dominic’s immaculate The Assassination of Jesse James and a classy remake of the 3:10 to Yuma have still failed to reignite a widespread interest in the days of saddles and frontiers. It’s rather sad, but the fact is people just aren’t that interested in cowboys any more. I don’t see them coming back any time soon, either, and A Million Ways to Die in the West certainly hasn’t convinced me otherwise.
Don’t get me wrong, I liked Ted – Seth MacFarlane’s previous venture into feature length film – quite a bit. Its gross-out humour and numerous profanities failed to cover up the old-school,...
Don’t get me wrong, I liked Ted – Seth MacFarlane’s previous venture into feature length film – quite a bit. Its gross-out humour and numerous profanities failed to cover up the old-school,...
- 5/29/2014
- by Dominic Mill
- We Got This Covered
It’s that wonderful, frightful, cool and creepy time of year again, when everything including the leaves on the trees are dying and our taste buds are craving sugary sweets and pies made from the guts of our jack-o-lanterns. It’s October, which means Halloween is nearly upon us! Get you costumes completed, your home haunts constructed and your candy collected for trick’r treaters, because you have to make time to watch some of the scariest movies this time of year.
In an effort to assist you in your cinematic scare-fest, we’ve come up with a list of the scariest movies to watch on Halloween… with one caveat. We have excluded virtually all “slasher” flicks. Why? Well, let’s just say we all know them, we all love them on some level, but really… don’t we all want something more in our scary movies? In honor of...
In an effort to assist you in your cinematic scare-fest, we’ve come up with a list of the scariest movies to watch on Halloween… with one caveat. We have excluded virtually all “slasher” flicks. Why? Well, let’s just say we all know them, we all love them on some level, but really… don’t we all want something more in our scary movies? In honor of...
- 10/30/2013
- by Movie Geeks
- WeAreMovieGeeks.com
Upstream Colour | One Direction: This Is Us 3D | The Way Way Back | Pain & Gain | You're Next | Bonjour Tristesse | Plein Soleil | Hammer Of The Gods | Satyagraha
Upstream Colour (12A)
(Shane Carruth, 2013, Us) Amy Seimetz, Shane Carruth, Andrew Sensenig. 96 mins
Reading this on mobile? Click here to view
The Primer director delivers another Us indie brainteaser that will leave minds blown and chins comprehensively scratched. A young woman who has been kidnapped, exposed to a parasite and robbed meets a man who seems to have endured the same horror. What any of that has to do with the maggots that possess psychedelic properties, or the sound recordist and his obsession with pigs, is anyone's guess. The mysteries endure long after the credits roll, and Carruth's direction is spellbinding enough to keep you puzzling over them – just about.
One Direction: This Is Us 3D (PG)
(Morgan Spurlock, 2013, Us) 92 mins
From third place in...
Upstream Colour (12A)
(Shane Carruth, 2013, Us) Amy Seimetz, Shane Carruth, Andrew Sensenig. 96 mins
Reading this on mobile? Click here to view
The Primer director delivers another Us indie brainteaser that will leave minds blown and chins comprehensively scratched. A young woman who has been kidnapped, exposed to a parasite and robbed meets a man who seems to have endured the same horror. What any of that has to do with the maggots that possess psychedelic properties, or the sound recordist and his obsession with pigs, is anyone's guess. The mysteries endure long after the credits roll, and Carruth's direction is spellbinding enough to keep you puzzling over them – just about.
One Direction: This Is Us 3D (PG)
(Morgan Spurlock, 2013, Us) 92 mins
From third place in...
- 8/31/2013
- by Ryan Gilbey
- The Guardian - Film News
Amour
Directed by: Michael Haneke
Cast: Emmanuelle Riva, Jean-Louis Trintignant
Running Time: 2 hrs 7 mins
Rating: PG-13
Release Date: January 11, 2013 (Chicago)
Plot: An elderly couple’s love is tested when the wife (Riva) suffers a stroke and requires the constant care of her husband (Trintignant).
Who’S It For? Amour isn’t brooding, but it is slow. Most of all, it can best be appreciated by those who have a mature understanding of the most important bonds within a relationship.
Overall
In her now Oscar-nominated performance, Riva (who once starred in lauded foreign classic Hiroshima, Mon Amour) provides a turn that is equally as physical as Naomi Watts’ also nominated portrayal in The Impossible. Throughout this performance, we watch Riva physically fade away. Riva spends much of the time stationary, her physical requirements constantly reduced, not to mention her waning ability to interact through dialogue with her husband. And yet,...
Directed by: Michael Haneke
Cast: Emmanuelle Riva, Jean-Louis Trintignant
Running Time: 2 hrs 7 mins
Rating: PG-13
Release Date: January 11, 2013 (Chicago)
Plot: An elderly couple’s love is tested when the wife (Riva) suffers a stroke and requires the constant care of her husband (Trintignant).
Who’S It For? Amour isn’t brooding, but it is slow. Most of all, it can best be appreciated by those who have a mature understanding of the most important bonds within a relationship.
Overall
In her now Oscar-nominated performance, Riva (who once starred in lauded foreign classic Hiroshima, Mon Amour) provides a turn that is equally as physical as Naomi Watts’ also nominated portrayal in The Impossible. Throughout this performance, we watch Riva physically fade away. Riva spends much of the time stationary, her physical requirements constantly reduced, not to mention her waning ability to interact through dialogue with her husband. And yet,...
- 1/15/2013
- by Nick Allen
- The Scorecard Review
Quentin Tarantino making a Western sounds like the coolest coupling of director and genre since Scorsese noodled with the mafia, and judging from the rootin' tootin' trailer for "Django Unchained," it just might live up to our cinema-junkie expectations.
For his smash hit "Inglourious Basterds," Tarantino gave Jews their ultimate revenge fantasy by allowing Eli Roth to smoke Hitler, and we loved every minute of it. Now imagine him applying that same gonzo, pop culture-laden sensibility to a freed African-American slave riding dusty trails, scouting filthy saloons, or going up against heaps o' redneck crackers with itchy trigger fingers. Now you get the picture.
Here's all you should possibly know to get in the saddle with the "Pulp Fiction" maestro for his trip to the wild, wild ... South?
Release Date
December 25
Most Wanted List
For the title slave-turned-gunslinger, Jamie Foxx beat out the formidable likes of Will Smith, Idris Elba...
For his smash hit "Inglourious Basterds," Tarantino gave Jews their ultimate revenge fantasy by allowing Eli Roth to smoke Hitler, and we loved every minute of it. Now imagine him applying that same gonzo, pop culture-laden sensibility to a freed African-American slave riding dusty trails, scouting filthy saloons, or going up against heaps o' redneck crackers with itchy trigger fingers. Now you get the picture.
Here's all you should possibly know to get in the saddle with the "Pulp Fiction" maestro for his trip to the wild, wild ... South?
Release Date
December 25
Most Wanted List
For the title slave-turned-gunslinger, Jamie Foxx beat out the formidable likes of Will Smith, Idris Elba...
- 6/13/2012
- by Max Evry
- NextMovie
We Have a Pope
Directed by: Nanni Moretti,
Cast: Michel Piccoli, Nanni Moretti, Margherita Buy
Running Time: 1 hr 42 mins
Rating: PG-13
Release Date: April 27, 2012 (Chicago)
Plot: A cardinal (Piccoli) decides that he doesn’t want to be pope, despite being selected by his superiors.
Who’S It For? Religious moviegoers might find this to be funny, with its respectful portrayal of respected figures and of the Vatican itself. However, everyone, not just those who believe in the pope, will be shaken up by this movie’s moments in the third act.
Overall
With all of the pressures and requirements, being a world leader must be the worst job in the world. But what could be even more dreadful? How about considering denying papacy after being elected to rule the Catholic world?
Michel Piccoli plays Cardinal Melville, a simple cardinal who comes to the Vatican after the recent pope’s...
Directed by: Nanni Moretti,
Cast: Michel Piccoli, Nanni Moretti, Margherita Buy
Running Time: 1 hr 42 mins
Rating: PG-13
Release Date: April 27, 2012 (Chicago)
Plot: A cardinal (Piccoli) decides that he doesn’t want to be pope, despite being selected by his superiors.
Who’S It For? Religious moviegoers might find this to be funny, with its respectful portrayal of respected figures and of the Vatican itself. However, everyone, not just those who believe in the pope, will be shaken up by this movie’s moments in the third act.
Overall
With all of the pressures and requirements, being a world leader must be the worst job in the world. But what could be even more dreadful? How about considering denying papacy after being elected to rule the Catholic world?
Michel Piccoli plays Cardinal Melville, a simple cardinal who comes to the Vatican after the recent pope’s...
- 4/27/2012
- by Nick Allen
- The Scorecard Review
Chicago International Film Festival 2011
We Have a Pope
Directed by: Nanni Moretti
Cast: Michel Piccoli, Nanni Moretti, Margherita Buy
Running Time: 1 hr 42 mins
Rating: Nr
Release Date: Tbd
Click Here for complete coverage of the Chicago International Film Festival (Ciff 2011)
Plot: A cardinal (Piccoli) doesn’t want to be pope, despite being elected by his superiors.
Who’S It For? Religious moviegoers might find this to be funny, with its respectful portrayal of respected figures and of the Vatican itself. However, everyone, not just those who believe in the pope, will be shaken up by this movie’s moments in the third act.
Overall
With all of the pressures and requirements, being a world leader must be the worst job in the world. But would could be even more dreadful? How about considering denying papacy after being elected to rule the Catholic world?
Michel Piccoli plays Cardinal Melville, a...
We Have a Pope
Directed by: Nanni Moretti
Cast: Michel Piccoli, Nanni Moretti, Margherita Buy
Running Time: 1 hr 42 mins
Rating: Nr
Release Date: Tbd
Click Here for complete coverage of the Chicago International Film Festival (Ciff 2011)
Plot: A cardinal (Piccoli) doesn’t want to be pope, despite being elected by his superiors.
Who’S It For? Religious moviegoers might find this to be funny, with its respectful portrayal of respected figures and of the Vatican itself. However, everyone, not just those who believe in the pope, will be shaken up by this movie’s moments in the third act.
Overall
With all of the pressures and requirements, being a world leader must be the worst job in the world. But would could be even more dreadful? How about considering denying papacy after being elected to rule the Catholic world?
Michel Piccoli plays Cardinal Melville, a...
- 10/10/2011
- by Nick Allen
- The Scorecard Review
Restless
Directed by: Gus Van Sant
Cast: Henry Hopper, Mia Wasikowska
Running Time: 1 hr 45 mins
Rating: PG-13
Release Date: September 23, 2011 (Chicago)
Plot: A young man who attends strangers’ funerals (Hopper) falls for a young girl with terminal cancer (Wasikowska).
Who’S It For?: Restless has potential to get older audience members involved with its unique perspectives on death, but it’s likely that teenagers and college-aged kids will find this to be the most rewarding. At times, it seems like Van Sant is directly playing to his sporadic hip, young audience.
Expectations: This movie did play at last year’s Cannes Film Festival, and won an “Un Certain Regard” award. Considering Van Sant’s work with teenagers, would this be stylized like Paranoid Park? How hip would it be, and how much would such hipness affect its mood?
Scorecard (0-10)
Actors:
Henry Hopper as Enoch: Dressed like a hip whippersnapper,...
Directed by: Gus Van Sant
Cast: Henry Hopper, Mia Wasikowska
Running Time: 1 hr 45 mins
Rating: PG-13
Release Date: September 23, 2011 (Chicago)
Plot: A young man who attends strangers’ funerals (Hopper) falls for a young girl with terminal cancer (Wasikowska).
Who’S It For?: Restless has potential to get older audience members involved with its unique perspectives on death, but it’s likely that teenagers and college-aged kids will find this to be the most rewarding. At times, it seems like Van Sant is directly playing to his sporadic hip, young audience.
Expectations: This movie did play at last year’s Cannes Film Festival, and won an “Un Certain Regard” award. Considering Van Sant’s work with teenagers, would this be stylized like Paranoid Park? How hip would it be, and how much would such hipness affect its mood?
Scorecard (0-10)
Actors:
Henry Hopper as Enoch: Dressed like a hip whippersnapper,...
- 9/23/2011
- by Nick Allen
- The Scorecard Review
Miral
Directed by: Julian Schnabel
Cast: Freida Pinto, Hiam Abbass, Alexander Siddig
Running Time: 1 hr 55 mins
Rating: PG-13
Release Date: April 15, 2011 (Chicago)
Plot: After discovering fifty-five orphans in the streets of a tumultuous East Jerusalem, a young woman named Hind opens up a facility to take care of many Palestinian children, while teaching them the ways of peace. Years later, a young girl named Miral (Pinto) is sent to the school by her father, Jamal (Siddig). Miral begins to question the political chaos surrounding her when she encounters violence in her work at refugee camps and during her daily life.
Who’S It For?: Fans of movies that cover hot topics in international politics, not so much those who gravitate towards biopics. The movie was purposely rated PG-13 to appeal to younger adults, but they’ll find this movie pretty boring.
Expectations: Some controversy about some possible bias...
Directed by: Julian Schnabel
Cast: Freida Pinto, Hiam Abbass, Alexander Siddig
Running Time: 1 hr 55 mins
Rating: PG-13
Release Date: April 15, 2011 (Chicago)
Plot: After discovering fifty-five orphans in the streets of a tumultuous East Jerusalem, a young woman named Hind opens up a facility to take care of many Palestinian children, while teaching them the ways of peace. Years later, a young girl named Miral (Pinto) is sent to the school by her father, Jamal (Siddig). Miral begins to question the political chaos surrounding her when she encounters violence in her work at refugee camps and during her daily life.
Who’S It For?: Fans of movies that cover hot topics in international politics, not so much those who gravitate towards biopics. The movie was purposely rated PG-13 to appeal to younger adults, but they’ll find this movie pretty boring.
Expectations: Some controversy about some possible bias...
- 4/15/2011
- by Nick Allen
- The Scorecard Review
While his sure to be rip-roaring tale of elderly decay was set to be titled These Two, writer and director Michael Haneke (or someone higher up) has apparently decided that the title doesn’t quite work for him. It’s been given the new, possibly ironic title of Love, according to Cineuropa (via IonCinema and ThePlaylist).
But, have no fear, this minor change won’t mean that production is delayed. It’s still set to begin in February with a quick 40-day shoot; excitingly, this means that it could premiere anywhere from Cannes in May to Tiff in September. As I said above, there’s possibly a sense of irony to the new name, and this isn’t anything new, as it could be similar to something like his previous Funny Games, both the Austrian and American versions. When you consider his filmography and the fact that this seems like...
But, have no fear, this minor change won’t mean that production is delayed. It’s still set to begin in February with a quick 40-day shoot; excitingly, this means that it could premiere anywhere from Cannes in May to Tiff in September. As I said above, there’s possibly a sense of irony to the new name, and this isn’t anything new, as it could be similar to something like his previous Funny Games, both the Austrian and American versions. When you consider his filmography and the fact that this seems like...
- 12/27/2010
- by Nick Newman
- The Film Stage
Clémence Poésy made her name as an exchange student in the Harry Potter films. But she's also been Mary Queen of Scots, a hitman's girlfriend and a Gossip Girl. Now the quintessentially French actor has nabbed a part in the controversial new Danny Boyle film. But she hasn't always been this popular…
If Clémence Poésy was not French, they would have to invent her. She is the embodiment of all that is quintessentially Gallic: slouchily beautiful with an effortless pout and emanating a dishevelled glamour that matches her tousled hair. When she walks into the studio where we are meeting, she is wearing an oversized man's jumper and biker boots with the kind of nonchalant chic that makes most Frenchwoman's clothes seem an exercise in unwitting sexiness. She slides into her seat like a Burmese cat seeking out the most comfortable spot on a cushion. Then, when we start to talk,...
If Clémence Poésy was not French, they would have to invent her. She is the embodiment of all that is quintessentially Gallic: slouchily beautiful with an effortless pout and emanating a dishevelled glamour that matches her tousled hair. When she walks into the studio where we are meeting, she is wearing an oversized man's jumper and biker boots with the kind of nonchalant chic that makes most Frenchwoman's clothes seem an exercise in unwitting sexiness. She slides into her seat like a Burmese cat seeking out the most comfortable spot on a cushion. Then, when we start to talk,...
- 12/19/2010
- by Elizabeth Day
- The Guardian - Film News
After putting his Internet-centered film on hold to focus on the elderly drama These Two, Michael Haneke and those involved in the project have been relatively quiet on what it’s really about. All we’ve heard about the story is that concerns the “humiliation of the physical breakdown in the elderly” (I will never get tired of reading that), with not much else in the way of plot. Thankfully, IonCinema (via ThePlaylist) has picked up a synopsis, which can be read below.
Plot: Centers on cultured octogenarians Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva), who are retired music teachers. Their daughter (Isabelle Huppert), also a musician, lives abroad with her family. One day, Anne suffers a minor stroke. When she leaves the hospital and returns home, she is paralysed down one side. The love that binds this old couple will really be put to the test.
From the screenwriters of Tangled.
Plot: Centers on cultured octogenarians Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva), who are retired music teachers. Their daughter (Isabelle Huppert), also a musician, lives abroad with her family. One day, Anne suffers a minor stroke. When she leaves the hospital and returns home, she is paralysed down one side. The love that binds this old couple will really be put to the test.
From the screenwriters of Tangled.
- 11/24/2010
- by Nick Newman
- The Film Stage
Inglourious Basterds
Directed by: Quentin Tarantino
Cast: Brad Pitt, Christoph Waltz, Melanie Laurent
Running Time: 2 hrs 35 mins
Rating: R
Release Date: August 21, 2009
Complete coverage of Inglourious Basterds Scorecard Review by Nick Allen – 9/10
Scorecard Review by Jeff Bayer – 10/10 (His first 10 of the year)
Top 7 Characters created by Quentin Tarantino
Interviews with Laurent, Roth, and Kruger
Interviews with Tarantino, Myers, Waltz, and Novak
Bayer’s Kptv Reel Review of Inglourious Basterds
Plot: A group of Jewish-American soldiers (led by Pitt) are dropped into Nazi-occupied France with orders to intimidate the Germans with their brutal methods. At the same time, a woman (Laurent) who lost her family to an SS raid plots her own revenge against the Nazis.
Who’s It For? The mainstream audience that have hooked onto Tarantino’s movies before should know what to expect – moments of excessive violence, lots of dialogue, a boat ton of movie references, and...
Directed by: Quentin Tarantino
Cast: Brad Pitt, Christoph Waltz, Melanie Laurent
Running Time: 2 hrs 35 mins
Rating: R
Release Date: August 21, 2009
Complete coverage of Inglourious Basterds Scorecard Review by Nick Allen – 9/10
Scorecard Review by Jeff Bayer – 10/10 (His first 10 of the year)
Top 7 Characters created by Quentin Tarantino
Interviews with Laurent, Roth, and Kruger
Interviews with Tarantino, Myers, Waltz, and Novak
Bayer’s Kptv Reel Review of Inglourious Basterds
Plot: A group of Jewish-American soldiers (led by Pitt) are dropped into Nazi-occupied France with orders to intimidate the Germans with their brutal methods. At the same time, a woman (Laurent) who lost her family to an SS raid plots her own revenge against the Nazis.
Who’s It For? The mainstream audience that have hooked onto Tarantino’s movies before should know what to expect – moments of excessive violence, lots of dialogue, a boat ton of movie references, and...
- 8/23/2009
- by Nick Allen
- The Scorecard Review
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