IMDb RATING
6.4/10
3.9K
YOUR RATING
Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.
Julius Harris
- Mr. Gibbs
- (as Julius W. Harris)
Allan Bailey
- 'Motor'
- (as Allen W. Bailey)
Francisco De Gracia
- Cab Driver
- (as Francisco DeGracia)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhile filming in Harlem, Larry Cohen was accosted by local gangsters who threatened to disrupt the shoot unless they were paid off. Instead, Cohen offered them small roles in the film. They helped so enthusiastically that they attended the premiere to sign autographs.
- GoofsTommy cuts off the left ear of the man in the barber's chair, but the ear he drops into the plate of spaghetti is a right ear.
- Quotes
Reverend Rufus: Mama! Does Tommy know you're here?
Mama Gibbs: Pray for him, Rufus... you were always a good boy, pray for him.
Reverend Rufus: Okay Mama, we'll pray for him.
- Alternate versionsThe European version included an additional scene before the end credits, where, after Tommy Gibbs is seen wandering in a neighborhood slum, a street gang robs him and fatally beats him up. This sequence was originally cut from U.S. prints, as AIP was already interested in making a sequel. However, in the late 1990s, when MGM bought the Orion Pictures library, the European cut made its way to home video, due to a mix-up on MGM's part. Therefore, all current video releases, to this day, feature this print.
- ConnectionsFeatured in Hell Up in Harlem (1973)
Featured review
Hail the mighty Williamson for defining the "blaction" era.
BLACK CAESAR is only the first half in the gangster epic of Tommy Gibbs (Fred Williamson). It has attitude, and comes up strong in detailing the urbanized ghetto culture in a gritty style. Compare this to THE GODFATHER, if you will, because there isn't a lot going on here that its second-half sequel HELL UP IN HARLEM actually offers much more to the story (Maltin, take note of this!). Both films gave Williamson the spotlight he deserved in show business with his mean, dirty style of action-packed influence. This one's just warming up. Best scene to remember: Gibbs putting on the shoe polish of a white man's face to resemble Al Jolson, only in beating the living daylights out of him as he shouts "Mammy! Mammy!". As you'd normally expect for a "blaction" classic, it's pure entertainment, and James Brown's soul music score (absent in the sequel) is the best I've heard. There is a call for examination on Gibbs' "superior" gang who wants to rule over the opposing race, a plot that sometimes goes overboard and needs to be studied. You need to check out and watch BOTH of these titles simultaneously to avoid instant confusion, letting them stick together into a three-hour movie on its own.
helpful•112
- emm
- Feb 18, 1999
- How long is Black Caesar?Powered by Alexa
Details
Contribute to this page
Suggest an edit or add missing content