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Mandingo ()


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An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.

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Warren Maxwell
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Blanche Maxwell
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Hammond Maxwell
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Agamemnon
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Ellen
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Mede
Lillian Hayman ...
Lucrezia Borgia
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Doc Redfield
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Cicero
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Brownlee
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Charles
Ray Spruell ...
Wallace
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De Veve
Duane Allen ...
Topaz
Earl Maynard ...
Babouin
Beatrice Winde ...
Lucy
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Dite (as Debbie Morgan)
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Mrs. Redfield
Reda Wyatt ...
Big Pearl
Simone McQueen ...
Madame Caroline (as Simon McQueen)
Evelyn Hendrickson ...
Beatrix
Stanley J. Reyes ...
Major Woodford (as Stanley Reyes)
John Barber ...
Le Toscan
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Meg
Kerwin Robinson ...
Alph
Deborah Ann Young ...
Tense
Debra Blackwell ...
Blonde Girl
Sylvia Kuumba Williams ...
Black Mother (as Kuumba)
Stocker Fontelieu ...
Wilson
Rest of cast listed alphabetically:
Edwin Edwards ...
Gambler (scenesDeleted)
Ron Centanni ...
Slave Buyer / Bordello Guest / Gambler (uncredited)
Warren Kenner ...
(uncredited)
Laura Misch Owens ...
Prostitute (uncredited)
Rosemary Tichenor ...
Slave-Buying Woman (uncredited)

Directed by

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Richard Fleischer

Written by

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Kyle Onstott ... (novel)
 
Jack Kirkland ... (play)
 
Norman Wexler ... (screenplay)

Produced by

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Dino De Laurentiis ... producer
Ralph B. Serpe ... executive producer (as Ralph Serpe)

Music by

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Maurice Jarre

Cinematography by

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Richard H. Kline ... director of photography

Editing by

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Frank Bracht

Editorial Department

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Chris Kaeselau ... assistant editor

Casting By

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Lynn Stalmaster

Production Design by

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Boris Leven

Set Decoration by

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John P. Austin ... (as John Austin)

Costume Design by

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Ann Roth

Makeup Department

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Sugar Blymyer ... hair stylist (as Maryce Blymyer)
Hank Edds ... makeup artist (as George 'Hank' Edds)

Production Management

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Peter V. Herald ... production manager
Stanley Neufeld ... post-production supervisor

Second Unit Director or Assistant Director

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Frederic W. Brost ... first assistant director (as Fred Brost)
Gary Daigler ... second assistant director (as Gary D. Daigler)
Albert Shepard ... second assistant director

Art Department

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Bill Wainess ... property master (as William Wainess)

Sound Department

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James Nelson ... sound effects editor
William Randall ... production sound
Raul A. Bruce ... boom operator (uncredited)
Donald C. Rogers ... technical director of sound (uncredited)
John Wilkinson ... re-recording mixer (uncredited)

Special Effects by

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Ira Anderson Jr. ... special effects

Stunts

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Joe Canutt ... stunt coordinator
Alan Oliney ... stunt coordinator
Ernest Robinson ... stunts
Alan Oliney ... stunts (uncredited)

Camera and Electrical Department

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Gene Kearney ... head grip
Ross A. Maehl ... gaffer (as Ross Maehl)
Calvin Maehl ... best boy electric (uncredited)

Casting Department

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Hector Freeman ... casting assistant (uncredited)

Costume and Wardrobe Department

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Jack Martell ... wardrobe
Joan Joseff ... costume jeweller (uncredited)
Tina Joseff ... costume jeweller (uncredited)
Andrea E. Weaver ... costumer: women (uncredited)

Location Management

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Robert F. Kocourek ... location auditor (as Robert Kocourek)
Albert J. Salzer ... location contact

Music Department

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Maurice Jarre ... conductor
Milton Lustig ... music editor
Israel Baker ... musician: violin (uncredited)
Larry Bunker ... musician: percussion (uncredited)
Vince De Rosa ... musician: french horn (uncredited)
Joe Porcaro ... musician: percussion (uncredited)
Emil Richards ... musician: percussion (uncredited)
Tommy Tedesco ... musician: guitar (uncredited)

Script and Continuity Department

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Alvin Greenman ... script supervisor

Additional Crew

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Dino De Laurentiis ... presenter
Federico De Laurentiis ... assistant to producer
Crew believed to be complete

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

It's the mid-nineteenth century Louisiana. Falconhurst, a run down plantation, is owned by Warren Maxwell, and largely run by his son, Hammond Maxwell, who walks with a limp due to a childhood accident. Hammond is under pressure to get married and produce a male heir to continue the Maxwell legacy before Warren dies. With no experience courting a potential bride - his sexual experiences confined to slaves and whores - Hammond ultimately chooses his cousin Blanche for his wife in what would not be considered a courtship in its true sense. In turn, Blanche agrees to the marriage largely to escape the realm of her sadistic brother, Charles. As his father tells him is custom, Hammond, while on his and Blanche's honeymoon in New Orleans, also obtains a slave as a go to sexual partner, he buying Ellen, who he met when she was given to him in hospitality when visiting who was then her master. Concurrently, Hammond also purchases Mede, a Mandingo, as a slave, something Warren had always wanted because of their physical strength. The plan with Mede is to breed him with their female slaves to produce further Mandingos who they can sell for a higher price than other black slaves. However, Hammond, out of circumstance, uses Mede in the potentially lucrative sport of no holds barred slave fighting, often to the death. Hammond and Blanche end up having an unsatisfying marriage largely due to something Hammond discovers on their wedding night, he turning to Ellen instead as the preferred woman in his life. Blanche, in return, takes her anger out on Hammond in the only way she knows how. In the process, it is their slaves who pay the price for their problems. Written by Huggo

Plot Keywords
Taglines Expect The savage. The sensual. The shocking. The sad. The powerful. The shameful. See more »
Genres
Parents Guide View content advisory »
Certification

Additional Details

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Also Known As
  • Мандинго (Serbia)
  • マンディンゴ (Japan, Japanese title)
  • Bitmeyen Kavga (Turkey, Turkish title)
  • Мандинго (Soviet Union, Russian title)
  • Mandingo - O Fruto da Vingança (Brazil)
  • See more »
Runtime
  • 127 min
Country
Language
Color
Aspect Ratio
Sound Mix
Filming Locations

Did You Know?

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Trivia James Mason admitted in interviews that he only made the film to make his alimony payments. See more »
Goofs During Mede's first fight in the city, he and his opponent are wrestling on the grass. When they roll over on the floor, the grass moves like a slipping carpet would, revealing it to be a sheet of artificial green, probably lying on the floor of a sound stage. See more »
Movie Connections Featured in Sooner or Later (1979). See more »
Soundtracks Born in This Time See more »
Quotes Cicero: I'd rather die than be a slave. You peckerwood! That's tight, you peckerwoods was in oppressed in your own land. We was free. Then you brought us here, in chains. But now we here, you just better know it's as much our land as it is yorn. And after you hang me, kiss my ass!
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