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Normande ()

La tête de Normande St-Onge (original title)
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The demands of her family and the stress of daily life drive the mind of a woman into permanent fantasy as a way to cope.

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Normande
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Bouliane / Normande's boyfriend
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Carol / magician
Carmen Giroux ...
Pierrette / Normande's sister
Gaetan Guimond ...
Jérémie
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Le sculpteur
Anne-Marie Ducharme ...
Mme. Veilleux
Renée Girard ...
Berthe / Normande's mother
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Jean-Paul
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Le Docteur Ostiguy
Marcelle Pallascio ...
Louise
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Un policier
Jean Comtois ...
Un policier
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Le gérant de la pharmacie
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Un mesureur
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Le restaurateur
Serge Allaire ...
Un mesureur
Rest of cast listed alphabetically:
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(uncredited)

Directed by

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Gilles Carle

Written by

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Ben Barzman ... ()

Music by

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Lewis Furey

Cinematography by

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François Protat

Editing by

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Gilles Carle
Avdé Chiriaeff

Editorial Department

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Babalou Hamelin ... assistant editor

Makeup Department

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Micheline Foisy ... makeup artist
Mickie Hamilton ... special makeup effects artist

Production Management

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Avdé Chiriaeff ... assistant production manager
Jacques Fortier ... assistant production manager
Claudette Messier ... assistant production manager
Monique H. Messier ... production manager
Jacques Vallée ... assistant unit manager

Second Unit Director or Assistant Director

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Roger Frappier ... first assistant director
Lise Quesnel ... second assistant director

Art Department

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Andre Brochu ... construction supervisor

Sound Department

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Joe Grimaldi ... sound mixer
Normand Mercier ... boom operator

Camera and Electrical Department

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Michel Brault ... second unit: director of photgraphy
Pierre Dury ... still photographer
Jocelyn Simard ... second unit cameraman
Jean-Charles Tremblay ... second unit cameraman

Costume and Wardrobe Department

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Claide Aubin ... costume supervisor
Huguette Gagné ... wardrobe assistant

Music Department

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John Lissauer ... music arranged and orchestrated by

Script and Continuity Department

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Monique Champagne ... continuity script
Rita Imbeault ... second unit script

Additional Crew

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Lorraine Du Hamel ... production coordinator

Thanks

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The Eddy Toussaint Dance Ensemble ... special thanks

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

Normande St-Onge works as a clerk in a pharmacy and takes dance classes with the dream of being a cabaret dancer. Her mother, Berthe, has been confined to a mental institution by Normande's uncle, the wealthy lawyer Jean-Paul. But Normande, who does not believe her mother is insane, kidnaps her from the institution and brings her home. Also living with them is Normande's sister Pierette, who has asthma and a drug addiction, Normande's boyfriend Bouliane, who is unemployed and in no hurry to find a job, and a strange young magician named Carol she took in after he was kicked out of his home. All of these people depend on Normande in various ways and exploit her; Normande, desperate to be loved, is driven mad by the demands of her parasite family. When she receives an eviction notice stating that the building will be demolished and rebuilt into a restaurant, it all becomes too much for Normande and her mind retreats into fantasy to protect her from the harsh realities. Written by pr1mal_1

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Additional Details

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Also Known As
  • The Head of Normande St. Onge (Canada, English title)
  • La tête de Normande Saint-Onge (Canada, French title)
  • Normande (United States)
  • La cabeza de Normande St-Onge (Spain)
  • A Mulher, o Corpo e o Espírito (Portugal)
  • See more »
Runtime
  • 117 min
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Box Office

Budget CAD400,000 (estimated)

Did You Know?

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Trivia In 1975, when this movie was released, Canadian magazines wrote Carole Laure shot there the most explicit sex scene in erotic cinema. The sex scene between Carole Laure and Raymond Cloutier is in fact very graphic, showing the actor really fingering the actress' vagina, whereas the genuineness of the cunnilingus and of the vaginal penetration are disputed (but Cloutier'penis is fully erect). At the time, Laure said, "This scene was not gratuitous. We should not remove sexuality from the cinema where it seems to me well installed to remain there. Sexuality is part of the normal life of any being but in the films, it should not be gratuitous. We need to go deep, not lightly. If I shot a very explicit love scene in this movie, it is because such a scene appears in the middle of a dramatic action that sheds light on the character." See more »

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