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Allegro non troppo ()


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An enthusiastic filmmaker thinks he's come up with a totally original idea: animation set to classical music! When he is informed that some American named "Prisney" (or something) has already done it, he decides to do his own version,... See more »

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Complete, Cast awaiting verification

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Marialuisa Giovannini ...
The Cleaning Girl
Néstor Garay ...
The Orchestra Master
Maurizio Micheli ...
The Presenter
...
The Animator
Mirella Falco ...
Non-Exercising Orchestra Member
Osvaldo Salvi ...
Man in gorilla costume
Jolanda Cappi ...
Fallen Orchestra Member
Franca Mantelli ...
Dancing Orchestra Member
Rest of cast listed alphabetically:
Bruno Bozzetto ...
Man in Rocking Chair (uncredited)
...
Orchestra's Member (uncredited)

Directed by

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Bruno Bozzetto

Written by

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Bruno Bozzetto ... (screenplay) &
Guido Manuli ... (screenplay) &
Maurizio Nichetti ... (screenplay)

Produced by

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Bruno Bozzetto ... producer

Cinematography by

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Luciano Marzetti
Mario Masini ... (live action)

Editing by

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Giancarlo Rossi

Costume Design by

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Lia Francesca Morandini ... (live action) (as Lia Morandini)

Makeup Department

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Giuliana De Carli ... makeup artist: live action
Walter Gazzano ... assistant makeup artist: live action
Luisa Piovesan ... hair stylist: live action

Production Management

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Maria Grazia Grossi ... production supervisor: live action (as Grazia Grossi)
Renato Sardini ... unit production manager: live action

Second Unit Director or Assistant Director

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Maurizio Nichetti ... assistant director: live action

Sound Department

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Giancarlo Rossi ... sound effects

Camera and Electrical Department

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Aldo Antonelli ... assistant camera: live action

Animation Department

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Paolo Albicocco ... background artist: RDA 70
Angelo Beretta ... animator: RDA 70
Carlo Beretta ... assistant animator: RDA 70
Carlo Caccialanza ... animation collaborator
Roberto Casale ... animator
Edoardo Cavalli ... animator (as Edo Cavalli)
Walter Cavazzuti ... animator: RDA 70
Giancarlo Cereda ... background artist
Antonio Dall'Osso ... animation collaborator
Giovanni Ferrari ... animator: RDA 70
Giorgio Forlani ... background artist: RDA 70
Angela Garavaldi ... animation collaborator: RDA 70
Ivano Gorla ... animation collaborator: RDA 70
Giuseppe Laganà ... animator / background artist
Grazia Lamura ... animation collaborator
Guido Manuli ... animator
Mirna Masina ... animator
Stefano Nuzzolese ... assistant animator: RDA 70
Annalisa Paulon ... animation collaborator
Daniela Pescò ... animation collaborator
Anna Pezzotta ... animation collaborator
Gianfranco Pirovano ... animation collaborator
Modesto Rizzolo ... animation collaborator
Flora Sperotto ... animation collaborator
Rosy Tesè ... animation collaborator
Giorgio Valentini ... animator
Piero Veggetti ... assistant animator: RDA 70 (as Pierangelo Veggetti)
Bruno Bozzetto ... animator (uncredited)

Costume and Wardrobe Department

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Maria Ariolfo ... costumer: live action

Music Department

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Franco Godi ... composer: ballet themes

Additional Crew

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Marise Flach ... mime consultant: live action
Antonietta Gianesin ... script supervisor: live action

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

An enthusiastic filmmaker thinks he's come up with a totally original idea: animation set to classical music! When he is informed that some American named "Prisney" (or something) has already done it, he decides to do his own version, using an orchestra comprising mostly old ladies and an animator he's kept locked in a dungeon. Several different classical pieces are animated, while the animator plots his escape. Written by Andy Bogursky

Plot Keywords
Taglines An animated medley of satire, surrealism, spoofery, and general nonsense - set to superb music by Vivaldi, Debussy, Stravinsky, Dvorak, Ravel, and Sibelius... See more »
Genres
Parents Guide View content advisory »
Certification

Additional Details

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Also Known As
  • Det våras med musik (Sweden)
  • Det våres med musikk (Norway)
  • Allegro Non Troppo (Australia)
  • Música e Fantasia (Brazil)
  • Не очень весело (Soviet Union, Russian title)
  • See more »
Runtime
  • 85 min
Country
Language
Color
Aspect Ratio
Sound Mix

Did You Know?

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Trivia Ward Kimball once called the "Bolero" sequence one of the greatest pieces of animation he had ever seen and would recommend it to students learning about the medium. See more »
Goofs Since this film is a parody AND a cartoon, it's arguable whether anything can be legitimately considered a goof. However, at the end of the film, when the director sends Franceschini down to the archives, each time he pulls a finale off the pile the same animation is reused all three times. The effect is that Franceschini takes the same stage each time, only to have it reappear when he goes back for the next. See more »
Movie Connections Featured in Film présenté: Allegro non troppo (1983). See more »
Soundtracks Prélude à l'après-midi d'un faune See more »
Crazy Credits L'orchestra rappresentata nel film non ha alcuna connessione con le orchestre sinfoniche che hanno realmente eseguito i brani musicali. [The orchestra represented in the film has no connection with the symphony orchestras who actually performed the music.] See more »
Quotes [last lines]
The Orchestra Master: We're unemployed, then.
The Presenter: Unemployed...until the next movie. I've already got an idea. A brand-new idea. We could do a love story.
The Orchestra Master: A love story?
The Presenter: But not the usual kind about men and women. Lots of men and lots of women.
The Orchestra Master: Wife-swapping?
The Presenter: No, not that same old stuff. Something different. I like asymmetry. Seven men and one woman.
The Orchestra Master: That'll cost a lot.
The Presenter: No, not at all. We'll get little tiny men and make the woman real tall. It'll be fantastic!
The Orchestra Master: Sounds scary.
The Presenter: What do you mean scary? Seven little workers, so you get the social context, too. A mine! They'll work in a min! I can see them now, singing happily.
The Orchestra Master: Have you thought of a title?
The Presenter: That'll be easy. Let's see..."Sleeping Beauty". Now keep it under your hat or some screenwriter hack might steal the idea. You can't trust anyone these days. He'll change the title, play up the sex. And give it some crazy name like "Snow White and the Seven Dwarfs. And then we'll be screwed.
See more »

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