Satirical look at a world where women rule and men are objectified.Satirical look at a world where women rule and men are objectified.Satirical look at a world where women rule and men are objectified.
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- TriviaThe show's female production staff, headed by Stephanie Sills, the producer, were a mirror image of the show's scenario. The female "All That Glitters" cast were located in a corporate kingdom titled "Globatron." Preliminary production (design) discussion centered upon a corporate logo for the fictional Globatron business empire. Stephanie Sills dictated that the logo should feature a rose, a world globe being held, balanced with-in the open rose (petals) blossom. Specifically, the rose represented a woman's sex organ trapping the world power within. In the main board room set, the sculptured logo was featured prominently, on the wall behind the corporate director's glass top desk and chair.
Featured review
I remember this TV gem too!
All that Glitters was short lived, but WAY ahead of its time as Norman Lear who's the "king of controversial sit com television" placed this out there for audiences to see. As I was a female young kid at the time, and "women's lib" was supposedly established, here Lear brought it to fruition. A women run society. And the women were as ruthless, sexual and cut throat as men. Boy, did people have a major cow. This show as very short lived.
Between this show and another short lived network show I liked called "Executive Suite", America - even a very small portion of it - wasn't ready for things like women executives, heterosexual male secretaries & interracial pairings, abortion issues. "All That Glitters" focused on the woman dominated society. But that is the history of early television and the masters, male and female, behind it all. And Norman Lear was one of the leaders.
One that that is important to note: there wasn't such thing as "syndication" as we all know it back then. Syndication didn't come into play until the 1980's -- with a block of shows like "Small Wonder", a new life to "It's a Living", "Out of this World", "The New Gidget", etc. that were being packaged and sold to fill time -- and networks were poo-pooing the concepts, but an audience was out there for these shows....AND 50's & 60's actors realizing that their shows were being played ad-nausea on UHF, local channels and the new medium Cable-TV and its "Superstations", and they weren't getting paid! That's when everyone realized that syndication became ... lucrative - but the whole point of this is that Norman Lear took advantage of the medium way early of this to express a broader artistic view of programming. I'm sure he knew the networks were having a cow. But even back then, "All That Glitters" is one of the most controversial programming of that time, even light-years more than his "All In The Family".
But it was brilliant, it was inspired. It was very short lived but again...the talent! Linda Gray, Gary Sandy, etc. Now that DVD and Blue Ray is alive and well, I hope audiences can take another look at this. I'm not sure if it will "hold up through the years" with HD, etc. but the theme and genius of the concept is there.
And I am still waiting to see "that show" and "that acceptance" in which female executives and CEO's run the country ...
Between this show and another short lived network show I liked called "Executive Suite", America - even a very small portion of it - wasn't ready for things like women executives, heterosexual male secretaries & interracial pairings, abortion issues. "All That Glitters" focused on the woman dominated society. But that is the history of early television and the masters, male and female, behind it all. And Norman Lear was one of the leaders.
One that that is important to note: there wasn't such thing as "syndication" as we all know it back then. Syndication didn't come into play until the 1980's -- with a block of shows like "Small Wonder", a new life to "It's a Living", "Out of this World", "The New Gidget", etc. that were being packaged and sold to fill time -- and networks were poo-pooing the concepts, but an audience was out there for these shows....AND 50's & 60's actors realizing that their shows were being played ad-nausea on UHF, local channels and the new medium Cable-TV and its "Superstations", and they weren't getting paid! That's when everyone realized that syndication became ... lucrative - but the whole point of this is that Norman Lear took advantage of the medium way early of this to express a broader artistic view of programming. I'm sure he knew the networks were having a cow. But even back then, "All That Glitters" is one of the most controversial programming of that time, even light-years more than his "All In The Family".
But it was brilliant, it was inspired. It was very short lived but again...the talent! Linda Gray, Gary Sandy, etc. Now that DVD and Blue Ray is alive and well, I hope audiences can take another look at this. I'm not sure if it will "hold up through the years" with HD, etc. but the theme and genius of the concept is there.
And I am still waiting to see "that show" and "that acceptance" in which female executives and CEO's run the country ...
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- lambiepie-2
- Dec 30, 2008
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