Even as he collected his martini, the burly stranger who introduced himself as “Joe” exuded an aura of belligerence. We were standing on the fringe of a post-screening reception, so, hand extended, I blurted, “Did the movie work for you?”
“It was blah,” he replied. “Given what they spent for the script, they should have made a powerful f*ckin’ movie.”
At the time I didn‘t realize I was talking with Joe Eszterhas, who had made $4 million from sale of his script — more an auction than a sale and hardly “blah.” Joe and several estimable writing colleagues were participants in what came to be known in the mid-‘80s as the “Writers Rebellion,” a moment when top screenwriters decided to reinvent what they considered a broken system for propagating their creative product.
The rebellion was not as momentous as, say, the French Revolution, but its drama and rhetoric for...
“It was blah,” he replied. “Given what they spent for the script, they should have made a powerful f*ckin’ movie.”
At the time I didn‘t realize I was talking with Joe Eszterhas, who had made $4 million from sale of his script — more an auction than a sale and hardly “blah.” Joe and several estimable writing colleagues were participants in what came to be known in the mid-‘80s as the “Writers Rebellion,” a moment when top screenwriters decided to reinvent what they considered a broken system for propagating their creative product.
The rebellion was not as momentous as, say, the French Revolution, but its drama and rhetoric for...
- 4/11/2024
- by Peter Bart
- Deadline Film + TV
Imaginary, the latest team-up between Blumhouse and director Jeff Wadlow – who had previously collaborated on the 2018 film Truth or Dare and the 2020 horror version of Fantasy Island – reached theatres on March 8th, and it hasn’t set the box office on fire during its tow and a half week theatrical run, pulling in just under $29 million at the global box office. Now Lionsgate has given the film a PVOD (that’s Premium Video on Demand) and Pest (that’s Premium Electronic Sell-Through) release, so maybe more genre fans will check it out now that it’s available to watch in the comfort of our own homes.
The Amazon version it available to watch Here. The Vudu version comes with an exclusive featurette: Forged by Fire: A Tale of Unbreakable Family Bonds.
The film sees DeWanda Wise of Jurassic World: Dominion taking on the role of Jessica, who moves back into...
The Amazon version it available to watch Here. The Vudu version comes with an exclusive featurette: Forged by Fire: A Tale of Unbreakable Family Bonds.
The film sees DeWanda Wise of Jurassic World: Dominion taking on the role of Jessica, who moves back into...
- 3/26/2024
- by Cody Hamman
- JoBlo.com
Recent rumors suggest that Shang-Chi 2 is gearing up for production, slated to start filming in 2025. It further appears that the sequel is set to shake things up a bit. With demands from fans circulating on the internet for Iron Fist to appear in the Shang-Chi sequel, speculations are rising that the sequel might indeed grant this wish, but with its own unique twist. And thus, there are talks of introducing a female Iron Fist to the narrative, making it all the way more interesting.
Simu Liu in Shang-Chi and the Legend of the Ten Rings
Will Simu Liu’s Shang-Chi 2 Bring Iron Fist Back?
Following the MCU’s canonization of popular Netflix shows like The Defenders, into its own universe fans have been clamoring for Iron Fist to make an appearance in Simu Liu’s Shang-Chi movie for forever now. Now, with the wheels of the sequel finally turning, insider...
Simu Liu in Shang-Chi and the Legend of the Ten Rings
Will Simu Liu’s Shang-Chi 2 Bring Iron Fist Back?
Following the MCU’s canonization of popular Netflix shows like The Defenders, into its own universe fans have been clamoring for Iron Fist to make an appearance in Simu Liu’s Shang-Chi movie for forever now. Now, with the wheels of the sequel finally turning, insider...
- 3/12/2024
- by Sampurna Banerjee
- FandomWire
Is Marvel Studios willing to put its dukes up again with Iron Fist? According to industry insider Daniel Richtman, the House of Ideas has a female-led Iron Fist series in the works for Disney+. Marvel Studios recently announced that the studio’s Netflix shows are canon in the Marvel Cinematic Universe, paving the way for heroes like Daredevil, Jessica Jones, Luke Cage, and Iron Fist to mix it up with other characters in the MCU. While Iron Fist is brimming with potential, fans reacted poorly to Finn Jones’s portrayal of the classic Marvel character. The second season of Marvel’s Iron Fist concluded with Colleen Wing (Jessica Chenwick) picking up the torch as the new Iron Fist. Is Marvel plotting Colleen’s return to the MCU, or is this rumor only wishful thinking?
According to Richtman, there’s a chance Marvel could animate the rumored Iron Fist project. The...
According to Richtman, there’s a chance Marvel could animate the rumored Iron Fist project. The...
- 1/29/2024
- by Steve Seigh
- JoBlo.com
Norman Jewison made movies that mattered.
“Timing is everything,” the director told me the one time we met. I’d been enlisted to host a long Q&a with Jewison at the American Cinematheque — and I was more than a little intimidated.
From “The Russians Are Coming, the Russians Are Coming” in 1966 to “Other People’s Money” in 1991, Jewison had an astonishing quarter-century run behind the camera, directing movies that impacted the culture when they came out (none more than “In the Heat of the Night”), a great many of which are still watched today. Turns out, this legendary talent couldn’t have been sweeter.
Jewison liked to tell the story of how he met Bobby Kennedy before making the landmark Sidney Poitier picture. He and Kennedy crossed paths while on vacation skiing, where both of their kids wound up in the hospital.
Still developing “In the Heat of the Night” at the time,...
“Timing is everything,” the director told me the one time we met. I’d been enlisted to host a long Q&a with Jewison at the American Cinematheque — and I was more than a little intimidated.
From “The Russians Are Coming, the Russians Are Coming” in 1966 to “Other People’s Money” in 1991, Jewison had an astonishing quarter-century run behind the camera, directing movies that impacted the culture when they came out (none more than “In the Heat of the Night”), a great many of which are still watched today. Turns out, this legendary talent couldn’t have been sweeter.
Jewison liked to tell the story of how he met Bobby Kennedy before making the landmark Sidney Poitier picture. He and Kennedy crossed paths while on vacation skiing, where both of their kids wound up in the hospital.
Still developing “In the Heat of the Night” at the time,...
- 1/23/2024
- by Peter Debruge
- Variety Film + TV
Norman Jewison, the prolific, award-winning movie director of “Rollerball” and “In The Heat of the Night” has died:
Jewison directed numerous feature films and was Oscar-nominated 3 times as ‘Best Director’, for “In the Heat of the Night” (1967), “Fiddler on the Roof” (1971) and “Moonstruck” (1987).
Other films include “The Cincinnati Kid” (1965), “The Russians Are Coming, the Russians Are Coming” (1966), “The Thomas Crown Affair” (1968), “Jesus Christ Superstar” (1973), “Rollerball” (1975)…
… “F.I.S.T.” (1978), “...And Justice for All” (1979), “Best Friends” (1982), “A Soldier's Story” (1984), “Agnes of God” (1985), “Other People's Money” (1991), “Only You” (1994), “The Hurricane” (1999), and “The Statement” (2003.
Click the images to enlarge…...
Jewison directed numerous feature films and was Oscar-nominated 3 times as ‘Best Director’, for “In the Heat of the Night” (1967), “Fiddler on the Roof” (1971) and “Moonstruck” (1987).
Other films include “The Cincinnati Kid” (1965), “The Russians Are Coming, the Russians Are Coming” (1966), “The Thomas Crown Affair” (1968), “Jesus Christ Superstar” (1973), “Rollerball” (1975)…
… “F.I.S.T.” (1978), “...And Justice for All” (1979), “Best Friends” (1982), “A Soldier's Story” (1984), “Agnes of God” (1985), “Other People's Money” (1991), “Only You” (1994), “The Hurricane” (1999), and “The Statement” (2003.
Click the images to enlarge…...
- 1/23/2024
- by Unknown
- SneakPeek
Norman Jewison, the celebrated film director, has died. He was 97. According to the Hollywood Reporter, the filmmaker passed away at his home on Saturday, January 20, 2024.
Jewison had a long and varied directing and producing career that was peppered with accolades. His films "Moonstruck," "A Soldier's Story," "Fiddler on the Roof," "In the Heat of the Night," and "The Russians Are Coming, the Russians Are Coming" were nominated for Best Picture at the Academy Awards in 1987, 1984, 1971, 1967, and 1966 respectively, with "Heat of the Night" winning. Jewison also helmed dozens of other notable dramas and musicals besides, including "The Thomas Crown Affair", "Gaily, Gaily" (nominated for three Oscars), "Jesus Christ Superstar" (nominated for one Oscar), "...And Justice for All" (two), "Agnes of God" (three), and "The Hurricane" (one).
All told, Jewison's films were nominated for 41 Oscars, winning 12. He also directed the sci-fi thriller "Rollerball," the comedy "Bogus," the romance "Only You," the Stallone drama "F.I.S.T.,...
Jewison had a long and varied directing and producing career that was peppered with accolades. His films "Moonstruck," "A Soldier's Story," "Fiddler on the Roof," "In the Heat of the Night," and "The Russians Are Coming, the Russians Are Coming" were nominated for Best Picture at the Academy Awards in 1987, 1984, 1971, 1967, and 1966 respectively, with "Heat of the Night" winning. Jewison also helmed dozens of other notable dramas and musicals besides, including "The Thomas Crown Affair", "Gaily, Gaily" (nominated for three Oscars), "Jesus Christ Superstar" (nominated for one Oscar), "...And Justice for All" (two), "Agnes of God" (three), and "The Hurricane" (one).
All told, Jewison's films were nominated for 41 Oscars, winning 12. He also directed the sci-fi thriller "Rollerball," the comedy "Bogus," the romance "Only You," the Stallone drama "F.I.S.T.,...
- 1/22/2024
- by Witney Seibold
- Slash Film
Norman Jewison, one of Canada’s most acclaimed filmmakers, has died at the age of 97. Throughout his long career, Jewison really did it all, ranging from musicals to dramas to romantic comedies. He’s best known for In the Heat of the Night, Moonstruck, Fiddler on the Roof, and more.
Born in Toronto, Canada, Norman Jewison was an assistant director when CBC Television debuted. He went on to write, direct, and produce a variety of programming for the young network over the next seven years before making the move to the U.S. His breakthrough movie was The Cincinnati Kid starring Steve McQueen. He went on to direct The Russians Are Coming, the Russians Are Coming, The Thomas Crown Affair, Fiddler on the Roof, Jesus Christ Superstar, Rollerball, F.I.S.T., …And Justice for All, Moonstruck, In Country, Other People’s Money, Only You, and The Hurricane.
Related Awesome Art We’ve Found Around The Net: Jaws,...
Born in Toronto, Canada, Norman Jewison was an assistant director when CBC Television debuted. He went on to write, direct, and produce a variety of programming for the young network over the next seven years before making the move to the U.S. His breakthrough movie was The Cincinnati Kid starring Steve McQueen. He went on to direct The Russians Are Coming, the Russians Are Coming, The Thomas Crown Affair, Fiddler on the Roof, Jesus Christ Superstar, Rollerball, F.I.S.T., …And Justice for All, Moonstruck, In Country, Other People’s Money, Only You, and The Hurricane.
Related Awesome Art We’ve Found Around The Net: Jaws,...
- 1/22/2024
- by Kevin Fraser
- JoBlo.com
The virtuoso Canadian helped craft much of postwar Hollywood cinema, directing Sidney Poitier in In the Heat of the Night, Topol in Fiddler on the Roof and Cher in Moonstruck
For five extraordinary decades, Norman Jewison’s film-making was the beating heart of Hollywood drama: he could do anything and supercharged it with idealism, confidence and style. Jewison has been behind an extraordinary array of classics and hits: for half the time the cinema has been in existence, Norman Jewison was the gold standard of a night at the movies.
The 60s saw his fizzy Doris Day comedies, the sexy Steve McQueen thriller-capers The Cincinnati Kid and The Thomas Crown Affair, the mould-breaking In the Heat of the Night, with Sidney Poitier as the black cop in the US south. Then in the 70s we had his epic Broadway adaptation Fiddler on the Roof with Topol’s iconic performance as...
For five extraordinary decades, Norman Jewison’s film-making was the beating heart of Hollywood drama: he could do anything and supercharged it with idealism, confidence and style. Jewison has been behind an extraordinary array of classics and hits: for half the time the cinema has been in existence, Norman Jewison was the gold standard of a night at the movies.
The 60s saw his fizzy Doris Day comedies, the sexy Steve McQueen thriller-capers The Cincinnati Kid and The Thomas Crown Affair, the mould-breaking In the Heat of the Night, with Sidney Poitier as the black cop in the US south. Then in the 70s we had his epic Broadway adaptation Fiddler on the Roof with Topol’s iconic performance as...
- 1/22/2024
- by Peter Bradshaw
- The Guardian - Film News
Oscar-nominated film director and producer Norman Jewison, who steered the 1967 racial drama “In the Heat of the Night” to a best picture Oscar and also helmed such popular films as “Moonstruck,” “The Russians Are Coming, the Russians Are Coming” and “The Thomas Crown Affair,” as well as film musicals “Fiddler on the Roof” and “Jesus Christ Superstar,” died Saturday at his Los Angeles residence. He was 97.
His film career began with fluffy Doris Day comedies like “The Thrill of It All.” But Jewison’s social conscience began to surface with “In the Heat of the Night” and, later, the labor union drama “F.I.S.T.” and other films focusing on racial tensions such as “A Soldier’s Story” and “The Landlord” (the latter of which he only produced), though he never abandoned comedies and romances.
Jewison had his share of box office hits and was usually attuned to the audience pulse, but did...
His film career began with fluffy Doris Day comedies like “The Thrill of It All.” But Jewison’s social conscience began to surface with “In the Heat of the Night” and, later, the labor union drama “F.I.S.T.” and other films focusing on racial tensions such as “A Soldier’s Story” and “The Landlord” (the latter of which he only produced), though he never abandoned comedies and romances.
Jewison had his share of box office hits and was usually attuned to the audience pulse, but did...
- 1/22/2024
- by Carmel Dagan
- Variety Film + TV
Norman Jewison is dead at the age of 97. For over four decades he sustained a career of films that became major box office hits as well as others that presented current social issues in a Hollywood context (with some combining the two). He died peacefully at his home on Saturday January 20.
“In the Heat of the Night,” which beat “Bonnie and Clyde” and “The Graduate” for the Best Picture Oscar for 1967, is the most obvious example of Jewison’s talent for turning tough subjects into hit movies. It grossed (adjusted to current prices) over $200 million, with it already having become a major success before it won five Oscars. Ironically, the racially-charged story about a Northern Black detective (Sidney Poitier) investigating a murder and confronting a racist Southern police chief wons its Oscars in a ceremony delayed by the assassination of Dr. Martin Luther King, Jr.
Norman Frederick Jewison was born on July 21, 1926 in Toronto,...
“In the Heat of the Night,” which beat “Bonnie and Clyde” and “The Graduate” for the Best Picture Oscar for 1967, is the most obvious example of Jewison’s talent for turning tough subjects into hit movies. It grossed (adjusted to current prices) over $200 million, with it already having become a major success before it won five Oscars. Ironically, the racially-charged story about a Northern Black detective (Sidney Poitier) investigating a murder and confronting a racist Southern police chief wons its Oscars in a ceremony delayed by the assassination of Dr. Martin Luther King, Jr.
Norman Frederick Jewison was born on July 21, 1926 in Toronto,...
- 1/22/2024
- by Tom Brueggemann
- Indiewire
Norman Jewison, the multifaceted filmmaker who could direct a racial drama (In the Heat of the Night), stylish thriller (The Thomas Crown Affair), musical (Fiddler on the Roof) or romantic comedy (Moonstruck) with the best of them, has died. He was 97.
Jewison died Saturday at home — his family does not want to specify exactly where — publicist Jeff Sanderson announced.
A seven-time Oscar nominee, Jewison received the prestigious Irving G. Thalberg Memorial Award from the Academy of Motion Pictures Arts & Sciences in 1999.
Known for his ability to coax great performances out of his actors — 12 of his players were nominated for Oscars, while five of his features made the cut for best picture — the most distinguished film director in Canadian history often used conventional genre plots to take on social injustice.
Improbably, he got his start directing musical specials on television.
Jewison earned best director and best picture nominations for Fiddler on the Roof...
Jewison died Saturday at home — his family does not want to specify exactly where — publicist Jeff Sanderson announced.
A seven-time Oscar nominee, Jewison received the prestigious Irving G. Thalberg Memorial Award from the Academy of Motion Pictures Arts & Sciences in 1999.
Known for his ability to coax great performances out of his actors — 12 of his players were nominated for Oscars, while five of his features made the cut for best picture — the most distinguished film director in Canadian history often used conventional genre plots to take on social injustice.
Improbably, he got his start directing musical specials on television.
Jewison earned best director and best picture nominations for Fiddler on the Roof...
- 1/22/2024
- by Mike Barnes and Duane Byrge
- The Hollywood Reporter - Movie News
Touting their game as Mad Max meeting Vampire Survivors, developer Falling State Inc. recently revealed their demo for Earl vs. the Mutants. Slated for a release later this year on Steam, Earl vs. the Mutants is a twin stick post-apocalyptic top-down survival roguelite where you play as an exterminator on a mission to save humanity from waves of mutants.
Designed for “short bursts of heart-pounding, high-octane action”, Earl vs. the Mutants has a simple premise: in the aftermath of a nuclear apocalypse, mutants have begun spreading across the land. As a result, Edna has turned her pest control business into something far more benefiting of mankind. As the sole employee of Edna’s Pest Control (and winner of 37 consecutive Employee of the Month award), it’s up to Earl to lead the charge against the mutant swarms.
Much like Vampire Survivors, you’ll be roaming the map, mowing down waves...
Designed for “short bursts of heart-pounding, high-octane action”, Earl vs. the Mutants has a simple premise: in the aftermath of a nuclear apocalypse, mutants have begun spreading across the land. As a result, Edna has turned her pest control business into something far more benefiting of mankind. As the sole employee of Edna’s Pest Control (and winner of 37 consecutive Employee of the Month award), it’s up to Earl to lead the charge against the mutant swarms.
Much like Vampire Survivors, you’ll be roaming the map, mowing down waves...
- 1/22/2024
- by Mike Wilson
- bloody-disgusting.com
A multi-part docuseres about Jimmy Hoffa is in development at Village Roadshow Unscripted Television, Variety has learned.
News of the show comes ahead of the 50th anniversary of Hoffa’s disappearance, which occurred on July 30, 1975. The series is being made with the full cooperation of the Hoffa family, including the assistance of his son and daughter. It will also feature access to Hoffa’s personal archives and previously unseen files, as well as audio tapes, personal films, and declassified FBI files. Erik Nelson will produce and direct.
“What caught our attention about Jimmy Hoffa’s story is that it is a compelling topic of interest and point of intrigue still for many,” said Shannon Perry, Village Roadshow Television’s executive vice president of reality & production services. It has all the elements of a captivating drama with power struggle, corruption, and a high-profile disappearance that also aligns with the kinds of impactful stories about notable,...
News of the show comes ahead of the 50th anniversary of Hoffa’s disappearance, which occurred on July 30, 1975. The series is being made with the full cooperation of the Hoffa family, including the assistance of his son and daughter. It will also feature access to Hoffa’s personal archives and previously unseen files, as well as audio tapes, personal films, and declassified FBI files. Erik Nelson will produce and direct.
“What caught our attention about Jimmy Hoffa’s story is that it is a compelling topic of interest and point of intrigue still for many,” said Shannon Perry, Village Roadshow Television’s executive vice president of reality & production services. It has all the elements of a captivating drama with power struggle, corruption, and a high-profile disappearance that also aligns with the kinds of impactful stories about notable,...
- 1/18/2024
- by Joe Otterson
- Variety Film + TV
‘The Marvels’ drops significantly on second weekend; ‘Anatomy Of A Fall’ holds well.
Rank Film (distributor) Three-day gross (Nov 17-19) Total gross to date Week 1. The Hunger Games: The Ballad Of Songbirds And Snakes (Lionsgate) £5.4m £5.4m 1 2. The Marvels (Disney) £1.3m £5.7m 2 3. Saltburn (Warner Bros) £776,444 £840,589 1 4. Trolls Band Together (Universal) £732,022 £14.8m 5 5. Thanksgiving (Sony) £486,148 £486,148 1
Gbp to Usd conversion rate: 1.25
Lionsgate franchise title The Hunger Games: The Ballad Of Songbirds And Snakes recorded a strong £5.4m to top the UK-Ireland box office on its opening weekend.
Although down on the £12.2m, £12.7m and £11.3m starts of the final three original Hunger Games films,...
Rank Film (distributor) Three-day gross (Nov 17-19) Total gross to date Week 1. The Hunger Games: The Ballad Of Songbirds And Snakes (Lionsgate) £5.4m £5.4m 1 2. The Marvels (Disney) £1.3m £5.7m 2 3. Saltburn (Warner Bros) £776,444 £840,589 1 4. Trolls Band Together (Universal) £732,022 £14.8m 5 5. Thanksgiving (Sony) £486,148 £486,148 1
Gbp to Usd conversion rate: 1.25
Lionsgate franchise title The Hunger Games: The Ballad Of Songbirds And Snakes recorded a strong £5.4m to top the UK-Ireland box office on its opening weekend.
Although down on the £12.2m, £12.7m and £11.3m starts of the final three original Hunger Games films,...
- 11/20/2023
- by Ben Dalton
- ScreenDaily
When you are making a documentary out of the life of someone as magnanimous as Sylvester Sly Stallone, bringing an X-factor to the table is a must. Given that it is coming from the house of Netflix, which has set pretty much a gold standard when it comes to the documentary genre, the audience would expect it to be nothing short of exceptional. Only a few weeks ago, the brilliant David Beckham documentary showed how to do it. Unfortunately, the Stallone documentary couldn’t quite achieve the greatness that it was supposed to. Let us take a closer look into both the “what” and “why” of Sly.
Childhood Was Not Too Kind
Life wasn’t easy for Sly and his brother Frank. The blame for that goes to no one but their parents, who didn’t have an easy marriage. And not only did they fail to protect the kids from the trauma of that,...
Childhood Was Not Too Kind
Life wasn’t easy for Sly and his brother Frank. The blame for that goes to no one but their parents, who didn’t have an easy marriage. And not only did they fail to protect the kids from the trauma of that,...
- 11/3/2023
- by Rohitavra Majumdar
- Film Fugitives
1996 was a dark year for The Italian Stallion. Sylvester Stallone had two pricey flops in 1995, with Judge Dredd and Assassins. His Christmas of 1996 disaster movie release, Daylight, was another box office bomb. Just a few years before, Stallone had made a significant comeback with Cliffhanger and Demolition Man, but now the whole industry was changing. Carolco, the company that financed some of the era’s biggest hits, had gone bankrupt, and action movies were getting smaller and smaller. Arnold Schwarzenegger was on the decline, with Eraser a smaller hit than usual. Jean Claude Van Damme and Steven Seagal were only a few years away from making direct-to-video movies. What was Sly to do? The result is one of his very best movies –Cop Land – as we explore in the episode of Sylvester Stallone Revisited.
In the 1990s, one of the biggest stars on the planet was Sylvester Stallone’s former protege,...
In the 1990s, one of the biggest stars on the planet was Sylvester Stallone’s former protege,...
- 9/24/2023
- by Chris Bumbray
- JoBlo.com
With Expend4bles more than likely bringing to a close the franchise Sylvester Stallone created over 13 years ago, we wanted to know what movie in the legendary actors filmography is your favorite? Does his original creation of Rocky remain your favorite all these years later or do you find some of his iconic 90’s action films more your speed? Or perhaps you a true purist and find Italian Stallion to be quintessential Stallone! If you don’t see your favorite listed, please click other and let us know what it is (and why) in the comments.
What is your Favorite Sylvester Stallone Film?Italian Stallion (1970)Death Race 2000 (1975)Rocky (1976)F.I.S.T (1978)Paradise Alley (1978)Rocky II (1979)Nighthawks (1981)Rocky III (1982)First Blood (1982)Rhinestone (1984)Rambo: First Blood Part II (1985)Rocky IV (1985)Cobra (1986)Over The Top (1987)Rambo III (1988)Lock Up (1989)Tango & Cash (1989)Rocky V (1990)Oscar (1991)Stop! Or My Mom Will Shoot (1992)Cliffhanger (1993)Demolition Man (1993)The Specialist...
What is your Favorite Sylvester Stallone Film?Italian Stallion (1970)Death Race 2000 (1975)Rocky (1976)F.I.S.T (1978)Paradise Alley (1978)Rocky II (1979)Nighthawks (1981)Rocky III (1982)First Blood (1982)Rhinestone (1984)Rambo: First Blood Part II (1985)Rocky IV (1985)Cobra (1986)Over The Top (1987)Rambo III (1988)Lock Up (1989)Tango & Cash (1989)Rocky V (1990)Oscar (1991)Stop! Or My Mom Will Shoot (1992)Cliffhanger (1993)Demolition Man (1993)The Specialist...
- 9/24/2023
- by Brad Hamerly
- JoBlo.com
Does Netflix have some sort of stealth ownership stake in Planet Hollywood?
Just a couple of months after giving Arnold Schwarzenegger a three-hour puff piece documentary, the streaming giant is set to release Thom Zimny’s feature-length Sly, a documentary in which Sylvester Stallone is exactly as candid and introspective as executive producer Sylvester Stallone wants him to be.
With Schwarzenegger, the documentary had the feeling of a quid pro quo to accompany the former California governor’s series Fubar, but Stallone’s current television series Tulsa King is on a different service and isn’t so much as mentioned in Sly. It doesn’t need to be. It’s not as if, in the big picture, Tulsa King has cemented its place as a key piece of Stallone’s resumé, but it’s just one of many little and not-so-little parts of his career and life that don’t come up in Sly.
Just a couple of months after giving Arnold Schwarzenegger a three-hour puff piece documentary, the streaming giant is set to release Thom Zimny’s feature-length Sly, a documentary in which Sylvester Stallone is exactly as candid and introspective as executive producer Sylvester Stallone wants him to be.
With Schwarzenegger, the documentary had the feeling of a quid pro quo to accompany the former California governor’s series Fubar, but Stallone’s current television series Tulsa King is on a different service and isn’t so much as mentioned in Sly. It doesn’t need to be. It’s not as if, in the big picture, Tulsa King has cemented its place as a key piece of Stallone’s resumé, but it’s just one of many little and not-so-little parts of his career and life that don’t come up in Sly.
- 9/17/2023
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
Oscar nominee Sylvester Stallone had his career jump-started back in the 1970s as underdog boxer Rocky Balboa. The franchise earned him three Academy Award nominations — two for the original “Rocky” — and a third for his reprisal in the film sequel “Creed.” He received the same three noms for the Golden Globe Award, and this last time won with the HFPA for his Rocky reprisal in “Creed.” Take a photo gallery tour of his 12 greatest films, ranked from worst to best, including “Rambo,” “Cliffhanger,” “Paradise Alley,” “F.I.S.T.” and more.
- 7/1/2023
- by Tom O'Brien, Chris Beachum and Misty Holland
- Gold Derby
Our latest roundup of new books related to the world of cinema is full of indelible imagery––the pale face of Lost Highway’s Mystery Man, John Ford’s craggy visage, and, of course, the Neverland sets from Hook.
Lost Highway: The Fist of Love by Scott Ryan (Tucker DS Press)
Last year, Scott Ryan covered David Lynch’s Twin Peaks prequel in Fire Walk With Me: Your Laura Disappeared. (We featured it here.) In 2023, Ryan studies what he calls “the lowest-grossing, most forgotten film of [Lynch’s] career.” Ryan’s Lost Highway: The Fist of Love is every bit as enthralling and insightful as Your Laura Disappeared. The author zeroes in on the elements of Lost Highway that turned off most (but not all) audiences in 1997 but are titillating new (and revisiting) viewers today. Ryan should know; he was one of those who looked away in the nineties: “The first time I saw it,...
Lost Highway: The Fist of Love by Scott Ryan (Tucker DS Press)
Last year, Scott Ryan covered David Lynch’s Twin Peaks prequel in Fire Walk With Me: Your Laura Disappeared. (We featured it here.) In 2023, Ryan studies what he calls “the lowest-grossing, most forgotten film of [Lynch’s] career.” Ryan’s Lost Highway: The Fist of Love is every bit as enthralling and insightful as Your Laura Disappeared. The author zeroes in on the elements of Lost Highway that turned off most (but not all) audiences in 1997 but are titillating new (and revisiting) viewers today. Ryan should know; he was one of those who looked away in the nineties: “The first time I saw it,...
- 5/30/2023
- by Christopher Schobert
- The Film Stage
In a world where celebrity marriages don’t seem to last more than a few years, The Real Housewives of Atlanta star Kandi Burruss and her husband, Todd Tucker, have beat the reality TV curse and recently celebrated their ninth wedding anniversary. It wasn’t always easy, as Burruss’ mother was against their union for many years, but they said “I Do” anyway. Mama Joyce had concerns about Tucker not earning as much as Burruss. And while they may have started off making a slight difference in income, Tucker has never been a slacker. He was working in television production before meeting Burruss.
Kandi Burruss and Todd Tucker | Paras Griffin/Getty Images Todd Tucker was a producing supervisor before appearing on ‘Rhoa’
Tucker made a name in the entertainment industry, specifically television, long before meeting Burruss in 2011. According to his company’s website, he initially worked on music videos, before landing a job with BET,...
Kandi Burruss and Todd Tucker | Paras Griffin/Getty Images Todd Tucker was a producing supervisor before appearing on ‘Rhoa’
Tucker made a name in the entertainment industry, specifically television, long before meeting Burruss in 2011. According to his company’s website, he initially worked on music videos, before landing a job with BET,...
- 4/11/2023
- by Brenda Alexander
- Showbiz Cheat Sheet
A series version of the comic book “Hellicious” is in development at TBS with “Red Hot Chili Peppers” frontman Anthony Kiedis attached to star and executive produce, Variety has learned exclusively.
In addition to starring, Kiedis will executive produce along with Bob Forrest and Ron Burkle via their newly formed production company, Said and Done Entertainment.
The series is inspired by the comic book series created by Mina Elwell, Alan C. Medina, Kit Wallis, and Simon Oré. Per the official logline, the show “follows Cherry, the Devil’s precocious 7-year-old granddaughter, who steals the Heaven-bound soul of rock-goth icon Briggy Bundy (Kiedis). The unlikely duo stumble upon forgotten realms of the afterlife while evading Cherry’s mother and an agent from heaven sent to reclaim Briggy’s soul.”
Carly Craig will write and executive produce the project, with Oré also executive producing. Along with Kiedis, Burkle, and Forrest, Barry Josephson...
In addition to starring, Kiedis will executive produce along with Bob Forrest and Ron Burkle via their newly formed production company, Said and Done Entertainment.
The series is inspired by the comic book series created by Mina Elwell, Alan C. Medina, Kit Wallis, and Simon Oré. Per the official logline, the show “follows Cherry, the Devil’s precocious 7-year-old granddaughter, who steals the Heaven-bound soul of rock-goth icon Briggy Bundy (Kiedis). The unlikely duo stumble upon forgotten realms of the afterlife while evading Cherry’s mother and an agent from heaven sent to reclaim Briggy’s soul.”
Carly Craig will write and executive produce the project, with Oré also executive producing. Along with Kiedis, Burkle, and Forrest, Barry Josephson...
- 4/5/2023
- by Joe Otterson
- Variety Film + TV
Summoning Sylvia: "The Horror Collective is excited to announce the North American theatrical and Tvod release of their LGBTQ horror comedy Summoning Sylvia. Written and directed by Wesley Taylor and Alex Wyse, the hair-raising romp tells the story of a gay bachelor party that takes a spooky turn when sinister spirits are suddenly summoned. The Horror Collective will release Summoning Sylvia in theaters nationwide March 31, 2023 and on Cable VOD and Digital HD April 7, 2023.
The cast of Summoning Sylvia includes Travis Coles (Superstore), Michael Urie (Younger), Frankie Grande (Henry Danger), Nicholas Logan (I Care a Lot), Troy Iwata (Dash & Lily), Noah Ricketts (American Gods), Sean Grandillo (Scream: The TV Series), Camden Garcia (Station 19), and Veanne Cox (You’ve Got Mail) as the titular specter."
Synopsis: "Summoning Sylvia tells the tale of Larry, who has been kidnapped by his three best friends for a bachelor weekend getaway at a haunted house. As...
The cast of Summoning Sylvia includes Travis Coles (Superstore), Michael Urie (Younger), Frankie Grande (Henry Danger), Nicholas Logan (I Care a Lot), Troy Iwata (Dash & Lily), Noah Ricketts (American Gods), Sean Grandillo (Scream: The TV Series), Camden Garcia (Station 19), and Veanne Cox (You’ve Got Mail) as the titular specter."
Synopsis: "Summoning Sylvia tells the tale of Larry, who has been kidnapped by his three best friends for a bachelor weekend getaway at a haunted house. As...
- 3/9/2023
- by Jonathan James
- DailyDead
One of the most fascinating elements of Sylvester Stallone's "Rocky" series is how each movie is a reflection of where the star was at that moment in his career. Over the course of eight films (including the two "Creed" movies in which he appeared), Stallone is critically examining his success, be it skyrocketing to ludicrous extremes (in "Rocky III") or direly on the wane (in "Rocky V"). Though his private life is another, far more complicated matter, it's rare to see a massive celebrity wrestle so honestly with his public persona. He's leveling with us because he knows how much we love The Italian Stallion. You're rooting for both Stallone and Rocky to come out on top every time. Well, almost every time.
This is a lesson Sly learned in the immediate wake of "Rocky." There's no more emphatic validation of one's artistic vision than delivering the year's top-grossing...
This is a lesson Sly learned in the immediate wake of "Rocky." There's no more emphatic validation of one's artistic vision than delivering the year's top-grossing...
- 2/22/2023
- by Jeremy Smith
- Slash Film
Melinda DIllon, best known from her roles in Steven Spielberg’s “Close Encounters of the Third Kind” and the holiday classic “A Christmas Story”, died last month at age 83.
According to an obituary issued by her family, Dillon died on Jan. 9.
Dillon got her start on stage, and made an auspicious debut on Broadway in the 1963 production of “Who’s Afraid of Virginia Woolf”, for which she won a Tony nomination and a Theatre World Award.
Read More: Long-Awaited Sequel To ‘A Christmas Story’ Gets HBO Max Release Date
Onscreen, Dillon appeared in the Oscar-winning film “Bound for Glory”, Paul Newman’s cult-favourite hockey comedy “Slap Shot” and family film “Harry and the Hendersons”, in addition to memorable roles in “F.I.S.T.”, “The Prince of Tides” and “Magnolia”.
Dillon received her a Best Supporting Actress Oscar nomination in 1978 for her performance in “Close Encounters” as Jillian Guiler, a single mother whose...
According to an obituary issued by her family, Dillon died on Jan. 9.
Dillon got her start on stage, and made an auspicious debut on Broadway in the 1963 production of “Who’s Afraid of Virginia Woolf”, for which she won a Tony nomination and a Theatre World Award.
Read More: Long-Awaited Sequel To ‘A Christmas Story’ Gets HBO Max Release Date
Onscreen, Dillon appeared in the Oscar-winning film “Bound for Glory”, Paul Newman’s cult-favourite hockey comedy “Slap Shot” and family film “Harry and the Hendersons”, in addition to memorable roles in “F.I.S.T.”, “The Prince of Tides” and “Magnolia”.
Dillon received her a Best Supporting Actress Oscar nomination in 1978 for her performance in “Close Encounters” as Jillian Guiler, a single mother whose...
- 2/4/2023
- by Brent Furdyk
- ET Canada
Sad news today as it’s been reported that Melinda Dillon, best known for her roles in Close Encounters of the Third Kind and A Christmas Story, has died at the age of 83.
Melinda Dillon played Jillian Guiler in Steven Spielberg’s Close Encounters of the Third Kind, a mother whose child is abducted by aliens. She was cast in the role just three days before filming began on the recommendation of Hal Ashby, who had directed her in Bound for Glory. Dillon’s performance would earn her an Academy Award nomination for Best Supporting Actress. She also played Ralphie’s mother in Bob Clark’s A Christmas Story, memorably telling him that he would shoot his eye out if he got a Red Ryder Carbine Action 200-shot Range Model air rifle. She received another Academy Award nomination for Best Supporting Actress for her role in Sydney Pollack’s Absence of Malice.
Melinda Dillon played Jillian Guiler in Steven Spielberg’s Close Encounters of the Third Kind, a mother whose child is abducted by aliens. She was cast in the role just three days before filming began on the recommendation of Hal Ashby, who had directed her in Bound for Glory. Dillon’s performance would earn her an Academy Award nomination for Best Supporting Actress. She also played Ralphie’s mother in Bob Clark’s A Christmas Story, memorably telling him that he would shoot his eye out if he got a Red Ryder Carbine Action 200-shot Range Model air rifle. She received another Academy Award nomination for Best Supporting Actress for her role in Sydney Pollack’s Absence of Malice.
- 2/3/2023
- by Kevin Fraser
- JoBlo.com
Melinda Dillon, a two-time Oscar nominee for Close Encounters of the Third Kind and Absence of Malice who also played Ralphie’s mom in A Christmas Story, has died. She was 83. Her family said she died January 9 in Los Angeles but did not give other details.
Dillon and Richard Dreyfuss in ‘Close Encounters of the Third Kind,’ 1977
Dillon probably is best known for playing a mother whose young son is abducted by the aliens in Steven Spielberg’s 1977 epic Close Encounters of the Third Kind. She and Roy (Richard Dreyfuss) inexplicably are drawn to Devils Tower in Wyoming as they struggle to make sense of what has happened to them. She earned a Supporting Actress Oscar nom for the role.
She also played the mother of the young lead Ralphie (Peter Billingsley) in the 1983 holiday classic A Christmas Story, memorably warning the boy who wants a Bb rifle that, “You’ll shoot your eye out!
Dillon and Richard Dreyfuss in ‘Close Encounters of the Third Kind,’ 1977
Dillon probably is best known for playing a mother whose young son is abducted by the aliens in Steven Spielberg’s 1977 epic Close Encounters of the Third Kind. She and Roy (Richard Dreyfuss) inexplicably are drawn to Devils Tower in Wyoming as they struggle to make sense of what has happened to them. She earned a Supporting Actress Oscar nom for the role.
She also played the mother of the young lead Ralphie (Peter Billingsley) in the 1983 holiday classic A Christmas Story, memorably warning the boy who wants a Bb rifle that, “You’ll shoot your eye out!
- 2/3/2023
- by Erik Pedersen
- Deadline Film + TV
We’ve learned the sad news today that two-time Oscar nominee Melinda Dillon, known for playing “Mother Parker” in Bob Clark’s A Christmas Story, has passed away at the age of 83.
The actress passed away on Monday, January 9, the family announced today.
Melinda Dillon was nominated for Academy Awards in 1978 and in 1982, first for Steven Spielberg’s Close Encounters of the Third Kind, playing the role of Jillian Guiler, a mother whose child is abducted by aliens. Jillian ends up joining Roy (Richard Dreyfuss) on his adventure.
Later in 1982, Dillon was nominated in the same category – Best Actress in a Supporting Role – for her performance as Teresa in Sydney Pollack’s film Absence of Malice.
Melinda Dillon is also known for her decades-spanning roles in Bound for Glory, Slap Shot, Harry and the Hendersons, Captain America (1990), Magnolia, and Reign Over Me.
Dillon’s film credits also include The April Fools,...
The actress passed away on Monday, January 9, the family announced today.
Melinda Dillon was nominated for Academy Awards in 1978 and in 1982, first for Steven Spielberg’s Close Encounters of the Third Kind, playing the role of Jillian Guiler, a mother whose child is abducted by aliens. Jillian ends up joining Roy (Richard Dreyfuss) on his adventure.
Later in 1982, Dillon was nominated in the same category – Best Actress in a Supporting Role – for her performance as Teresa in Sydney Pollack’s film Absence of Malice.
Melinda Dillon is also known for her decades-spanning roles in Bound for Glory, Slap Shot, Harry and the Hendersons, Captain America (1990), Magnolia, and Reign Over Me.
Dillon’s film credits also include The April Fools,...
- 2/3/2023
- by John Squires
- bloody-disgusting.com
Melinda Dillon, who received supporting Oscar nominations for her turns in Close Encounters of the Third Kind and Absence of Malice and portrayed the doting mom in the holiday perennial A Christmas Story, died Jan. 9, her family announced. She was 83.
Right out of the gate, Dillon earned a Tony nomination and Theatre World award in 1963 for her debut performance on Broadway as the childlike wife Honey in the original production of Edward Albee‘s Who’s Afraid of Virginia Woolf?
Later, the Arkansas native played two characters opposite David Carradine — Woody Guthrie’s first wife, Mary, and a dark-haired folk singer named Memphis Sue — in the biopic Bound for Glory (1976), directed by Hal Ashby; was a lesbian hockey wife in George Roy Hill’s Slap Shot (1977); and portrayed John Lithgow’s wife in the family film Harry and the Hendersons (1987).
Her big-screen résumé also included Norman Jewison’s F.I.S.T. (1978), as...
Right out of the gate, Dillon earned a Tony nomination and Theatre World award in 1963 for her debut performance on Broadway as the childlike wife Honey in the original production of Edward Albee‘s Who’s Afraid of Virginia Woolf?
Later, the Arkansas native played two characters opposite David Carradine — Woody Guthrie’s first wife, Mary, and a dark-haired folk singer named Memphis Sue — in the biopic Bound for Glory (1976), directed by Hal Ashby; was a lesbian hockey wife in George Roy Hill’s Slap Shot (1977); and portrayed John Lithgow’s wife in the family film Harry and the Hendersons (1987).
Her big-screen résumé also included Norman Jewison’s F.I.S.T. (1978), as...
- 2/3/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Florence Welch, the bewitching siren at the helm of Florence and the Machine, wrote her fifth album Dance Fever as an ode to what it felt like to share live music with people. It’s the type of pandemic-created album that was built for a moment like this: Welch and her band headlining an intimate show at New York’s Alice Tully Hall in front of a sea of fans dressed like the cast of Euphoria were headed to a Renaissance Faire.
Ahead of Dance Fever’s release next week,...
Ahead of Dance Fever’s release next week,...
- 5/7/2022
- by Brittany Spanos
- Rollingstone.com
Written by Alyssa Wong | Art by Michael Yg | Published by Marvel Comics
So, what’s this then? A new Iron Fist book? Last I saw Danny Rand had lost all his powers. And had blond hair. The guy on the front cover is clearly Iron Fist, but not a blond hair to be seen. Folks, we have a new Iron Fist in town. It’s been established in the past that Iron Fist is a legacy character, in the sense that every generation has an Iron Fist, a brave warrior powered by the supernaturally strong chi of the immortal dragon Shou-Lao the Undying. I guess if Danny has given up the mantle, it’s time for someone new to step up.
Eventually.
We start our story, after a little check-in with the secret city of K’un-Lun, with now powerless Danny Rand. I say powerless, but he is of course...
So, what’s this then? A new Iron Fist book? Last I saw Danny Rand had lost all his powers. And had blond hair. The guy on the front cover is clearly Iron Fist, but not a blond hair to be seen. Folks, we have a new Iron Fist in town. It’s been established in the past that Iron Fist is a legacy character, in the sense that every generation has an Iron Fist, a brave warrior powered by the supernaturally strong chi of the immortal dragon Shou-Lao the Undying. I guess if Danny has given up the mantle, it’s time for someone new to step up.
Eventually.
We start our story, after a little check-in with the secret city of K’un-Lun, with now powerless Danny Rand. I say powerless, but he is of course...
- 2/22/2022
- by Dean Fuller
- Nerdly
It’s time to meet the new kids on the block. Netflix on Friday announced the cast of Freeridge, an upcoming spinoff of On My Block, whose fourth and final season is currently available to stream.
Bryana Salaz (Team Kaylie), Keyla Monterroso Mejia (Curb Your Enthusiasm), Ciara Riley Wilson (LA’s Finest) and Shiv Pai (Iron Fist) will lead the new show as series regulars. The actors first appeared as their new characters in the series finale of On My Block.
More from TVLineOn My Block Bosses Break Down the Series Finale, Tease Freeridge SpinoffNetflix's Pretty Smart Proves That Hot...
Bryana Salaz (Team Kaylie), Keyla Monterroso Mejia (Curb Your Enthusiasm), Ciara Riley Wilson (LA’s Finest) and Shiv Pai (Iron Fist) will lead the new show as series regulars. The actors first appeared as their new characters in the series finale of On My Block.
More from TVLineOn My Block Bosses Break Down the Series Finale, Tease Freeridge SpinoffNetflix's Pretty Smart Proves That Hot...
- 10/8/2021
- by Andy Swift
- TVLine.com
This article contains some minor spoilers for Shang-Chi and the Legend of the Ten Rings.
In the pages of Marvel Comics, Shang-Chi is known as the “Master of Kung Fu.” So when Marvel Studios announced the character to help usher in MCU Phase 4, the one thought on every fan’s mind was that whoever gets cast in the lead role better really know Kung Fu.
In the wake of Netflix’s Iron Fist, Marvel’s other Kung Fu master, there was a lot of skepticism. Marvel had scored with the previous Netflix series Daredevil, which delivered some of the best small screen fight choreography we’d ever seen. But Iron Fist was sorely lacking. Finn Jones just couldn’t sell a punch as Danny Rand, leaving fans of Marvel martial arts masters overwhelmingly disappointed. If there’s one thing that Shang-Chi and the Legend of the Ten Rings had to nail,...
In the pages of Marvel Comics, Shang-Chi is known as the “Master of Kung Fu.” So when Marvel Studios announced the character to help usher in MCU Phase 4, the one thought on every fan’s mind was that whoever gets cast in the lead role better really know Kung Fu.
In the wake of Netflix’s Iron Fist, Marvel’s other Kung Fu master, there was a lot of skepticism. Marvel had scored with the previous Netflix series Daredevil, which delivered some of the best small screen fight choreography we’d ever seen. But Iron Fist was sorely lacking. Finn Jones just couldn’t sell a punch as Danny Rand, leaving fans of Marvel martial arts masters overwhelmingly disappointed. If there’s one thing that Shang-Chi and the Legend of the Ten Rings had to nail,...
- 9/3/2021
- by Mike Cecchini
- Den of Geek
This week I will be taking an in depth look at some key issues from the ‘Bronze Age.’ I will be going indepth for all the ;Comics Ages’ in the future. I am starting with the Bronze because it is the era I am most familiar with as a reader and a collector. Also it is the era that is both dominating adaptations for the silver screen and inspiring this generation of comic creators. My original plan was use the Zap-Kapow (the official price guide of eBuying Comics) and talk about the 10 most highly valued issues of the Bronze Age. Five from Marvel and five from DC. But every comics website on the planet in their time has done a variation on this. So I decided to drop down some levels, still picking out key issues. But key issues that aren’t going to break the bank because of Hollywood interference…...
- 8/11/2021
- by Ian Wells
- Nerdly
Marcia Nasatir, the pathbreaking studio executive and producer, died on Tuesday at the Motion Picture & Television Fund’s Country House and Hospital, according to an individual with knowledge. Nasatir was 95.
Nasatir broke the glass ceiling and became the first female vice president of production at United Artists in the 1970s. She worked on box office hits like “One Flew Over the Cuckoo’s Nest,” “Rocky,” “Coming Home,” “Three Days of the Condor,” “Carrie” and “F.I.S.T.” She also worked at Orion Pictures and Johnny Carson’s production company before branching out as an independent producer.
In 1974, Nasatir was a literary agent with an impressive client roster that included top screenwriters like William Goldman, Robert Towne, Lorenzo Semple Jr. and director Sydney Pollack. Nasatir then got a call from Mike Medavoy, then the senior VP of production at United Artists, who offered Nasatir a story editor job. She agreed to take the job...
Nasatir broke the glass ceiling and became the first female vice president of production at United Artists in the 1970s. She worked on box office hits like “One Flew Over the Cuckoo’s Nest,” “Rocky,” “Coming Home,” “Three Days of the Condor,” “Carrie” and “F.I.S.T.” She also worked at Orion Pictures and Johnny Carson’s production company before branching out as an independent producer.
In 1974, Nasatir was a literary agent with an impressive client roster that included top screenwriters like William Goldman, Robert Towne, Lorenzo Semple Jr. and director Sydney Pollack. Nasatir then got a call from Mike Medavoy, then the senior VP of production at United Artists, who offered Nasatir a story editor job. She agreed to take the job...
- 8/3/2021
- by Umberto Gonzalez
- The Wrap
In the beginning, there was a fist: five brown fingers, emerging from a yellow argyle sweater sleeve. Though one cannot see the owner of the fist’s face, nor even his upper body, everything you need to know about his emotional state is telegraphed by the strength of those five fingers, tightly clenched in ire, threatening to unleash the sheer animalistic force contained therein. “Animalistic” is a good word to use here, because the fist belongs not to a man, but to an aardvark: namely, Arthur Read, the bookish, eight-year-old...
- 7/28/2021
- by EJ Dickson
- Rollingstone.com
One of the few Marvel characters who didn’t get the proper treatment in the Marvel Cinematic Universe, it’s Danny Rand, aka Iron Fist. Oh, but you knew that already if you’ve watched the Marvel Netflix shows. The guy said it plenty of times, at it got old very fast. It’s kind of a shame, because that show can be considered Marvel’s first real flop. And what came after that was the Inhumans show and the entertaining, but ultimately underwhelming Defenders show. That show unfortunately got low ratings and my theory is because it came out after the Iron Fist show
Will Iron Fist Be Rebooted In The Shang-Chi Movie?...
Will Iron Fist Be Rebooted In The Shang-Chi Movie?...
- 7/27/2021
- by David Martinez
- TVovermind.com
The veteran character actor shared the screen with Timothy Dalton, Sylvester Stallone and Arnold Schwarzenegger
Frank McRae, a mainstay of action blockbusters including “License to Kill” and “Last Action Hero,” has died. He was 80.
McRae died of a heart attack on April 29 in Santa Monica, Calif., his daughter-in-law confirmed.
Born in Memphis, McRae excelled in high school sports before attending Tennessee State University, where he double-majored in history and drama. He played defensive tackle for the Chicago Bears’ 1967 season before deciding to transition into acting.
McRae’s work on the big screen would quickly overshadow his football accomplishments, with the actor going on to appear in over 40 films. His breakout role came in the 1973 gangster flick “Dillinger,” a part he got by standing in a studio exec’s parking space until he was granted a meeting, according to IMDb.
The actor shrewdly leveraged his 6-foot-5 frame into a run of...
Frank McRae, a mainstay of action blockbusters including “License to Kill” and “Last Action Hero,” has died. He was 80.
McRae died of a heart attack on April 29 in Santa Monica, Calif., his daughter-in-law confirmed.
Born in Memphis, McRae excelled in high school sports before attending Tennessee State University, where he double-majored in history and drama. He played defensive tackle for the Chicago Bears’ 1967 season before deciding to transition into acting.
McRae’s work on the big screen would quickly overshadow his football accomplishments, with the actor going on to appear in over 40 films. His breakout role came in the 1973 gangster flick “Dillinger,” a part he got by standing in a studio exec’s parking space until he was granted a meeting, according to IMDb.
The actor shrewdly leveraged his 6-foot-5 frame into a run of...
- 5/6/2021
- by Alex Noble
- The Wrap
Frank McRae, an NFL player-turned-actor who appeared in the James Bond film Licence to Kill and in the Last Action Hero, died April 29 of a heart attack in Santa Monica. He was 80, The news was confirmed by his daughter-in-law, Suzanne McRae.
Born in Memphis, he attended Tennessee State University as a double major in drama and history, then moved on to the NFL as a defensive tackle for the Chicago Bears and Los Angeles Rams.
After his football career, he became a character actor in the entertainment industry, appearing in more than 40 movies. His résumé includes Last Action Hero with Arnold Schwarzenegger, Hard Times, Norma Rae, Red Dawn, Big Wednesday and F.I.S.T. with Sylvester Stallone, with whom he also appeared in Paradise Alley, Lock Up and Rocky II.
McRae also appeared in the 1989 James Bond film Licence to Kill as Sharkey, a close friend of Timothy Dalton’s Agent 007...
Born in Memphis, he attended Tennessee State University as a double major in drama and history, then moved on to the NFL as a defensive tackle for the Chicago Bears and Los Angeles Rams.
After his football career, he became a character actor in the entertainment industry, appearing in more than 40 movies. His résumé includes Last Action Hero with Arnold Schwarzenegger, Hard Times, Norma Rae, Red Dawn, Big Wednesday and F.I.S.T. with Sylvester Stallone, with whom he also appeared in Paradise Alley, Lock Up and Rocky II.
McRae also appeared in the 1989 James Bond film Licence to Kill as Sharkey, a close friend of Timothy Dalton’s Agent 007...
- 5/6/2021
- by Bruce Haring
- Deadline Film + TV
Frank McRae, the actor who appeared in films such as “Licence to Kill” and “Last Action Hero,” has died. He was 80.
McRae died in Santa Monica, Calif. on April 29 as a result of a heart attack, his daughter-in-law confirmed to Variety.
The NFL player-turned-actor was born in Memphis, Tenn. A star athlete in high school, he went on to Tennessee State University as a double major in drama and history. McRae had a brief career as a professional football player and was the defensive tackle for the Chicago Bears and Los Angeles Rams.
Making the pivot to a new kind of stage, McRae found his calling in the entertainment industry. In his 30-plus years as a character actor, he appeared in over 40 movies. Standing at approximately six-and-a-half feet tall, McRae took advantage of scooping up tough guy roles in movies like “Hard Times,” “Big Wednesday” and “F.I.S.T.” with Sylvester Stallone.
McRae died in Santa Monica, Calif. on April 29 as a result of a heart attack, his daughter-in-law confirmed to Variety.
The NFL player-turned-actor was born in Memphis, Tenn. A star athlete in high school, he went on to Tennessee State University as a double major in drama and history. McRae had a brief career as a professional football player and was the defensive tackle for the Chicago Bears and Los Angeles Rams.
Making the pivot to a new kind of stage, McRae found his calling in the entertainment industry. In his 30-plus years as a character actor, he appeared in over 40 movies. Standing at approximately six-and-a-half feet tall, McRae took advantage of scooping up tough guy roles in movies like “Hard Times,” “Big Wednesday” and “F.I.S.T.” with Sylvester Stallone.
- 5/5/2021
- by Haley Bosselman
- Variety Film + TV
A recently rediscovered song by Alan Vega called “Muscles” is getting a new life on a just-released posthumous album, Mutator.
The track is cold, grimy, echoey, and unsettling, as any track by the late Suicide frontman ought to be, as he sings about “life in the Rainbow Room” and yelps wildly. Vega, who died in 2016, recorded the song and the rest of the album between 1995 and 1996 with his longtime collaborator Liz Lamere but ended up shelving it; the music recently resurfaced in what is now known as the Vega Vault.
The track is cold, grimy, echoey, and unsettling, as any track by the late Suicide frontman ought to be, as he sings about “life in the Rainbow Room” and yelps wildly. Vega, who died in 2016, recorded the song and the rest of the album between 1995 and 1996 with his longtime collaborator Liz Lamere but ended up shelving it; the music recently resurfaced in what is now known as the Vega Vault.
- 4/23/2021
- by Kory Grow
- Rollingstone.com
Some days it feels like we’re all just barely getting by. Charlie Worsham knows the feeling all too well and perfectly captures it in his new song “Fist Through This Town.”
It’s Worsham’s first new music since 2017’s criminally overlooked Beginning of Things, and it’s not hard to imagine how that album’s disappointing commercial performance might’ve fueled “Fist Through This Town.”
“Got my hero on the wall/whiskey I can drink/a place to sit and wonder why I don’t get paid a thing,...
It’s Worsham’s first new music since 2017’s criminally overlooked Beginning of Things, and it’s not hard to imagine how that album’s disappointing commercial performance might’ve fueled “Fist Through This Town.”
“Got my hero on the wall/whiskey I can drink/a place to sit and wonder why I don’t get paid a thing,...
- 4/16/2021
- by Joseph Hudak
- Rollingstone.com
Sacred Bones has released another new Alan Vega song, “Fist,” from the late Suicide frontman’s upcoming lost album, Mutator, out April 23rd.
“Fist” finds a unique balance between mesmerizing and abrasive — locked in a steady drum groove with one synth swirling languidly while the other whirrs with a relentless fury. Vega’s vocals, drenched in echo, add another hypnotizing layer to the song.
In a statement, Vega’s frequent collaborator and partner Liz Lamere said of “Fist,” the “relentless forward movement of the music coupled with Vega’s battle...
“Fist” finds a unique balance between mesmerizing and abrasive — locked in a steady drum groove with one synth swirling languidly while the other whirrs with a relentless fury. Vega’s vocals, drenched in echo, add another hypnotizing layer to the song.
In a statement, Vega’s frequent collaborator and partner Liz Lamere said of “Fist,” the “relentless forward movement of the music coupled with Vega’s battle...
- 3/23/2021
- by Jon Blistein
- Rollingstone.com
Netflix’s Bridgerton has swept viewers off their feet with its lush blend of romance tropes—fake relationship, forbidden love, “we could be together if only we could stop misunderstanding each other”—anchored by the soapy, searing gossip of one Lady Whistledown. Those eight episodes went down like tea sandwiches, doubtless leaving viewers hungry for more Regency romance and timeless drama. Thankfully, you can sate your appetites with these nine TV series. A mix of adaptations and original series, they reimagine famous figures as compelling heroines and transplant viewers into immersive towns and households, with new scandals and love stories to get obsessed with.
Dickinson (AppleTV+)
Alena Smith’s brilliant, queer dramedy series audaciously reimagines the historically reclusive poet as a Millennial soul stuck in 19th-century societal constraints. It’s delightfully anachronistic, with artful contemporary music choices—like one sequence set to Lizzo’s “Boys”—and gleefully meta cameos like...
Dickinson (AppleTV+)
Alena Smith’s brilliant, queer dramedy series audaciously reimagines the historically reclusive poet as a Millennial soul stuck in 19th-century societal constraints. It’s delightfully anachronistic, with artful contemporary music choices—like one sequence set to Lizzo’s “Boys”—and gleefully meta cameos like...
- 1/8/2021
- by Kayti Burt
- Den of Geek
In less than eight weeks, Marvel Studios will have reacquired the rights to all of the former Netflix properties as the two-year hold expires, with The Punisher and Jessica Jones both being canceled on February 18th of last year. Of course, Marvel got the rights back to Iron Fist months ago, but nobody seemed to care based on how painfully mediocre Danny Rand’s solo series turned out to be, with most of the speculation unsurprisingly focusing on Charlie Cox’s Daredevil.
Almost as soon as Netflix’s option expired, the Devil of Hell’s Kitchen found himself linked to an R-rated miniseries, a guest stint on She-Hulk, a standalone movie and a supporting role in Spider-Man 3. There’s every chance that we won’t be seeing Cox at all, of course, but a new fan theory has put forward the idea of Tom Holland’s third outing...
Almost as soon as Netflix’s option expired, the Devil of Hell’s Kitchen found himself linked to an R-rated miniseries, a guest stint on She-Hulk, a standalone movie and a supporting role in Spider-Man 3. There’s every chance that we won’t be seeing Cox at all, of course, but a new fan theory has put forward the idea of Tom Holland’s third outing...
- 12/26/2020
- by Scott Campbell
- We Got This Covered
Film producer Gene Corman, who frequently collaborated with his older brother Roger Corman, died at his home on Sept. 28. He was 93.
Roger Corman confirmed Gene Corman’s passing and said, “My brother was a great man, both as a producer and as a family man.”
Gene Corman was born in Detroit in 1927, 17 months after his brother. In 1940, the family moved from Detroit to Beverly Hills and both attended Beverly Hills High School and Stanford University.
Gene Corman broke into the entertainment business as an agent at McA, where his clients included Joan Crawford, Fred MacMurray, Ray Milland, Harry Belafonte, Richard Conte and Nicholas Ray. He also arranged the distribution deal for Roger Corman’s first film, “Monster From the Ocean Floor,” in 1954.
The brothers first collaborated on the 1958 film “Hot Car Girl,” followed by “Night of the Blood Beast,” “Beast From Haunted Cave,” “Premature Burial,” and “Tower of London.” The...
Roger Corman confirmed Gene Corman’s passing and said, “My brother was a great man, both as a producer and as a family man.”
Gene Corman was born in Detroit in 1927, 17 months after his brother. In 1940, the family moved from Detroit to Beverly Hills and both attended Beverly Hills High School and Stanford University.
Gene Corman broke into the entertainment business as an agent at McA, where his clients included Joan Crawford, Fred MacMurray, Ray Milland, Harry Belafonte, Richard Conte and Nicholas Ray. He also arranged the distribution deal for Roger Corman’s first film, “Monster From the Ocean Floor,” in 1954.
The brothers first collaborated on the 1958 film “Hot Car Girl,” followed by “Night of the Blood Beast,” “Beast From Haunted Cave,” “Premature Burial,” and “Tower of London.” The...
- 10/9/2020
- by Dave McNary
- Variety Film + TV
The Criterion Channel’s stellar offerings are continuing next month with a selection of new releases, retrospective, series, and more. Leading the pack is, of course, a horror lineup perfectly timed for Halloween, featuring ’70s classics and underseen gems, including Abel Ferrara’s The Driller Killer (pictured above), Tobe Hopper’s The Texas Chain Saw Massacre, early films by David Cronenberg, Wes Craven, and Brian De Palma, Bill Gunn’s Ganja & Hess, and more.
Also of note is a New Korean Cinema retrospective, featuring a new introduction by critic Grady Hendrix and a conversation between directors Bong Joon Ho and Park Chan-wook, whose Barking Dogs Never Bite, The Host, Mother, Sympathy for Mr. Vengeance, and Lady Vengeance are part of the lineup, as well as Lee Myung-se’s Nowhere to Hide, and more titles to be announced. Bong’s short Influenza will also arrive, paired with Michael Haneke’s Caché.
Also of note is a New Korean Cinema retrospective, featuring a new introduction by critic Grady Hendrix and a conversation between directors Bong Joon Ho and Park Chan-wook, whose Barking Dogs Never Bite, The Host, Mother, Sympathy for Mr. Vengeance, and Lady Vengeance are part of the lineup, as well as Lee Myung-se’s Nowhere to Hide, and more titles to be announced. Bong’s short Influenza will also arrive, paired with Michael Haneke’s Caché.
- 9/29/2020
- by Jordan Raup
- The Film Stage
Love and Monsters, another would-be blockbuster that’s bypassing theaters for VOD, is arriving at your home quite soon, as evidenced by the release of the film’s first trailer.
If there’s one thing that the often-visited genre of post-apocalyptic sci-fi cinema needs, it’s a wholesome romance between two young star-crossed lovers. Someone at Paramount realized this, and, this past October, quickly went into development on the project in question, tapping headliners in Dylan O’Brien (The Maze Runner) and Jessica Henwick (Iron Fist).
Michael Matthews directed the picture, having come off his feature debut, the 2017 South African western-style thriller, Five Fingers for Merseilles. He worked off a screenplay by Brian Duffield (Insurgent) and Matthew Robinson (Dora and the Lost City of Gold), based on a story by Duffield.
With that set, check out the Love and Monsters trailer just below.
As the film’s official synopsis reads:
Seven years after the Monsterpocalypse,...
If there’s one thing that the often-visited genre of post-apocalyptic sci-fi cinema needs, it’s a wholesome romance between two young star-crossed lovers. Someone at Paramount realized this, and, this past October, quickly went into development on the project in question, tapping headliners in Dylan O’Brien (The Maze Runner) and Jessica Henwick (Iron Fist).
Michael Matthews directed the picture, having come off his feature debut, the 2017 South African western-style thriller, Five Fingers for Merseilles. He worked off a screenplay by Brian Duffield (Insurgent) and Matthew Robinson (Dora and the Lost City of Gold), based on a story by Duffield.
With that set, check out the Love and Monsters trailer just below.
As the film’s official synopsis reads:
Seven years after the Monsterpocalypse,...
- 9/15/2020
- by Joseph Baxter
- Den of Geek
When Kevin Feige confirmed that none of the previous Marvel TV shows would be regarded as official canon, and the studio will be wiping the slate clean and officially launching their small screen expansion with The Falcon and the Winter Solider, fans instantly began to wonder what this meant for the characters that had previously appeared on Netflix.
The members of the Defenders will inevitably be rebooted and absorbed into the Marvel Cinematic Universe at some point in the near future, and there’s already been countless rumors making the rounds about how it could potentially happen. One major issue is set to be the tricky contractual situation, with the stars of the shows reportedly tied to the streaming service itself and not the individual projects they appeared in.
Not only that, but there’s been widespread reports that the rights wouldn’t officially revert back to Marvel until two years after the cancellation date,...
The members of the Defenders will inevitably be rebooted and absorbed into the Marvel Cinematic Universe at some point in the near future, and there’s already been countless rumors making the rounds about how it could potentially happen. One major issue is set to be the tricky contractual situation, with the stars of the shows reportedly tied to the streaming service itself and not the individual projects they appeared in.
Not only that, but there’s been widespread reports that the rights wouldn’t officially revert back to Marvel until two years after the cancellation date,...
- 9/12/2020
- by Scott Campbell
- We Got This Covered
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