64
Metascore
12 reviews · Provided by Metacritic.com
- 100Slant MagazineEric HendersonSlant MagazineEric HendersonUltimately, The Fury is a film about pre-pubescence by a director whose work had finally reached the level of confidence reflecting a post-pubescent talent. The best of both worlds, baby, and barely legal.
- 75Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertThe Fury is a stylish entertainment, fast-paced, and acted with great energy.
- Like The Man Who Knew Too Much, The Fury yokes together a spy thriller and a domestic drama while also incorporating elements of SF and horror.
- 70The New YorkerPauline KaelThe New YorkerPauline KaelThe script (John Farris's adaptation of his novel) is cheap gothic espionage occultism involving two superior beings--spiritual twins (Andrew Stevens and Amy Irving) who have met only telepathically. But the film is so visually compelling that a viewer seems to have entered a mythic night world; no Hitchcock thriller was ever so intense, went so far, or had so many "classic" sequences.
- 67The A.V. ClubScott TobiasThe A.V. ClubScott TobiasThe plot’s too fitful, but a stirring John Williams score ties a lot of the pieces together, and De Palma and Farris’ emphasis on children’s misplaced trust in authority figures helps The Fury resonate even when the story peters out.
- 50The New York TimesVincent CanbyThe New York TimesVincent CanbyThe Fury was directed by Brian De Palma in what appears to have been an all-out effort to transform the small-scale, Grand Guignol comedy of his Carrie into an international horror/spy/occult mind-blower of a movie. He didn't concentrate hard enough, though.
- 50TV Guide MagazineTV Guide MagazineThe film bogs down, however, because of De Palma's penchant for technically slick but overblown action scenes that call attention to themselves as virtuoso set pieces instead of advancing the narrative.
- 50Time OutTime OutThis attempted follow-up to Carrie almost entirely lacks its predecessor's narrative thrust and suspense.