Composed of seven vignettes pivoting around the erotic attraction, "Vedo Nudo" recounts the vices of 1960s Italy. In "La Diva", a blonde bombshell accompanies a wounded man to the hospital; however, everyone has eyes only for her. Then, in "Processo a porte chiuse", a farmer is accused of animal abuse, and in "Ornella: ovvero la doppia vita", we witness the aftermath of identity swap. Following, in "Il guardone", a short-sighted man is convinced that he sees the body of a naked girl, and in "L'ultima vergine", a virginal young woman gives herself to a phone technician mistaking him for a maniac. In "Motrice mia", an incurable fetishist neglects his wife, and lastly, in "Vedo nudo", a wizard of advertising suddenly begins to see naked women everywhere.
—Nick Riganas