Alain Corneau, the French director who died in 2010 at the age of 67, shortly after completing this glossy thriller, was little known in Britain. After working as an assistant to Costa-Gavras he made some notable crime movies, including Choice of Arms (starring Yves Montand) and Série noire, a transposition of Jim Thompson's pulp novel A Hell of a Woman from Chicago to suburban Paris starring Patrick Dewaere. But his masterpiece is the stately 1991 Tous les matins du monde, featuring Depardieu père et fils and set in the world of 17th-century baroque musicians.
Already remade by Brian De Palma as Passion, Love Crime starts well as a psychological drama in which two highfliers – bitchy, sadistic Christine (Kristin Scott Thomas) and seemingly submissive Isabelle (Ludivine Sagnier) – come into conflict as their heads batter the glass ceiling of the American multinational they work for in Paris. It goes badly off course, however, when...
Already remade by Brian De Palma as Passion, Love Crime starts well as a psychological drama in which two highfliers – bitchy, sadistic Christine (Kristin Scott Thomas) and seemingly submissive Isabelle (Ludivine Sagnier) – come into conflict as their heads batter the glass ceiling of the American multinational they work for in Paris. It goes badly off course, however, when...
- 12/16/2012
- by Philip French
- The Guardian - Film News
Award-wining French film director best known for Tous les Matins du Monde
It is fair to say that the majority of audiences who saw the film Tous les Matins du Monde (All the Mornings of the World, 1991) – directed by Alain Corneau, who has died of lung cancer aged 67 – had previously never heard of (or heard) the music of the baroque composer and viola da gamba virtuoso Marin Marais. However, the lacuna was soon filled after this sensitive, painterly and vivid recreation of 17th-century French musical life had won seven Césars (France's Oscars), become an international success and resulted in a bestselling CD of the soundtrack by Le Concert des Nations ensemble.
Starring Gérard Depardieu as the older Marais, looking back on his reckless younger self (played by Depardieu's son, Guillaume), it remains Corneau's biggest success outside France. In fact, Tous les Matins du Monde, one of the few films...
It is fair to say that the majority of audiences who saw the film Tous les Matins du Monde (All the Mornings of the World, 1991) – directed by Alain Corneau, who has died of lung cancer aged 67 – had previously never heard of (or heard) the music of the baroque composer and viola da gamba virtuoso Marin Marais. However, the lacuna was soon filled after this sensitive, painterly and vivid recreation of 17th-century French musical life had won seven Césars (France's Oscars), become an international success and resulted in a bestselling CD of the soundtrack by Le Concert des Nations ensemble.
Starring Gérard Depardieu as the older Marais, looking back on his reckless younger self (played by Depardieu's son, Guillaume), it remains Corneau's biggest success outside France. In fact, Tous les Matins du Monde, one of the few films...
- 9/2/2010
- by Ronald Bergan
- The Guardian - Film News
Le Monde and other French news outlets are reporting that Alain Corneau has succumbed to cancer at the age of 67. Just last week, Jordan Mintzer reviewed Corneau's latest, Crime d'amour (Love Crime), for Variety, calling it a "taut, sinister psycho-procedural." Starring Kristin Scott Thomas and Ludivine Sagnier and having just opened in theaters in France, the film is set to screen in a couple of weeks at the Toronto International Film Festival.
In 1992, Corneau's Tous les matins du monde (All the Mornings of the World) swept France's César Awards, winning best film, director, cinematography (Yves Angelo), supporting actress (Anne Brochet), music (Jordi Savall), costume design (Corinne Jorry) and sound. In 2004, Corneau was awarded the Prix René Clair.
Updates, 8/31: "Mr Corneau's movies included science fiction, police thrillers, a look at office politics in Japan and a mood piece about ancient India," writes Douglas Martin in the New York Times, "but...
In 1992, Corneau's Tous les matins du monde (All the Mornings of the World) swept France's César Awards, winning best film, director, cinematography (Yves Angelo), supporting actress (Anne Brochet), music (Jordi Savall), costume design (Corinne Jorry) and sound. In 2004, Corneau was awarded the Prix René Clair.
Updates, 8/31: "Mr Corneau's movies included science fiction, police thrillers, a look at office politics in Japan and a mood piece about ancient India," writes Douglas Martin in the New York Times, "but...
- 9/1/2010
- MUBI
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