User Reviews

Based on the brilliant novel by Luigi Pirandello, "The Two Lives of Mattia Pascal" weaves the story of a man who accidentally fakes his own suicide and tries and fails to live a new carefree life before being drawn back to the community that has "buried" him years ago. A superb film about identity, fate, chance and anonymity.

Mattia Pascal is a petty profiteer,viscous,flabby,giddy,a landlord shamelessly cheated by his administrator (the swindler Malagna,played with some brio by Néstor Garay ...).

The Two Lives of Mattia Pascal is a movie of eerie atmosphere and of some great bits that mean much in the imaginary's archive.It begins after Mattia leaves his family (his wife and his mother-in-law).The events in Mattia's life suddenly take a soaring run;the casino's villains turn up.Mattia meets Véronique (Caroline Berg).The music is,throughout the film ,alert and powerful,suggesting rather a "giallo" than a satire.There is no transition between Mattia's provincial life and his Monte-Carlo break.The detachment,sarcasm,cool are those of the director Mario Monicelli. Not a very good movie,"Mattia Pascal" is nonetheless suspenseful, amusing, straightforward,grim also, mocking and cynical,in a standard TV way.It is a movie made to amuse.Anyway,Mario Monicelli made much better,and more inventive movies.

The feminine cast is in itself interesting:Laura Del Sol as "Romilda" (Mattia's wife);Clelia Rondinella as the rustic beauty "Oliva".

The score is Nicola Piovani's.

"The Two Lives of Mattia Pascal" is a thought-provoking cinematic exploration directed by Mario Monicelli, delving into the complexities of identity, fate, and the unexpected turns life can take. While not without its flaws, the film manages to captivate audiences through its eerie atmosphere and standout performances. The narrative revolves around Mattia Pascal, portrayed with depth by the talented lead, as he navigates the turbulent waters of deception and self-discovery. A petty profiteer, Mattia finds himself entangled in a web of deceit orchestrated by the cunning administrator Malagna, played with charismatic flair by Néstor Garay. The film takes an intriguing turn as Mattia's life undergoes a sudden transformation after leaving his family. The pacing accelerates, introducing a host of compelling characters and challenging Mattia's perception of himself. The arrival of Véronique (Caroline Berg) adds a layer of complexity, intertwining romance with the broader themes of the narrative. One notable aspect is the film's atmospheric score by Nicola Piovani, which effectively enhances the viewing experience. The music, alert and powerful, lends a touch of mystery, occasionally evoking the suspenseful ambiance reminiscent of a 'giallo' film. Monicelli's directorial choices, marked by detachment, sarcasm, and coolness, contribute to the film's unique style. The lack of a smooth transition between Mattia's provincial life and his Monte-Carlo escapade adds an element of surprise, aligning with Monicelli's signature directorial approach. The cast, particularly Laura Del Sol as Mattia's wife Romilda and Clelia Rondinella as the rustic beauty Oliva, adds depth and dimension to the narrative. Their performances, along with the supporting cast, contribute to the film's overall charm. While "The Two Lives of Mattia Pascal" may not rank among Monicelli's masterpieces, it remains a suspenseful and amusing piece of cinema. The film's straightforward narrative, combined with moments of grimness, mockery, and cynicism, captures the audience's attention, albeit in a somewhat standard TV manner.