Australian charmer about Cassandra, a young woman who wonders about a curious nightmare she keeps having. Her problems soon get much worse, however, as she begins seeing visions of murder from the killer's point of view.
This film is predictable, especially if you've seen one of my favorite slashers, but it's still compelling throughout. This is due in large part to a talented cast and the assured direction of one Colin Eggleston, director of the magnificent Long Weekend. The opening moments of the film are particularly stylish as we see a streak of images through a continually blinking eye, the eyelids evoking the feel of a camera shutter. Another of my favorite scenes comes towards the end, and I'll just say it involves fire. We also get a quality score, at varying times eerie and beautiful. Of the three Eggleston films I've seen (Innocent Prey being the third), this is my least favorite, but that's certainly not a slight against it.