Over the last few decades, all but the faintest trace remains of the potently symbolic light in which Charles Manson, his Family, and the murders that brought him notoriety were originally seen. While now sanitised by parody, media-overexposure, and age, it takes some feat to imagine the supernaturally charismatic anti-messiah and serious-threat-to-the-foundations-of-society he was once portrayed as. Yet it is this image which 'Charles Manson Superstar' evokes and explores in a way which begins by mixing erudite objectivity and reasoned (but slightly unnerving-in-its-implications) apologism with the kind of all out glorification writer/director Nikolas Schreck has made no bones about in the past. Indeed, one time associate of the Church of Satan and founder of spin-off, eugenics-endorsing, organisation the Order of the Werewolf, Schreck and partner Zeena (daughter of Anton) LaVey were the driving force behind the 8/8/88 Satanic rally, held on the anniversary of the Tate murders to commemorate the "cleansing" they represented. What's more, during the rally, a movie ('The Other Side of Madness') was shown which depicts the murders in grisly detail and drew cheers from the crowd when the slaying began.
Morally dubious this may well all be, but 'Charles Manson Superstar' is nonetheless a highly rewarding documentary. This is due to the fact that the all-out Manson sympathy agenda only emerges on a few occasions and yet somehow the fearlessness needed to admit this perspective (so readily dismissed as misguided or otherwise condemned as degenerate) has a curiously liberating effect on the remaining parts of the documentary which objectively contextualise the man and the crimes as well as broach the difficulty/futility of attempting to penetrate the body of sensationalist media myths and social paranoia that plagues discussion of the topic. Furthermore, the line separating glorification/objectivity is blurred by the extended interview footage with Manson himself which between some silly karate moves, word-salad, and uber-60s style opining on "the music you dig?" permits him space to elaborate on the role of the Gnostic God Abraxas, the ecological movement (ATWA) which he founded, and offer penetrating criticisms of the incestuous relationship between the media and society and the parasitic relationship both have to crime and criminals. All of which really does offer glimpses of an attractive anti-establishment philosophy synthesised by a keen mind which could easily offer solace to society's disaffected and certainly shows Manson as far more intelligent than the one-dimensional malevolent-hippie-lunatic he is uniformly presented as.
Having read several reviews over several sites, much seems to have been made of the supposed "numerous" factual inaccuracies which "litter" the film. However, most reviews I have read stop short of actually listing them. As far as I can gather, this is an exaggeration: a few inaccuracies there are, but these include the birthday of Ed Gein and the fact the documentary claims Lennon wrote the song 'Helter Skelter' when we all know it was McCartney. Hardly condemning stuff, and it seems that focusing on these kind of trivialities is designed to detract attention away from the more penetrating and thought provoking aspects of the documentary. However, having said this, there is one inaccuracy of note: the film advocates the apologist argument that Manson's incarceration is due to his anti-establishment ideas and that he was not responsible for the murders nor even present at the scenes of the crime. While there is an argument that Manson's continued incarceration is an unjust political move designed to avoid the uproar that would accompany it, the role of wholly innocent sacrificial lamb really doesn't suit him and it is generally acknowledged that while he never actually slayed anyone, he was present at the scene (albeit in a casing capacity) and it was the acid soaked apocalyptic milieu he crafted that was certainly a fundamental aspect of the atrocities.
This point duly noted, in my opinion the wealth of information and the wholly original perspective the documentary offers makes its limitations forgivable and even though the caveats are that Schreck's agenda should be known and it should be watched alongside other documentaries as a point of comparison, 'Charles Manson Superstar' is nonetheless a fascinating watch and has much to offer even the most knowledgeable followers of the pop-culture phenomenon that ended the Sixties.
Morally dubious this may well all be, but 'Charles Manson Superstar' is nonetheless a highly rewarding documentary. This is due to the fact that the all-out Manson sympathy agenda only emerges on a few occasions and yet somehow the fearlessness needed to admit this perspective (so readily dismissed as misguided or otherwise condemned as degenerate) has a curiously liberating effect on the remaining parts of the documentary which objectively contextualise the man and the crimes as well as broach the difficulty/futility of attempting to penetrate the body of sensationalist media myths and social paranoia that plagues discussion of the topic. Furthermore, the line separating glorification/objectivity is blurred by the extended interview footage with Manson himself which between some silly karate moves, word-salad, and uber-60s style opining on "the music you dig?" permits him space to elaborate on the role of the Gnostic God Abraxas, the ecological movement (ATWA) which he founded, and offer penetrating criticisms of the incestuous relationship between the media and society and the parasitic relationship both have to crime and criminals. All of which really does offer glimpses of an attractive anti-establishment philosophy synthesised by a keen mind which could easily offer solace to society's disaffected and certainly shows Manson as far more intelligent than the one-dimensional malevolent-hippie-lunatic he is uniformly presented as.
Having read several reviews over several sites, much seems to have been made of the supposed "numerous" factual inaccuracies which "litter" the film. However, most reviews I have read stop short of actually listing them. As far as I can gather, this is an exaggeration: a few inaccuracies there are, but these include the birthday of Ed Gein and the fact the documentary claims Lennon wrote the song 'Helter Skelter' when we all know it was McCartney. Hardly condemning stuff, and it seems that focusing on these kind of trivialities is designed to detract attention away from the more penetrating and thought provoking aspects of the documentary. However, having said this, there is one inaccuracy of note: the film advocates the apologist argument that Manson's incarceration is due to his anti-establishment ideas and that he was not responsible for the murders nor even present at the scenes of the crime. While there is an argument that Manson's continued incarceration is an unjust political move designed to avoid the uproar that would accompany it, the role of wholly innocent sacrificial lamb really doesn't suit him and it is generally acknowledged that while he never actually slayed anyone, he was present at the scene (albeit in a casing capacity) and it was the acid soaked apocalyptic milieu he crafted that was certainly a fundamental aspect of the atrocities.
This point duly noted, in my opinion the wealth of information and the wholly original perspective the documentary offers makes its limitations forgivable and even though the caveats are that Schreck's agenda should be known and it should be watched alongside other documentaries as a point of comparison, 'Charles Manson Superstar' is nonetheless a fascinating watch and has much to offer even the most knowledgeable followers of the pop-culture phenomenon that ended the Sixties.