Season 2 of Amazon Prime Video’s comedy series Harlem drops every Friday. The show, created by Girls’ Trip writer Tracy Oliver, follows a group of New York-based friends as they date and pursue their careers with the support of each other. Here’s all the music featured in season 2 episode 3’s An Assist From the Sidelines, and the recap.
All the songs featured in ‘Harlem’ Season 2 Episode 3, ‘An Assist From the Sidelines’
Chloe – ‘Treat Me’
The song plays when Ian comes over and hooks up with Camille.
Freak Nasty – ‘Da’ Dip’
The song that Angie sings when she’s auditioning for the musical
DayOne – ‘Posed to Do’
The song plays when Quinn meets up with her dad at a golf course
Floyd Fuji – ‘Tongue Tied’
The song plays when Angie pulls up to her family reunion
?This is the kind of relationship I want a Valentine’s Day Harlem #HarlemOnPrime
pic.
All the songs featured in ‘Harlem’ Season 2 Episode 3, ‘An Assist From the Sidelines’
Chloe – ‘Treat Me’
The song plays when Ian comes over and hooks up with Camille.
Freak Nasty – ‘Da’ Dip’
The song that Angie sings when she’s auditioning for the musical
DayOne – ‘Posed to Do’
The song plays when Quinn meets up with her dad at a golf course
Floyd Fuji – ‘Tongue Tied’
The song plays when Angie pulls up to her family reunion
?This is the kind of relationship I want a Valentine’s Day Harlem #HarlemOnPrime
pic.
- 2/12/2023
- by Tamara Grant
- Showbiz Cheat Sheet
Stop! Don't touch that dial... if you like your atom-age propaganda straight up, MGM has the movie for you, an expensive 1946 docu-drama that became 'the official story' for the making of the bomb. The huge cast includes Brian Donlevy, Robert Walker, Tom Drake, Audrey Totter, Hume Cronyn, Hurd Hatfield, and Joseph Calleia. How trustworthy is the movie? It begins by showing footage of a time capsule being buried -- that supposedly contains the film we are watching. Think about that. Mom, Apple Pie, the Flag and God are enlisted to argume that we should stop worrying and love the fact that bombs are just peachy-keen dandy. The Beginning or the End DVD-r The Warner Archive Collection 1947 / B&W / 1:37 flat Academy / 112 min. / Street Date September 22, 2015 / available through the WBshop / 21.99 Starring Brian Donlevy, Robert Walker, Tom Drake, Beverly Tyler, Audrey Totter, Hume Cronyn, Hurd Hatfield, Joseph Calleia, Godfrey Tearle, Victor Francen,...
- 1/4/2016
- by Glenn Erickson
- Trailers from Hell
Robert Walker: Actor in MGM films of the '40s. Robert Walker: Actor who conveyed boy-next-door charms, psychoses At least on screen, I've always found the underrated actor Robert Walker to be everything his fellow – and more famous – MGM contract player James Stewart only pretended to be: shy, amiable, naive. The one thing that made Walker look less like an idealized “Average Joe” than Stewart was that the former did not have a vacuous look. Walker's intelligence shone clearly through his bright (in black and white) grey eyes. As part of its “Summer Under the Stars” programming, Turner Classic Movies is dedicating today, Aug. 9, '15, to Robert Walker, who was featured in 20 films between 1943 and his untimely death at age 32 in 1951. Time Warner (via Ted Turner) owns the pre-1986 Metro-Goldwyn-Mayer library (and almost got to buy the studio outright in 2009), so most of Walker's movies have...
- 8/9/2015
- by Andre Soares
- Alt Film Guide
**Massive spoilers for every Godzilla movie, with the exception of the 2014 reboot, and Mothra follow**
August 6th and 9th, 1945 forever changed the course of history. When the first nuclear bombs were dropped in Hiroshima and Nagasaki, Japan, World War II ended, but a new fear was born that dominated the thoughts of all men, women, and children for decades to come. The Cold War, atomic bomb testing, a cartoon turtle telling children to “duck and cover”, and this new technology that had the actual potential to literally end the world changed the perception of what was scary. Art reflects life, so cinema began to capitalize on these fears. Gone were the days of creepy castles, cobwebs, bats, vampires, werewolves, and the other iconic images that ruled genre cinema in film’s earliest decades. Science fiction was larger than ever and giant ants, giant octopi, terror from beyond the stars, and...
August 6th and 9th, 1945 forever changed the course of history. When the first nuclear bombs were dropped in Hiroshima and Nagasaki, Japan, World War II ended, but a new fear was born that dominated the thoughts of all men, women, and children for decades to come. The Cold War, atomic bomb testing, a cartoon turtle telling children to “duck and cover”, and this new technology that had the actual potential to literally end the world changed the perception of what was scary. Art reflects life, so cinema began to capitalize on these fears. Gone were the days of creepy castles, cobwebs, bats, vampires, werewolves, and the other iconic images that ruled genre cinema in film’s earliest decades. Science fiction was larger than ever and giant ants, giant octopi, terror from beyond the stars, and...
- 11/4/2014
- by Max Molinaro
- SoundOnSight
With Godzilla looming on the horizon, we talk to director Gareth Edwards about Spielberg, Hr Giger, blockbuster filmmaking and more...
Interview
Across the six decades since his first appearance in 1954, Godzilla’s roar has echoed through dozens of sequels and spin-offs. The 1954 Godzilla was a moving, angst-ridden account of an uncontrollable beast wrecking havoc on Tokyo. For a nation living through the aftermath of the nuclear bombings of Hiroshima and Nagasaki, the parallels between Godzilla and the events of 1945 were plain to see. This, clearly, was more than just a mere monster movie.
16 years on from the financially successful yet hollow American incarnation made in 1998, British director Gareth Edwards takes the King of the Monsters back to the roots Ishiro Honda established in the creature’s debut outing. Edwards made his own impression on the genre back in 2010, with his debut feature, Monsters. A romantic road trip drama with an...
Interview
Across the six decades since his first appearance in 1954, Godzilla’s roar has echoed through dozens of sequels and spin-offs. The 1954 Godzilla was a moving, angst-ridden account of an uncontrollable beast wrecking havoc on Tokyo. For a nation living through the aftermath of the nuclear bombings of Hiroshima and Nagasaki, the parallels between Godzilla and the events of 1945 were plain to see. This, clearly, was more than just a mere monster movie.
16 years on from the financially successful yet hollow American incarnation made in 1998, British director Gareth Edwards takes the King of the Monsters back to the roots Ishiro Honda established in the creature’s debut outing. Edwards made his own impression on the genre back in 2010, with his debut feature, Monsters. A romantic road trip drama with an...
- 5/13/2014
- by ryanlambie
- Den of Geek
Warner Bros. Pictures and Legendary Pictures have released a slew of new images, as well as set photos of director Gareth Edwards, cast and crew, from the epic action adventure Godzilla. The first movie came out 60 years ago and fans can’t wait to see him stomping across cinema screens again.
For Southern California residents battling the heatwave, be on the lookout for the King of the Monsters looming over the streets of Sunset and Lacienega in Los Angeles.
Imagine the arrival of a great creature that mankind can’t even communicate with, much less control…what would that be like to live through?” asks Edwards. “How would the world react? We’ve all seen or experienced incomprehensible disasters, natural or otherwise, that would seem like a scenario from a movie if they didn’t actually happen. So the challenge of making the ultimate Godzilla movie was to reflect that reality,...
For Southern California residents battling the heatwave, be on the lookout for the King of the Monsters looming over the streets of Sunset and Lacienega in Los Angeles.
Imagine the arrival of a great creature that mankind can’t even communicate with, much less control…what would that be like to live through?” asks Edwards. “How would the world react? We’ve all seen or experienced incomprehensible disasters, natural or otherwise, that would seem like a scenario from a movie if they didn’t actually happen. So the challenge of making the ultimate Godzilla movie was to reflect that reality,...
- 5/2/2014
- by Michelle McCue
- WeAreMovieGeeks.com
Godzilla 1954, Mickey Rooney, Giant Ants, Fascists, and rarely seen ‘Musty Stuffer’: Eclectic Packard Theater movies in May 2014 (photo: ‘Godzilla’) Godzilla 1954, Mickey Rooney, military fascists, deadly giant ants, racing car drivers, and The Mishaps of Musty Suffer, a super-rare slapstick comedy series from the 1910s, are a few of the highlights at the Library of Congress’ Packard Campus Theater in May 2014. Godzilla 1954 and fellow movie monsters Gareth Edwards’ Godzilla 2014, starring Aaron Taylor-Johnson, Elizabeth Olsen, Juliette Binoche, Ken Watanabe, and Bryan Cranston, opens on May 16 in much of the world. On May 8 at the Packard Theater, you’ll get the chance to check out Ishiro Honda’s Godzilla 1954 aka Gojira — in the original, Toho-released, Japanese-language version (i.e., without Raymond Burr). As part of its Godzilla double bill, the Packard Theater will also present Motoyoshi Oda’s Gigantis, the Fire Monster aka Godzilla Raids Again (1955). Besides Godzilla, the Packard Theater will...
- 4/22/2014
- by Andre Soares
- Alt Film Guide
With Legendary Picture’s upcoming feature Godzilla releasing wide on May 16, 2014, here’s the first part of our extensive coverage from the set: a lengthy interview with director Gareth Edwards.
Beware - this coverage is as full of spoilers as ‘the Big G’ is radioactive (oops, there’s your first one there), so if you’d rather remain in the dark, not unlike San Francisco after Godzilla rolls over it (oh, there’s number two!), stop right here. Otherwise, suit up and Halo drop with us into gargantuan mayhem.
Part reboot and part direct sequel to director Ishiro Honda’s 1954 original of the same name, the 2014 Edwards-helmed Godzilla features actors Bryan Cranston (“Breaking Bad”), Aaron Taylor-Johnson (Kick-Ass), Juliette Binoche (The English Patient), David Strathairn (The Bourne Legacy), Elizabeth Olsen and Ken Watanabe, in a script by Max Borenstein, Dave Callaham and Frank Darabont, which pits the world’s most...
Beware - this coverage is as full of spoilers as ‘the Big G’ is radioactive (oops, there’s your first one there), so if you’d rather remain in the dark, not unlike San Francisco after Godzilla rolls over it (oh, there’s number two!), stop right here. Otherwise, suit up and Halo drop with us into gargantuan mayhem.
Part reboot and part direct sequel to director Ishiro Honda’s 1954 original of the same name, the 2014 Edwards-helmed Godzilla features actors Bryan Cranston (“Breaking Bad”), Aaron Taylor-Johnson (Kick-Ass), Juliette Binoche (The English Patient), David Strathairn (The Bourne Legacy), Elizabeth Olsen and Ken Watanabe, in a script by Max Borenstein, Dave Callaham and Frank Darabont, which pits the world’s most...
- 3/19/2014
- by Sean Decker
- DreadCentral.com
The cinematographer for the upcoming Godzilla reboot says that part of the film is going to be set in 1954, which is the year that Godzilla first appeared on screen.
Gojira, Aka Godzilla: King of the Monsters, first came out in 1954. It seems that Gareth Edward’s new interpretation will also have scenes set in that same year. Cinematographer Seamus McGarvey gave an interview in the new tie-in book “Godzilla with Light & Sound”, and in his discussion about making the film, he spilled the beans about a section of the film taking place in 1954.
McGarvey says, “On ‘Godzilla’ I used the old C series anamorphic lenses, and for the section in 1954 I used really old vintage lenses from the early 1960s. They took the edge off of the very vivid, sharp sensors, and gave it a distant period feel.”
Will these 1954 scenes connect the new Godzilla film to the original somehow?...
Gojira, Aka Godzilla: King of the Monsters, first came out in 1954. It seems that Gareth Edward’s new interpretation will also have scenes set in that same year. Cinematographer Seamus McGarvey gave an interview in the new tie-in book “Godzilla with Light & Sound”, and in his discussion about making the film, he spilled the beans about a section of the film taking place in 1954.
McGarvey says, “On ‘Godzilla’ I used the old C series anamorphic lenses, and for the section in 1954 I used really old vintage lenses from the early 1960s. They took the edge off of the very vivid, sharp sensors, and gave it a distant period feel.”
Will these 1954 scenes connect the new Godzilla film to the original somehow?...
- 11/24/2013
- by feeds@cinelinx.com (Rob Young)
- Cinelinx
Big Love star, Bill Paxton, recently spoke with that online outlet Bullz-Eye to promote the new season of HBO’s hit series. In the interview he mentioned that he recently had a meeting with producer Kathleen Kennedy about making Twister 2, a direct sequel to the original Twister that also starred Helen Hunt in 1996. The idea began to percolate with Paxton when he visited the Ozarks with Scott Thomson who played Preacher in Twister. Here is what Paxton had to say about the project:
“We spent the night, and the next morning we got up and we started tracking the trail of the most famous tornado that ever hit the country, which was the Tri-State Tornado of 1925. It still holds all of the records. It was called the Tri-State because it was a mile wide when it came down from the sky on the afternoon of March 16, 1925, and it was a rural area,...
“We spent the night, and the next morning we got up and we started tracking the trail of the most famous tornado that ever hit the country, which was the Tri-State Tornado of 1925. It still holds all of the records. It was called the Tri-State because it was a mile wide when it came down from the sky on the afternoon of March 16, 1925, and it was a rural area,...
- 1/8/2010
- by Kevin Coll
- FusedFilm
In a new interview with Bullz-Eye (and reported over at Premium Hollywood), actor Bill Paxton revealed that he has pitched an idea for a 3-D sequel to 1996's Twister to producer Kathleen Kennedy, who produced the original film. Paxton spent some time in the Ozark Mountains last spring, where his trip prompted an idea for a new story. Here's how he explained it:
"I flew into St. Louis with my buddy Scott Thomson, who played Preacher in 'Twister,' and we rented a car and drove down to southeastern Missouri, into the Ozarks," he explained. "We spent the night, and the next morning we got up and we started tracking the trail of the most famous tornado that ever hit the country, which was the Tri-State Tornado of 1925. It still holds all of the records. It was called the Tri-State because it was a mile wide when it came...
"I flew into St. Louis with my buddy Scott Thomson, who played Preacher in 'Twister,' and we rented a car and drove down to southeastern Missouri, into the Ozarks," he explained. "We spent the night, and the next morning we got up and we started tracking the trail of the most famous tornado that ever hit the country, which was the Tri-State Tornado of 1925. It still holds all of the records. It was called the Tri-State because it was a mile wide when it came...
- 1/8/2010
- CinemaSpy
- Following my top ten Tiff list of titles available piece that I published a couples of hours back, Tiff released the lengthy list of titles that are looking for deals. Among those that I didn't mention in my top ten but could have easily have been there is the omission of Micmacs à tire-larigot (I wasn't sure if Warner Bros. only had domestic rights for France and not world rights), and titles such as Neil Jordan's Ondine, Atom Egoyan's Chloe, Oliver Parker's Dorian Gray, Aaron Schneider's Get Low, Derrick Borte's The Joneses and Michael J. Bassett's Solomon Kane should be generating key interest from the buyers as well. Without further ado, here is the list. L’Affaire Farewell Christian Carion, France Ahead of Time Bob Richman, USA The Angel Margreth Olin, Norway/Sweden/Finland The Art of the Steal Don Argott, USA Baaria Giuseppe Tornatore,
- 8/27/2009
- IONCINEMA.com
Aaron Spelling, one of the most prolific and successful producers in TV history, died Friday, his publicist said. He was 83. Spelling died at his mansion in Los Angeles after suffering a stroke on June 18, according to publicist Kevin Sasaki. In the 1980s, Spelling reigned as one of the kings of television, In 1984, his seven series on ABC accounted for one-third of the network's prime time schedule, causing some to refer to ABC as Aaron's Broadcasting Company. While he won two Emmy Awards -- one for outstanding drama in 1989 for Day One, a TV movie about the Manhattan Project, and one for outstanding TV movie in 1993 for And the Band Played On, an account of the early years of the AIDS epidemic -- Spelling was best known for his glossy, escapist TV series which ranged from The Love Boat and Fantasy Island to Dynasty and Melrose Place with occasional forays into more reality-based shows like Family.
- 6/24/2006
- The Hollywood Reporter - Movie News
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