Memphis Belle (1990)
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- PG-13
- 1h 47min
- Action, Drama
- 12 Oct 1990 (USA)
- Movie
- Nominated for 1 BAFTA Film Award. Another 1 win & 3 nominations.
- See more »
Photos and Videos
Cast verified as complete
Matthew Modine | ... |
Capt. Dennis Dearborn
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Eric Stoltz | ... |
Sgt. Danny "Danny Boy" Daly
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Tate Donovan | ... |
1st Lt. Luke Sinclair
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D.B. Sweeney | ... |
Lt. Phil Lowenthal
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Billy Zane | ... |
Lt. Val "Valentine" Kozlowski
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Sean Astin | ... |
Sgt. Richard "Rascal" Moore
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Harry Connick Jr. | ... |
Sgt. Clay Busby
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Reed Diamond | ... |
Sgt. Virgil Hoogesteger
(as Reed Edward Diamond)
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Courtney Gains | ... |
Sgt. Eugene McVey
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Neil Giuntoli | ... |
Sgt. Jack Bocci
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David Strathairn | ... |
Col. Craig Harriman
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John Lithgow | ... |
Lt.Col. Bruce Derringer
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Jane Horrocks | ... |
Faith
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Mac McDonald | ... |
Les
(as Mac Macdonald)
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Jodie Brooke Wilson | ... |
Singer
(as Jodie Wilson)
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Keith Edwards | ... |
S-2
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Steven Mackintosh | ... |
Stan the Rookie
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Greg Charles | ... |
Adjutant
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Bradley Lavelle | ... |
Sergeant
(as Bradley Lavell)
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Ben Browder | ... |
Rookie Captain
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Mitch Webb | ... |
Group Navigator
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Paul Birchard | ... |
Lieutenant
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Bill Cullum | ... |
Farmer
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Eric Loren | ... |
Cook
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Cathy Murphy | ... |
Jitterbugger
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Morag Siller | ... |
Jitterbugger
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Steve Elm | ... |
Footballer
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Jason Salkey | ... |
Footballer
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Martin McDougall | ... |
Footballer
(as Martin McDougal)
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Rest of cast listed alphabetically: | |||
Wayne Danewood | ... |
Jiver (uncredited)
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Greg Francis | ... |
Bandleader (uncredited)
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Paul Woodadge | ... |
USAAF ground crew (uncredited)
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Directed by
Michael Caton-Jones |
Written by
Monte Merrick | ... | (written by) |
Produced by
David Puttnam | ... | producer |
Eric Rattray | ... | associate producer |
Catherine Wyler | ... | producer |
Music by
George Fenton |
Cinematography by
David Watkin |
Editing by
Jim Clark |
Editorial Department
Jude Andrews | ... | editor trainee |
Nick Moore | ... | first assistant editor |
Cressida Shaffer | ... | editor trainee |
Debbi Slater | ... | editor trainee (as Debbie Slater) |
Steve Spencer | ... | assistant editor (as Steven Spencer) |
Andy Stears | ... | assistant editor |
Len Tremble | ... | assistant editor |
Michael Trent | ... | assistant editor |
Bettina Woolgar | ... | assistant editor |
Casting By
Marion Dougherty | ||
Juliet Taylor |
Production Design by
Stuart Craig |
Art Direction by
Norman Dorme | ... | supervising art director |
John King | ||
Alan Tomkins |
Set Decoration by
Ian Giladjian |
Costume Design by
Jane Robinson |
Makeup Department
Anna Cobley | ... | makeup artist |
Pamela Haddock | ... | hair stylist |
Maureen Hannaford-Naisbitt | ... | hair stylist |
Joan Hills | ... | key makeup artist |
Meinir Jones-Lewis | ... | chief hair stylist |
Annie McEwan | ... | makeup artist (as Anne McEwan) |
Production Management
Mary Richards | ... | production manager |
Steve Norris | ... | executive in charge of production (uncredited) |
Second Unit Director or Assistant Director
James Devis | ... | second unit director: aerial unit |
Antony Ford | ... | third assistant director: aerial unit (as Anthony Ford) |
Cliff Lanning | ... | third assistant director |
Terry Needham | ... | assistant director: aerial unit |
Adam Somner | ... | third assistant director: aerial unit |
Gerry Toomey | ... | second assistant director |
Bill Westley | ... | first assistant director |
Kevin Westley | ... | second assistant director |
Natasha Ross | ... | trainee assistant director (uncredited) |
Art Department
Alan Adams | ... | prop storeman |
Brian Bishop | ... | scenic artist |
Doug Bishop | ... | scenic artist |
Laurence Burns | ... | stand-by crew |
Anthony Caccavale | ... | stand-by crew |
Cloe Chloerty | ... | scenic artist |
Stan Cook | ... | dressing props |
Miranda Diamond | ... | art department researcher |
Peter Dorme | ... | art department assistant |
Bob Douglas | ... | dressing props |
Michael R. Driscoll | ... | supervising stagehand (as Michael Driscoll) |
Colin Fox | ... | drapes |
George Gibbons | ... | stand-by crew |
Peter Hancock | ... | property master |
Brian Hartnoll | ... | stand-by crew |
Robert Hill | ... | stand-by props |
Martin Hubbard | ... | carpenter |
Brian Humphrey | ... | dressing props |
Clive Ingleton | ... | lettering artist |
Michael Lamont | ... | assistant art director |
Leonard Lawrence | ... | supervising rigger |
Joe Lear | ... | supervising plasterer |
Bert Long | ... | assistant construction manager |
Steve Macdonald | ... | stand-by props (as Steve McDonald) |
Dave Midson | ... | dressing props (as David Midson) |
John Moore | ... | dressing props |
Jim Morahan | ... | draughtsman (as James Morahan) |
John O'Shaughnessy | ... | production buyer |
Gordon Phillips | ... | dressing props |
Michael G. Ploog | ... | storyboard artist (as Michael Ploog) |
Tony Rimmington | ... | draughtsman |
Ron Seers | ... | stand-by crew |
Arthur Smith | ... | supervising painter |
Bill Stallion | ... | storyboard artist |
Don Taylor | ... | stand-by crew |
Bob Walker | ... | lettering designs (as Robert Walker) |
Peter Wallis | ... | dressing props |
Bill Welch | ... | construction manager |
Paul Wescott | ... | supervising painter |
Alan Williams | ... | stand-by crew |
Tony Youd | ... | assistant construction manager (as Anthony Youd) |
Ray Norris | ... | carpenter (uncredited) |
Sound Department
Paul Cridlin | ... | boom operator |
Michael Crouch | ... | sound effects editor |
Martin Evans | ... | dialogue editor |
Richard Finney | ... | sound maintenance |
Ian Fuller | ... | supervising sound editor |
Mark Holding | ... | sound recordist: aerial unit |
David John | ... | sound mixer |
Ray Merrin | ... | sound re-recording engineer |
Bill Rowe | ... | sound re-recording engineer |
Sandy Buchanan | ... | post-production sound assistant (uncredited) |
Andy Kennedy | ... | synclavier operator (uncredited) |
Tim Partridge | ... | dolby sound consultant (uncredited) |
Special Effects by
Richard Conway | ... | special effects supervisor |
Martin Grant | ... | special effects floor supervisor |
Bob Hollow | ... | senior special effects technician |
Brian Mann | ... | special effects editor |
Trevor Wood | ... | aerial rigs: aerial unit |
Andrew Eio | ... | special effects technician (uncredited) |
Dave Eltham | ... | special effects technician (uncredited) |
Steve Hamilton | ... | special effects floor supervisor (uncredited) |
David McCall | ... | special effects technician (uncredited) |
Nigel Nixon | ... | special effects model maker (uncredited) |
Visual Effects by
John Addison | ... | stand-by crew: model unit |
Dennis Bartlett | ... | blue screen supervisor: model unit |
Nigel Brackley | ... | modeller and technician: model unit |
Terry Bridle | ... | modeller and technician: model unit |
Nicholas Brooks | ... | visual effects |
Mark Challenor | ... | assistant director: model unit (as Mark Challoner) |
Frank Clissold | ... | electrician: model unit |
Richard Conway | ... | director: model unit |
Peter Davy | ... | modeller and technician: model unit |
Steve Drevett | ... | travelling matte coordinator (as Steve Drewett) |
David Eithim | ... | modeller and technician: model unit |
Nick Finlayson | ... | modeller and technician: model unit |
Steve Hamilton | ... | modeller and technician: model unit (as Stephen Hamilton) |
John Holmes | ... | modeller and technician: model unit |
Bill Howe | ... | stand-by crew: model unit |
Alan Johnson | ... | stand-by crew: model unit |
David Jones | ... | focus puller: model unit |
Andrew Kelly | ... | modeller and technician: model unit |
Stuart King | ... | electrician: model unit |
Brian Lince | ... | modeller and technician: model unit |
David Litchfield | ... | camera operator: model unit |
Ray Lovell | ... | modeller and technician: model unit |
Roy Masters | ... | modeller and technician: model unit |
David McCall | ... | modeller and technician: model unit |
Ed McDermott | ... | electrician: model unit |
Mike McGillivray | ... | gaffer: model unit (as Michael McGillivray) |
Kaye Moss | ... | modeller and technician: model unit |
Keith Muir | ... | stand-by crew: model unit |
Terry Newvell | ... | stand-by crew: model unit |
Harry Oakes | ... | cameraman: model unit |
Stephen Onions | ... | modeller and technician: model unit |
Wally Parker | ... | stand-by crew: model unit |
Peter Pickering | ... | modeller and technician: model unit |
William Poynter | ... | stand-by crew: model unit (as Bill Poynter) |
Jonathan Richardson | ... | model unit trainee |
Mike Smith | ... | stand-by crew: model unit |
Vic Smith | ... | electrician: model unit |
Tony Strachan | ... | additional photographer: model unit |
Peter Talbot | ... | focus puller: model unit |
Jamie Thomas | ... | modeller and technician: model unit |
Keith Thomas | ... | focus puller: model unit |
Leslie Wheeler | ... | modeller and technician: model unit (as Les Wheeler) |
Tim Willis | ... | modeller and technician: model unit |
Ken Worringham | ... | blue screen technician: model unit (as Ken Warringham) |
Martin Body | ... | optical cameraman (uncredited) |
Zoe Cain | ... | optical effects technician (uncredited) |
Craig Chandler | ... | optical effects (uncredited) |
Alan Church | ... | optical cameraman (uncredited) |
Andrew Coates | ... | assistant optical camera (uncredited) |
Doug Ferris | ... | matte artist (uncredited) |
Mark Gardiner | ... | motion control camera operator (uncredited) |
Antony Hunt | ... | executive producer: The Magic Camera Company (uncredited) |
Tim Ollive | ... | opticals effects (uncredited) |
Stuart Pitcher | ... | rostrum cameraman (uncredited) |
Janek Sirrs | ... | visual effects (uncredited) |
Val Wardlaw | ... | visual effects (uncredited) |
Camera and Electrical Department
Dizzy Addicott | ... | pilot: B-25 Mitchell camera plane |
David Appleby | ... | still photographer |
Neil Binney | ... | camera operator: aerial unit |
Steve Brooke Smith | ... | clapper loader: aerial unit |
Fred Brown | ... | electrician |
Derek V. Browne | ... | camera operator (as Derek Browne) |
Peter Butler | ... | camera grip |
Giles Christopher | ... | clapper loader: aerial unit |
James Devis | ... | director of photography: aerial unit |
Geoff Dibben | ... | camera trainee (as Geoffey Dibben) |
Ron Dick | ... | camera air-to-air liaison (as Air Vice Marshall Ron Dick) |
Alfie Emmins | ... | electrician |
Chuck Finch | ... | gaffer |
Tommy Finch | ... | best boy (as Tom Finch) |
John Foster | ... | clapper loader: aerial unit |
Mike Frift | ... | camera operator: aerial unit |
Alan Grosch | ... | electrician |
Steve Harvey | ... | electrician |
Simon Hume | ... | focus puller |
Kate Hunt | ... | camera trainee |
Ted Jaffrey | ... | camera grip |
Jeremy Jones | ... | focus puller: aerial unit |
Steve Leverington | ... | crane operator |
Billy Merrell | ... | best boy (as Bill Merrell) |
Simon Mills | ... | focus puller: aerial unit |
Mark Milsome | ... | clapper loader: aerial unit |
Mark Moriarty | ... | assistant camera: additional photography: second unit |
Steve Murray | ... | focus puller: aerial unit (as Steven Murray) |
Brian Osborne | ... | camera grip: aerial unit |
Nick Penn | ... | clapper loader |
Stuart Reid | ... | electrician |
Natasha Ross | ... | camera trainee |
Mike Rutter | ... | camera operator: aerial unit |
Toby Tyler | ... | electrician |
Robin Vidgeon | ... | additional photographer: second unit |
Chris Warren | ... | video operator: aerial unit |
Simon Werry | ... | camera operator: aerial unit |
Peter Hodgson | ... | video assist: additional unit (uncredited) |
Casting Department
Owens Hill | ... | additional casting: USA |
Patsy Pollock | ... | additional casting: UK |
Costume and Wardrobe Department
Ken Crouch | ... | wardrobe assistant (as Kenny Crouch) |
Peter Edmonds | ... | wardrobe assistant: aerial unit |
Catherine Halloran | ... | wardrobe assistant |
David Murphy | ... | costume coordinator |
Philip Rainforth | ... | wardrobe assistant |
David Whiteing | ... | wardrobe assistant |
Kirsten Wing | ... | wardrobe mistress |
Bob Worth | ... | advisor: military costumes |
Richard Thomas | ... | costume painter (uncredited) |
Location Management
Andy Andrews | ... | location cashier |
Barbara Back | ... | location manager: aerial unit |
Allan James | ... | location manager |
Music Department
Jeff Atmajian | ... | orchestrator |
George Fenton | ... | orchestrator |
Keith Grant | ... | music recording engineer |
Geoff Young | ... | music recording engineer |
Pete Beachill | ... | musician: trombone (uncredited) |
Mark Berrow | ... | musician: violin (uncredited) |
Dave Bishop | ... | musician: clarinet (uncredited) |
Stuart Brooks | ... | musician: trumpet (uncredited) |
George Fenton | ... | conductor (uncredited) |
Greg Francis | ... | musical director: dance music (uncredited) |
Skaila Kanga | ... | musician: harp (uncredited) |
Gerry O'Riordan | ... | assistant music engineer (uncredited) |
Jamie Talbot | ... | alto Saxophone (uncredited) |
Script and Continuity Department
Suzanne McGeachan | ... | assistant continuity (as Sue Clegg) |
Julie Robinson | ... | continuity: aerial unit |
Angela Wharton | ... | script supervisor (as Angela Noakes) |
Transportation Department
Mark White | ... | transportation |
Additional Crew
Simon Atherton | ... | armorer |
Chris Bevan | ... | pilot: fighter |
Tania Blunden | ... | production coordinator (as Tania Windsor) |
Peter Brown | ... | consultant aeronautical engineer |
Paul Chaplin | ... | pilot: fighter |
Jean-Phillipe Chivot | ... | provider: B-17 Flying Fortress F-AZDX |
Don Clark | ... | pilot: B-17 Flying Fortress N-17W |
Susan d'Arcy | ... | unit publicist (as Susan D'Arcy) |
Allen Davies | ... | assistant accountant (as Allan Davies) |
Rob Dean | ... | pilot: fighter |
Walter Eichorn | ... | pilot: Messerschmitt 109 |
Andrew Fletcher | ... | armorer |
Roger A. Freeman | ... | technical advisor (as Roger Freeman) |
Tommy Garcia | ... | technical advisor |
Jean-Pierre Gattegno | ... | pilot: B-17 Flying Fortress F-BEEA |
Jo Gregory | ... | production accountant |
Stephen Grey | ... | pilot: P-51 Mustang |
Reg Hallam | ... | pilot: P-51 Mustang |
Mark Hanna | ... | aerial coordinator / pilot: fighter |
Ray Hanna | ... | chief pilot |
David Hillman | ... | title designer |
Peter Jarvis | ... | pilot: fighter |
Peter John | ... | pilot: P-51 Mustang |
Tim Knatchbull | ... | production runner: aerial unit |
Rolf Meum | ... | pilot: P-51 Mustang |
Richard Morrison | ... | provider: titles |
Bruce Orriss | ... | technical advisor |
Julia Overton | ... | production assistant |
Hoof Proudfoot | ... | pilot: P-51 Mustang |
Bob Richardson | ... | pilot: B-17 Flying Fortress N-17W |
John Romain | ... | Pilot |
Anders Saether | ... | pilot: P-51 Mustang |
Jean Salis | ... | provider: B-17 Flying Fortress F-AZDX (as Jean Sallis) |
Elly Sallingboe | ... | provider: B-17 Flying Fortress G-BEDF |
Carl Schofield | ... | pilot: fighter (as Carl Scofield) |
Keith Sisson | ... | pilot: B-17 Flying Fortress G-BEDF (as Keith Sissons) |
Brian Smith | ... | pilot: fighter |
Alan Steele | ... | computer operator |
David Tallichet | ... | pilot: B-17 Flying Fortress N3703G / provider: B-17 Flying Fortress N3703G |
Peter Thompson | ... | helicopter pilot |
David Toguri | ... | choreographer |
Alan Walker | ... | pilot: B-17 Flying Fortress G-BEDF |
Rebecca West | ... | publicity assistant |
Alan White | ... | photographic transparencies |
J. David Williams | ... | financier |
Marc Wolff | ... | helicopter pilot |
Mike Woodley | ... | aviation ground coordinator |
Jerry Grayson | ... | helicopter pilot (uncredited) |
Ray Hanna | ... | pilot: Messerschmitt 109 (uncredited) |
Jay Lance | ... | publicity assistant (uncredited) |
Natasha Ross | ... | production assistant (uncredited) |
Art Smith Jr. | ... | researcher (uncredited) |
Thanks
Keith Ansell | ... | acknowledgment |
Leonard Cheshire | ... | acknowledgment (as Group Captain Leonard Cheshire) |
Harry Friedman | ... | acknowledgment (as Dr. Harry Friedman) |
James W. Gavin | ... | acknowledgment (as Jim Gavin) |
R.J. Howard | ... | acknowledgment (as Group Captain R.J. Howard) |
Skip Lehmann | ... | acknowledgment |
Marc Pierre | ... | acknowledgment |
M.J. Pilkington | ... | acknowledgment (as Air Vice Marshal M.J. Pilkington) |
Margaret Polk | ... | acknowledgment |
Christian Roy | ... | acknowledgment |
J.D. Spottiswood | ... | acknowledgment (as Air Vice Marshal J.D. Spottiswood) |
Colin Waterworth | ... | acknowledgment |
Production Companies
- Enigma Productions
- Fujisankei Communication Group (in association with)
- British Satellite Broadcasting (BSB) (in association with)
- County Natwest Ventures (in association with)
Distributors
- Roadshow Films (1990) (Australia) (theatrical)
- Warner Bros. (1990) (United States) (theatrical)
- Warner Bros. (1991) (France) (theatrical)
- Warner Bros. (1991) (Netherlands) (theatrical)
- Warner Bros. (1991) (Norway) (theatrical)
- Warner Bros. (1991) (Sweden) (theatrical)
- Warner Bros. (1991) (United Kingdom) (theatrical)
- Audio Visual Enterprises (1991) (Greece) (VHS)
- Warner Home Video (1992) (Germany) (VHS)
- Warner Home Video (1992) (United States) (VHS) (laserdisc)
- American Broadcasting Company (ABC) (1994) (United States) (tv) (broadcast premiere)
- Warner Home Video (1995) (United States) (VHS)
- Warner Home Video (1998) (United States) (DVD)
- Sandrews (2000) (Sweden) (DVD)
- Warner Home Video (2000) (Germany) (DVD)
- Warner Home Video (2001) (Netherlands) (DVD)
- Warner Home Video (2014) (Germany) (Blu-ray)
- HBO Max (2020) (United States) (video) (VOD)
- 7Mate (2023) (Australia) (tv)
- 7Two (2021) (Australia) (tv)
Special Effects
- Peerless Camera Company (optical effects)
- The Computer Film Company (CFC) (compositing)
Other Companies
- Pinewood Studios (movie studio)
- Abbey Road Studios (music recording)
- Angel Studios (music recording)
- B-17 Preservation Ltd. (B-17 Flying Fortress G-BEDF)
- Blowup (stills processing)
- C.T.S. Studios (music recording)
- CYMA Petroleum Limited (aviation fuel)
- Dolby Stereo (in selected theatres)
- Elstree Film Opticals (optical effects)
- Fotherley Ltd. (optical effects)
- General Screen Enterprises (optical effects)
- Goldcrest Post Production London (sound re-recording)
- Grip House (grip equipment)
- Institut Geographique National (B-17 Flying Fortress F-BEEA)
- JDC Limited (camera equipment provided by)
- Lee Lighting (grip and lighting equipment)
- Mayflower Recording (adr recording)
- Mike Uden Opticals (optical effects)
- Motion Picture Association (MPA)
- Optical Film Effects (optical effects)
- Peerless Camera Company (optical effects)
- Pentagram (title design)
- Plume Partners (titles)
- Scandinavian Historic Flight (P-51 Mustang N167F prvided by)
- Thaxton Green Studios Inc. (film library research)
- The London Session Orchestra (orchestra)
- The Magic Camera Company (optical effects)
- The Old Flying Machine Co. (fighter aircraft)
- Varèse Sarabande (soundtrack)
Storyline
Plot Summary |
It's May 1943 at a US Army Air Corps base in England. The four officers and six enlisted men of the Memphis Belle - a B-17 bomber so nicknamed for the girlfriend of its stern and stoic captain, Dennis Dearborn - will soon start their twenty-fifth mission, having completed their previous twenty-four successfully with nary an incident, while fewer and fewer other planes are coming back from their missions at all. If they complete their next mission successfully, they will be the first Army Air Corps B-17 Crew to complete their tour of duty. Visiting communications officer Lt. Col. Bruce Derringer wants to publicize and highly tout their accomplishment, even before it happens, as a long term good news campaign at a time when there is little good news to report. Derringer's plan is against the wishes of the base commander, Col. Craig Harriman, who would prefer to treat the ten as any of his other hard working men. The previous success of the Memphis Belle is despite the disparate natures of the ten men, whose personalities and backgrounds could not be more different. Each of the ten has a differing view of Derringer's publicity campaign as well as to the probable success or failure of what will be their last mission regardless, a dangerous one into enemy territory over the skies of Bremen, Germany. Written by Huggo |
Plot Keywords | |
Taglines | Brave young men who rode on the wings of victory. See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | $23,000,000 (estimated) |
Did You Know?
Trivia | The navigator of the real Memphis Belle was Charles Leighton. From Flint Michigan, he retired as a teacher and counselor. He saved the Belle and other B-17s after identifying false German radio beacons designed to lure unwary B-17s into harm's way. See more » |
Goofs | In Memphis Belle the bomber force is ordered to circle back to the Initial Point when the Primary Target is obscured by smoke or cloud cover. In reality, this would NOT have happened. First, it is VERY hard to have a formation of 300-plus Forts make a 180 degree turn. Second, such a maneuver would alert all flak batteries as to the actual target. Third, such a maneuver would keep the force under fighter attack longer than need be. In actuality, bomber crews were briefed on a primary, a secondary, a tertiary and targets of opportunity. If the primary target was unable to be hit, the primary became the IP to set up on the secondary. If the secondary were unable to be hit, it became the IP for the tertiary, and if that were unable to be hit, the force commander (NOT the pilot of the lead aircraft) would issue an order to go after targets of opportunity. Failing that, the mission would be aborted and the crews would dump their ordnance in either the North Sea or the English Channel. The mission would count toward tour completion, as the crews would have been in combat, and were over enemy territory. See more » |
Movie Connections | Edited into Dark Blue World (2001). See more » |
Soundtracks | The Chestnut Tree See more » |
Quotes |
Richard Rascal Moore:
[a German fighter has just passed extremely close under the belly of the plane, right past Rascal]
That guy had blue eyes! See more » |