Hellraiser III: Hell on Earth (1992)
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- R
- 1h 37min
- Horror
- 11 Sep 1992 (USA)
- Movie
An investigative reporter must send the newly unbound Pinhead and his legions back to Hell.
Director:
Writers:
Awards:
- 1 win & 10 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Kevin Bernhardt | ... |
J.P. Monroe
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Lawrence Mortorff | ... |
Bum
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| Terry Farrell | ... |
Joey Summerskill
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| Ken Carpenter | ... |
Doc / Camerahead
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| Sharon Hill | ... |
Blond Nurse
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| Paula Marshall | ... |
Terri
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| Robert C. Treveiler | ... |
Paramedic 1
(as Rob Treveiler)
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Christopher Frederick | ... |
Paramedic 2
(as Chris Frederick)
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Lawrence Kuppin | ... |
Derelict
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Sharon Percival | ... |
Brittany Virtue
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Philip Hyland | ... |
Brad
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| David Young | ... |
Bill the Bouncer
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| Brent Bolthouse | ... |
CD the DJ
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Peter Atkins | ... |
Rick the Barman
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| Paul Coleman | ... |
Soldier 1
(as Paul Vincent Coleman)
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Peter G. Boynton | ... |
Joey's Father
(as Peter Boynton)
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| Anthony Hickox | ... |
Soldier 2
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George Lee | ... |
Bob
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| Aimée Leigh | ... |
Sandy
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| Doug Bradley | ... |
Pinhead / Elliot
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Ron Norris | ... |
Douglas the Bouncer
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| Ashley Laurence | ... |
Kirsty
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Steven Painter | ... |
Young Guy
(as Steve Painter)
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| Shanna Jacobs | ... |
Female Cop
(as Shanna Teare)
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| Bob Bragg | ... |
Male Cop
(as Bobby Bragg)
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Bob Stephens | ... |
Second Male Cop
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Clayton Hill | ... |
The Priest
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Young Bobby Knoop | ... |
Yuppie 1
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| James D.R. Hickox | ... |
Yuppie 2
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Tonya Saunders | ... |
Go-Go Dancer
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Angela Thomas | ... |
Go-Go Dancer
(as Angelia Thomas)
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Kim Ball | ... |
Go-Go Dancer
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Cassandra Perry | ... |
Go-Go Dancer
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Anna Marie Isaacs | ... |
Go-Go Dancer
(as Anna Marie Issacs)
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Flame | ... |
Go-Go Dancer
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| John Bush | ... |
Armored Saint
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Joey Vera | ... |
Armored Saint
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Phil Sandoval | ... |
Armored Saint
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Jeff Duncan | ... |
Armored Saint
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Gonzo | ... |
Armored Saint
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| Rest of cast listed alphabetically: | |||
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Todd Davis | ... |
Pedestrian (uncredited)
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| Zach Galligan | ... |
Boiler Room Patron Getting Stabbed with Pool Stick (uncredited)
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| Rosemary Gore | ... |
Date (uncredited)
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Robert Hammond | ... |
'Chatterer' corpse in Nightclub (uncredited)
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Cress Horne | ... |
Copter Pilot (uncredited)
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Dave Keen | ... |
ill-fated Taxi Driver (uncredited)
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Directed by
| Anthony Hickox | ... | (directed by) |
Written by
| Peter Atkins | ... | (original story by) and |
| Tony Randel | ... | (original story by) |
| Clive Barker | ... | (based on characters created by) |
| Peter Atkins | ... | (written by) |
Produced by
| Clive Barker | ... | executive producer |
| Paul Coleman | ... | assistant producer (as Paul Vincent Coleman) |
| Christopher Figg | ... | co-producer |
| Olive McQueen | ... | associate producer / producer: second unit |
| Lawrence Mortorff | ... | producer (produced by) |
Music by
| Randy Miller | ... | (music composed by) |
Cinematography by
| Gerry Lively | ... | director of photography |
Editing by
| Christopher Cibelli | ... | supervising film editor |
| James D.R. Hickox | ||
Editorial Department
| Syd Cole | ... | negative cutting |
| Marie Hélène Desbiens | ... | negative cutting (as Marie-Hèléne Desbiens) |
| Daniel J. Simmons | ... | first assistant editor |
| Robert Sullivan | ... | additional assistant editor |
| Jim J. Williams | ... | color timer (as Jim Williams) |
| Trudy Yee | ... | additional assistant editor |
| Mato | ... | color timer (uncredited) |
Casting By
| Paul Coleman | ... | (uncredited) |
Production Design by
| Steve Hardie | ||
Art Direction by
| Tim Eckel | ||
Set Decoration by
| David A. Koneff | ... | (as David Allen Koneff) |
Costume Design by
| Leonard Pollack | ||
Makeup Department
| Martin Astles | ... | technician |
| Doug Bradley | ... | intern (as Bill Bradley) |
| Paul Catlin | ... | head sculptor |
| Dave Chagouri | ... | foam technician |
| Mark Coulier | ... | makeup special effects supervisor |
| Dave Elsey | ... | technician |
| Shaune Harrison | ... | technician |
| Herita Jones | ... | assistant makeup artist |
| Paul Jones | ... | special makeup effects coordinator |
| Dave Keen | ... | makeup special effects supervisor |
| Fiona Leech | ... | technician (as Fiona Leach) |
| Martin L. Mercer | ... | technician (as Martin Mercer) |
| Steven Painter | ... | makeup effects: Los Angeles and New York (as Steve Painter) / makeup special effects supervisor (as Steve Painter) |
| William Petty | ... | technician (as Will Petty) |
| Simon Quinn | ... | foam technician |
| Joseph Schultz | ... | effects crew: Los Angeles and New York |
| Traci E. Smithe | ... | makeup/hair: Los Angeles and New York (as Traci Smithe) |
| Rudy Sotomayor | ... | key makeup/hair |
| Paul Spateri | ... | technician |
| Jeff Swan | ... | intern |
| Gary J. Tunnicliffe | ... | makeup effects: Los Angeles and New York (as Gary Tunnicliffe) / workshop supervisor (as Gary Tunnicliffe) |
| Brian Bailey | ... | special makeup effects intern (uncredited) |
| Gary Bunn | ... | prosthetics artist (uncredited) |
| Richard Glass | ... | standby contact lens optician (uncredited) |
Production Management
| Sherwood Jones | ... | post-production supervisor |
| Paul Martin | ... | unit production manager: Los Angeles and New York |
| Phil Smoot | ... | unit production manager |
| Greg Spence | ... | production supervisor: Miramax, Los Angeles and New York |
Second Unit Director or Assistant Director
| Ty Arnold | ... | second assistant director |
| Paula M. Bass | ... | second assistant director: Los Angeles and New York (as Paula Hammerel) / second second assistant director (as Paula M. Hammerel) |
| Cari Frankson | ... | second second assistant director: Los Angeles and New York |
| Bob Keen | ... | second unit director |
| Matt Maiellaro | ... | first assistant director: second unit (as Matthew Maiellaro) |
| Paul Martin | ... | first assistant director / first assistant director: Los Angeles and New York |
| Joseph Schultz | ... | assistant director: Los Angeles (uncredited) |
Art Department
| Marc Baird | ... | storyboard artist: Los Angeles and New York |
| Dana Browne | ... | construction crew: Los Angeles and New York |
| Richard Colwell | ... | lead scenic painter |
| Mitch Compton | ... | assistant carpenter |
| Mark Day | ... | art department production assistant |
| David Edwards | ... | construction crew: Los Angeles and New York |
| Donna Fewell | ... | property master |
| John Floyd | ... | storyboard artist |
| Mark Franklin | ... | swing gang |
| Melissa Frye | ... | scenic painter |
| Karen E. Ghant | ... | art department production assistant (as Karen Ghant) |
| James Henry Hayden | ... | assistant carpenter |
| Maria Jaramillo | ... | construction crew: Los Angeles and New York (as Maria M. Jaramillo) |
| David A. Koneff | ... | art director: Los Angeles and New York (as David Allen Koneff) |
| Robert Scott Kyker | ... | props: Los Angeles and New York (as Rob Kyker) |
| Steve Lee | ... | assistant carpenter |
| Thomas J. Lockhart | ... | assistant carpenter |
| Allen Mansfield | ... | scenic painter (as Allen 'Boolaka' Mansfield) |
| Tommy Marshall | ... | swing man: second unit |
| Carey Meyer | ... | set designer: Los Angeles and New York |
| 'Jungle Jim' Shaughnessy | ... | set dresser (as 'Jungle' Jim Shaughnessy) |
| Steve Summer | ... | assistant carpenter |
| Jayne-Ann Tenggren | ... | assistant property master / set decorator: Los Angeles and New York |
| Verner Ver Hulst | ... | assistant carpenter |
| Adolfo Vergara | ... | construction crew: Los Angeles and New York |
| Bill Wagner | ... | lead man |
| Jeremy L. Wakefield | ... | construction crew: Los Angeles and New York |
| Calvin Workman | ... | construction coordinator (as Calvin 'Rusty' Workman) |
| Sandra Workman | ... | assistant to construction coordinator |
| Jody Bergmann | ... | set dresser (uncredited) |
| Jerry Miscevich | ... | set painter (uncredited) |
| Rick Perryman | ... | carpenter (uncredited) |
| Michele Spadaro | ... | painter (uncredited) |
Sound Department
| Gregg Barbanell | ... | foley artist (as Greg Barbanell) |
| Benjamin Beardwood | ... | assistant dialogue editor (as Ben Beardwood) |
| Jim Brookshire | ... | dialogue editor |
| Steve Earnhart | ... | creative sound designer (as Stephen Earnhart) |
| Marc Fishman | ... | re-recording assistant |
| William Freesh | ... | re-recording mixer (as Bill Freesh) |
| Jonathan Fuh | ... | boom operator: Los Angeles and New York |
| Tim Gedemer | ... | digital sound designer / sound effects editor |
| Brian Geer | ... | foley artist |
| Kate Hopkins | ... | creative sound designer |
| John A. Larsen | ... | special sound effects |
| Peter J. Lehman | ... | sound effects editor (as Pete Lehman) |
| Austin McKinney | ... | production sound mixer |
| Jonathan Miller | ... | creative sound designer |
| Vince Nicastro | ... | foley artist |
| Kim H. Ornitz | ... | production sound mixer: Los Angeles and New York (as Kim Ornitz) |
| Paul Rodriguez | ... | director of sound services |
| R. Russell Smith | ... | post sound supervisor / re-recording mixer |
| John Joseph Thomas | ... | special sound effects |
| Jeff Vaughn | ... | adr editor / post sound supervisor |
| David Weisman | ... | boom operator |
Special Effects by
| Larry Dean Bivins | ... | special effects crew (as Larry Bivins) |
| Ray Bivins | ... | mechanical special effects coordinator |
| Joel Bowman | ... | special effects crew |
| Robert H. Canipe Jr. | ... | special effects crew (as Bob Canipe Jr.) |
| Tony Cooke | ... | special effects assistant |
| Richard Darwin | ... | technician |
| Nikolai Galitzine | ... | effects crew: Los Angeles and New York (as Nik Galitzine) |
| Joe Goins | ... | special effects crew |
| Eric Good | ... | effects crew: Los Angeles and New York |
| Bob Keen | ... | special effects coordinator / special makeup effects coordinator: Los Angeles and New York |
| Ed Kotero | ... | effects intern: Los Angeles and New York |
| Mason Linker | ... | mechanical special effects intern |
| Kevin McCarthy | ... | physical effects: Los Angeles and New York |
| Keith Montero | ... | special effects crew |
| John Wells | ... | physical effects: Los Angeles and New York |
| Dave Whisnant | ... | special effects crew |
| Gregory Rae Stone | ... | special effects technician (uncredited) |
Visual Effects by
| Cliff Culley | ... | matte painter: Westbury Design & Optical |
| Neil Culley | ... | matte photography |
| C. Marie Davis | ... | visual effects editor: Cinema Research Corporation |
| Eugene Eyerly | ... | optical camera: Cinema Research Corporation |
| Dion Hatch | ... | optical supervisor: Cinema Research Corporation |
| Erica Heider | ... | visual effects coordinator: Cinema Research Corporation |
| Joni Jacobson | ... | paintbox artist: Cinema Research Corporation |
| Jay Johnson | ... | visual effects animator: Cinema Research Corporation |
| Steve Mayer | ... | optical camera: Cinema Research Corporation |
| Ernest Miller | ... | optical camera: Cinema Research Corporation |
| Reid Paul | ... | visual effects camera: Cinema Research Corporation |
| Steve Rundell | ... | visual effects producer: Cinema Research Corporation / visual effects supervisor: Cinema Research Corporation |
| Steve Wright | ... | animation supervisor: Sidley Wright |
| Joan Collins Carey | ... | digital effects producer: Sidley Wright (uncredited) |
| Dave Gregory | ... | optical supervisor: Title House (uncredited) |
| Tom Martinek | ... | film scanner: component video (uncredited) |
Stunts
| Bob Bragg | ... | stunt driver |
| Bobby Bragg | ... | stunts |
| Joe Murphy | ... | stunts |
| Ron Norris | ... | stunts |
| Shanna Peare | ... | stunts |
| Allen Penney | ... | stunts |
| Bob Stephens | ... | stunt coordinator / stunts |
| Paul Coleman | ... | stunts (uncredited) |
Camera and Electrical Department
| Alex Berliner | ... | still photographer: Los Angeles and New York |
| Russ Brandt | ... | director of photography: second unit / gaffer / gaffer: Los Angeles and New York |
| Rusty Burrell | ... | second assistant camera |
| Richard Clabaugh | ... | camera operator / camera operator: Los Angeles and New York |
| Kris Conde | ... | loader: Los Angeles and New York |
| Barry Davis | ... | electrician |
| Warren Eig | ... | electrician: Los Angeles and New York |
| Neal Mills Forney III | ... | steadicam operator (as Neal Forney) |
| Chris Godfrey | ... | key grip/dolly: Los Angeles and New York |
| Andy Graham | ... | first assistant camera / first assistant camera: Los Angeles & New York |
| Ellis James | ... | grip: Los Angeles and New York |
| Eric Jones | ... | grip |
| Gerry Lively | ... | director of photography: Los Angeles and New York |
| Gerald McDougal | ... | grip (as Gerald McDougall) |
| Chris Milani | ... | electrician: Los Angeles and New York |
| Thomas C. Nisbet | ... | best boy electric: second unit (as Tommy 'Love' Nisbet) / electrician (as Tom Nisbet) |
| Carlo Papica | ... | best boy electric |
| Keith Payne | ... | still photographer |
| Talmadge Peace | ... | key grip |
| Alan Pickelsimer | ... | grip |
| Andrew Rawson | ... | electrician (as Andy Rawson) |
| George Reasner | ... | grip |
| Bill H. Roberts Jr. | ... | first assistant camera: second unit (as Bill Roberts) / second assistant camera: Los Angeles and New York (as Bill Roberts) |
| David Ray Robinson | ... | loader (as David Robinson) |
| Tony Robinson | ... | grip |
| Adam Santelli | ... | best boy electric: Los Angeles and New York / gaffer |
| Michael Satrazemis Jr. | ... | second assistant camera: second unit |
| Michael E. Satrazemis | ... | best boy grip (as Michael Satrazemis) / blue screen coordinator: second unit (as Michael Satrazemis Sr.) |
| Tim Spencer | ... | dolly grip |
| Duane Journey | ... | key grip (uncredited) |
Casting Department
| Kathy Butler | ... | casting intern |
| Jo Heather Christenbury | ... | casting production assistant |
| Jill Fagaley | ... | casting production assistant |
| Leonard Finger | ... | casting: New York |
| Geno Havens | ... | casting: Los Angeles |
| Clayton Hill | ... | casting director: North Carolina (as Clayton D. Hill) |
| Sharon Hill | ... | casting associate (as Sharon A. Hill) |
| Veronica Royer | ... | casting intern |
| Sheila Lussier | ... | casting assistant: Los Angeles (uncredited) |
Costume and Wardrobe Department
| Kristen Carper | ... | wardrobe intern |
| Logan James | ... | wardrobe production assistant |
| Hilary Momberger-Powers | ... | wardrobe: Los Angeles and New York (as Hilary Momberger) |
| Michael Nations | ... | assistant wardrobe |
| Jennifer Sanguiliano | ... | wardrobe intern |
| Pauline White-Kassulke | ... | associate costume designer (as Pauline White) |
Location Management
| Jim Goodman | ... | location manager |
| Scott McRae | ... | intern |
| Lisa Napoli | ... | location assistant |
| Jerry Whittington | ... | location scouting (uncredited) |
Music Department
| Carol Sue Baker | ... | music supervisor |
| Xavier Du Bois | ... | soundtrack coordinator (as Xavier DuBois) |
| Jon Kull | ... | orchestrator |
| Douglas M. Lackey | ... | music editor (as Doug Lackey) |
| Randy Miller | ... | orchestrator |
| Gregg Nestor | ... | music preparation |
| Sergei Scripka | ... | conductor: The Symphony Orchestra and Choir of Mosfilm Studios |
| Carl Swartz | ... | music editor |
| Peter Tomashek | ... | orchestrator |
| Vladimir Vinogradov | ... | recording engineer (as Vladimir V. Vinogradov) |
| Christopher Young | ... | additional music by: from "Hellraiser" |
Script and Continuity Department
| Hilary Momberger-Powers | ... | script supervisor (as Hilary Momberger) / script supervisor: Los Angeles and New York (as Hilary Momberger) |
Transportation Department
| Russell Atherton | ... | driver |
| Donnie Boswell Sr. | ... | driver |
| Todd Charmont | ... | driver |
| Richard Cox | ... | transportation coordinator |
| Mark Gilmer | ... | assistant captain |
| Lane Kraft | ... | transportation captain |
| David Whitsell | ... | honeywagon operator |
| Derek Whittington | ... | driver (uncredited) |
Additional Crew
| Susie Baker | ... | caterer |
| Ron Bonaparte | ... | immigration counsel |
| Debra E. Clark | ... | assistant production accountant |
| Paul Coleman | ... | assistant: Mr. Mortorff |
| David Diliberto | ... | set production assistant |
| Mike Duffield | ... | set production assistant |
| Mark Dukes | ... | asst. production coordinator |
| K.T. Dunphy | ... | production assistant: second unit |
| Norma Fink | ... | production counsel |
| Deanna Gallier | ... | key set production assistant |
| Cynthia Greenhill | ... | craft service |
| Bradley Greer | ... | set production assistant |
| Kevin Helms | ... | stand-in |
| Martin Hyman | ... | optometrist: Los Angeles and New York |
| Stephen Jennings | ... | set production assistant |
| Nicci Johnston | ... | stand-in |
| Steve Jones | ... | unit publicist (as Stephen Jones) |
| Rob Lebreque | ... | accounting consultant |
| Philip Lenger | ... | office production assistant |
| Steve Lonano | ... | office production assistant |
| Katie McDonald | ... | intern |
| Dickson McMurray | ... | main title designer: Title House (as Dickson Charles McMurray) |
| Ian McQueen | ... | product placement coordinator |
| Dana Middleton | ... | production coordinator: second unit |
| Robert Scott Moss | ... | production assistant: Los Angeles and New York (as Scott Moss) |
| Debbie Muller | ... | production secretary |
| Sharon Percival | ... | assistant: Mr. Mortorff, Los Angeles and New York |
| Penny Pridemore | ... | key set production assistant |
| Tricia Riordan | ... | production coordinator: Los Angeles and New York |
| Caroline Sandlin Fullerton | ... | dialogue coach |
| Bob Sheehan | ... | labor counsel |
| Eden Slotchiver | ... | assistant: Mr. Hickox |
| Jonathan Vital | ... | intern |
| Bill Walker | ... | optometrist (as Dr. Bill Walker) |
| Gary Weddington | ... | production accountant |
| Jerry Whittington | ... | studio manager |
| Dale Williams | ... | production coordinator |
| Brad Stephens | ... | publicist (uncredited) |
| Jerry Whittington | ... | projectionist (uncredited) |
Production Companies
Distributors
- Dimension Films (1992) (United States) (theatrical)
- Miramax (1992) (United States) (theatrical)
- Arrow Film Distributors (1992) (United Kingdom) (theatrical)
- Cinépix Film Properties (CFP) (1992) (Canada) (theatrical)
- Tokuma Japan Communications (1992) (Japan) (VHS)
- Becker Entertainment (1993) (Australia) (theatrical)
- RCV Film Distribution (1993) (Netherlands) (theatrical)
- Paris Filmes (1993) (Brazil) (theatrical)
- C/FP Video (1993) (Canada) (VHS)
- Cineglobe (1993) (Canada) (VHS)
- Condor Video (1993) (Germany) (VHS)
- Egmont Film (1993) (Norway) (VHS)
- High Fliers Video Distribution (1993) (United Kingdom) (VHS)
- Paramount Home Entertainment (1993) (United States) (VHS)
- Paramount Home Entertainment (1993) (United States) (video) (laserdisc)
- Filmax (1994) (Spain) (theatrical)
- Ivex Films (1994) (Spain) (theatrical)
- Imperial Entertainment Home Video (1994) (Poland) (VHS)
- Cosmos Home Entertainment (1994) (Netherlands) (VHS)
- Record Visión S.A. (1994) (Spain) (VHS)
- Mandre Pictures (1995) (India) (theatrical) (Mumbai)
- Astro Distribution (1995) (Germany) (video) (laserdisc)
- CIC Video (France) (VHS)
- Cosmos Home Entertainment (1997) (Netherlands) (VHS) (through)
- Domestic Home Entertainment (Netherlands) (VHS)
- Highlight Video (West Germany) (VHS)
- RCV Home Entertainment (1997) (Netherlands) (VHS) (through Cosmos Home Entertainment)
- USA Network (1997) (United States) (tv) (USA Movie)
- RTL Entertainment (1999) (Netherlands) (tv) (RTL4)
- RCV Home Entertainment (2002) (Netherlands) (DVD)
- Top Ten New Media Production (2003) (United States) (DVD) (unauthorized)
- Future Film (2004) (Finland) (DVD)
- Star Media Entertainment (2004) (Norway) (DVD)
- Star Media Entertainment (2005) (Norway) (DVD) (Hellraiser Collection)
- Paramount Home Entertainment (2006) (United States) (DVD)
- E1 Entertainment Benelux (2010) (Netherlands) (Blu-ray)
- Flashstar Home Vídeo (2010) (Brazil) (DVD)
- Umbrella Entertainment (2010) (Australia) (DVD)
- Umbrella Entertainment (2010) (Australia) (video) (VOD)
- Echo Bridge Home Entertainment (2011) (United States) (DVD)
- StudioCanal (2011) (Germany) (DVD)
- L'Atelier d'Images (2017) (France)
- L'Atelier d'Images (2017) (France) (video) (streaming)
- Turbine Medien (2018) (Germany) (Blu-ray)
- Turbine Medien (2018) (Germany) (DVD)
- Obras-Primas do Cinema (2022) (Brazil) (Blu-ray)
- Arrow Films (2015) (United Kingdom) (Blu-ray) (The Scarlet Box Limited Edition set)
- América Vídeo (Brazil) (VHS)
- NBO Entertainment (Brazil) (DVD)
Special Effects
- Cinema Research (visual effects designed by)
- Sidley Wright & Associates (additional digital animation)
- ReelEye Company (special effects contact lenses)
Other Companies
- Albert G. Ruben and Company (insurance)
- Baldoni Entertainment (special promotional consideration)
- Cinema Research (opticals)
- Cinevideo Tech (cameras)
- Component Video (digital film intermediate)
- Custom Mobile Catering (caterer: Los Angeles and New York)
- Directors Sound (sound transfers and film editing facilities)
- Dreamlight Images Inc. (footage: time lapse cloud)
- EFX Systems (digital sound and re-recording)
- Ediflex Systems (edited on)
- Judy Garland & Associates (travel arranged by)
- London Records (music courtesy of: "I Feel Like Steve")
- Magic Film and Video Works (negative cutting)
- Motion Picture Association (MPA)
- Norm Marshall and Associates (special promotional consideration)
- Performance Lighting Rentals Inc. (equipment rental)
- Studio Solutions Group (film rights acquisition)
- TVC Precision Laboratory (processing and transfers)
- The Casting Group (extras casting: Los Angeles and New York)
- Title House (titles)
- Westbury Design & Optical (matte paintings)
Storyline
| Plot Summary |
After the "Big Confrontation" in the previous installment "Hellbound", Pinhead - the Black Pope of Hell - is trapped inside a block of black marble. This dark marble block contains both Pinhead and the LeMarchand puzzle cube, and is purchased by a young playboy to serve as a decorative sculpture in his nightclub. But Pinhead soon tries to break free... by instigating the playboy to lure victims into his proximity... so that he can obtain their blood. Once freed, Pinhead vehemently seeks to destroy the cube... so he need never return to Hell again. But a female journalist starts investigating these grisly murders, and is determined to stand in his nefarious way. Written by Zeger DESMEDT |
| Plot Keywords | |
| Taglines | What began in Hell, will end on Earth. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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| Official Sites | |
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Box Office
| Budget | $5,000,000 (estimated) |
Did You Know?
| Trivia | The biggest issue was the Black Mass scene, which caused controversy in socially conservative North Carolina. Anthony Hickox had been refused permission to shoot in a real church, so he used a matte painting as a background to the altar. When the crew complained of sacrilege, Hickox told them it was no different than the countless Hammer horror films in which Christopher Lee as Dracula rampaged in churches. See more » |
| Goofs | (at around 8 mins) When Joey bursts into the ER room, she witnesses a patient's head explode. As she staggers out however the patient can be seen lying on the gurney with his head very much intact. See more » |
| Movie Connections | Featured in Heartstoppers: Horror at the Movies (1992). See more » |
| Soundtracks | Divine Thing See more » |
| Quotes |
J.P. Monroe:
Jesus Christ! Pinhead: Not quite. See more » |