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Complete, Cast awaiting verification
Delphine Rich | ... |
Suzanne Guidon de Repeygnac
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Samuel Labarthe | ... |
Raoul Guidon de Repeygnac
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Delphine Le Goff | ... |
Christine
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Thomas Rochefort | ... |
Nicolas
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Jacques de Candé | ... |
Frédéric
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Gaston Dolle | ... |
William
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Erwan Demaure | ... |
Guillaume
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Mathilde Robert | ... |
Anne-Sophie
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Léopoldine Serre | ... |
Marie-Lise
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Estelle Mayer | ... |
Cécile
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Hélène Scott | ... |
Annick
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Geoffroy Thiébaut | ... |
Perrine
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Janine Darcey | ... |
Colatte
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Bruno Chapelle | ... |
Kerivel
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Isabelle Tanakil | ... |
Madeleine Vieljeux
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Claude Brécourt | ... |
Monsieur Vieljeux
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Marie-Christine Hervy | ... |
Mère Rivière
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Olivier Brocheriou | ... |
Bidoche
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Julien Courbey | ... |
Le copain
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Charles Millot | ... |
L'homme russe
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Roger Muni | ... |
Le propriétaire
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Carole Agostini | ... |
Véronique Vieljeux
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Émilie Scarlett Moget | ... |
Olivia Vieljeux
(as Émilie Moguet)
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Guillaume LeDantec | ... |
Le surveillant
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Christian Nohel | ... |
Le curé / Priest
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Patrick Zard | ... |
Le payeur des allocations
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Marc Henry | ... |
Un collègue
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Patrick Rousseau | ... |
L'autre collegue
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Pierre Sénélas | ... |
Bouchet-Borin
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Rose Ruiz | ... |
Maria
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Claude Rio | ... |
L'aumônier
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Julien Cafaro | ... |
Le libraire
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Max Morel | ... |
Le patron du café
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Bernard Rosselli | ... |
Le garçon de café
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Céline Caussimon | ... |
La militante
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Fédélé Papalia | ... |
Le brigadier
(as Fedele Papalia)
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Maria Meriko | ... |
La professeur russe
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Directed by
Jean-Pierre Vergne |
Written by
Lionel Duroy | ... | (novel) |
Charles Gassot | ... | () |
Jean-Pierre Vergne | ... | () |
Produced by
Charles Gassot | ... | associate producer |
Jacques Hinstin | ... | executive producer |
Music by
Raymond Alessandrini |
Cinematography by
Willy Kurant |
Editing by
Marie Coulais |
Editorial Department
Eric Legarçon | ... | assistant editor |
Casting By
Laurence Lustyk | ... | (as Laurence Lustik) |
Costume Design by
Jacqueline Bouchard |
Makeup Department
Christian Gruau | ... | hair stylist |
Production Management
Philippe Dumas | ... | unit manager |
Laurent Pascaud | ... | unit manager trainee |
Martine Toussaint | ... | assistant production manager |
Second Unit Director or Assistant Director
Cécile Boisrond-Becker | ... | assistant director (as Cecile Boisrond) |
Stanislas Graziani | ... | third assistant director |
Léonard Guillain | ... | first assistant director |
Marie Guiraud | ... | assistant director |
Nicolas Millon | ... | assistant director |
Art Department
Fabrice Champion | ... | assistant art director |
Sound Department
Paul Bertault | ... | sound |
Sophie Chiabaut | ... | boom operator |
Pierre Choukroun | ... | sound editor |
Anja Lüdcke | ... | assistant sound editor |
Daniel Ollivier | ... | sound |
Bruno Seznec | ... | adr recordist |
Special Effects by
Guy Monbillard | ... | special effects |
Camera and Electrical Department
Pascal Benhamou | ... | electrician |
Marie-Laure Prost | ... | assistant camera |
Costume and Wardrobe Department
Anne David | ... | costume supervisor |
Script and Continuity Department
Annie Maurel | ... | script supervisor |
Additional Crew
Denise Anderson | ... | production staff |
Production Companies
Distributors
- Les Films du Losange (1994) (France) (theatrical)
- Canal+ (1995) (France) (tv)
Special Effects
Other Companies
Storyline
Plot Summary |
1960: Baron Guidon de Repeygnac, his eight children and his wives, all on the best terms with Sainte Providence, live in Neuilly sur Seine. No matter what the debts, the baroness puts all her pride in appearances. Alas, ruined and then exploited, they are forced to settle in a low-cost housing in the red suburbs. Madame la baronne is having a hard time accepting this new life. As for Mr. Baron, with the complicity of his four elders, he does his best to manage, while threats of seizure cease to weigh on him. Driven from their very Catholic college because of their regular delays and quarterly unpaid bills, the children skip school with their father. They quickly learn to integrate and discover how to use the street. With their maid and their grandmother, the Repeygnac family discovers humiliation, denunciation, barter at the same time, and goes through these trials thanks to a sense of humor that never leaves them. In all the adventures that await them, good humor will always triumph. |
Plot Keywords | |
Taglines | Ils etaient riches... Vous les aimerez fauches! See more » |
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Parents Guide | Add content advisory for parents » |
Additional Details
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Did You Know?
Trivia | Final film of Janine Darcey. See more » |
Soundtracks | PRIEZ POUR NOUS See more » |