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Cast verified as complete
Jason Scott Lee | ... |
Noro
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Esai Morales | ... |
Make
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Sandrine Holt | ... |
Ramana
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Eru Potaka Dewes | ... |
Ariki-mau
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Emilio Tuki Hito | ... |
Messenger
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Gordon Hatfield | ... |
Riro
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Frenxa Reuben | ... |
Heke
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Hori Ahipene | ... |
Overseer
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Chiefy Elkington | ... |
Fisherman
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Ruihana Rewa | ... |
Old Woman
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George Henare | ... |
Tupa
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Rawiri Paratene | ... |
Priest
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Pete Smith | ... |
Priest
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Mario Gaoa | ... |
Short Ears
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Cliff Curtis | ... |
Short Ears
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Willie Davis | ... |
Short Ears
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Lawrence Makoare | ... |
Atta
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Te Whatanui Skipwith | ... |
Old Short Ears
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Nathaniel Lees | ... |
Long Ear Chief
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Grant McFarland | ... |
Long Ear Chief
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Wassie Shortland | ... |
Long Ear Chief
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Tania Simon | ... |
Koreto
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Rena Owen | ... |
Hitirenga
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Anzac Wallace | ... |
Haoa
(as Zac Wallace)
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Rakai Karaitiana | ... |
Pure White
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Shane Dawson | ... |
Mud Colour
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Henry Vaeoso | ... |
Half & Half
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Angela Gribben | ... |
Long Ear Girl
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Karaitiana Beazley | ... |
Makita
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Jade Clayton | ... |
Ngaara
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Jenni Heka | ... |
Long Ear Girl
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Pitake Tuki | ... |
Timid Short Ear
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Liseli Mutti | ... |
Pua
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Michael Yost | ... |
Young Long Ear Boy
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Directed by
Kevin Reynolds |
Written by
Kevin Reynolds | ... | (story) |
Tim Rose Price | ... | (screenplay) and |
Kevin Reynolds | ... | (screenplay) |
Produced by
Kevin Costner | ... | producer |
Guy East | ... | executive producer |
Barrie M. Osborne | ... | executive producer |
Jim Wilson | ... | producer |
Music by
Stewart Copeland |
Cinematography by
Stephen F. Windon | ... | director of photography (as Stephen Windon) |
Editing by
Peter Boyle |
Editorial Department
Arthur Cambridge | ... | color timer |
John Lee | ... | assistant editor |
Jonathan Lucas | ... | first assistant editor |
Tony Lynch | ... | post-production coordinator |
Noelleen Westcombe | ... | assistant editor |
Production Design by
George Liddle |
Set Decoration by
Brian Edmonds |
Costume Design by
John Bloomfield |
Makeup Department
Peter Frampton | ... | makeup artist |
Nikki Gooley | ... | assistant makeup artist |
Paul Pattison | ... | head of department and wig maker / key hair stylist |
Production Management
Rosemary Dority | ... | post-production supervisor |
Douglas C. Merrifield | ... | unit manager |
Zane Weiner | ... | unit production manager |
Second Unit Director or Assistant Director
Fernando Castroman | ... | second assistant director |
Keith Heygate | ... | first assistant director |
K.C. Hodenfield | ... | assistant director |
Mark Illsley | ... | second unit director |
L. David Silva | ... | second assistant director |
Art Department
Peter Collias | ... | scenic artist |
John Rann | ... | construction manager |
Ian Richter | ... | scenic |
Andy Robinson | ... | painters laborer |
Sound Department
Julius Chan | ... | sound effects editor |
Gethin Creagh | ... | foley pre-mixer |
Greg P. Fitzgerald | ... | sound pre mix assistant (as Greg Fitzgerald) |
Scott Hecker | ... | sound editor |
Phil Heywood | ... | re-recording mixer |
Gregg Landaker | ... | re-recording mixer: LA, Skywalker Sound |
Steve Maslow | ... | re-recording mixer: LA, Skywalker Sound |
Angus Robertson | ... | a.d.r. mixer / foley mixer |
Peter Townend | ... | fx editor |
Libby Villa | ... | dialogue editor |
Mark J. Wasiutak | ... | boom operator |
Karin Whittington | ... | dialogue editor |
Jay Wilkinson | ... | sound editor |
Special Effects by
Michael Clifford | ... | special effects technician |
Steven Richard Courtley | ... | special effects |
John Eggett | ... | special effects |
Ken Gorrell | ... | special effects technician |
Paul Gorrie | ... | special effects technician |
Bruce E. Merlin | ... | special effects foreman |
Dan Oliver | ... | special effects technician |
Peter 'Babylon' Owens | ... | special effects technician |
David Pride | ... | special effects technician |
Arthur Spink Jr. | ... | special effects technician |
Visual Effects by
Roger Cowland | ... | visual effects |
James Whitlam | ... | visual effects artist |
Stunts
Dean Gould | ... | stunt performer |
Jon Heaney | ... | stunt performer (as Jon Heaney) |
Lou Horvath | ... | second unit safety rigger / stunts |
Bernadette Van Gyen | ... | stunts |
Marijke Rikki van Gyen | ... | stunt performer (as Rikki Van Gyen) |
Camera and Electrical Department
Ian Bird | ... | A camera dolly grip / best boy grip |
Ray Brown | ... | key grip |
Frank Flick | ... | 2nd assistant camera, 2nd unit |
Reg Garside | ... | gaffer |
Ben Glass | ... | still photographer |
Barry Baz Idoine | ... | first assistant camera: second unit (as Barry Idoine) |
Calum McFarlane | ... | b focus puller |
Marc Spicer | ... | camera operator |
Michael Vivian | ... | key grip: second unit |
Aron Walker | ... | grip |
Location Management
Neil Ravan | ... | location manager |
Music Department
Michael T. Andreas | ... | orchestrator (as Michael Andreas) |
Michael Dittrick | ... | music editor |
Blake Martin Moulin | ... | assistant music editor |
Jeff Seitz | ... | music scoring mixer |
Ron Aston | ... | musician: percussion programming (uncredited) |
Script and Continuity Department
Samantha C. Kirkeby | ... | script supervisor |
Transportation Department
R. Randy Pines | ... | transportation coordinator |
Additional Crew
Kevin Richard Buxbaum | ... | production accountant |
Phil M. Castaneda | ... | assistant accountant |
Edward Gorsuch | ... | unit publicist |
Carol Kim | ... | production coordinator |
Elizabeth Maxwell | ... | assistant chef |
Michael Maxwell | ... | head chef |
Kathleen Switzer | ... | assistant: Kevin Reynolds (as Kathleen A. Switzer) |
Tristan Whalley | ... | marketing/publicity |
James M. Robinson | ... | projectionist: sound post-production (uncredited) |
Thanks
John Benson | ... | we thank the following |
Scott Hecker | ... | we thank the following |
Andy Kopetzky | ... | we thank the following |
Dave Kulczycki | ... | we thank the following (as David Kulczycki) |
Jay Wilkinson | ... | we thank the following |
Production Companies
Distributors
- Warner Bros. (1994) (United States) (theatrical)
- AMLF (1994) (France) (theatrical)
- Solopan (1994) (Poland) (theatrical)
- Toho-Towa (1995) (Japan) (theatrical)
- Egmont Film (1995) (Sweden) (VHS)
- Warner Home Video (1995) (United States) (VHS)
- Lider Films (1996) (Argentina) (theatrical)
- Nea Kinisi Video (1996) (Greece) (VHS)
- Gativideo (1997) (Argentina) (VHS)
- Warner Archive Collection (2015) (United States) (DVD) (dvdr)
- Entertainment Film Distributors (1994) (United Kingdom) (theatrical)
- Escarlata Films S.A. (Spain)
- EuroVideo (2003) (Germany) (DVD)
- Rai Movie (2016) (Italy) (tv)
- Video Medien Pool (VMP) (1995) (Germany) (VHS)
Special Effects
Other Companies
- Atlab (Post Production Sound Services)
- Motion Picture Association (MPA)
- Panavision (filmed in)
- Skywalker Sound (Post Production Sound Services)
- Soundfirm (Post Production Sound Services)
- Spectral Recording Dolby Stereo Digital (verify theatre format)
- Spectrum Films (post-production facilities)
- Tomkats Catering (catering)
Storyline
Plot Summary |
Tenuously based on the legends of Easter Island, Chile, this story details a civil war between the two tribes on the island: the Long Ears and the Short Ears. A warrior from the ruling class falls in love with a girl from the lower class, and must decide on his position in a time of great civil unrest. The ruling class are demanding larger and larger Moai (stone statues), a task which the lower class and the island ecology are more and more reluctant to provide.
Written by Murray Chapman |
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Parents Guide | View content advisory » |
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Box Office
Budget | $20,000,000 (estimated) |
Did You Know?
Trivia | While film critic Gene Siskel thought that the egg hunt was ridiculous, the ritual did indeed exist as part of the Birdman Cult. See more » |
Goofs | The Rapa Nui had long abandoned carving moai by the time of the Cult of the Birdman. See more » |
Movie Connections | Featured in The River Wild/Jason's Lyric/Ed Wood/The Scout/Rapa Nui (1994). See more » |