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Cold Comfort Farm ()


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A recently orphaned young woman goes to live with eccentric relatives in Sussex, where she sets about improving their gloomy lives.

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Cast verified as complete

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Judith Starkadder
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Flora Poste
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Ada Doom
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Mybug
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Adam Lambsbreath
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Mrs. Mary Smiling
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Amos Starkadder
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Mrs. Beetle
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Seth Starkadder
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Reuben Starkadder
Jeremy Peters ...
Urk
Maria Miles ...
Elfine Starkadder
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Charles Fairford
Louise Rea ...
Meriam Beetle
Sophie Revell ...
Rennet
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Dick Hawk-Monitor
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Mrs. Hawk-Monitor
Tim Myers ...
Mr. Hawk-Monitor
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Earl P. Neck
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Sneller
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Doctor Adolph Müdel
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Aunt Gwen
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Mr. McKnag
William Scott-Masson ...
Bikki (as William Masson)
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Mrs. Murther (as Susannah Morley)
Richard Bebb ...
Hawk-Monitor Butler
William Osborne ...
Coiffeur
Basil Hoskins ...
Couturier
Allison Roberts ...
Girl in Hayloft
Ninka Scott ...
Tea Shop Waitress
Myfanwy Hill ...
Young Ada Doom
Rest of cast listed alphabetically:
Sidonie Roberts ...
Bridesmaid (uncredited)
Pip Wilkinson ...
Bridesmaid (uncredited)

Directed by

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John Schlesinger

Written by

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Malcolm Bradbury ... (screenplay)
 
Stella Gibbons ... (novel)

Produced by

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Richard Broke ... executive producer: BBC Television
Alison Gilby ... producer
Joanna Gueritz ... associate producer
Antony Root ... executive producer: Thames Television

Music by

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Robert Lockhart

Cinematography by

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Chris Seager ... director of photography

Editing by

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Mark Day

Casting By

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Noel Davis

Production Design by

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Malcolm Thornton

Art Direction by

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Jim Holloway

Costume Design by

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Amy Roberts

Makeup Department

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Anita Burger ... makeup artist
Carmel Jackson ... makeup artist
Dorka Nieradzik ... hair designer / makeup designer

Second Unit Director or Assistant Director

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Alex Hester ... third assistant director
Paul Judges ... first assistant director
David Reid ... second assistant director
Beni Turkson ... second assistant director

Art Department

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Peter Bower ... construction manager
Bob Cummins ... graphic designer
Noel Deegan ... stand-by props
Catherine Holmes ... design assistant
Gerry Kelly ... stand-by painter
Brian Larkin ... graphic designer
Maura Laverty ... production buyer
Laurie Miller ... property master
Stuart Newton ... dressing props
Brian Pincham ... stand-by props
Joe Sheehan ... stand-by carpenter
Lee Turnham ... dressing props / stand-by props

Sound Department

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John Bateman ... adr mixer / foley mixer
Paula Boram ... foley artist
Julian Dodwell ... sound effects editor
Allan Fowlie ... sound editor
Jim Greenhorn ... sound recordist
Maike Helmers ... dialogue editor
Jenny Lee Wright ... foley artist
Robin O'Donoghue ... re-recording mixer
Debbie Pragnell ... sound editor
Joanne Stephens-Smith ... boom operator

Visual Effects by

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Mike Kelt ... visual effects
Jeremy King ... visual effects

Camera and Electrical Department

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Catherine Brandish ... clapper loader
Keith Broome ... focus puller
Dave Mason ... gaffer
Barrie More ... best boy
Peter Muncey ... grip
Micky Patten ... key grip (as Mickey Patten)
Steve Phillips ... grip
Alf Tramontin ... steadicam operator
Jan Pester ... steadicam operator (uncredited)

Costume and Wardrobe Department

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Dan Grace ... wardrobe master
William McPhail ... costume supervisor

Location Management

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Tim Stevenson ... location manager

Music Department

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Chris Dibble ... music recording engineer
Simon Haram ... musician: soprano saxophone
Robert Lockhart ... music arranger
Steve Parr ... music recording engineer
Mark Berrow ... musician: violin (uncredited)
Skaila Kanga ... musician: harp (uncredited)

Script and Continuity Department

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Elinor Day ... script editor
Carol Gardner ... script supervisor

Additional Crew

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Eleanor Fazan ... choreographer
Linda James ... dialogue coach
Maurice Scanlon ... finance assistant
Heather Siverns ... production secretary
Victor Glynn ... studio executive: Pearson (uncredited)
Crew believed to be complete

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

In England in the early 1930s, twenty-year-old Flora Poste (Kate Beckinsale), recently orphaned, and left with only one hundred pounds sterling a year, goes to stay with distant relatives on Cold Comfort Farm. Everyone on the gloomy farm is completely around the twist, but Flora tries to sort everything out. Written by John Oswalt

Plot Keywords
Taglines She discovered a new branch of her family tree... the one with all the nuts. See more »
Genres
Parents Guide View content advisory »
Certification

Additional Details

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Also Known As
  • La ferme du mauvais sort (France)
  • La hija de Robert Poste (Spain)
  • Uusia tuulia kartanossa (Finland)
  • Неуютная ферма (Russia)
  • Фермата *Последна утеха* (Bulgaria, Bulgarian title)
  • See more »
Runtime
  • 105 min
Country
Language
Color
Aspect Ratio
Sound Mix
Filming Locations

Did You Know?

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Trivia Director John Schlesinger had to pay for the blow-up from 16mm to 35mm, because neither the BBC, nor Thames Television, who owned the overseas rights, thought the movie would work in the theater, and therefore would not waste their money on the print. It was the fifth highest-earning British movie released in U.S. theaters that year. See more »
Goofs The candlestick on breakfast table during the first breakfast scene changes places depending upon the shot. See more »
Movie Connections Featured in Twister/Captives/Boys/Dead Man/Cold Comfort Farm (1996). See more »
Soundtracks I'm More Than Satisfied See more »
Crazy Credits The copyright at the end of this movie is listed as "MCMXV", which translates to 1915. The movie was copyrighted in 1995, so the numerals should read "MCMXCV". See more »
Quotes Amos Starkadder: Ye miserable, crawlin' worms. Are ye here again then? Have ye come like Nimshi, son of Rehoboam, secretly out of your doomed houses, to hear what's comin' to ye? Have ye come, old and young, sick and well, matrons and virgins, if there be any virgins amongst you, which is not likely, the world being in the wicked state that it is. Have ye come to hear me tell you of the great, crimson, licking flames of hell fire? Aye! You've come, dozens of ye. Like rats to the granary, like field mice when it's harvest home. And what good will it do ye? You're all damned! Damned! Do you ever stop to think what that word means? No, you don't. It means endless, horrifying torment! It means your poor, sinful bodies stretched out on red-hot gridirons, in the nethermost, fiery pit of hell and those demons mocking ye while they waves cooling jellies in front of ye. You know what it's like when you burn your hand, taking a cake out of the oven, or lighting one of them godless cigarettes? And it stings with a fearful pain, aye? And you run to clap a bit of butter on it to take the pain away, aye? Well, I'll tell ye, there'll be no butter in hell!
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