Hatch gets a special resuscitative medicine after "dying" in a car accident. His wife and daughter only get minor injuries. He gets strange nightmares such as killing a teen girl. Is it just dreams?
Director:
Writers:
Award:
- 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
| Jeff Goldblum | ... |
Hatch
|
|
| Christine Lahti | ... |
Lindsey
|
|
| Alicia Silverstone | ... |
Regina
|
|
| Jeremy Sisto | ... |
Vassago
|
|
| Alfred Molina | ... |
Jonas
|
|
| Rae Dawn Chong | ... |
Rose Orwetto
|
|
| Kenneth Welsh | ... |
Detective Breech
|
|
| Saraphina Joachim | ... |
Dr. Kari Dovell
|
|
 |
Shirley Broderick | ... |
Miss Dockridge
|
| Tom McBeath | ... |
Morton Redlow
|
|
| Joely Collins | ... |
Linda
|
|
| Roger Cross | ... |
Harry
(as Roger R. Cross)
|
|
| Michael McDonald | ... |
Young Cop
|
|
| Don S. Davis | ... |
Dr. Martin
|
|
| Rebecca Toolan | ... |
Female Doctor
|
|
| Hiro Kanagawa | ... |
Nurse Nakamura
|
|
| Jayme Knox | ... |
Mother of Baby
|
|
|
|
Norma Jean Wick | ... |
TV Announcer
(as Norma Wick)
|
|
|
Michelle Skalnik | ... |
Victim
|
| Gaetana Korbin | ... |
Victim
|
|
|
|
Tiffany Foster | ... |
Samantha
|
|
|
Mara Duronslet | ... |
Zoe
|
| Iris Quinn | ... |
Jonas' Wife
(as Iris Quinn Bernard)
|
|
|
|
Natasha Morley | ... |
Jonas' Daughter
|
| Sarah Strange | ... |
Second Girlfriend
|
|
Directed by
| Brett Leonard | ||
Written by
| Dean R. Koontz | ... | (novel) (as Dean Koontz) |
| Andrew Kevin Walker | ... | (screenplay) and |
| Neal Jimenez | ... | (screenplay) |
Produced by
| Jerry A. Baerwitz | ... | producer |
| Agatha Dominik | ... | producer (as Agatha Hanczakowski) |
| Gimel Everett | ... | producer |
| Beau St. Clair | ... | associate producer |
Music by
| Trevor Jones | ||
Cinematography by
| Gale Tattersall | ||
Editing by
| B.J. Sears | ||
Editorial Department
| Joe Binford Jr. | ... | additional editor |
| Daniel Fort | ... | apprentice editor |
| Caroline Hardon | ... | assistant film editor |
| Polly Holmes | ... | assistant film editor |
| Gloria Kaiser | ... | color timer |
| Eric Rigney | ... | avid technician |
| Scott Summersgill | ... | additional editor |
| Michael Thibodeau | ... | dailies colorist |
| Brian Ufberg | ... | assistant film editor |
Casting By
| Cathy Sandrich Gelfond | ... | (as Cathy Sandrich) |
| Amanda Mackey | ... | (as Amanda Mackey Johnson) |
Production Design by
| Michael S. Bolton | ||
Art Direction by
| Sandy Cochrane | ||
Set Decoration by
| Elizabeth Wilcox | ||
Costume Design by
| Monique Prudhomme | ||
Makeup Department
| Susan Boyd | ... | key hair stylist |
| Jayne Dancose | ... | key makeup artist |
| Victoria Down | ... | key makeup artist |
| Todd McIntosh | ... | makeup department head / prosthetics |
| Robert A. Pandini | ... | hair stylist |
| Forest Sala | ... | hair stylist |
| Doug Morrow | ... | first assistant prosthetic makeup (uncredited) |
Production Management
| Joyce Kozy King | ... | production manager |
Second Unit Director or Assistant Director
| Ella Kutschera | ... | third assistant director |
| Craig Matheson | ... | second assistant director |
| Bill Mizel | ... | first assistant director |
| Simon Sherwood | ... | trainee assistant director |
Art Department
| James Clare | ... | set dresser |
| Graham Coutts | ... | property master |
| Gillian Goodman | ... | assistant property master |
| Patrick Kearns | ... | set dresser |
| Jan Kobylka | ... | construction coordinator |
| Sigrid Mekkinosson | ... | assistant art director |
| Matt Reddy | ... | set dresser |
| Peter Stoffels | ... | set dresser |
| Keith Tucker | ... | storyboard artist |
Sound Department
| James Ashwill | ... | foley mixer (as Jim Ashwill) |
| Christopher S. Aud | ... | foley editor (as Christopher Aud) |
| Bob Baron | ... | adr mixer |
| David Bartlett | ... | sound editor |
| Dean Beville | ... | supervising sound editor |
| Matthew C. Beville | ... | sound editor |
| Allan Bromberg | ... | foley editor / sound editor |
| Donald D. Brown | ... | boom operator |
| Valerie Davidson | ... | foley editor |
| Robert Deschaine | ... | adr mixer (as Bob Deschaine) |
| Judee Flick | ... | adr supervising editor |
| Stephen Hunter Flick | ... | supervising sound editor |
| Nerses Gezalyan | ... | foley recordist |
| Gary A. Hecker | ... | foley artist (as Gary Hecker) |
| Roxanne Jones | ... | foley supervisor |
| Rick Kline | ... | re-recording mixer |
| Patricio A. Libenson | ... | sound editor (as Patricio Libenson) |
| Eric Lindemann | ... | sound editor |
| Dan O'Connell | ... | foley artist |
| Kevin O'Connell | ... | re-recording mixer |
| John Pospisil | ... | special sound effects |
| Charleen Richards | ... | adr mixer |
| Gregory H. Watkins | ... | re-recording mixer (as Greg Watkins) |
| Linda Yeaney | ... | first assistant sound editor |
| Rob Young | ... | sound mixer |
| David Williams | ... | dialogue editor (uncredited) |
Special Effects by
| Nick Lawson | ... | special effects foreman |
| Jak Osmond | ... | special effects assistant |
| Mike Vézina | ... | special effects coordinator |
Visual Effects by
| Ron Brinkmann | ... | digital artist |
| Camille Cellucci | ... | visual effects producer |
| Louis Cetorelli | ... | lead animator |
| Jerome Chen | ... | computer graphics supervisor |
| Heather Davis Baker | ... | digital compositor |
| Jerome Desvignes | ... | computer graphics supervisor |
| Tim Douglas | ... | visual effects artist |
| Lisa Foster | ... | technical director |
| Tom Hendrickson | ... | visual effects film recording technician: SPI |
| Bernice Howes | ... | visual effects coordinator: SPI (as Bernice Kenton) |
| Stephen Kennedy | ... | digital compositor |
| Todd Ludy | ... | production assistant |
| Tim McGovern | ... | visual effects supervisor |
| M. Scott McKee | ... | lead technical assistant |
| Tim Miller | ... | visual effects |
| Jerry Morawski | ... | visionary light art |
| Gayle Reznik | ... | visual effects production manager: SPI |
| John Strauss | ... | film recording operator |
| Tim Teramoto | ... | technical assistant |
| Aileen Timmers | ... | visual effects producer |
| Alberto Velez | ... | systems engineer |
| Mike Wassel | ... | matte artist |
| Juniko Moody | ... | digital compositor (uncredited) |
| Matthew Paulson | ... | digital modeler (uncredited) |
Stunts
| Guy Bews | ... | stunt double |
| Jim Dunn | ... | stunts |
| Tom Glass | ... | stunts |
| David Jacox | ... | stunts |
| Ken Kirzinger | ... | stunts |
| Tony Morelli | ... | stunts |
| Vanessa Paris | ... | stunts |
| Fred Perron | ... | stunts |
| Fiona Roeske | ... | stunts |
| Jacob Rupp | ... | stunt coordinator / stunts |
| Melissa R. Stubbs | ... | stunts |
| Brent Woolsey | ... | stunts |
| Kevin J. Andruschak | ... | stunts (uncredited) |
| Melissa R. Stubbs | ... | stunt double: Alicia Silverstone (uncredited) |
Camera and Electrical Department
| Richard Buckmaster | ... | best boy electric |
| Marco Ciccone | ... | second assistant camera |
| William R. Dalgleish | ... | second unit: first assistant camera |
| Jean-Luc Dinsdale | ... | assistant camera |
| Les Erskine | ... | gaffer |
| Nick Kuchera | ... | key grip |
| Vince Laxton | ... | gaffer: second unit |
| John McCallum | ... | camera operator |
| Rob McEwan | ... | still photographer |
| Michael Douglas Middleton | ... | still photographer: Sony Imageworks Publicity |
| Tim Moynihan | ... | steadicam operator |
| Cam North | ... | first assistant camera |
| Rick Stadder | ... | dolly grip |
| Gary J. Williams | ... | second grip |
| Elizabeth Ziegler | ... | Steadicam operator |
Casting Department
| Stuart Aikins | ... | casting: Canada |
| James Forsyth | ... | extras casting |
| William Haines | ... | casting assistant: Canada |
| Barbara Harris | ... | adr voice casting |
Costume and Wardrobe Department
| Nancy Duggan | ... | assistant costume designer |
| Patricia Galbraith | ... | assistant costume designer |
| Charis Tillson | ... | costumer |
| Vivian Turner | ... | wardrobe consultant |
Location Management
| Kirk Jones | ... | location manager |
| David Tarris | ... | assistant location manager |
| Darryl S. Bird | ... | location production assistant (uncredited) |
Music Department
| Bill Abbott | ... | music editor |
| Carol Sue Baker | ... | music supervisor |
| Mark Berrow | ... | musician: violin |
| William Ewart | ... | executive soundtrack producer / music supervisor |
| Trevor Jones | ... | conductor |
| Patricia Joseph | ... | soundtrack producer |
| Roger King | ... | score mixer |
| Libera | ... | singers |
| John Richards | ... | music scoring engineer / score mixer |
| Lawrence Wallington | ... | singer |
| Kirsty Whalley | ... | orchestrator / score mixer / score recordist |
| John Whynot | ... | score mixer / score synth programmer |
| Robert Garrett | ... | music editor (uncredited) |
Script and Continuity Department
| Lara Fox | ... | script supervisor |
| Amy Brooke Baker | ... | script revisions (uncredited) |
| Gimel Everett | ... | script revisions (uncredited) |
| Peter Osterlund | ... | script revisions (uncredited) |
Transportation Department
| Sylvia Nablo | ... | transportation coordinator |
Additional Crew
| Kimberly Adams | ... | assistant effects editor (as Kim Jorgensen) |
| Karen Annarino | ... | assistant to director |
| Nancy Carrow | ... | assistant production coordinator |
| Wendilyn Emrys | ... | archaeomythologist (as Wendilyn Hufnagel-Giba) |
| Leesa Green | ... | craft service |
| Kathy Houghton | ... | production assistant |
| Joel Hurley | ... | production assistant |
| Doug Moreno | ... | first assistant accountant |
| Lee Anne Muldoon | ... | unit publicist |
| Mandy Spencer-Phillips | ... | production coordinator |
Production Companies
- TriStar Pictures (presents)
- S/Q Productions
Distributors
- TriStar Pictures (1995) (United States) (theatrical)
- Columbia TriStar Films (1995) (France) (theatrical)
- Columbia TriStar Films (1995) (United Kingdom) (theatrical)
- Columbia TriStar Films de Argentina (1995) (Argentina) (theatrical)
- Falcon (1995) (Czechia) (theatrical)
- Izaro Films (1995) (Spain) (theatrical)
- Prooptiki (1995) (Greece) (theatrical)
- Columbia TriStar Films AB (1995) (Sweden) (theatrical)
- Columbia TriStar Home Video (1995) (United States) (video) (laserdisc)
- LK-TEL (1995) (Argentina) (VHS)
- Nordisk Film Home Entertainment (1995) (Finland) (VHS)
- Columbia TriStar Film (1996) (Germany) (theatrical)
- Columbia TriStar Home Video (1996) (Japan) (theatrical)
- Columbia TriStar Home Entertainment (1996) (Germany) (VHS)
- Columbia TriStar Home Video (1996) (United States) (VHS)
- Shock (2019) (Australia) (theatrical)
- Columbia TriStar Home Entertainment (1999) (Germany) (DVD)
- Columbia TriStar Home Entertainment (1999) (Netherlands) (DVD)
- Columbia TriStar Home Entertainment (2004) (Netherlands) (DVD)
- Columbia TriStar Home Video (1999) (United States) (DVD)
- Columbia TriStar Home Video (2000) (United States) (DVD)
- Columbia TriStar Home Video (Brazil) (DVD)
- Egmont Entertainment (2000) (Finland) (DVD)
- LK-TEL Vídeo (Brazil) (VHS)
- Nelonen (2000) (Finland) (tv)
- Shock (2019) (Australia) (DVD)
- Sony Pictures Home Entertainment (2008) (United States) (DVD) (double feature 2-DVD set w/ "Excess Baggage")
- Sony Pictures Television (2007) (United States) (tv) (syndication)
Special Effects
Other Companies
- One Step Up (foley services)
- Sony Pictures Studios (Post Production Facilities)
- Technicolor Sound Services (post-production sound services: absorbed rights)
- Weddington Productions (post-production sound services)
- William F. White International (grip and lighting equipment)
Storyline
| Plot Summary |
Hatch Harrison had a traffic accident with his car. At first the doctors said he was dead but then they succeeded in bringing him back to life after two hours. In no time, Hatch starts to have strange sensations and discovers that he is now united with a mad killer who had entered his mind during his death. Written by Volker Boehm |
| Plot Keywords | |
| Taglines | Hatch Harrison was pronounced dead on arrival. After two hours, the doctors brought him back. But he didn't come back alone. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
| Also Known As |
|
| Runtime |
|
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Box Office
| Budget | $15,000,000 (estimated) |
| Opening Weekend United States | $5,213,455, 05 Mar 1995 |
Did You Know?
| Trivia | Author Dean R. Koontz was so disappointed by this adaptation of his novel that he pleaded with the studio to remove his name from the opening credits. See more » |
| Goofs | The pentagram which is on the wall is supposed to be an occult Satanic symbol. It is, however, a normal Pythagorean pentacle - the occult pentagram should be upside down. See more » |
| Movie Connections | Featured in Roommates/Muriel's Wedding/Hideaway/The Good Old Boys/Citizen X (1995). See more » |
| Soundtracks | Go to Hell See more » |
| Crazy Credits | There is some additional story following the final credits. See more » |
| Quotes |
Vassago:
My name's Vassago. Regina: That's different. Vassago: Different. Regina: I'm Regina. Vassago: I know. Regina: You know? Vassago: I know Vassago: Yes, Regina. Vassago: Well Regina you don't look like you belong here. Regina: Yeah? Vassago: Yeah. Regina: Well, uh, maybe you're right. Vassago: No, not maybe, I am right. Vassago: I'm so right, that I know where you do belong. Vassago: Let me take you somewhere. Vassago: Make you feel, make us both feel, something... Linda, Regina's Friend: We're waiting for some people. Vassago: Why don't you let Regina make her own decisions? Linda, Regina's Friend: Why don't you piss off. Linda, Regina's Friend: Yeah... Linda, Regina's Friend: Bye. Vassago: I'll see you again. Regina: You know what's the deal you said he was cute? Linda, Regina's Friend: He's a creep. God, Regina get some sense. Linda, Regina's Friend: Let's get out of here, let's go. See more » |