After getting interested in murder as a kid in Colombia, Gabriela now has a scrapbook on murders including clippings on "The Blue Blood Killer". While cleaning his latest murder scene in Miami, she comes across a clue missed by the cops.
Director:
Writers:
Awards:
- 2 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| William Baldwin | ... |
Paul Guell
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| Angela Jones | ... |
Gabriela
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| Bruce Ramsay | ... |
Eduardo
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| Lois Chiles | ... |
Katrina Brandt
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| Barry Corbin | ... |
Lodger
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| Mel Gorham | ... |
Elena
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| Daisy Fuentes | ... |
Clara
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| Carmen López | ... |
Lourdes
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Vivienne Sendaydiego | ... |
Eva
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Caridad Ravelo | ... |
Joan
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| Sandra Thigpen | ... |
Grace
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| Kelly Preston | ... |
Kelly Hogue
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| Lupita Ferrer | ... |
Marie Clement
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Sabrina Profitt | ... |
Red Haired Waitress
(as Sabrina Cowan)
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| Charley Tucker | ... |
San the Barback
(as Charles J. Tucker)
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Allysa Tacher | ... |
Young Gabriela
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Nattacha Amador | ... |
Young Gabriela's Mother
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Therese Marie Gutierrez | ... |
PFCS Spokesmaid
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Jay Arnor | ... |
Falling Man
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| Rest of cast listed alphabetically: | |||
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Nicoll Bacharach | ... |
Beheaded French Revolutionary (uncredited)
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| George Clooney | ... |
Seth Gecko (uncredited) (archiveFootage)
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| Vincent De Paul | ... |
Shocked Couple (uncredited)
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| Nina Dolci | ... |
Latin night club (uncredited)
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| Quentin Tarantino | ... |
Richard Gecko (uncredited)
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Directed by
| Reb Braddock | ||
Written by
| Reb Braddock | ... | () (1991 screenplay) & |
| John Maass | ... | () (1991 screenplay) |
| Reb Braddock | ... | (written by) & |
| John Maass | ... | (written by) |
Produced by
| Shelly Glasser | ... | line producer |
| John Maass | ... | producer |
| Raul Puig | ... | producer |
| Ruben Samuel Sachs | ... | executive producer |
| Quentin Tarantino | ... | executive producer |
Music by
| Joseph Julián González | ||
| Tulio Zuloaga | ||
Cinematography by
| Steven Bernstein | ... | director of photography |
Editing by
| Mallory Gottlieb | ||
Editorial Department
| Philip Beech | ... | assistant editor |
| Gary Burritt | ... | negative cutter |
| Bonni Camen | ... | apprentice editor |
| Jason Chern | ... | apprentice editor |
| Carrie Elizabeth Foresman | ... | first assistant editor |
| David Hamme | ... | assistant colorist |
| Jim Passon | ... | color timer |
| Clay Rawlins | ... | first assistant editor |
| Nicholas 'Nikko' Tsiotsias | ... | assistant editor |
| Georges Zeter | ... | assistant editor: Quentin Tarantino |
Casting By
| Yvonne Casas | ||
Production Design by
| Sherman Williams | ||
Set Decoration by
| Karen Virgin | ||
Costume Design by
| Beverly Safier | ||
Makeup Department
| Greg Baker | ... | special makeup effects artist |
| Steve Battaglia | ... | assistant hair stylist |
| Stephanie L. Massie | ... | makeup artist: Los Angeles (as Stephanie Massie) |
| Diane Maurno | ... | key makeup artist |
| Susie Mendez Pfister | ... | assistant makeup artist |
| Diana Ragland | ... | makeup artist: Los Angeles |
| Kathe Swanson | ... | key hair stylist |
Production Management
| Shelly Glasser | ... | production manager |
| Michael Kuge | ... | post-production supervisor |
| Michael D. Weiss | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Ingrid K. Behrens | ... | second assistant director |
| Diane Calhoun | ... | second second assistant director |
| Melanie Grefe | ... | first assistant director |
| George Reasner | ... | second assistant director |
Art Department
| Lewis Bowen | ... | scenic artist |
| Will Brantley | ... | swing gang |
| James Bright | ... | swing gang |
| Curtis Carlin | ... | property master |
| Keith Cope | ... | on-set dresser (as Keith C. Cope) |
| Robert Crowley | ... | swing gang |
| Stephen P. Durante | ... | lead man |
| Tom Goldcamp | ... | art department assistant |
| Michael Labate | ... | art department assistant |
| Wendy McCulloch | ... | art department coordinator |
| Deborah Mitchell | ... | scenic artist |
| Toni Parras | ... | props |
| Genessa Goldsmith Proctor | ... | lead scenic artist |
| Frank A. Raffa Jr. | ... | on-set dresser (as Frank Raffa) |
| Fred Schwendel | ... | set dresser / swing gang |
| Javier Socorro | ... | art department assistant |
| Jeff Wade | ... | assistant art director |
| Eric Weiler | ... | assistant property master |
Sound Department
| Kris Campbell | ... | adr supervisor / foley supervisor |
| Kevin Cerchiai | ... | boom operator |
| Paul De George III | ... | cable person |
| Peter J. Devlin | ... | production sound mixer |
| Jed M. Dodge | ... | dialogue supervisor / sound editor |
| Leigh French | ... | adr coordinator |
| Douglas Greenfield | ... | stereo sound consultant: Dolby |
| Catherine Harper | ... | foley walker |
| Robert Jackson | ... | dialogue editor |
| Ossama Khuluki | ... | foley walker |
| Eric Neufeld | ... | sound engineer |
| Phillip Seretti | ... | re-recording mixer / sound effects supervisor / sound supervisor |
| Robert W. Vandling | ... | sound editor |
| Janja Vujovich | ... | post-production sound coordinator |
Special Effects by
| Marc Banich | ... | special effects |
| Richard Lee Jones | ... | special effects coordinator |
Stunts
| Jay Amor | ... | stunts |
| James Vickers | ... | stunt coordinator |
| Jim Ramos Vickers | ... | stunt coordinator (as Jim Vickers) |
Camera and Electrical Department
| Larry Bradshaw | ... | electrician |
| David J. Clark | ... | grip |
| Mike Clayton | ... | grip |
| David A. Cook | ... | gaffer |
| Francis dela Torre | ... | second assistant camera |
| Daniel Demirgian | ... | electrician |
| Nils Erickson | ... | gaffer: Los Angeles |
| Scott Froschauer | ... | key grip: Los Angeles |
| George Fuller | ... | video playback operator |
| Mike Gallagher | ... | grip |
| Brendan Galvin | ... | camera operator |
| Joe Gorrin | ... | Steadicam first assistant camera |
| Jerry Holway | ... | steadicam operator |
| Brian Hoodenpyle | ... | camera loader |
| Paul Horn | ... | first assistant camera |
| Norm Hvam | ... | videographer |
| Loren Johnson | ... | grip |
| David Kimelman | ... | steadicam operator |
| Jamie Klein | ... | co-key grip |
| Michael Klimchak | ... | Steadicam first assistant camera |
| Edward Knott III | ... | dolly grip (as Edward J. Knott III) / key grip (as Edward J. Knott III) |
| Michael Maguire | ... | best boy electric |
| Larry Markart | ... | video playback operator: Los Angeles |
| Alan Markfield | ... | still photographer |
| Jonathon Millman | ... | first assistant camera: second unit (as Jonathan Millman) / first assistant camera: second unit |
| Greg Morse | ... | video playback operator |
| Richard Ramee | ... | electrician |
| George Reasner | ... | director of photography: Los Angeles |
| Gary Shlifer | ... | director of photography: second unit |
| Jeff Togno | ... | electrician |
| Anthony Zibelli | ... | camera loader: second unit |
Casting Department
| Ed Arenas | ... | local casting |
| Susan Booker | ... | casting associate: Los Angeles |
| Rosa Jiménez | ... | extras casting |
Costume and Wardrobe Department
| Jacqui W. Greenhill | ... | costume supervisor |
| Carolyn Schnitzer | ... | set costumer |
Location Management
| Kitty Terry | ... | location manager |
Music Department
| Jay Bolton | ... | music editor |
| Joseph Julián González | ... | orchestrator |
| Beth Rosenblatt | ... | soundtrack producer |
Script and Continuity Department
| Gerald Kantor | ... | combined continuity script (as Gerry Kantor) |
| Elizabeth Ludwick-Bax | ... | script supervisor (as Elizabeth Ludwick) |
Transportation Department
| Christopher Chiofalo | ... | transportation co-captain (as Chris Chiofalo) |
| Joyce M. Lark | ... | transportation coordinator (as Joyce Lark) |
Additional Crew
| Josué D. Aguilar | ... | set production assistant (as Josue Aguilar) |
| Cristina Arango | ... | production assistant |
| Monica Castellanos | ... | assistant: William Baldwin |
| Karin Elsener | ... | title designer |
| Samantha Goodowens | ... | assistant production coordinator (as Samantha Berger) |
| Melissa Grosvenor | ... | assistant production accountant |
| Victoria Lucai | ... | assistant: Mr. Tarantino |
| Dan Perri | ... | title designer |
| Tom Piechura | ... | unit publicist |
| Marlis Pujol | ... | production coordinator |
| Gary J. Sims | ... | payroll services |
| Sharon Vise | ... | production accountant |
| Pamela Lyn Weiss | ... | production assistant |
| Ann Wiggins | ... | post-production accountant |
| Charissa Forth Kane | ... | production assistant (uncredited) |
Thanks
| Robert Rodriguez | ... | special thanks |
Production Companies
Distributors
- Alliance (1996) (Canada) (theatrical)
- Metropolitan Filmexport (1997) (France) (theatrical)
- Alliance Video (1997) (Canada) (VHS)
- Buena Vista Home Video (Australia)
- Gativideo (1999) (Argentina) (VHS)
- Laurenfilm (Spain)
- Lumière Home Vídeo (Brazil) (video)
- Miramax
- Miramax (2004) (United States) (DVD)
- New Films International
- Rolling Thunder Pictures
- Schröder Media (2020) (Germany) (DVD)
- Spentzos Film Home Video (1997) (Greece) (VHS)
- Video Medien Pool (VMP) (1996) (Germany) (VHS)
Special Effects
Other Companies
- Chapman/Leonard Studio Equipment (camera dollies)
- Coast to Coast Catering (catering)
- Custom Looping (looping group)
- ECC of South Florida (extras casting)
- Film Finances (completion guarantor)
- Lightnin' Production Rentals (transportation equipment)
- Playback Technologies (video playback services)
- Post Sound Corporation (post-production sound services)
- Reeltime Creative (trailer music)
- STS Foreign Language Services (dialect coaches)
- f-Stop (opticals)
Storyline
| Plot Summary |
Gabriella, a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by "The Blue Blood Killer" of affluent Miami socialites provides her with fodder for her scrapbook of death. She lands a job with a post-murder cleaning service and during a Blue-Blood clean-up job, discovers evidence that police have overlooked.
Written by Amy Searls |
| Plot Keywords | |
| Taglines | After the killer kills, after the living are dead, somebody has to clean up the mess. See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
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Additional Details
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Box Office
| Budget | $2,309,723 (estimated) |
Did You Know?
| Trivia | The Gecko brothers from From Dusk Till Dawn (1996) are depicted as fugitives on a crime TV show spotlighting the "Blue Blood Killer". See more » |
| Goofs | Paul removes the top middle bolt twice. See more » |
| Movie Connections | Featured in Tarantino's Mind (2006). See more » |
| Soundtracks | OBSESSION See more » |
| Crazy Credits | SPOILER At the very end of the credits, after the copyright notice, there is a scene showing Gabriela driving a car, with Eduardo, playing the tape she recorded with Paul's voice saying her name after his death. See more » |
| Quotes |
Gabriela:
Do they talk? Paul Guell: What? Gabriela: The heads. Paul Guell: What do you mean? Gabriela: When you cut them... Paul Guell: No. It's the face. It's in their eyes. Gabriela: Yes, but after that. Sometimes the head says some words? Paul Guell: The head - doesn't - no. No. Gabriela: They're supposed to talk... Paul Guell: They don't, o... [gaining composure] Paul Guell: They don't. I know, okay? They don't. Gabriela: I think they talk. They could tell you something. See more » |