Clockwatchers (1997)
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- PG-13
- 1h 36min
- Comedy, Drama
- 15 May 1998 (USA)
- Movie
The relationship between four female temps all working for the same credit company is threatened with the arrival of a new hire, who lands a permanent position one of the women was vying for.
Director:
Writers:
Stars:
Awards:
- 2 wins & 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
| Toni Collette | ... |
Iris
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| Parker Posey | ... |
Margaret
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| Lisa Kudrow | ... |
Paula
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| Alanna Ubach | ... |
Jane
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Helen FitzGerald | ... |
Cleo
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| Stanley DeSantis | ... |
Art
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| Jamie Kennedy | ... |
Eddie
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| David James Elliott | ... |
Mr. MacNamee
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| Debra Jo Rupp | ... |
Barbara
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| Kevin Cooney | ... |
Mr. Kilmer
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| Bob Balaban | ... |
Milton Lasky
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| Paul Dooley | ... |
Bud Chapman
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| Scott Mosenson | ... |
Jack Shoberg
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Irene Olga López | ... |
Coffee Lady
(as Irene Olga Lopez)
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| Joshua Malina | ... |
Global Credit Receptionist
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| O-Lan Jones | ... |
Madame Debbie
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| Joe Chrest | ... |
Detective
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Patrice Pitman Quinn | ... |
Woman in Office
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| Michelle Arthur | ... |
Diane, the Shoe Lady
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Athena Ubach | ... |
Jane's Sister
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| Chuck Borden | ... |
Security Guard
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Sully Diaz | ... |
Waitress
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| Jim Wise | ... |
Man in Bar
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| Wendy Pitts | ... |
Saleslady
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Steve Rodriguez | ... |
Lobby Guard
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| Jaime Gomez | ... |
Derrick
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| Terri Hoyos | ... |
Female Executive
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Brodie Nelson | ... |
Copy Repairman
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Shauna Wilson | ... |
Louise
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| Lynn Tufeld | ... |
Businesswoman Missing Watch
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| Rest of cast listed alphabetically: | |||
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Peter Atherton | ... |
Extra (uncredited)
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Jennifer Balgobin | ... |
Attractive Woman (uncredited)
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| Gregg Daniel | ... |
Policeman (uncredited)
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| Constance Forslund | ... |
Flight Attendant (uncredited)
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Jacque Gonzales | ... |
Job Applicant (uncredited)
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Tim Hutchinson | ... |
Businessman (uncredited)
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| Bridget Sienna | ... |
Woman with Cop (uncredited)
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| Patti Yasutake | ... |
Theater Woman (uncredited)
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Directed by
| Jill Sprecher | ||
Written by
| Jill Sprecher | ... | (written by) and |
| Karen Sprecher | ... | (written by) |
Produced by
| Guy Collins | ... | co-executive producer |
| John Flock | ... | executive producer |
| W. Mark McNair | ... | line producer |
| John Quested | ... | co-executive producer (uncredited) |
| Gina Resnick | ... | producer |
| Karen Sprecher | ... | co-producer |
Music by
| Mader | ||
Cinematography by
| Jim Denault | ||
Editing by
| Stephen Mirrione | ||
Editorial Department
| Douglas Crise | ... | first assistant editor |
| Robert J. Grano | ... | post-production assistant |
| Keith H. Sauter | ... | assistant editor (as Keith Sauter) |
| Paul Tanzillo Jr. | ... | negative cutter (as Paul Tanzillo) |
| Robert J. Grano | ... | assistant editor (uncredited) |
Casting By
| Jeanne McCarthy | ||
Production Design by
| Pamela Marcotte | ||
Set Decoration by
| Greta Grigorian | ||
Costume Design by
| Edi Giguere | ||
Makeup Department
| Sergio Lopez-Rivera | ... | hair stylist / makeup artist |
| Julie Pearce | ... | hair stylist / makeup artist |
| Jason Rail | ... | key hair stylist (as Jason T. Rail) / key makeup artist (as Jason T. Rail) |
| Jennifer Salvon | ... | hair stylist / makeup artist |
Production Management
| Sue Jennings | ... | production manager |
| Kristi Lake | ... | post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
| Lauren Cloud | ... | second assistant director |
| Joe Coleman | ... | second second assistant director (as Joseph Coleman III) |
| Eric Mofford | ... | first assistant director |
| Keith Shaw | ... | second assistant director (as Keith L. Shaw) |
| Heather Weinstock | ... | second second assistant director |
Art Department
| Ayn Altman | ... | painter |
| Mark Anderson | ... | property master |
| Sergio Arevalos | ... | painter (as Sergio A. Arevalos) |
| Todd Cherniawsky | ... | carpenter |
| Lawrence Chew | ... | construction foreman |
| Clementine petit dit Dariel | ... | painter (as Clementine Petit Dit Dariel) |
| Bryce Holtshousen | ... | lead man |
| George Charles Kiapos | ... | construction foreman |
| Linda Laufer | ... | painter |
| Terri Leidholdt | ... | painter |
| Terrell L. Moore | ... | on-set dresser |
| Sandra Kay Muncie | ... | property assistant |
| Lynne Pope | ... | painter |
| Ira Proctor | ... | swing gang |
| Adam Silverman | ... | property master |
| Bryan Turk | ... | carpenter |
| Daniel Turk | ... | construction coordinator (as Daniel E. Turk) |
| Sandra A. Turk | ... | painter |
| Timothy Joseph Turk | ... | carpenter |
| Laura Von Bergman | ... | carpenter |
| Brian Walsh | ... | swing gang |
| JoAnne M. Ando | ... | set dresser (uncredited) |
| Danny L. Turk | ... | carpenter (uncredited) |
Sound Department
| Kris Campbell | ... | adr supervisor / foley supervisor |
| Jed M. Dodge | ... | dialogue supervisor |
| Thom 'Coach' Ehle | ... | stereo sound consultant: Dolby |
| Catherine Harper | ... | foley walker |
| Ossama Khuluki | ... | foley walker |
| Marydixie Kirkpatrick | ... | boom operator |
| Christopher Moriana | ... | foley walker |
| James Moriana | ... | foley walker |
| Donald Murray | ... | sound editor (as Don Murray) |
| Eric Neufeld | ... | post-production sound engineer |
| Phillip Seretti | ... | re-recording mixer / sound supervisor |
| Christopher M. Taylor | ... | production sound mixer |
| Robert W. Vandling | ... | sound editor |
| Janja Vujovich | ... | post-production sound coordinator |
Visual Effects by
| Ozzie Zornizer | ... | opticals: New Hollywood Inc. |
| Mindy Minkow | ... | optical camera operator (uncredited) |
Stunts
| Chuck Borden | ... | stunt coordinator |
Camera and Electrical Department
| Dennis 'Dink' Adams | ... | key grip |
| Joe Clarke | ... | grip (as Joe P. Clarke) |
| James Coffin | ... | electrician |
| Russ L. Conklin | ... | electrician |
| Dean 'Gator' Dowling | ... | grip |
| Tana Dubbe | ... | electrician |
| Bertoldo Gomez | ... | grip |
| Eric Hall | ... | grip |
| Tahra Hanley | ... | grip |
| R. Dana Harlow | ... | grip |
| Derrick Hopkins | ... | electrician |
| Mike Horan | ... | grip |
| John Johnson | ... | still photographer (as John P. Johnson) |
| Mary Kasparian | ... | electrician (as Mary E. Kasparian) |
| Jennifer Koestler | ... | camera loader |
| Miranda Mar | ... | first assistant camera |
| Sean McKelvey | ... | gaffer |
| Vito Mirabella | ... | grip (as Vito J. Mirabella) |
| James A. Neal | ... | best boy grip |
| Scott Norris | ... | electrician |
| Paul Reyes | ... | electrician |
| Steve Ruffing | ... | dolly grip |
| Robert Schierer | ... | second assistant camera |
| Joshua E. Smith | ... | electrician |
| Laura Stewart | ... | electrician |
| Justin Stroh | ... | electrician |
| Larry Sushinski | ... | best boy electric |
| James J. Vacca | ... | grip |
| Dennis K. Wilson | ... | dolly grip |
| Hiro Kakuhari | ... | third assistant camera (uncredited) |
Casting Department
| Daysun Perkins | ... | casting assistant (as Daysun S. Perkins) |
Costume and Wardrobe Department
| Ángela Núñez | ... | assistant costume designer (as Angela Nunez) |
| Nomi Shichor | ... | wardrobe assistant |
| Brooke C. Thatawat | ... | wardrobe assistant |
| Lovelynn Vanderhorst | ... | costume supervisor (as Lovelynn A. Vanderhorst) |
Location Management
| Matthew Cassel | ... | assistant location manager |
| Jun C. Lin | ... | assistant location manager |
| Darrin Lipscomb | ... | location manager |
| Chanel Salzer | ... | assistant location manager |
| Paul Schreiber | ... | assistant location manager (as Paul Schrieber) |
Music Department
| Joey Altruda | ... | music performers |
| Carol Sue Baker | ... | music supervisor |
| Jonathan Hafter | ... | co-music supervisor |
| Paul Hepker | ... | music editor |
| Rhonda R. Jones | ... | assistant to music supervisor |
| Mark Kilian | ... | music arranger: Mader score / music editor |
| Mader | ... | music arranger: Mader score |
| Christine Sirois | ... | engineer: Mader score |
| Robin Urdang | ... | music consultant |
Script and Continuity Department
| Wendy Dallas | ... | script supervisor |
Transportation Department
| Leslie C. Blenkhorn | ... | driver |
| Larry Blevins | ... | driver |
| Amanda Bonner | ... | driver |
| Paul Bortoli | ... | transportation captain |
| Lewis Burnett | ... | driver: honeywagon (as Lew Burnett) |
| Rocco Cordola | ... | driver |
| Duke Foster | ... | driver |
| Dave Gottlieb | ... | driver: electric van |
| Lance Hermann | ... | driver |
| Jorge Hernández | ... | driver: grip van (as Jorge Hernandez) |
| Jackson Iblings | ... | driver: bus |
| Kurt Keitzman | ... | driver |
| Eric Lazar | ... | driver |
| Antonio Molina | ... | transportation coordinator |
| Sean J. Moore | ... | driver (as Sean Moore) |
| David Oppenheim | ... | transportation captain (as Dave Oppenheim) |
Additional Crew
| Peter Atherton | ... | set production assistant |
| Elizabeth Bauer | ... | production coordinator |
| Francie Brown | ... | dialect coach: post-production |
| Linda Brown | ... | publicist |
| Anna Carli | ... | stand-in: Parker Posey |
| Michelle M. Dominguez | ... | intern |
| Joy Ellison | ... | dialect coach |
| Laura Fenwick | ... | stand-in: Lisa Kudrow |
| Mandy Friedrich | ... | studio teacher |
| Patricia Gomez | ... | payroll |
| Robert J. Grano | ... | set production assistant |
| Todd Grove | ... | production accountant |
| Ted Hunter | ... | office runner |
| Kim Knox | ... | stand-in: Toni Collette |
| Kristi Lake | ... | post-production accountant |
| Linda Madden | ... | assistant: Mr. Flock |
| Marcia Matthew | ... | assistant accountant |
| Thomas McEnery | ... | studio teacher |
| Andrea Mitchell | ... | office production assistant |
| Joseph Moore | ... | set production assistant |
| Ellie Olstad | ... | stand-in: Alanna Ubach |
| Daysun Perkins | ... | assistant: Ms. Resnick (as Daysun S. Perkins) |
| Andrea Pilat | ... | craft service |
| Russell M. Roca | ... | intern |
| Bjorn Thorensen | ... | intern |
| Jen Wall | ... | assistant production coordinator |
| Stephen Johnston | ... | studio executive (uncredited) |
| Lynn Wyett | ... | set medic (uncredited) |
Thanks
| Mindy Affrime | ... | special thanks |
| Helen Beadleston | ... | special thanks (as Helen Beadlestone) |
| Andrea Brandt | ... | special thanks |
| John Brandt | ... | special thanks |
| Christopher Buchanan | ... | special thanks (as Chris Buchanan) |
| Michael Flynn | ... | special thanks |
| Yolande Geralds | ... | special thanks |
| Tom Gorai | ... | special thanks |
| Eleonora Granata-Jenkinson | ... | special thanks (as Eleonora Granata) |
| Stephen Johnston | ... | special thanks |
| Chloe King | ... | special thanks |
| Zalman King | ... | special thanks |
| Patricia Louisianna Knop | ... | special thanks (as Patricia Louisiana Knop) |
| Mari Kornhauser | ... | special thanks |
| Mel Layton | ... | special thanks |
| Shelley Levitt | ... | special thanks |
| Deborah Malden | ... | special thanks |
| Adam Merims | ... | special thanks |
| Gary Palo | ... | special thanks |
| Sunmin Park | ... | special thanks (as Sun Min Park) |
| Margrit Polak | ... | special thanks |
| Adelene Resnick | ... | special thanks |
| Irving Resnick | ... | special thanks |
| Clar Ryu | ... | special thanks |
| Jeffrey Sprecher | ... | special thanks |
| Peter Sprecher | ... | special thanks |
| Phyllis Sprecher | ... | special thanks |
| Sandy Stern | ... | special thanks |
| Susan Streitfeld | ... | special thanks |
| Brian Swardstrom | ... | special thanks |
| Patty Tapanes | ... | special thanks |
| Alex Wurman | ... | special thanks |
Production Companies
Distributors
- Artistic License (1998) (United States) (theatrical)
- BMG Independents (1998) (United States) (theatrical)
- BV-film AS (1998) (Norway) (theatrical)
- TriPictures (1999) (Spain) (theatrical)
- Goldcrest Films International (United Kingdom) (theatrical)
- BMG Video (1998) (United States) (VHS)
- Bridge Entertainment Group (2005) (Netherlands) (DVD)
- Fox Lorber (1999) (United States) (VHS)
- Fox Lorber (2000) (United States) (DVD)
- Genius Entertainment (2005) (United States) (DVD)
- Highlight Video (Germany) (VHS)
- The Criterion Channel (2021) (United States) (tv) (digital)
- Wellspring Media (2006) (United States) (DVD)
Special Effects
Other Companies
- AON/Albert G. Ruben Insurance Services (insurance)
- Ariat Boots (special thanks)
- Axium Casting Agency (extras casting)
- Axium Payroll Services (payroll)
- Chapman/Leonard Studio Equipment (camera dollies)
- Cinema Research (titles)
- Custom Mobile Catering (catering)
- David Dart (special thanks)
- Easel (special thanks)
- Film Finances (completion guarantor)
- French Connection (special thanks)
- Hill Production Services (Arriflex cameras and lenses provided by)
- Hush Puppies (special thanks)
- Indie PR (publicity)
- Leonetti Company (grip and lighting equipment)
- New Hollywood Inc. (opticals)
- Nina Saxon Film Design (title design)
- Post Sound Corporation (post-production sound services)
- Reebok (special thanks)
- Shackelford Design (special thanks)
- Simple Shoes (special thanks)
- Swatch Watch (special thanks)
- The City of Pasadena (special thanks)
- UGG (special thanks)
- Visual Icon (exclusive clip and still licensing)
Storyline
| Plot Summary |
Iris can best be described as a wallflower. She begins her first day as a temp for the nondescript Global Credit Association by waiting in a chair for two hours. This sets the scene for her (mis)adventures with the other "corporate orphans", Margaret, Paula and Jane. Led by Margaret, they find subtle ways to lessen the ennui of corporate oppression. The tension escalates when the new permanent hire, Cleo, enters the picture.
Written by Vanessa Exum |
| Plot Keywords | |
| Taglines | The estrogen version of In The Company of Men See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | Lisa Kudrow postponed her honeymoon to shoot this film. See more » |
| Goofs | When Iris attempts to retrieve the bag Paula drops on the bus, the small child who was sitting immediately in front of Paula vanishes. Iris immediately sits where the missing child was last seen. See more » |
| Movie Connections | Featured in Deep Impact/Woo/Clockwatchers/Little Men/Artemisia/In Our Own Hands (1998). See more » |
| Soundtracks | Snooky's Theme See more » |
| Crazy Credits | The opening credits are shown over the sound of the loud ticking of a clock. See more » |
| Quotes |
Iris Chapman:
Everything is temporary. Everything begins and ends and begins again. When I look ahead, I imagine infinite possible futures repeated like countless photocopies, a thousand blank pages, and in each one I see myself, never hiding, never sitting silently, and never just waiting and waiting and watching the world go by. See more » |