During World War II, an ordinary inhabitant of a ghetto fakes news about Allied offensives to inspire hope for other victims of the Nazi regime.During World War II, an ordinary inhabitant of a ghetto fakes news about Allied offensives to inspire hope for other victims of the Nazi regime.During World War II, an ordinary inhabitant of a ghetto fakes news about Allied offensives to inspire hope for other victims of the Nazi regime.
- Awards
- 2 wins & 3 nominations
Éva Igó
- Lina's Mother
- (as Eva Igo)
István Bálint
- Lina's Father
- (as Istvan Balint)
János Gosztonyi
- Samuel
- (as Janos Gosztonyi)
Ádám Rajhona
- The Whistler
- (as Adam Rajhona)
Péter Rudolf
- Roman
- (as Peter Rudolf)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAlthough thematically the film is very similar in tone and subject with Roberto Benigni's Life Is Beautiful (1997), it actually started production well before the release of the Italian film.
- GoofsThe movie is set in Poland (hence the Polish-languaged signs on buildings, eg Jakob's café), but 'Mischa' is a Russian name (a diminutive form of 'Mikhail'/'Mikal' ('Michael').
- Quotes
[first lines]
Jakob Heym: Hitler goes to a fortune-teller and asks, "When will I die?" And the fortune-teller replies, "On a Jewish holiday." Hitler then asks, "How do you know that?" And she replies, "Any day you die will be a Jewish holiday."
- Crazy creditsSpecial thanks to the city and peoples of Piotrków, Poland, the city and peoples of Lódz, Poland and the city and peoples of Budapest, Hungary.
- ConnectionsFeatured in Siskel & Ebert: American Beauty/Blue Streak/For Love of the Game (1999)
- SoundtracksBeer Barrel Polka (Roll Out The Barrel)
Written by Lew Brown, Wladimir A. Timm (as Wladimir Timm), Jaromir Vejvoda & Vasek Zeman
Performed by The Andrews Sisters
Courtesy of MCA Records
By Arrangement with Universal Music Special Markets
Featured review
532nd Review: Comedy & The Holocaust: In the long tradition of Jewish humor
Jakob the Liar features a good straight-up performance by Robin Williams and a terrific supporting cast, but more than that it is a surprisingly complex film that reflects many of the classic traits of Yiddish humor. In Yiddish humor, the shtetl, or classic village, as immortalized in the wonderful stories of Sholomon Aleichem (think Fiddler on the Roof and Tevya, which is a direct adaptation from Aleichem's tales) are full of set characters - and they are here - the Professor is like the Rebbe, Jakob is a schnorre (someone who loves to get things for free) who becomes the mensch (the upstanding man), and so on.
Of all the films in the Holocaust corpus this is one of the few that reflects with fantasy and imagination and humor what suffering means in Jewish culture. One can argue that films about the Holocaust necessarily are depressing (or must have that Hollywood lift of hope - why?! - there was no hope) - but here there is a genuine attempt to speak into the culture of Ghetto Judaism and refer back to Aleichem's wonderful mix of family, suffering, and laughter.
The film is not wholly successful - the humour is wry, but it never quite gets to the sorrow in it, and replaces that with genuine sorrow. However it defies our norms of this style of film and as such, very correctly, challenges our notions and images of daily life outside the camps.
All in all this rewards viewing at a deeper level than simply a man who invents a radio to give others hope - it is a real reflection of pre-war Judaic humor and as such is a very worthwhile attempt to preserve the deeper meaning of a Jewish understanding that humor is one of the better ways, and sometimes the only way, to cope when darkness falls.
Of all the films in the Holocaust corpus this is one of the few that reflects with fantasy and imagination and humor what suffering means in Jewish culture. One can argue that films about the Holocaust necessarily are depressing (or must have that Hollywood lift of hope - why?! - there was no hope) - but here there is a genuine attempt to speak into the culture of Ghetto Judaism and refer back to Aleichem's wonderful mix of family, suffering, and laughter.
The film is not wholly successful - the humour is wry, but it never quite gets to the sorrow in it, and replaces that with genuine sorrow. However it defies our norms of this style of film and as such, very correctly, challenges our notions and images of daily life outside the camps.
All in all this rewards viewing at a deeper level than simply a man who invents a radio to give others hope - it is a real reflection of pre-war Judaic humor and as such is a very worthwhile attempt to preserve the deeper meaning of a Jewish understanding that humor is one of the better ways, and sometimes the only way, to cope when darkness falls.
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- intelearts
- Mar 21, 2013
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Details
Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $4,956,401
- Opening weekend US & Canada
- $2,056,647
- Sep 26, 1999
- Gross worldwide
- $4,956,401
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