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Complete, Cast awaiting verification
Kevin Gage | ... |
Mike Gage
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Elizabeth Peña | ... |
Toni Gage
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Brett Harrelson | ... |
Steve Christian
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Robert Englund | ... |
Jackson Roth
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Linda Cardellini | ... |
Genevieve Gage
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Tucker Smallwood | ... |
Capt. Churchill Robbins
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Ivonne Coll | ... |
Rose Stravelli
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Amy Smart | ... |
Angela Stravelli
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Dee Snider | ... |
Capt. Howdy / Carleton Hendricks
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Amal Rhoe | ... |
Tiana Moore
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Robert LaSardo | ... |
Matt Myers
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Andrew Cooper | ... |
Victim Bob
(as Andy Cooper)
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Archie Smith | ... |
Elderly Man
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Lois Hicks | ... |
Mental Institution Nurse
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Carey Westbrook | ... |
Sam the Orderly
(as Carey Louis Westbrook)
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Jillian McWhirter | ... |
Carol Anne Chalmers-Perez
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Pat Mahoney | ... |
Wade Forrester
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Lisa Nelson | ... |
Reporter #1
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Sheila Ivy Traister | ... |
Reporter #2
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Barbara Champion | ... |
Sunny MacIntosh
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Leslie Wing | ... |
Madeline Roth
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Xanthe Cook | ... |
Kelly Roth
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John Lindsey | ... |
Newscaster
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Laurence Curry | ... |
Patrolman Young
(as Laurence A. Curry)
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Mark Bailey | ... |
E.M.T. Dan Hauser
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Rest of cast listed alphabetically: | |||
Bob Abuse | ... |
BiLE (Band)
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Jaymz Alexander | ... |
BiLE (Band)
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R.H. Bear | ... |
BiLE (Band)
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Lisa K. Crosato | ... |
(as Lisa Crosato)
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Larry Curry Jr. | ... |
Patrolman Young
(as Laurence A. Curry)
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Antonino B. Garcia | ... |
Police Officer (scenesDeleted)
(as Antonino Garcia Tony)
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Krsztoff | ... |
BiLE (Band)
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Fort LaCourt | ... |
BiLE (Band)
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J. Cooch Lucchese | ... |
BiLE (band)
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Brett Pirozzi | ... |
BiLE (Band)
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Sin-D | ... |
BiLE (Band)
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Michael Herst | ... |
Patrolmen Harris (uncredited)
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Leslie Infalt | ... |
Police officer (uncredited)
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John Stewart | ... |
TV cameraman (uncredited)
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Tony Teebo | ... |
Police Officer (uncredited)
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Directed by
John Pieplow |
Written by
Dee Snider | ... | () |
Produced by
David Bushell | ... | producer (as David L. Bushell) |
Joseph J. DiMartino | ... | executive producer |
Larry Meistrich | ... | executive producer |
Dee Snider | ... | producer |
Music by
Anton Sanko |
Cinematography by
Goran Pavicevic |
Editing by
Jeff Kushner | ||
Joe Woo Jr. |
Editorial Department
Craig Cobb | ... | additional assistant editor |
Vivian Hengsteler | ... | negative cutter |
Paul Leonardo Jr. | ... | post-production coordinator |
Nadine Finzi Maybruck | ... | assistant editor |
Dan Muscarella | ... | color timer |
Michael Struk | ... | additional assistant editor |
Joe Woo Jr. | ... | additional editor |
Casting By
Lee Ann Groff |
Production Design by
Debbie DeVilla |
Art Direction by
Charles Kulsziski |
Set Decoration by
Lydia Marks |
Costume Design by
Jillian Ann Kreiner | ... | (as Jillian Kreiner) |
Makeup Department
Michael Burnett | ... | special makeup effects artist |
Michael J. Chaille | ... | special makeup effects shop foreman |
Rebecca Gifford | ... | key makeup artist |
Sabine Roller | ... | key hair stylist |
Brett Stern | ... | special makeup effects artist |
Jeff Tatman | ... | makeup designer / special makeup effects artist |
Production Management
Ray Angelic | ... | unit production manager |
David Bushell | ... | unit production manager (as David L. Bushell) |
Peter T. DaPuzzo | ... | unit manager |
Jamey Pryde | ... | post-production supervisor |
Second Unit Director or Assistant Director
Michael Lee Baron | ... | second unit director |
Bill Blyler | ... | second second assistant director |
Thomas Burke | ... | first assistant director (as Thomas M. Burke) |
Maximillian D. Day | ... | second assistant director |
Art Department
Jo Ann Bender | ... | set dresser |
Max Biscoe | ... | art director: re-shoots |
P.J. Davenport | ... | painter |
Chris DesMarais | ... | property master |
Chris Dysart | ... | scenic artist |
David Hedge | ... | construction coordinator |
Ari Krepostman | ... | intern |
Lisa McElroy | ... | set dresser |
John Monroe | ... | carpenter |
Janine Pesce | ... | assistant property master |
Renye Rees | ... | scenic artist |
Tony Smusz | ... | set dresser |
Laura VanTine | ... | storyboard artist |
Sound Department
Eric A. Christoffersen | ... | stereo sound consultant: Dolby (as Eric A. Christofferson) |
Ajae Clearway | ... | assistant sound editor |
Ryan Collison | ... | foley artist |
Thomas A. Gulino | ... | foley editor |
Bobby Johanson | ... | adr engineer |
Gabriel Kitinski | ... | sound mixer |
Peter Kitinski | ... | boom operator |
George A. Lara | ... | foley engineer / foley mixer |
Lisa J. Levine | ... | adr supervisor |
Eric McAllister | ... | editing room assistant |
James H. Nau | ... | sound effects editor |
Mary Ellen Porto | ... | dialogue editor |
Jacob Ribicoff | ... | adr editor |
Ahmad Shirazi | ... | supervising sound editor (as Maddy Shirazi) |
Dominick Tavella | ... | re-recording mixer |
Brian Vancho | ... | foley artist |
Ananda Yorty | ... | sound intern |
Special Effects by
Dan Gates | ... | special effects makeup |
Jeff Jackson | ... | special effects makeup |
Tuck John Porter | ... | special effects lab technician |
Dirk Rogers | ... | special effects technician: M.B.P production / lab technician: M.B.P. (uncredited) |
Stunts
Matthew R. Anderson | ... | stunt double: Kevin Gage |
Perry Barndt | ... | utility stunts |
Michael Lee Baron | ... | stunt coordinator |
John Blenkhorn | ... | utility stunts |
John Cade | ... | assistant stunt coordinator |
Warren A. Stevens | ... | utility stunts |
Robert Wood | ... | stunt double: Howdy (as Bob Wood) / stunt double: Howdy |
Camera and Electrical Department
Randy Allen | ... | grip |
William Ambrose | ... | best boy grip |
John Blenkhorn | ... | steadicam operator |
Daryl Didier | ... | electrician |
Tom Fendley | ... | best boy electric |
Anthony Gotta | ... | gaffer: additional photography |
Bryan G. Haigh | ... | second assistant camera: reshoots |
Jeff Hall | ... | gaffer |
Billy Holdson | ... | additional assistant camera |
Kevin Kansy | ... | grip |
Sanjay Kapoor | ... | first assistant camera |
Alexandra Kravetz | ... | second assistant camera |
Richard A. Ludt | ... | key grip |
David S. Marfield | ... | videographer |
Gene Page | ... | still photographer |
David Quint | ... | remote camera operator |
David A. Seekins | ... | second assistant camera |
Jessie Shows | ... | additional assistant camera |
John Stewart | ... | set lighting |
Casting Department
Mark Bailey | ... | extras casting |
David Heber | ... | extras casting assistant |
Costume and Wardrobe Department
Houston Sams | ... | assistant costume designer (as C. Houston Sams) |
Location Management
Steven T. Duke | ... | assistant location manager (as Steven Duke) |
Jonathan Manzo | ... | location manager |
Music Department
Gwen Bethel | ... | music clearances |
Phil Carson | ... | executive in charge of music |
Louis Cerborino | ... | music editor |
Barry Cole | ... | music supervisor |
Patricia Joseph | ... | soundtrack producer |
Denny McNerney | ... | score mixer / score recordist |
Gordon Minette | ... | orchestrator |
Script and Continuity Department
Sarah J. Brown | ... | script supervisor |
Transportation Department
Dale Moser | ... | transportation coordinator |
Additional Crew
Keith Alexander | ... | piercing consultant |
Liz Augustine | ... | body double: Linda Cardellini |
Leonard John Bruno | ... | promotions |
Andrea F. Cannistraci | ... | production legal |
Elaine Diamond | ... | computer graphic artist |
Billy Greenfield | ... | set production assistant: re-shoots (as Bill Greenfield) |
Susan Hartmann | ... | assistant production coordinator |
Elizabeth Holt | ... | production intern |
David S. Marfield | ... | writer/director: "porno" footage |
Robert Ortiz | ... | production coordinator |
David Pollack | ... | unit publicist |
Michael Rath | ... | production accountant |
Christopher I. Russell | ... | assistant production accountant |
Mary Sunshine | ... | post-production accountant |
Spring Sutter | ... | assistant post-production accountant |
Crista Giuliani | ... | production assistant (uncredited) |
Lumumba Mosquera | ... | legal intern (uncredited) |
Thanks
Nick Adler | ... | the production would like to thank |
Michael Afrin | ... | the production would like to thank |
Criss Angel | ... | the production would like to thank |
Tristan Avakian | ... | the production would like to thank |
Michael Babcock | ... | the production would like to thank |
David Benveniste | ... | the production would like to thank (as David 'Beno'Benveniste) |
Seth Berg | ... | the production would like to thank |
Dennis Blair | ... | the production would like to thank |
Philip Blum | ... | thanks: The Fountain Valley School |
Joan Bolvin | ... | the production would like to thank |
Kris Brozinski | ... | the production would like to thank |
Paul Butcher | ... | the production would like to thank: Colorado Springs Park and Recreation Dept. |
Charlie Caronia | ... | the production would like to thank |
David Chackler | ... | the production would like to thank |
Linda Chelgren | ... | the production would like to thank |
Wendy Christiansen | ... | the production would like to thank |
Rigas Christou | ... | thanks |
Mike Cimino | ... | thanks: Phil Long Ford |
Mary Collins | ... | thanks |
Tony Colon | ... | thanks |
Monte Conner | ... | the production would like to thank |
Stephen J. Cox | ... | thanks |
Mary Crawford | ... | the production would like to thank: City of Colorado Motion Picture and Television Commission |
Peter Davis | ... | the production would like to thank |
Michael Donnelly | ... | the production would like to thank |
Hunter Douglas | ... | thanks |
Ted Etoll | ... | the production would like to thank |
Greg Farmer | ... | thanks: Schlosser Tool & Machinery |
Jason Flom | ... | the production would like to thank |
Edwina Foreman | ... | the production would like to thank: City of Colorado Motion Picture and Television Commission |
Randy Frisch | ... | the production would like to thank |
Baron Ginnetti | ... | the production would like to thank |
Cindi Goretski | ... | the production would like to thank (as Cyndi Goretski) |
Steve Gottlieb | ... | the production would like to thank |
Andrew C. Gripe | ... | thanks: for Tribal Age Cover Art |
Jonathan Haft | ... | the production would like to thank |
Dee Hale | ... | the production would like to thank |
Larry Hanes | ... | thanks: CSU - Colorado Spring Utilities |
Jessica Harley | ... | the production would like to thank |
Cindy Harvey | ... | the production would like to thank: PR AOL |
Tom Hazelmyer | ... | the production would like to thank (as Tom Hazelmeyer) |
Barry Helton | ... | thanks: Helton Auto Inc. |
Sean Henning | ... | the production would like to thank |
Ralph Hibbard | ... | the production would like to thank |
Mack Hill | ... | the production would like to thank |
Gavin Hitt | ... | the production would like to thank |
Lance Hubp | ... | the production would like to thank |
Linda Blum Huntington | ... | the production would like to thank (as Linda Blum-Huntington) |
Stephen Hutton | ... | the production would like to thank |
Patricia Joseph | ... | the production would like to thank |
Anne Karle | ... | the production would like to thank |
Andrew Karp | ... | the production would like to thank |
David Kirby | ... | the production would like to thank |
Joanne Koogan | ... | the production would like to thank |
Brett Lacey | ... | the production would like to thank: City of Colorado Springs Fire Department |
Steve Ladden | ... | the production would like to thank: City of Colorado Motion Picture and Television Commission |
Dennis Lempke | ... | the production would like to thank (as Dennis Lempke Esq.) |
Michael Lesser | ... | the production would like to thank |
John Mellilo | ... | the production would like to thank |
Manuel Navarro | ... | the production would like to thank: City of Colorado Springs Fire Department |
Bill Nisselson | ... | the production would like to thank (as Bill Nissleson) |
Walter O'Brien | ... | the production would like to thank |
Sharon Osbourne | ... | the production would like to thank |
Simon Picken | ... | the production would like to thank |
Ron Pinkard | ... | the production would like to thank: Denver Film Office |
Linda Pitzer | ... | the production would like to thank: Colorado Springs Park and Recreation Dept. |
Bud Prager | ... | the production would like to thank |
Jennifer Pyken | ... | the production would like to thank |
Larry Rice | ... | the production would like to thank: Rice Music |
Sean Roberts | ... | the production would like to thank |
Tom Rowland | ... | the production would like to thank |
Mark Ruberg | ... | the production would like to thank |
Rick Seberson | ... | the production would like to thank: Colorado Springs Park and Recreation Dept. |
Joe Serling | ... | the production would like to thank |
Cheyenne Snider | ... | very special thanks (as Cheyenne) |
Cody Blue Snider | ... | very special thanks (as Cody) |
Jesse Blaze Snider | ... | very special thanks (as Jesse) |
Shane Snider | ... | very special thanks (as Shane) |
Suzette Snider | ... | very special thanks (as Suzette) |
Howard Stern | ... | the production would like to thank |
Jacqueline Sussman | ... | the production would like to thank |
Rich Tancredi | ... | the production would like to thank |
Paul Tollett | ... | the production would like to thank |
Frank Vilardi | ... | the production would like to thank |
Mark Visoeglia | ... | the production would like to thank |
Peter Von Prittwitz | ... | the production would like to thank |
Bob Warren | ... | thanks Net USA |
Larry Weintraub | ... | the production would like to thank |
Pat Woods | ... | the production would like to thank |
William Zielinski | ... | thanks |
Production Companies
Distributors
- Artisan Entertainment (video)
- Becker Entertainment (2000) (Australia)
- Behaviour Distribution (1999) (Canada) (VHS)
- Emerald (1999) (Argentina) (VHS)
- Foxton Entertainment (Germany)
- Quality Films (Mexico) (DVD)
- Quality Films (Mexico) (VHS)
- RCV Film Distribution (Belgium) (video)
- RCV Film Distribution (Luxembourg) (video)
- RCV Film Distribution (Netherlands) (video)
- Raucous Releasing
- Top Tape (Brazil) (VHS)
Special Effects
- Digital Illusions (computer graphics)
- Michael Burnett Productions Inc.
Other Companies
- Chapman/Leonard Studio Equipment (camera dollies)
- East Coast Post (post-production services)
- REI Media Group (titles and opticals)
- Sound One Corporation (sound re-recording)
- Visual Icon (exclusive clip and still licensing)
- Viv Kim Negative Cutting Service (negative cutting)
Storyline
Plot Summary |
In a teen chat room, Genevieve Gage, the teenager daughter of detective Mike Gage is invited to a blind date by the cool Capt Howdy. The guy is indeed a pierced a schizophrenic sick and sadistic maniac, and he kidnaps Genevieve and her friend Tiana Moore. He submits the girls and other adolescents to tortures. When the body of Tiana is found, Mike hunts Capt Howdy and puts him in jail first and then he is sent to a mental institution. Four years later, Capt Howdy is considered rehabilitated and released from the asylum, against the will of the local population. After an incident, Capt Howdy abducts Genevieve again, and Mike promises to kill him. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
Plot Keywords | |
Taglines | So much flesh, so little time. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
Also Known As |
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Runtime |
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Country | |
Language | |
Color | |
Aspect Ratio |
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Sound Mix | |
Filming Locations |
Box Office
Budget | $1,100,000 (estimated) |
Opening Weekend United States | $373,288, 04 Oct 1998 |
Did You Know?
Trivia | On the DVD commentary, Dee Snider mentioned that filming the scenes with Carleton Hendricks rehabilitated, and wearing a cardigan, were the hardest parts of the movie to shoot. Snider hated wearing the cardigan. See more » |
Goofs | The first female victim in the car's trunk is bloated and wet from having been submerged for at least several days yet the blanket that she was wrapped in during that time is completely dry and shows no signs of having been under water at all. See more » |
Movie Connections | Featured in Strangeland (2007). See more » |
Soundtracks | Inconclusion See more » |
Crazy Credits | The Band that preformed in the movie is called BILE, They were not added to the credits list, and it caused a huge issue. The Photography for this movie and the soundtrack was taken by EyeGlobe Photography. (just some inside info) See more » |
Quotes |
Captain Howdy:
We must all go through a rite of passage, and it must be physical, it must be painful, and it must leave a mark. See more » |