My Wife, a Body to Love (1973) Poster

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6/10
My Wife, A Body to Love
BandSAboutMovies13 May 2022
Warning: Spoilers
My Wife, A Body to Love gets at one of the major issues of the May and September romance. Paolo (Silvano Tranquilli, Castle of Blood) is married to the much younger Simona (Antonella Murgia) and when his stamina isn't enough, she's cheating on him with Marco (Peter Lee Lawrence, who was mostly in Italian westerns). The strange thing is, Paolo thinks life is a game and decides to just let this one act itself out. In fact, he even permits her to have sex with Marco but not fall in love.

Or does he? As all three go on a beach vacation, he suddenly starts thinking differently about his wife. He keeps telling her how he'll stay in control of her and allow her to have sex with men of his choice. You get the idea that - look, the sex scenes are pretty chaste, so don't get too excited - that he savors making love with his wife after the men she sleeps with and gets off when she tells him how much better they were than him.

But he's in control, he keeps telling her.

Maybe he's telling himself.

Go figure - the fantasies of men are impotent when faced with the reality of a woman who finds agency and discovers she can do well enough by making her own way.

Mario Imperoli died young - he was only 46 when he expired in 1977 - and he made a great crime movie, Like Rabid Dogs, as well as the sex comedies Blue Jeans, The Sweet Aunts and Monika, the crime films Canne mozze (written by George Eastman) and Sawed Off Shotgun, as well as the incest drama Quella strana voglia d'amare (also written by Eastman).
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Sexy but rather dull giallo--don't operate heavy machinery while watching it and look out for glaciers
lazarillo24 March 2011
This is a pretty sexy, but incredibly slow-moving giallo from director Mario Imperioli. The lead actress Antonia Muraglia is positively stunning with a voluptuous, all-natural body, and she spends most of her screen-time in a bikini(or partially naked). The cinematography is beautiful and the music is interesting (although I believe Imperioli also used at least one of these songs in his other giallo "Snapshot of Crime"). The downside of this movie though is it is SLOW. There's a risk that you could be run over a glacier while watching it.

The plot is rather unfocused, but it's the story of a nymphomaniac model (Muraglia) with a somewhat older businessman husband (Silvano Tranquili). Although he is aware of his wife's many, many infidelities, it is unclear for a LONG time whether he is actually jealous of them or turned on (or perhaps both?---it's hard to tell). At any rate, it's a good hour into the movie before any drama actually begins to occur.

The actors are certainly better than in Imperioli's follow-up "Snapshot". Silvano Tranquilini has been great in stuff like "Smile Before Death", and one of the wife's lovers is the ill-fated German actor Peter Lee Lawrence who had some good roles (usually as villains and anti-heroes)in spaghetti westerns and Italian crime thrillers. Imperioli is most well-known for a couple movies he made with 70's Italian sex kitten Gloria Guida, and if SHE had shown up at some point for a lesbian scene with Muraglia I might possibly have been able to stay awake long enough to watch this in one sitting. As it is though, it's not so much a bad movie as it is a completely suspenseless one. I'd compare it to the director's own "Snapshot", the Haydee Politoff-Beba Loncar giallo "Interrabang", or the similarly sexy but dull "Your Hands on my Body". I wouldn't NOT recommend this, but definitely don't watch it while operating heavy machinery. . .
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8/10
The Rather Small-Scaled But Unique Giallo
hae134004 March 2004
A successful businessman, Paolo, has a beautiful wife named Simona whom he profoundly loves in his own way. But he isn't and can't be happy because Simona is the nymphomaniac who is busy with extramarital intercourse, and Paolo sometimes dreams of killing her. And now a young man named Marco interferes their (or better to say, his) married life, and the three cumulatively begin to think how to eliminate one's own obstacle... This is rather small-scaled but unique Giallo film. It is unique mainly because its leading figure is a nymphomaniac whom Antonella Murgia characteristically plays. And the most impressive element this film has is nothing but the Giorgio Gaslini's unforgettable music which adequately expresses the sexual tensions between the heroine and her men, and beautifully colours and heightens the film's psychological dimension. Overall, this film is neither particularly excellent nor violent but still above-average Giallo which has the uniqueness, and seems to be suitable at least for the die-hard Giallo lover like me.
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