Dirty (1998) Poster

(1998)

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Very effectively placed on the precipice of darkness and despair
allyjack22 October 1999
Highly entertaining movie, full of good dialogue and individual scenes, very effectively placed on the precipice of darkness and despair, the main problem being that it just sort of hangs there, not so much ending as just running out. The improvised, deeply discovered feel of the project certainly pays off - Chula (middle-aged marijuana grower) finds real nuance in her mid-life character, her agenda never openly stated; Ratner as a guy one step behind, frustrated and prone to moments of sexual grasping, is an equally challenging creation; Sivak's bankruptcy is a more conventional strand, but well conveyed by an attractive actress. Although Scholte's decline into desperate masochistic sex and his pathetic obsession with Chula may be the main plot motor, it's the most conventional, the most obviously "dirty" and the least rewarding aspect of the film. The movie is attractively shot in a dark-hued, claustrophobic manner, intimately in tune with its characters, only occasionally falling too easily into conventional alienation and disillusionment.
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8/10
Don't believe the box, but it's still cool though...
Mudflap7 May 1999
I don't know but for I feel that the video box goes a bit overboard claiming: "5 star's" and "Dirty & Depraved" Etc... It's really none of that - it's just a damn solid little film. Babz Chula is completely fantastic! In fact, all the characters were great + so is the writing. Anyhow, if anyone cares I gave it an 8 out of 10, and would love to rent it again sometime. Good work Mr. Sweeny, whoever you are...
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8/10
Dirty will Keep your Interest
Maggot-62 February 2001
This is a film that won't insult your intelligence: it does not pander, it does not wallow in self-conscious artistry, it does not beg to be loved . There is no handheld jiggle, but there is also no flinching-- some is hard to watch, because it is honest (though not narcissistic nor self-absorbed). It does not play to stereotype in that it doesn't portray all characters over 35, white, and straight, as being braindead or hopelessly clueless. Instead, everyone is human, and pathetically vulnerable in their humanity and loneliness. It touched me.
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