Mike travels through time and dimensions to find the Tall Man's origins.
Director:
Writers:
Photos and Videos
Cast verified as complete
| A. Michael Baldwin | ... |
Mike
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| Reggie Bannister | ... |
Reggie
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| Bill Thornbury | ... |
Jody
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| Heidi Marnhout | ... |
Jennifer
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| Bob Ivy | ... |
Demon Trooper
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| Angus Scrimm | ... |
The Tall Man
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Christopher L. Stone | ... |
Music & Dwarf Creatures (voice)
(as Christopher Stone)
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Chloe Kay | ... |
Background Player
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Sylvia Flammer | ... |
Background Player
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David Gasster | ... |
Background Player
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Sasha Kassel | ... |
Background Player
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Aidan Kassel | ... |
Background Player
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Eric Avary | ... |
13th Morningside Volunteer Infantryman
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Andy John | ... |
13th Morningside Volunteer Infantryman
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George A. Craig | ... |
13th Morningside Volunteer Infantryman
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Steven C. Kassel | ... |
13th Morningside Volunteer Infantryman
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Robert Gates | ... |
13th Morningside Volunteer Infantryman
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Todd Mecklem | ... |
13th Morningside Volunteer Infantryman
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Jason Jacobs | ... |
13th Morningside Volunteer Infantryman
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Michael Perkins | ... |
13th Morningside Volunteer Infantryman
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Colin Jessup | ... |
13th Morningside Volunteer Infantryman
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Stanley Potter | ... |
13th Morningside Volunteer Infantryman
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Roger Avary | ... |
13th Morningside Volunteer Infantryman
(as Yrava Regor)
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Bret Schweinfurth | ... |
13th Morningside Volunteer Infantryman
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Robert Tomaszewski | ... |
13th Morningside Volunteer Infantryman
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Directed by
| Don Coscarelli | ||
Written by
| Don Coscarelli | ... | (written by) |
| Don Coscarelli | ... | (based on character created by) |
Produced by
| A. Michael Baldwin | ... | co-producer |
| Don Coscarelli | ... | producer (produced by) |
Music by
| Christopher L. Stone | ||
Cinematography by
| Chris Chomyn | ||
Editing by
| Scott J. Gill | ||
Editorial Department
| Garen Alaverdian | ... | lightworks technician |
| Ryan Davidson | ... | post production supervisor |
| Bobby Gates | ... | assistant editor (as Robert Gates) |
| Donald Milne | ... | assistant editor |
| Robert Tomaszewski | ... | telecine colorist |
| Jim J. Williams | ... | color timer (as Jim Williams) |
Production Design by
| Naython Vane | ... | (as Naython Williams) |
Art Direction by
| Mike Roth | ... | (as Michael Roth) |
Set Decoration by
| Bret Schweinfurth | ... | (uncredited) |
Costume Design by
| Shelley Kay | ||
Makeup Department
| Robert Kurtzman | ... | special makeup effects shop supervisor: KNB EFX Group (as Bob Kurtzman) |
| Melanie Marangakis | ... | makeup artist |
| Soo-Jin Yoon | ... | chief hair stylist / chief makeup artist |
Production Management
| Rosa Gonzalez | ... | unit production manager |
Second Unit Director or Assistant Director
| Jeff Shiffman | ... | first assistant director |
| Dawn Stewart | ... | second assistant director (uncredited) |
Art Department
| Kristen Deem | ... | property master (as Carol Deem) |
Sound Department
| Stud Brentler | ... | boom operator |
| Smith Craig | ... | dialogue re-recording mixer |
| Bryan Franklin | ... | dialogue editor |
| Jerry Gilbert | ... | project manager |
| Michael Kreple | ... | adr editor / adr mixer / adr supervisor |
| Greg Louden | ... | foley artist |
| Greg Mauer | ... | foley editor / foley recordist |
| Jacqueline Meijer | ... | project coordinator |
| Paul N.J. Ottosson | ... | sound design editor / sound effects supervisor |
| Rick Owens | ... | foley artist |
| Andy Potvin | ... | dolby sound consultant |
| Paul Ratajczak | ... | re-recording mixer / sound supervisor |
| Enzo Treppa | ... | sound mixer |
| Steve Tushar | ... | sound effects editor |
| Jonathan Wales | ... | re-recording mixer / supervising sound editor |
Special Effects by
| Gigi Bannister | ... | special effects makeup coordinator (as Roberta 'Gigi' Porter) |
| Gary Beal | ... | pyrotechnician (as Gary Beall) |
| Howard Berger | ... | special effects shop supervisor: KNB EFX Group |
| Kamar Bitar | ... | coordinator: KNB EFX Group |
| Gino Crognale | ... | sculptor: KNB EFX Group |
| Michael Deak | ... | shop supervisor: KNB EFX Group (as Mike Deak) |
| Chris Hanson | ... | sculptor: KNB EFX Group |
| Steve Hartman | ... | mold department: KNB EFX Group |
| Chiz Hasegawa | ... | coordinator: KNB EFX Group |
| Garrett Immel | ... | sculptor: KNB EFX Group (as Garret Immel) |
| Brian Rae | ... | mold department: KNB EFX Group |
| Karrie Ralston | ... | purchasing: KNB EFX Group |
| Henrik von Ryzin | ... | sculptor: KNB EFX Group (as Henrik Van Ryzin) |
| Bill Zahn | ... | sculptor: KNB EFX Group |
Visual Effects by
| Robin Berman | ... | compositor: Desert Gates / title sequence designer |
| Alex Harman | ... | 3d animator |
| David Klemens | ... | creative director |
| David Merrell | ... | lead animator |
| D. Kerry Prior | ... | visual effects creator: sphere effects |
Stunts
| Bob Ivy | ... | stunt coordinator / stunts |
Camera and Electrical Department
| Dan Ayers | ... | steadicam operator |
| Precy C. Betiong | ... | first assistant camera (as Precy Betiong) |
| Colin Hudson | ... | steadicam operator |
| Adam Janeiro | ... | chief lighting technician |
| Scott Redinger-Libolt | ... | still photographer (as Scott Libolt) |
| Peyton Skelton | ... | chief lighting technician |
| Dan Trachtenberg | ... | key grip (as Daniel Trachtenberg) |
| Daniel Vecchione | ... | best boy electric |
| Joe Waistell | ... | first assistant camera (as Joe Waistel) |
| Justin Zaharczuk | ... | second assistant camera |
| Adam Janeiro | ... | director of photography: additional photography (uncredited) |
Costume and Wardrobe Department
| Kristen Deem | ... | costumer (as Jessica Morgenseit) |
Music Department
| Jon Lewin | ... | music editor |
| Steve Morrell | ... | composer: additional music (as Steven Morrell) |
| Fred Myrow | ... | composer: theme music (as Fredric Myrow) |
| Daniel Schweiger | ... | temporary soundtrack |
| Malcolm Seagrave | ... | composer: theme music |
Script and Continuity Department
| Kristen Deem | ... | script supervisor |
Additional Crew
| Alan Carlson | ... | animal handler: scorpion / animal handler: tortoise |
| Starlet Derby | ... | production assistant |
| Yelena Makarczyk | ... | closed-captioning |
| Christopher Malinowski | ... | production assistant (as Chris Malinowski) |
| Sara McCaffree | ... | production assistant |
| Jason R. Savage | ... | production coordinator (as Jason Savage) |
| David Sharlein | ... | production assistant |
| Edouard Sonet | ... | French subtitles |
| Dawn Stewart | ... | key set production assistant |
| Brent Studler | ... | key set production assistant |
| Guy Thorpe | ... | funeral coach coordinator / hearse coordinator |
| Lonnie Ramati | ... | production business affairs (uncredited) |
Thanks
| Roger Avary | ... | special thanks |
| Jennifer Bross | ... | special thanks |
| David G. Brown | ... | special thanks |
| Jeff Conner | ... | special thanks |
| Richard Elkin | ... | special thanks |
| Sam Gasster | ... | special thanks |
| Bill Jenkins | ... | special thanks |
| Paul Pepperman | ... | special thanks |
| Roberto A. Quezada | ... | special thanks |
| Leonard Shapiro | ... | special thanks |
Production Companies
Distributors
- AVU-Video-Vertriebs-GmbH (2001) (Germany) (DVD)
- Anchor Bay Entertainment (UK) (2005) (United Kingdom) (DVD)
- Anchor Bay Entertainment (2008) (United States) (DVD)
- Beam Entertainment (Japan) (DVD)
- Creative Axa Co. Ltd. (Japan) (DVD)
- Filmax (2003) (Spain) (DVD)
- Highlight Video (1999) (Germany) (VHS)
- Home Entertainment Corporation PLC (1999) (United Kingdom) (VHS)
- Koch Media (2019) (Germany) (Blu-ray)
- Living Colour Entertainment (2010) (Netherlands) (DVD)
- MGM Home Entertainment (2000) (United States) (DVD)
- Metropolitan Film & Video (1999) (France) (VHS)
- Mosaic Movies (2000) (United Kingdom) (DVD)
- Mosaic Movies (2000) (United Kingdom) (VHS)
- Orion Home Video (1998) (United States) (VHS)
- Silver Sphere Corporation
- Sociedad General de Derechos Audiovisuales (SOGEDASA) (2001) (Spain) (DVD)
- Tubi TV (United States) (video) (streaming)
- Videomax (1999) (Mexico) (VHS)
- Well Go USA Entertainment (2018) (United States) (Blu-ray)
- Wicked-Vision Media (2017) (Germany) (Blu-ray)
- Wicked-Vision Media (2017) (Germany) (DVD)
Special Effects
- Electric Eye
- KNB EFX Group (special make-up)
Other Companies
- Bo-Bo's Bonanza (catering)
- Cinematte (opticals)
- Energy Film Library (stock footage)
- FotoKem (color)
- Ground Control Studios (post-production sound)
- Hollywood Title (end titles)
- Magic Film and Video Works (negative cutting)
- Nick Vasu (camera: end title)
- Otto Nemenz International (cameras)
- Runway (lightworks)
Storyline
| Plot Summary |
Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his enemy, and what really happened the night that his brother died. Meanwhile, Reggie (accompanied by a beauty he picked up on the road) battles the spheres and the undead in a quest to find Mike before the Tall Man can complete his transformation.
Written by Parca Mortem |
| Plot Keywords | |
| Taglines | The sequel with balls! See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Box Office
| Budget | $650,000 (estimated) |
Did You Know?
| Trivia | After a very mixed fan reaction and some harsh criticism received in relation to Phantasm III: Lord of the Dead (1994), Don Coscarelli decided that he had already gone too far in the action/comedy direction. Subsequently, he wanted to bring the saga "back to its roots" crafting a low budget sequel more focused in the horror and surrealist aspects of the story, in the vein of Phantasm (1979). At the same time, plenty of unused footage from the original film was located after having being lost for years. The conjunction of both things ultimately became the basis for Phantasm IV: Oblivion (1998). See more » |
| Goofs | (at around 10 mins) When Reggie begins to change the tire on the Barracuda, the convertible top is down. A few minutes later when he stands up, the top is up. See more » |
| Movie Connections | Featured in Tarnation (2003). See more » |
| Soundtracks | Have You Seen It? See more » |
| Crazy Credits | Final credit (copyright notice): "This motion picture is protected under the laws of the United States and other countries. Unauthorised duplication, distribution, or exhibition may result in civil liability, criminal prosecution, and the wrath of The Tall Man." See more » |
| Quotes |
Reggie:
Some cops can be real assholes. See more » |