Satan's Black Wedding (1976) Poster

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4/10
Weird Satanic Thriller with Cheesy Vampire Teeth
Navajas25 September 2009
This is an obscure little low-budget exploitation flick from the mid-70's. Just how obscure are we talking? Well, this review will be number six here at IMDb. Only three actors are being credited for this movie, if the cast list is any indication. This flick is so unheard of that nobody involved with it even bothered to track down the five or six other actors that appear in this movie. That's saying quite a lot, really. I personally acquired this on a triple-movie DVD set along with two other Nick Millard movies, CRIMINALLY INSANE and its sequel. I have no idea what the other options are in terms of availability for SATAN'S BLACK WEDDING.

This movie was released during a time when horror often dealt with Satanism and the rise of the devil himself. It very much rides the coattails of popularity from similarly-themed movies such as ROSEMARY'S BABY and THE EXORCIST and even lesser-known titles from the drive-in movie circuit. SATAN'S BLACK WEDDING was definitely a bandwagon-jumper, and not an especially good one, at that.

First, the good things about this movie: as other reviews have mentioned, the atmosphere is very dark and spooky, in a way unseen in later horror films. The opening shots of a Goya painting, coupled with creepy, off-kilter piano music, certainly set the stage for a genuinely disturbing movie. The score for this movie was very well placed, as were many of the sets and locations.

On the other hand, this is a very cheap movie, and finding professional actors must have been rather tricky. Many of the actors, most of whom are not listed on IMDb, were pretty wooden. The special effects aren't much to write home about, either. The bright red "70's blood," as I call it, is to be expected, but the vampire teeth used for the undead Satanists looked as though they were purchased out of one of those 25-cent vending machines seen in the opening walkways at your local department stores--the kind you might have used as a child while completing a Dracula costume for Halloween. It's hard to be scared of creatures with those plastic monstrosities sticking out of their mouths.

The plot is pretty basic. Mark, a young actor and Elvis Presley lookalike, arrives in town to investigate the mysterious death of his sister. As he continues searching, he finds that she was involved in a bizarre underground cult of devil-worshippers who, through some sort of dark rites, are able to reanimate the dead as some sort of Satanic vampire things that bite necks and suck the blood from the living.

This is a fun movie for those who enjoy cheap horror flicks that virtually nobody has ever heard of. I can honestly recommend this for that crowd. For those who prefer a higher-budget flick or something that had a little more talent behind it, I'd suggest steering clear of this one.
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5/10
From the man who brought you Crazy Fat Ethel.
Hey_Sweden6 October 2015
Warning: Spoilers
Sexploitation director Nick Millard dabbled in the horror genre a few times in his career. His best known effort in this capacity is the howlingly stupid "Criminally Insane" a.k.a. "Crazy Fat Ethel" (itself followed by a sequel). Then there's this cheap and tacky opus, which is decidedly more obscure. Lovers of genre rarities and bad movies will likely get a kick out of it. It may not be quality stuff, but it has a certain clunky charm, and lots of gory imagery to please splatter aficionados.

Greg Braddock stars as Mark Gray, an actor who travels to North California to attend the funeral of his sister. She's supposedly committed suicide, but it turns out that she ain't dead. She's *undead* now. And she goes about attacking their aunt, the aunt's housekeeper, and other unlucky people.

The movie comes complete with some delicious hambone acting by Ray Myles as the sinister Father Daken. This role is the most fun and has the most colourful dialogue / exposition. Braddock is an utter stiff, but Lisa Milano seems to be enjoying herself as the now predatory sister, sporting some utterly hilarious, ridiculous looking vampire teeth. The guy playing the intrepid detective Lt. Scott certainly looks his part.

"Satan's Black Wedding" is expectedly crude, but it's pretty amusing in its own silly way. The out of tune piano score is just icing on this cheesecake.

And the run time is only 63 minutes, so it won't take too much time out of anyones' life.

Five out of 10.
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5/10
Typical Millard mess, but not completely worthless
Sandcooler16 August 2013
"Satan's Black Wedding" doesn't quite have that irresistible "what the hell am I watching?"-factor that Nick Millard's much more famous effort "Criminally Insane" had but hell, if Millard can't put a smile on my face anymore you can honestly pull the plug on me. Just check out his unique editing style, the guy can't splice in a shot realistically to save his life but that's why we love him. Who cares if two actors talking to "each other" don't even appear to be in the same ZIP code, it's all just part of the charm. Especially if one of those actors is the otherwise completely unknown Ray Myles, who gives a genuinely excellent performance as some sort of half-vampire, half-satanist (have your cake and eat it too). Lead Greg Braddock is somewhat less impressive, but his amazing underacting is a spectacle in its own right. He walks into a room covered with blood with a look on his face like he just found out the supermarket is all out of his favorite shampoo. My sister died a gruesome death, I am...mildly irritated? Nick Millard is a huge cinephile though, and occasionally this almost shows here. Some shots in this movie are actually quite stylish, there's some "Nosferatu" influence in there but it's tough to be classy if your vampires have plastic fangs. But still, I was sorta into this from time to time. The cinematography looks good, the music is repetitive but creepy nonetheless, this really is quite above Millard's standards. It's not quite as entertaining as some of his other work, but it's almost what you call accessible. If only it had an actual ending instead of just stopping at a random moment, that would have helped it even more.
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Shadowy vampire flick long condemned to 'damnatio memoriae'
EyeAskance3 August 2004
Warning: Spoilers
*minor spoilers*

A man travels to California to unravel the mystery surrounding his sister's death. He learns that she had been writing a novel about Satanism, and spent much of her time at an old church outside of town. Soon, he begins seeing her in the company of a creepy-looking priest(and with a decidedly bigger and sharper set of chompers than he'd remembered), and eventually learns a horrifying truth...that he and his sister have been chosen by Satan to be wed in very unholy matrimony, and to become the proud vampire parents of the Antichrist.

SATAN'S BLACK WEDDING is an under-the-radar obscurity still largely unnoted by the votary of horror fans...an unfortunate thing, because for all its technical shortcomings(production values are nearly nonexistent), this gritty grassroots flick actually delivers in a strange way. It's thick with eerie emanation, and serves up some surprisingly savage vampire attacks. The affrightment is beneficially italicized by the film's gloomy score(of mostly spare, crunching piano), and a cast of total nobodies perform acceptably for such a proletarian production.

A strange little appurtenance from the muster of 70s drive-in horror, SATAN'S BLACK WEDDING is a film many will disregard as tossable schlock. That being stated, it may just as well prove a rewarding excavation for those drawn to remote film oddities.

5/10
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2/10
Plastic fangs and embarrassed rats.
BA_Harrison30 June 2017
After writer Nina (Lisa Milano) inexplicably commits suicide, her brother, Hollywood actor Mark Gray (Greg Braddock), tries to find out why, his investigation leading him to an old church where a cult of vampires plan to invoke the devil to preside over an unholy 'black wedding'.

Even with a scant running time of just over an hour, Satan's Black Wedding, from director Nick Millard, is still a real test of endurance, the film being inept in almost every department: the script is crazy bad, amateur actors struggle to keep their plastic joke-shop fangs in place, the blood is obviously bright red paint, the day-for-night shooting still looks like broad daylight, the sound is diabolical (in one scene, the dialogue is almost drowned out by the noise of nearby traffic and passing aircraft), and a pair of rats look embarrassed to be involved (at least the humans had a say in the matter).

While some people clearly enjoy Millard's work for its sheer clumsiness, I can't bring myself to rate it any more than 2/10—the same low rating that I also gave to Millard's previous movie, Crazy Fat Ethel (1975).
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2/10
Promising occult trash misses the mark
downahatch10 February 2023
Nick Millard's previous film, Criminally Insane, about a fat lady killing anyone who gets between her and her food, was a no-budget classic but this one misses the mark. The atmosphere is creepy enough and there's fang-baring and bloodletting but the film ultimately fails to deliver the hellacious conclusion it hints at. Lead Greg Braddock is so wooden he could be replaced by a bookcase. The scenes where he talks are stultifyingly boring. Ray Myles on the other hand brings a malevolent energy to his role as an undead priest and the film noticeably improves whenever he's on screen. Fans of Andy Milligan might dig the general depravity here but I found it a pretty hard slog.
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2/10
Daffy Z-Movie is a Real Endurance Test
jfrentzen-942-2042112 February 2024
A woman writing a book called "High Satanic Rites," about vampirism in modern-day Monterey, California, commits suicide while under the power of an evil priest. The woman's brother, Mark, sticks his nose in the police investigation and more dead bodies show up, drained of blood. Mark's ex-girlfriend, his sister's research assistant, lends a hand and falls in love with him again. Mark confronts the priest in the basement of a church, where 180 years ago some nuns were praying and conjured the Devil. The Foul One used to enjoy watching Mark and his sister playing near the church as children. Now he wants to initiate both of them into the vampire's coven. Mark tries to escape from the priest and his vampire slaves, but crashes his car and dies.

The fade out of this daffy and very poor horror flick is memorable: Mark, bloodied and disfigured from the accident, stands before an unholy altar to wed to his dead, vampirized sister.

SATAN'S BLACK WEDDING originally played in theaters on a double-bill with the more well-known CRIMINALLY INSANE. Both films are a real endurance test for even the most hardened Z-movie enthusiast. Director Philip Miller is really Nick Phillips, who also directed CRIMINALLY INSANE.
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5/10
It works to a degree
Leofwine_draca11 April 2022
SATAN'S BLACK WEDDING (1976) is an hour-long American indie vampire flick I found on Youtube streaming in a good quality print. It's a surprisingly brisk little effort that begins with a woman being messily dispatched by a female vampire. Her brother attends her funeral and investigates her death, only to discover that she's not really dead but instead determined to destroy her own family.

Not a huge lot of plot ingredients in this micro-budgeted production, but the story of a defrocked priest engaging in devil worship works quite well. The vampire scenes are liberal on the bloodshed if you're okay with the joke shop fangs, and it's short enough to never outstay its welcome.
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7/10
Another low-budget horror flick that succeeds in spite of itself...
InjunNose7 June 2008
Warning: Spoilers
The acting is mostly terrible. The editing is worse. The entire production suffers from a rushed, haphazard look. But somehow, "Satan's Black Wedding" manages to do what a horror film is supposed to do: leave the viewer with a lingering sense of unease. Pointing out this movie's flaws is like shooting fish in a barrel, but figuring out what makes it work is considerably more tricky. More than anything else, I think it's the cinematography. The jittery camera-work and agonizing closeups give the film a gritty, authentic feel, so that you almost believe you're watching a documentary even when the female vampire is gnawing on the neck of a shrieking victim and bright red stage blood spurts everywhere. It should look ridiculous, but it doesn't--and that's what makes "Satan's Black Wedding" a frightening film. The little things help, too, of course (they always do). The Monterey location shots drip with an atmosphere of gloom and foreboding. Ray Myles is appropriately weird-looking as the vampire priest. Best of all is Lisa Milano, the actress who plays the sister of Greg Braddock, the male lead: the look on her dead, pale face after she has repeatedly slashed her wrists (the most unsettling scene in the film, for my money) is straight out of a nightmare. And the film's surreal climax, though it takes place a little too abruptly, is disturbing, too.
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8/10
A 61 minute movie is a red flag right there
james1-494-82685725 April 2020
I don't know how they're going to develop anything in 61 minutes.
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6/10
Doesn't completely work, but not a total bust either
Woodyanders17 April 2019
Warning: Spoilers
Mark Gray (flatly played by the hopelessly insipid Greg Braddock) arrives in California to investigate the mysterious suicide death of his sister Nina (lovely slender brunette Lisa Milano). Mark winds up discovering a deadly cult of Satan-worshipping vampires.

Writer/director Nick Millard does a competent enough job of crafting a creepy gloom-doom atmosphere, delivers several shockingly savage vampire attack scenes, and deserves credit for concluding the story on a surprisingly bleak and nihilistic note. Alas, Braddock proves to be an extremely dull and cardboard hero who's impossible to care about. Fortunately, Ray Myles hams it up deliciously as the wicked Father Daken while Milano cuts a striking figure as an especially fetching and ferocious bloodsucker. Despite such flaws as cheap and unconvincing plastic dimestore fangs, sloppy editing, dodgy sound, hokey bright orangey blood, and an often sluggish pace, this film has a strange off-kilter quality to it that's both oddly enthralling and even at times pretty unsettling.
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Decent
Michael_Elliott12 March 2008
Satan's Black Wedding (1975)

** (out of 4)

Mildly entertaining film has a brother investigating his sister's suicide. He eventually tracks down the killers to a church, which is being used by vampires for Satanic rituals. This is a very cheaply made film running just over an hour and while there's nothing too original going on here it does remain interesting throughout. If you don't expect The Exorcist or Rosemary's Baby then you should get a few minor grins out of this film. There's some nice, if cheaply done, gore scenes to keep things moving. Outside of that we get some really hammy performances, which lead to a couple laughs.
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7/10
Not As Bad As I Thought It Would Be
CMRKeyboadist25 August 2006
"Satan's Black Wedding" is in no way a good movie. But, It isn't all that bad of a no budget film. Sure, there are many grade B through Z horror films that are good and bad, but this one is actually entertaining in a strange sort of way. Don't Expect "The Omen" or "Rosemary's Baby" with this one, but check it out if you can find it.

The storyline isn't anything to original as it starts with a woman slitting her wrists and bleeding to death. Go ahead a few days and we are at her funeral with her brother and few others. Her brother, whom is a Hollywood actor, decides to check out the place in which she did herself in. When he gets there he discovers that the police scene hasn't been changed and that there is blood all over the place. The police detective doesn't believe this to be a suicide thus starting the brothers search for what actually happened, leading him into a dark world of vampires with silly looking teeth.

First I should say that the special effects are definitely grade Z. No gore but an extreme amount of blood. The vampire teeth are just hilarious as they look like something that you could buy from Wal-Mart. The movie did have some nice atmosphere with a halfway decent soundtrack minus a few moments where the pitch got way to high and it hurt my ears. The acting was also silly going from mediocre to just plain bad. Especially during a love scene that is about as boring as watching the grass grow. Last, but not least, check out the very end of the movie at the "The End" screen and listen to the music fade off horribly. It was just hilarious.

I got to recommend this to anyone that loves 70's low budget cinema. Definitely worth the time. 7/10
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7/10
Completely my thing
BandSAboutMovies1 November 2021
Warning: Spoilers
Man, the same Nick Millard that made this made Death Nurse? Because wow, this movie is everything my scuzzy dreams are looking for, from fuzzed out sound to priests who have been dead for years and nuns who had a vision of Satan and turned their backs on the church and vampires and yeah, this is a vision of the inside of my brain.

It's like the not as accomplished sibling of Messiah of Evil, taking place in that same coastal universe, the same world where Dead and Buried and Halloween III are just up the next exit and not all that far away from Terror House and Warlock Moon.

The teeth and the blood are fake, the feel is real. I want to climb inside the darkness of this movie and take the longest, most fulfilling nap of my life, waking up to realize I still have two hours before the alarm goes off and just stretching out on a California king.

Mark comes home because his sister Nina has died, but he finds out she was making a book so vile that it still haunts a bookstore worker named Jean. Yeah, it haunts her so much that she and Mark break the narrative flow with the power of their lovemaking - where do you want to sleep, Dr. Challis indeed - but it's 61 minutes that will make your life better, made by a man who constructed a crypt inside his garage.

"Whosoever believeth in him, shall have life everlasting in darkness. He is pleased with you, Nina. He called you daughter. Now you must complete the covenant. Every member of your family must die."

All hail Nick Millard.
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Effective In Spite Of Itself...
azathothpwiggins1 May 2022
Director Nick Millard's SATAN'S BLACK WEDDING is an interesting little curio of its era. Right off the bat it must be stated that if you're looking for a slick, professional-looking production, then you'd better not bother with this one. Otherwise, it could cause severe cranial blistering.

For those not expecting much, there's a minor miracle at work here, in that, in spite of its heinous cheapness: cardboard sets, thrift store costumes, Walmart vampire teeth, "actors" gathered from some local park, etc., Millard somehow created a bleak horror movie with an unsettling atmosphere of dread and doom.

You'll watch agog, wondering how in the hell something so obviously shabby and inept could possibly give you the shudders!

Watch and be amazed...
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