A wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic fantasies.
Director:
Writers:
Stars:
Awards:
- 7 wins & 11 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Christian Bale | ... |
Patrick Bateman
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| Justin Theroux | ... |
Timothy Bryce
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| Josh Lucas | ... |
Craig McDermott
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| Bill Sage | ... |
David Van Patten
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| Chloë Sevigny | ... |
Jean
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| Reese Witherspoon | ... |
Evelyn Williams
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| Samantha Mathis | ... |
Courtney Rawlinson
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| Matt Ross | ... |
Luis Carruthers
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| Jared Leto | ... |
Paul Allen
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| Willem Dafoe | ... |
Donald Kimball
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| Cara Seymour | ... |
Christie
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| Guinevere Turner | ... |
Elizabeth
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| Stephen Bogaert | ... |
Harold Carnes
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Monika Meier | ... |
Daisy
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| Reg E. Cathey | ... |
Homeless Man
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| Blair Williams | ... |
Waiter #1
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| Marie Dame | ... |
Victoria
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Kelley Harron | ... |
Bargirl
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| Patricia Gage | ... |
Mrs. Wolfe
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| Krista Sutton | ... |
Sabrina
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| Landy Cannon | ... |
Man at Pierce & Pierce
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Park Bench | ... |
Stash
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| Catherine Black | ... |
Vanden
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Margaret Ma | ... |
Dry Cleaner Woman
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| Peter Tufford Kennedy | ... |
Hamilton
(as Tufford Kennedy)
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Mark Pawson | ... |
Humphrey Rhineback
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Jessica Lau | ... |
Facialist
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Lilette Wiens | ... |
Maitre Dí
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Glen Marc Silot | ... |
Waiter
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Charlotte Hunter | ... |
Libby
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Kiki Buttignol | ... |
Caron
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Joyce R. Korbin | ... |
Woman at ATM
(as Joyce Korbin)
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Reuben Thompson | ... |
Waiter #2
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| Bryan Renfro | ... |
Night Watchman
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| Ross Gibby | ... |
Man Outside Store
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Christina McKay | ... |
Young Woman
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| Alan McCullough | ... |
Man in Stall
(as Allan McCullough)
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| Anthony Lemke | ... |
Marcus Halberstram
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| Connie Chen | ... |
Gwendolyn Ichiban
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| Rest of cast listed alphabetically: | |||
| Marilyn Burns | ... |
Sally Hardesty (uncredited) (archiveFootage)
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| Doshia Darmane | ... |
Dancer (uncredited)
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| Brett Alexander Davidson | ... |
Bartender (uncredited)
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| Peter Loung | ... |
Dancer (uncredited)
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Joseph Oliveira | ... |
Restaurant Patron (uncredited)
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| Leanne Poirier Greenfield | ... |
Party Girl (uncredited)
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| Ronald Reagan | ... |
Self (uncredited) (archiveFootage)
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| Somaya Reece | ... |
Bar Girl (uncredited)
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Jackson Rothery | ... |
Bateman (uncredited)
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| Devin Schumacher | ... |
Restaurant Patron (uncredited)
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Kate Steen | ... |
Pierce & Pierce Girl (uncredited)
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| Dave Thompson | ... |
Tattletale Child's Father (uncredited)
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Directed by
| Mary Harron | ||
Written by
| Bret Easton Ellis | ... | (novel) |
| Mary Harron | ... | (screenplay) & |
| Guinevere Turner | ... | (screenplay) |
Produced by
| Ernie Barbarash | ... | co-producer |
| Alessandro Camon | ... | co-producer |
| Joseph Drake | ... | executive producer |
| Christian Halsey Solomon | ... | producer |
| Chris Hanley | ... | producer |
| Victoria Hirst | ... | line producer |
| Gretchen McGowan | ... | line producer: title sequence |
| Michael Paseornek | ... | executive producer |
| Edward R. Pressman | ... | producer |
| Jeff Sackman | ... | executive producer |
| Clifford Streit | ... | co-producer |
| Rob Weiss | ... | co-producer |
Music by
| John Cale | ||
Cinematography by
| Andrzej Sekula | ||
Editing by
| Andrew Marcus | ||
Editorial Department
| Matthew Anas | ... | trainee assistant editor (as Matt Anas) |
| Emily Gumpel Clifton | ... | second assistant editor: New York (as Emily Gumpel) |
| Philip Harrison | ... | associate editor: New York |
| Chris Hinton | ... | color timer |
| Mitch Lackie | ... | assistant editor: Toronto |
| Catherine Rankin | ... | negative cutter |
| Kim Sparks | ... | post-production assistant |
| Deanna Strong | ... | post-production coordinator |
Casting By
| Kerry Barden | ||
| Suzanne Crowley | ||
| Billy Hopkins | ||
Production Design by
| Gideon Ponte | ||
Art Direction by
| Andrew M. Stearn | ... | (as Andrew Stearn) |
Set Decoration by
| Jeanne Develle | ||
Costume Design by
| Isis Mussenden | ||
Makeup Department
| Margot Boccia | ... | key makeup artist: New York |
| Katherine Hill | ... | assistant makeup artist |
| Etheline Joseph | ... | assistant hair stylist |
| Lucy M. Orton | ... | key hair stylist (as Lucy Orton) |
| John Quaglia | ... | key hair stylist: New York (as John D. Quaglia) |
| Sandra Wheatle | ... | key makeup artist |
| Renee Chan | ... | assistant hair stylist (uncredited) |
Production Management
| Lauren McLaughlin | ... | executive in charge of production |
| Peter Pastorelli | ... | production manager: New York unit |
| Keitha M. Redmond | ... | assistant production manager |
| Philip Stilman | ... | post-production supervisor |
| David Hillary | ... | production leader (uncredited) |
Second Unit Director or Assistant Director
| Steve Apicella | ... | first assistant director: title sequence |
| Cassandra Cronenberg | ... | third assistant director |
| Jennifer Deathe | ... | second assistant director |
| Paul Hogan | ... | DGA trainee: New York |
| Andrew Marcus | ... | second unit director |
| Elizabeth Parker | ... | trainee assistant director (as Elizabeth 'Duff' Parker) |
| Peter Pastorelli | ... | assistant director: New York |
| Michael Pitt | ... | second second assistant director: New York |
| Andrew Shea | ... | first assistant director |
| Charles Zalben | ... | second assistant director: New York |
Art Department
| Britt Bancroft | ... | set decoration coordinator (as Britt Matheson) |
| Jamie Burke | ... | construction coordinator |
| Philip Canfield | ... | assistant property master: New York |
| Jean Deville | ... | property master: title sequence |
| Rick Fernandez | ... | head carpenter (as Ric Fernandez) |
| Michael Followes | ... | property master |
| Nicholas Gazda | ... | third assistant art director |
| Arvinder Greywal | ... | first assistant art director |
| Bruce Lee Gross | ... | assistant property master: title sequence |
| Victoria Hamilton | ... | key scenic painter |
| Ian Hay | ... | set dresser |
| Jennifer Jacobsen | ... | set buyer |
| Mike Johnson | ... | on-set carpenter |
| Lara MacInnis | ... | art department apprentice |
| Kim Maticiw | ... | property buyer |
| David 'Rocky' Rockburn | ... | lead set dresser (as David Rockburn) |
| Derreck Roemer | ... | property assistant |
| Patrick Tarr | ... | set dresser |
| Dick Tice | ... | property master: New York (as Richard Tice) |
| Pierre M. Munha | ... | assistant property master (uncredited) |
Sound Department
| Fred Brennan | ... | supervising dialogue editor |
| Benjamin Cheah | ... | sound designer (as Ben Cheah) |
| Kathy Choi | ... | assistant special effects editor |
| Marko A. Costanzo | ... | additional foley: New York (as Marko Costanzo) |
| Keith Elliott | ... | re-recording mixer |
| Henry Embry | ... | sound mixer |
| Peter Kelly | ... | re-recording mixer |
| Garrett Kerr | ... | dialogue editor |
| Goro Koyama | ... | foley artist |
| George A. Lara | ... | foley engineer: New York |
| Geoff Lippman | ... | stereo sound consultant: Dolby |
| Andy Malcolm | ... | foley artist |
| Anna Malkin | ... | foley: pro-tools operator |
| Ron Malligers | ... | foley mixer |
| David McCallum | ... | sound effects editor |
| Mark McNeilly | ... | boom operator (as Mark 'Boomwallah' McNeilly) |
| Daniel Pellerin | ... | supervising sound re-recording mixer |
| Richard Segal | ... | boom trainee |
| Etoile Stewart | ... | assistant dialogue editor |
| Jane Tattersall | ... | supervising sound editor |
| Andrew Tay | ... | foley mixer |
| Paul Urmson | ... | sound designer |
| Rebecca Wright | ... | foley: pro-tools operator |
| Mark Zsifkovits | ... | sound re-recording operator |
| Andy Zuch | ... | boom operator: New York (as Andrew Zuch) |
| Bernie Zuch | ... | sound mixer: New York |
| Steven Zuch | ... | third sound: New York |
| James Marchione | ... | adr recordist (uncredited) |
Special Effects by
| Conrad V. Brink Jr. | ... | special effects: New York |
| Michael Kavanagh | ... | special effects coordinator |
| Derek Liscoumb | ... | special effects technician |
| John MacGillivray | ... | special effects technician |
| Tim Barraball | ... | special effects technician (uncredited) |
Visual Effects by
| Francois Aubry | ... | visual effects coordinator (uncredited) |
| Keith M. Hamilton | ... | digital compositor: Film Opticals (uncredited) |
| Julia K.S. Miles | ... | digital compositor: Film Opticals (uncredited) |
Stunts
| Brenda Adams | ... | stunts |
| Lloyd Adams | ... | stunts |
| Marco Bianco | ... | stunts |
| Matt Birman | ... | stunt coordinator / stunts |
| Frank Ferrara | ... | stunt coordinator: New York |
| Brian Kaulback | ... | stunts |
| C.J. Lusby | ... | stunts (as C.J. Fidler) |
| Ken Quinn | ... | stunts |
| Bryan Renfro | ... | stunts |
| John Stoneham Jr. | ... | stunts |
| Anton 'Ty' Tyukodi | ... | stunts (as Anton Tyukodi) |
Camera and Electrical Department
| Paul Boucher | ... | camera operator |
| Tom Bracone | ... | first assistant camera: New York |
| Jayson Clute | ... | first assistant camera |
| Don Cornett | ... | camera operator: title sequence |
| Mark Cowden | ... | best boy electric |
| Stephen Crosgrey | ... | generator operator |
| John Dolan | ... | key rigging grip: New York |
| Phil Dutton | ... | second assistant camera: New York |
| Jay Eckardt | ... | camera loader: New York |
| Gene Engels | ... | gaffer: New York |
| Chris Faulkner | ... | key grip |
| James W. Finnerty | ... | key grip: New York (as Jimmy W. Finnerty Jr.) |
| Rick Gallagher | ... | video playback operator |
| Stewart Grayburn | ... | dolly grip |
| Rob Haid | ... | best boy (as Robert 'Gump' Haid) |
| Kerry Hayes | ... | still photographer |
| Tom Houghton | ... | camera operator: New York |
| Marcel Janisse | ... | camera trainee |
| Shane Kitchener | ... | generator operator |
| Daniel Laborde | ... | grip (as Dan Laborde) |
| Frances 'Buddy' McBride | ... | rigging gaffer: New York (as Buddy McBride) |
| Steve Mrkobrada | ... | second assistant camera |
| Chris Nordstrom | ... | camera crane grip: dailies |
| Toshiaki Ozawa | ... | cinematographer: title sequence |
| Derek Porter | ... | electrician |
| Anthony Ramsey | ... | electrician (as Tony Ramsey) |
| Antonio Rossi | ... | first assistant camera: title sequence (as Tony Rossi) |
| Dave Samuel | ... | best boy electric: title sequence |
| Kurt Schwartz | ... | grip: title sequence |
| Franco Tata | ... | gaffer |
| Lindsay Todd | ... | daily grip |
| Vince J. Vennitti | ... | camera operator: title sequence (as Vince Vennitti) |
| Todd Voogt | ... | grip |
| David Watts | ... | electrician |
| David Daniel | ... | additional cinematographer (uncredited) |
| Antony Ellis | ... | second assistant camera (uncredited) |
| Toshiaki Ozawa | ... | additional photographer: title sequence (uncredited) |
| Joel Tishcoff | ... | rigging best boy: New York (uncredited) |
Casting Department
| Mark Bennett | ... | casting associate: USA |
| Megan Conacher | ... | extras casting |
| Deborah Maxwell Dion | ... | casting assistant: USA |
| Sondra James | ... | adr voice casting |
| Meredith Jacobson Marciano | ... | extras casting: New York |
| Jennifer McNamara | ... | casting associate: USA |
| Clare Walker | ... | casting: Canada |
Costume and Wardrobe Department
| Michael Adkins | ... | wardrobe supervisor: New York |
| Patrick Antosh | ... | on-set wardrobe supervisor |
| Alex Forester | ... | wardrobe assistant: Los Angeles |
| Kim Harkness | ... | wardrobe production assistant |
| Amina Mohamed | ... | wardrobe assistant |
| Gersha Phillips | ... | assistant costume designer: Toronto |
| Barbara Presar | ... | assistant costume designer: New York |
| Hartsell Taylor | ... | wardrobe supervisor: New York |
Location Management
| Michael Blecher | ... | location manager |
| Karen Mathieson | ... | location production assistant |
| Suzanne Porter | ... | assistant location manager |
| Jonathan Roumie | ... | assistant location manager: New York |
| Andrew Saxe | ... | location manager |
Music Department
| Barry Cole | ... | music supervisor |
| Christopher Covert | ... | music supervisor |
| Eve Egoyan | ... | musician: solo piano |
| James Flatto | ... | additional music editor |
| William Garrett | ... | music mixer: orchestra |
| Martin Goldray | ... | conductor |
| Mishann Lau | ... | additional music editor |
| Gillian Morris | ... | assistant music supervisor |
| Mj Mynarski | ... | technical music consultant |
| David Voigt | ... | music engineer |
| Jeff Wolpert | ... | music consultant / music editor |
| Randall Woolf | ... | orchestrator |
Script and Continuity Department
| Dawn Sorokolit-Burke | ... | script supervisor (as Dawn Sorokolit) |
Transportation Department
| Mike Adams | ... | driver |
| Robert Arsenault | ... | head driver |
| Tony Bifano | ... | transportation coordinator |
| Glen Creswell | ... | driver captain |
| Wayne Frampton | ... | talent driver |
| Richard Hooper | ... | driver |
| Shane Kitchener | ... | driver |
| Danny Menecola | ... | driver |
| John Mulligan | ... | transportation co-captain: New York |
| Steve Russell | ... | driver: honeywagon |
| Dusan Stepanovic | ... | driver |
| Peter Travis | ... | transportation captain: New York |
| Lisa Zozzolotto | ... | driver |
| Scott Clarke | ... | driver: Christian Bale (uncredited) |
Additional Crew
| Heather Anderson | ... | assistant: Mary Harron |
| Ethan Baum | ... | hand double: title sequence |
| John 'Frenchie' Berger | ... | gun handler (as Frenchie Berger) |
| Peter Blakeman | ... | food stylist |
| Hilary Bowers | ... | assistant: Mr. Pressman |
| Dan Brillman | ... | production assistant: title sequence |
| Jane Conway | ... | pig wrangler |
| James Crouch | ... | key production accountant |
| David Daniels | ... | production executive: New York |
| Aurea Dempsey | ... | production secretary |
| Ken Dhaliwal | ... | production legal |
| Nadine Dislioglu | ... | office production assistant |
| Ron Donne | ... | food stylist |
| Damien DuPuis | ... | office production assistant |
| Rick Ellis | ... | food stylist: title sequence |
| Mark Feinsod | ... | office production assistant: New York |
| Jordan Gertner | ... | production executive: Muse |
| Catherine Gore | ... | script supervisor: title sequence |
| Omri Green | ... | hand double: title sequence |
| Shell Hecht | ... | production coordinator: New York |
| Geofrey Hildrew | ... | office production assistant: New York |
| Deirdre Hughes | ... | office production assistant |
| Jeff Jackson | ... | production legal |
| Nancy Jackson | ... | production coordinator |
| Eddie Joe | ... | parking coordinator: New York |
| Mary A. Kelly | ... | script supervisor: New York (as Mary Kelly) |
| Karen Kimball | ... | assistant: Mr. Pressman |
| Joan Kirby | ... | accountant: Lions Gate |
| Patrick Lanctot | ... | consultant: avid (as Pat Lanctot) |
| Sophia Lin | ... | production assistant: title sequence |
| Laurie May | ... | business and legal affairs: Lions Gate |
| Marlene McCarty | ... | title designer |
| Joan McGuinness | ... | completion bond |
| Frank McKenna | ... | craft service: New York |
| Michael McKenna | ... | craft service: New York |
| Ru Niles | ... | second accounts assistant |
| Susan Nycz | ... | truck assistant |
| Erin O'Rourke | ... | creative executive: Pressman |
| Timothy Wayne Peternel | ... | production executive: Muse |
| Morgan H. Rector | ... | production financing (as Morgan Rector) |
| Dusty Reeves | ... | research and clearance coordinator |
| Katie Rosin | ... | hand double: title sequence (as Katherine Rosin) / production coordinator: Lions Gate Films, New York (as Katherine Rosin) |
| John Ross | ... | completion bond |
| Kristi Savino | ... | assistant: Mr. Pressman |
| Zach Schiff-Abrams | ... | creative executive: Pressman |
| Bradford L. Schlei | ... | production executive |
| Dave Scott | ... | hand double: title sequence |
| Lisa A. Shapiro | ... | business and legal affairs: Pressman (as Lisa Shapiro) |
| Carissa Shaw | ... | assistant to producers |
| Claude Shaw | ... | assistant: Mr. Solomon |
| Jon Shiffman | ... | production financing |
| Jay Stein | ... | payroll coordinator: New York |
| David Steinberg | ... | production legal |
| Jim Sternberg | ... | completion bond |
| Aloma Taylor | ... | accounting assistant |
| Kirk Thompson | ... | insurance |
| Adrienne Tyson | ... | daily assistant |
| Jeremy Walker | ... | unit publicist |
| Carrie Walkup | ... | creative executive: Lions Gate |
| Reid Warman | ... | production secretary: New York |
| Johanna Weinstein | ... | food coordinator |
| Gregory G. Woertz | ... | production executive: Pressman (as Gregory Woertz) |
| Levi Woodward | ... | production assistant: title sequence |
| Sarah Wright | ... | assistant: Mr. Pressman |
| Emily Zalenski | ... | marketing executive: Pressman |
| Koethi Zan | ... | business and legal affairs: Pressman |
| Harrison Cheung | ... | publicist (uncredited) |
| Mark L. Feinsod | ... | office production assistant (uncredited) |
| Michael Hamer | ... | double: Patrick Bateman (uncredited) |
| Steve Holt | ... | set medic (uncredited) |
| Steve Lee | ... | production assistant (uncredited) |
| Valerie Livingston | ... | Office Manager: New York (uncredited) |
| Clark McCutchen | ... | production executive (uncredited) |
| Robert M. Melnik | ... | senior vice president of business affairs: Lions Gate Films (uncredited) |
| Gina Meyers | ... | production assistant (uncredited) |
| Nelson Nico | ... | security (uncredited) |
| James O'Donnell | ... | office production assistant (uncredited) |
| Sean Oliver | ... | adr loop group (uncredited) |
| Anthony O. Prime | ... | production assistant (uncredited) |
| Peter Pamela Rose | ... | adr loop group (uncredited) |
| Simon St. Laurent | ... | opticals: Film Opticals (uncredited) |
| Don Thacker | ... | production assistant (uncredited) |
| Bill Timoney | ... | adr loop group (uncredited) |
| Nick Veziris | ... | gun wrangler (uncredited) |
Thanks
| Richard Avedon | ... | special thanks: October 1987 GQ Cover Photograph |
| Brad Bowles | ... | special thanks |
| Phyllis Cedar | ... | special thanks |
| John Dunning | ... | special thanks |
| Jean-Paul Gaultier | ... | special thanks (as Jean Paul Gaultier) |
| Norman Gay | ... | special thanks |
| Aida Gurwicz | ... | special thanks |
| Peter Halley | ... | special thanks |
| Natalia Hnatiuk | ... | special thanks |
| Amy Hubbard | ... | special thanks |
| Betsey Johnson | ... | special thanks |
| Jay Jopling | ... | special thanks: White Cube Gallery |
| Devra Kinery | ... | special thanks |
| André Link | ... | special thanks (as Andre Link) |
| Robert Longo | ... | special thanks |
| Allan McCollum | ... | special thanks |
| Annie McEnroe | ... | special thanks (as Annie McEnroe Pressman) |
| Jennifer O'Sullivan | ... | special thanks |
| Tom Ortenberg | ... | special thanks |
| Lynn Pressman-Raymond | ... | special thanks (as Lynn Pressman Raymond) |
| Richard Prince | ... | special thanks |
| Yves Saint-Laurent | ... | special thanks (as Yves St. Laurent) |
| Arthur Schultise | ... | special thanks |
| Cindy Sherman | ... | special thanks |
| Mark Urman | ... | special thanks |
| Ruben Verdu | ... | special thanks |
| Neville Wakefield | ... | special thanks |
| Vivienne Westwood | ... | special thanks |
Production Companies
- Am Psycho Productions
- Lionsgate Films
- Muse Productions
- P.P.S. Films
- Pressman Film
- Quadra Entertainment
- Universal Pictures
Distributors
- Lionsgate Films (2000) (United States) (theatrical)
- Columbia TriStar Nordisk Film Distributors A/S (2000) (Norway) (theatrical)
- Entertainment Film Distributors (2000) (United Kingdom) (theatrical)
- Lions Gate Films (2000) (Canada) (theatrical)
- Sony Pictures Releasing (2000) (Australia) (theatrical)
- Columbia TriStar Films AB (2000) (Sweden) (theatrical)
- Columbia TriStar Egmont Film Distributors (2000) (Finland) (theatrical)
- Metropolitan Filmexport (2000) (France) (theatrical)
- Eurocine (2000) (Argentina) (theatrical)
- Odeon (2000) (Greece) (theatrical)
- Concorde Filmverleih (2000) (Germany) (theatrical)
- RCV Film Distribution (2000) (Belgium) (theatrical)
- RCV Film Distribution (2000) (Netherlands) (theatrical)
- Columbia TriStar Films de España (2000) (Spain) (theatrical)
- Columbia TriStar Home Entertainment (2000) (United States) (DVD)
- Columbia TriStar Home Video (2000) (Canada) (VHS)
- Eagle Films (2000) (Non-US) (Middle East)
- Egmont Entertainment (2000) (Sweden) (theatrical)
- Egmont Entertainment (2000) (Finland) (DVD) (VHS)
- Egmont Film (2000) (Norway) (DVD) (VHS)
- Universal Studios Home Video (2000) (United States) (DVD)
- Amuse Pictures (2001) (Japan) (theatrical)
- RCV Film Distribution (Luxembourg) (theatrical)
- 20th Century Fox Home Entertainment (2014) (Mexico) (DVD) (re-release edition)
- Argentina Video Home (Argentina) (DVD)
- Argentina Video Home (Argentina) (VHS)
- BBC Two (2003) (United Kingdom) (tv)
- Concorde Home Entertainment (2001) (Germany) (Blu-ray)
- Concorde Home Entertainment (2001) (Germany) (DVD)
- Dutch FilmWorks (DFW) (2001) (Netherlands) (DVD) (VHS)
- ETV 2 (2020) (Estonia) (tv)
- Europa Filmes (2001) (Brazil) (DVD)
- GoldMax (2007) (Turkey) (tv)
- HBO Zone (2023) (United States) (tv)
- Koch Films (2020) (Germany) (Blu-ray)
- Koch Films (2020) (Germany) (DVD)
- Koch Films (2021) (Germany) (Ultra HD Blu-ray)
- Koch Media (2018) (Germany) (Blu-ray)
- Lions Gate Films Home Entertainment (2005) (United States) (DVD)
- Lions Gate Films Home Entertainment (2007) (United States) (Blu-ray) (DVD)
- Mainostelevisio (MTV3) (2005) (Finland) (tv)
- Maple Pictures (2005) (Canada) (DVD)
- Nelonen (2008) (Finland) (tv)
- Net5 (2003) (Netherlands) (tv)
- Netflix (2017) (Netherlands) (video) (VOD)
- Nordisk Film (2003) (Finland) (DVD)
- Nordisk Film (2010) (Finland) (Blu-ray)
- Nordisk Film (2010) (Norway) (DVD) (Christian Bale box set - together with "Equilibrium" and "Rescue Dawn")
- Nordisk Film (2011) (Norway) (video) (Blu-ray box set - together with "Rescue Dawn")
- Nordisk Film (2001) (Sweden) (DVD)
- Nu Vision (Mexico) (VHS)
- Peacock (2020) (United States) (video)
- Quality Films (Mexico) (DVD)
- RTL Entertainment (2007) (Netherlands) (tv) (RTL7)
- Sony Pictures Home Entertainment (2009) (Australia) (Blu-ray) (DVD)
- Sub (2017) (Finland) (tv)
- SubTV (2003) (Finland) (tv)
- TV5 (2010) (Finland) (tv)
- The Horror Channel (2015) (United Kingdom) (tv)
- Veronica (2006) (Netherlands) (tv)
Special Effects
- Kavanaugh Special Effects (special effects)
- Steve Johnson's XFX (make-up special effects)
Other Companies
- Absolutely Famished (catering)
- Act One Script Clearance (script research)
- Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) (acknowledgement)
- American Humane Association (acknowledgement)
- Avatar Studios (orchestra recorded at)
- Axium Entertainment Group (payroll services)
- Berlin Film Festival (festival)
- C5 (sound design)
- Cerruti (custom made clothing)
- Chapman/Leonard Studio Equipment (cranes and dollies)
- Cherry Lane Music Publishing Company (music publishing administered by)
- Clinton Recording Studios (orchestra recorded at)
- Coast to Coast Catering (catering)
- Completion Guarantors (TGC) (completion bond)
- David J. Woods Productions (video playback)
- DeForest Research (script clearances)
- DeLuxe Laboratories (sound re-recording facility)
- DeLuxe Laboratories (video and sound transfers)
- Deluxe Post-Production (post-production facilities)
- Directors Guild of America (DGA) (acknowledgement)
- Directors Guild of Canada (acknowledgement)
- Dolby Digital (in selected theatres)
- Encore Eclectic Props (props)
- Eyes Post Group (video and sound transfers)
- Film Opticals (opticals: Toronto)
- Helie Film Support Services (security)
- Hot'N Ready (craft service)
- Imperial Entertainment Group (production financing provided by)
- International Alliance of Theatrical Stage Employees (IATSE) (acknowledgement)
- Jeremy Walker + Associates (public relations)
- Jones Brown Insurance (insurance)
- Koch Records (soundtrack released by)
- Kodak Canada (film stock supplied by)
- Lightnin' Production Rentals (transportation equipment)
- M.M.I. Product Placement (product placement)
- Motion Picture Association (MPA)
- Nabet 700 (acknowledgement)
- Panavision (camera system provided by)
- Premiere Entertainment (product placement)
- Pseudo.com (on-line promotion)
- Reel Foods (craft service)
- SAG-AFTRA (acknowledgement)
- Sommerville National (vehicles provided by)
- Sound One Corporation (adr facility: New York)
- Studio Catering (catering)
- Sundance Film Festival (festival)
- Tattersall Sound (sound post-production)
- The Complex (adr facilities: Los Angeles)
- The Effects House (opticals: New York)
- Thompson & Thompson (script clearances)
- Tribeca Film Festival (festival)
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Storyline
| Plot Summary |
It's the late 1980s. Twenty-seven year old Wall Streeter Patrick Bateman travels among a closed network of the proverbial beautiful people, that closed network in only they able to allow others like themselves in in a feeling of superiority. Patrick has a routinized morning regimen to maintain his appearance of attractiveness and fitness. He, like those in his network, are vain, narcissistic, egomaniacal and competitive, always having to one up everyone else in that presentation of oneself, but he, unlike the others, realizes that, for himself, all of these are masks to hide what is truly underneath, someone/something inhuman in nature. In other words, he is comprised of a shell resembling a human that contains only greed and disgust, greed in wanting what others may have, and disgust for those who do not meet his expectations and for himself in not being the first or the best. That disgust ends up manifesting itself in wanting to rid the world of those people, he not seeing them as people but only of those characteristics he wants to rid. Written by Huggo |
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| Taglines | No Introduction Necessary. See more » |
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| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $7,000,000 (estimated) |
| Opening Weekend United States | $4,961,015, 16 Apr 2000 |
| Cumulative Worldwide Gross | $34,266,564 |
Did You Know?
| Trivia | During production, Christian Bale followed the morning routine that his character Patrick Bateman describes toward the beginning of the film. See more » |
| Goofs | (at around 1h 21 mins) During Patrick's killing spree towards the end of the movie, when he is running between the two nearly-identical buildings, a Canadian flag is intermittently visible flapping out from behind the building on the left, revealing that this scene was shot in the Toronto-Dominion Plaza, not in New York. See more » |
| Movie Connections | Featured in The Beach/Snow Day/Holy Smoke (2000). See more » |
| Soundtracks | True Faith See more » |
| Crazy Credits | The opening credits are accompanied by what appear to be drops of blood, but these become portions of sauce. See more » |
| Quotes |
[Recurring line]
Patrick Bateman: I have to return some videotapes. See more » |