The Cowboy and the Movie Star (1998)
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- 1h 40min
- Drama, Romance
- 07 Jun 1998 (USA)
- TV Movie
Depressed at the thought of losing his family ranch to settle his divorce, cowboy Clint Brannan decides to drive his cattle up to their high pasture. One day into the drive Clint happens across actress Sean Livingston who has run her car...
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Writers:
Stars:
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Cast
| Sean Young | ... |
Sean Livingston
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| Perry King | ... |
Clint Brannan
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| Priscilla Barnes | ... |
Marlene Brighton
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| David Groh | ... |
Adrian Friar
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| Rochelle Swanson | ... |
Liz Brannan
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| George Pilgrim | ... |
David
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| Michael Chieffo | ... |
Cookie
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| Steve Kanaly | ... |
Frank Dumas
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| James Karen | ... |
Brad Peters
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| John Bishop | ... |
Dr. Roberts
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Louise Baker | ... |
Sarah
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Amy Kidd | ... |
Nurse
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Charles Moore | ... |
Bobby
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| Mary Jo Smith | ... |
Prop Master
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| David Jahn | ... |
The Second
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Caitlin Griffiths | ... |
Ashley
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Beowulf | ... |
Scratch the Dog
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| Rest of cast listed alphabetically: | |||
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Mike Elliott | ... |
Ronaldo
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| Chris Mulkey | ... |
Sheriff (uncredited)
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Directed by
| Mark Griffiths | ||
Written by
| Michael Petryni | ... | (written by) (as Michael Petryini) and |
| Rob Gilmer | ... | (written by) |
Produced by
| Mike Elliott | ... | producer |
| Joseph P. Genier | ... | line producer |
| Amy Goldberg | ... | co-producer |
| Lance H. Robbins | ... | executive producer |
| Nathan Rotmensz | ... | associate producer |
| Mike Upton | ... | line producer |
Music by
| Yuval Ron | ||
Cinematography by
| Blake T. Evans | ||
Editing by
| Roderick Davis | ||
Editorial Department
| Matt Downs | ... | telecine assistant |
| Tony Dustin | ... | telecine assistant |
| Luciano Guimarães | ... | telecine assistant (as Luciano Guimaraes) |
| Steve Hooran | ... | tape-to-tape colorist |
| Shannon Koczera | ... | tape-to-tape colorist |
| Chad Lurie | ... | post-production assistant |
| Clive H. Mizumoto | ... | senior vice president: post-production |
| Vartan Nazarian | ... | assistant editor |
| Jim O'Hagan | ... | on-line editor |
| Heather Ogden | ... | post-production facilities coordinator |
| Dave Sandler | ... | on-line editor |
| Jennifer Viola | ... | assistant editor (as Jennifer A. Viola) |
| Harry West | ... | telecine assistant |
Casting By
| Julie Ashton | ||
Production Design by
| Michael Perry | ... | (as Michael T. Perry) |
Set Decoration by
| Beatriz Kerti | ||
| Adrienne Mascaro | ||
Costume Design by
| Bonnie Stauch | ... | (as Bonnie A. Stauch) |
Makeup Department
| James Hamilton | ... | assistant hair stylist / assistant makeup artist |
| Ania Harasimiak | ... | key hair stylist (as Anna Harasimiak) / makeup department head (as Anna Harasimiak) |
| Stella Tzanidakis | ... | assistant hair stylist / assistant makeup artist |
Production Management
| Bob Lewis | ... | executive in charge of production |
| Dawn K. Thomas | ... | production manager (as Dawn Karen Thomas) |
Second Unit Director or Assistant Director
| Valerie Bleth Sharp | ... | second assistant director (as Valerie Ann Bleth) |
| Wendy Palmer | ... | second second assistant director |
| Tony Steinberg | ... | first assistant director |
Art Department
| Sandy Adams | ... | on-set dresser |
| Dort Clark | ... | property master (as Dort Donald Clark) |
| Jeff Cockerell | ... | swing gang |
| Cathy L. Connor | ... | property assistant (as Cathy Connor) |
| Heather Foley | ... | art department coordinator |
| Jerry Fontana | ... | property assistant (as Jerry R. Fontana) |
| David Lee Goode | ... | lead man |
| Desmond Griffiths | ... | art department coordinator |
| Patrick Hogan | ... | additional lead man |
| Rudolfo Lerma | ... | on-set dresser (as Rudolpho T. Lerma) |
| Doug Passarelli | ... | property assistant |
| Meghan Perry | ... | art department production assistant |
| Daniel Robert | ... | swing gang (as Daniel Roberts) |
| Courtney Smith | ... | swing gang |
| Charles Zubillaga | ... | swing gang |
Sound Department
| David W. Barr | ... | adr recordist |
| Jason Berlin | ... | boom operator |
| Reginald Bryant | ... | sound mixer |
| Brian Densmore | ... | assistant sound re-recording mixer |
| Keith Dickens | ... | supervising sound effects editor |
| Mark Ettel | ... | re-recording mixer |
| Martin Flores | ... | sound effects editor |
| Mike Garcia | ... | supervising adr editor (as Michael L. Garcia) / supervising dialogue editor (as Michael L. Garcia) |
| Richard Maxim Garcia | ... | foley re-recording mixer (as Maxim Garcia) |
| Tony Mac | ... | boom operator |
| Jeff Mar | ... | dialogue editor |
| Kevin Newson | ... | adr recordist |
| Diane Parrino | ... | foley artist (as Diane M. Parrino) |
| Robert R. Rutledge | ... | foley artist / supervising sound editor |
| Kirk Schuler | ... | dialogue editor |
| Ace Williams | ... | boom operator |
Special Effects by
| Jefferson Zuma Jay Wagner | ... | special effects coordinator (as Jefferson Wagner) |
Visual Effects by
| Paula Comensky-Owurowa | ... | CGI production manager (as Paula Comensky) |
| Geoffrey Kater | ... | cgi animator |
| John R. McConnell | ... | cgi compositor (as John McConnell) |
| Roy Smith | ... | CGI producer |
Stunts
| Ted Barba | ... | stunts (as Theodore Barba) / stunts |
| Chuck Borden | ... | stunts |
| Bob Bragg | ... | stunts (as a different name) |
| Joey Gardner | ... | stunts |
| Larry Holt | ... | stunts |
| Christy Ingram | ... | stunts |
| Charlie Sammut | ... | stunts |
| Paul E. Short | ... | stunts |
| Patrick J. Statham | ... | stunt coordinator |
| Jennifer Watson-Johnston | ... | stunts (as Jennifer Watson) |
Camera and Electrical Department
| Dennis Babchuck | ... | rigging grip (as Denny Babchuck) |
| Keith Barefoot | ... | gaffer |
| Miguel Benavides | ... | electrician |
| Scott Boettle | ... | first assistant camera: b camera |
| Alan Cohen | ... | grip |
| Jon 'Scooter' Cousins | ... | best boy grip (as Jonathan 'Scooter' Cousins) / electrician (as Jonathan 'Scooter' Cousins) |
| David Erickson | ... | camera loader |
| Frank Esposito | ... | electrician |
| Kenn Ferro | ... | Steadicam operator (as Kenneth Ferrow) |
| Brian Freidin | ... | electrician (as Brian R. Freidin) |
| Hiroyuki Fukuda | ... | camera loader |
| G. Barak Humphrey | ... | electrician (as Barak Humphrey) |
| Alex Jaworski | ... | best boy electric (as Alex M. Jaworski) |
| Ian Jordan | ... | best boy electric |
| John Joyce | ... | steadicam operator |
| Andre Karidis | ... | best boy grip |
| Michael Dean Kiesling | ... | dolly grip |
| Daniel Kikuchi | ... | grip |
| Baqi Kopelman | ... | gaffer |
| Kristopher Lamorte | ... | grip (as Kris La Morte) |
| Kirsten Laube | ... | second assistant camera |
| John A. Locke | ... | best boy electric |
| Paul McCallum | ... | still photographer |
| Ken Metz | ... | grip |
| Steve Owen | ... | grip (as Steve C. Owen) |
| David Paone | ... | second assistant camera |
| Cricket Peters | ... | electrician (as S. Cricket Peters) |
| Ralph Pichler | ... | assistant camera: "b" camera |
| Ben Plotkin | ... | gaffer |
| Lewis Sadler | ... | grip |
| Michael E. Satrazemis | ... | camera operator: "b" camera (as Michael Edison Satrazemis) |
| Brian Scotti | ... | grip |
| Barnaby Shapiro | ... | first assistant camera |
| Kelly Smith | ... | still photographer |
| Mark Smith | ... | key grip (as Mark R. Smith) |
| Matthew Spiegelman | ... | electrician |
| Mike Spodnik | ... | first assistant camera (as Mike Spodnick) |
| Robert Stillman | ... | grip (as Bob Stillman) |
| Paul D. Strong | ... | electrician |
| John Vetter | ... | camera loader (as John F. Vetter) |
| Todd Weaver | ... | electrician |
Casting Department
| Debe Waisman | ... | extras casting |
| Romy Stutman | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
| Kate Swartz | ... | wardrobe supervisor (as Katherine Swartz) |
| Joyce Westergaard | ... | assistant costume designer |
Location Management
| Ron Hugo | ... | location scout |
| Kimberly Jankowiak | ... | location scout |
| Marc E. Spiegel | ... | location manager (as Marc Spiegal) |
| Anthony Yorlando | ... | location scout |
Music Department
| Barron Abramovitch | ... | music editor / music engineer |
| Teri Nelson Carpenter | ... | music business affairs (as Teri Nelson) |
| James Dijulio | ... | second music engineer (as Jimmy DiJulio) |
| Sharon Farber | ... | orchestrator |
| Sharron Ferber | ... | additional orchestrator |
| Tim Gosselin | ... | second music engineer |
| Wayne Hinton | ... | music editor |
| Peter Kelsey | ... | music engineer |
| Yuval Ron | ... | composer: theme music |
| John Sperger | ... | second music engineer |
| Casey Stone | ... | music engineer |
| Paul Taylor | ... | orchestrator |
Script and Continuity Department
| Tracy Zigler | ... | script supervisor (as Tracy E. Zigler) |
Transportation Department
| Michael Burnette | ... | transportation coordinator (as Mike A. Burnette) |
| Darrell Davis | ... | driver (as Darrell Craig Davis) |
| Haryl L. Deason | ... | transportation captain |
Additional Crew
| Liesl Beneke | ... | craft service |
| Don Bensko | ... | production auditor |
| Ed Boyle | ... | wrangler |
| James Budan | ... | production assistant |
| John Burish | ... | production assistant |
| Elizabeth Chassie | ... | wrangler (as Elizabeth McMillian) |
| Jennifer Cobb | ... | assistant accountant |
| Meghan Crallé | ... | production assistant (as Meghan Cralle) |
| Darrell Davis | ... | wrangler (as Darrell Craig Davis) |
| Shelley Davis | ... | animal trainer |
| Alex Doherty | ... | assistant: Lance H. Robbins |
| Donald Early | ... | wrangler |
| Frank E. Errico | ... | production secretary |
| Rodd Feingold | ... | vice president: Physical Production |
| Sharron Ferber | ... | copyist |
| Gavin Franks | ... | production financing |
| Jill Frederickson | ... | assistant: Mike Elliott |
| Jimmy Holcomb | ... | production coordinator (as James Terry Holcomb Jr.) |
| Christy Ingram | ... | wrangler |
| Karen Kittleson | ... | wrangler |
| Bobby Lovgren | ... | boss wrangler (as Bobby Luvgren) / head wrangler |
| Kourtney C. Mako | ... | production assistant |
| Tracy Marshak-Nash | ... | assistant production coordinator (as Tracey Marshak-Nash) |
| Doug Masterson | ... | wrangler (as Douglass J. Masterson) |
| Jim McDonald | ... | electronic graphic artist |
| David J. McMillan | ... | animal coordinator (as David McMillian) |
| Nancy McMillan | ... | animal coordinator (as Nancy McMillian) |
| Moses Mugo | ... | production assistant |
| Sadaf Cohen Muncy | ... | assistant: Lance H. Robbins (as Sadaf Cohen) |
| Erin K. O'Brien | ... | assistant: Mike Elliott |
| Tim Orindgreff | ... | assistant: special teams |
| Billy Rae Owens | ... | riding instructor |
| Scott A. Perez | ... | wrangler (as Scott Perez) |
| Ron Resch | ... | set medic |
| Don Reynolds | ... | wrangler |
| Tom Roach | ... | wrangler |
| Lynne Robbins | ... | studio teacher |
| Lee Roeser | ... | wrangler |
| Eric S. Rollman | ... | executive vice president: production (as Eric Rollman) |
| Charlie Sammut | ... | wrangler |
| Dan Schlaack | ... | set production assistant |
| Cody Smith | ... | wrangler |
| Phil Smith | ... | wrangler (as Philip Smith) |
| Russell Thomas | ... | production assistant |
| Darryl Vaughan | ... | corporate runner |
| Jaime Wall | ... | wrangler |
| M. Dal Walton III | ... | office production assistant |
| Anthony Yorlando | ... | craft service (as Tony Yorlando) |
Production Companies
Distributors
- The Family Channel (1998) (United States) (tv)
Special Effects
Other Companies
Storyline
| Plot Summary |
Depressed at the thought of losing his family ranch to settle his divorce, cowboy Clint Brannan decides to drive his cattle up to their high pasture. One day into the drive Clint happens across actress Sean Livingston who has run her car off the road in the middle of nowhere whilst out on a drive to clear her head. Faced with the prospect of a two or three day wait for rescue or accompanying Clint on his cattle drive, Sean decides to go on the cattle drive. Completely unprepared for the harshness and privations of living outdoors Sean initially hates the adventure. However, as the drive progresses Sean and Clint start to appreciate the differences and similarities of their respective lives and begin to realize that they have much in common. As the drive progresses fate and the forces of nature intervene to turn the cattle drive into a race against time to reach their destination to save the cattle and then return to civilization as soon as possible to save Clint's life. Will their fledgling friendship, borne of enforced intimacy, survive and grow or will they go their separate ways?
Written by Mark Smith |
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Did You Know?
| Movie Connections | Remake of The Cowboy and the Lady (1938). See more » |