I remember the original appearance of this film - it had all the corporate venality of the SNL product we've come to accept as so much saturation in movies over the last two decades, and was DOA in theatres when released.
Today however, the movie has a bizarre level of subliminal black humor that manages to play pretty entertainingly; it also has incidental music by the Residents throughout (mostly stuff from the Commercial Album), which works surprisingly well.
Overall, the movie is similar in feel to Eating Raoul, or the late 70s tv show Mary Hartman, in terms of questionable funniness but sustained 'edginess'. Speaking of MH, MH, the husband reprises his role here, more or less; his Martin Mull-ish cop buddy, IMO, was the comic highlight of the film.