My Voyage to Italy (1999)
Il mio viaggio in Italia (original title)Reference View | Change View
- PG-13
- 4h 6min
- Documentary
- 16 May 2002 (France)
- Movie
World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.
Director:
Writers:
Star:
Awards:
- 3 wins & 2 nominations.
- See more »
Photos and Videos
Cast
| Rest of cast listed alphabetically: | |||
| Martin Scorsese | ... |
Host
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Directed by
| Martin Scorsese | ||
Written by
| Suso Cecchi D'Amico | ... | (writer) |
| Raffaele Donato | ... | (writer) |
| Kent Jones | ... | (writer) |
| Martin Scorsese | ... | (writer) |
Produced by
| Giorgio Armani | ... | executive producer / producer |
| Marianne Bower | ... | associate producer |
| Marco Chimenz | ... | executive producer |
| Barbara De Fina | ... | producer |
| Giuliana Del Punta | ... | producer |
| Raffaele Donato | ... | co-executive producer |
| Bruno Restuccia | ... | producer |
| Riccardo Tozzi | ... | executive producer |
Cinematography by
| Phil Abraham | ||
| William Rexer | ||
Editing by
| Thelma Schoonmaker | ||
Editorial Department
| Scott Brock | ... | associate editor |
| Tom Foligno | ... | assistant editor |
| Joel Hirsch | ... | assistant editor |
| Christopher Marcoux | ... | assistant editor (as Chris Marcoux) |
| Roberta Schiavoni | ... | negative cutter |
| Teresa Sercia | ... | negative cutter |
| Donatella Tiburzi | ... | negative cutter |
| Silvio Tonino | ... | color timer |
| Paolo Verrucci | ... | color timer |
| Jeffrey M. Werner | ... | assistant editor (as Jeff Werner) |
Production Design by
| Wing Lee | ||
Makeup Department
| Felice Diamond | ... | makeup artist |
| Todd Kleitsch | ... | makeup artist |
Production Management
| Marco Serrecchia | ... | production manager |
Art Department
| Anthony Baldasare | ... | set dresser |
| Autumn Jones | ... | scenic |
| Ron Petagna | ... | construction coordinator (as Ronnie Petagna) |
Sound Department
| Eric A. Christoffersen | ... | stereo sound consultant: Dolby |
| Chris Fielder | ... | sound assistant |
| Tom Fleischman | ... | re-recording mixer |
| Keith Gardner | ... | boom operator |
| Sean Huff | ... | sound assistant |
| Peter Miller | ... | narration recordist / sound mixer |
| Tom Nelson | ... | sound mixer (as Thomas Nelson) |
| Roger Phenix | ... | narration recordist |
| Mike Poppleton | ... | assistant sound editor |
| Mark Roy | ... | narration recordist |
| Reilly Steele | ... | re-recording mixer |
| Philip Stockton | ... | supervising sound editor |
| William Tzouris | ... | narration recordist (as William P. Tzouris) |
| Magdaline Volaitis | ... | supervising sound editor |
Visual Effects by
| Jennifer Basnyat | ... | visual effects |
| Romano Bellucci | ... | optical camera |
| Carlo Cotta | ... | technical support: opticals |
| Gianfranco De Angelis | ... | optical camera assistant |
Camera and Electrical Department
| Gideon Bachmann | ... | still photographer (as Gideon Bachman) |
| Bob Brennan | ... | dolly grip (as Robert A. Brennan) |
| Rod Calarco | ... | second assistant camera (as Rod S. Calarco) |
| Mimmo Cattarinich | ... | still photographer |
| Raymond Cauchetier | ... | still photographer |
| Gene Engels | ... | gaffer |
| Jonathan Furmanski | ... | first assistant camera |
| Rod E. Geiger | ... | still photographer (as Rod Geiger) |
| Nils Johnson | ... | video assist operator |
| Tim Lucas | ... | still photographer |
| Gordon Parks | ... | still photographer |
| George Patsos | ... | key grip |
| Giovanni Rinaldi | ... | still photographer |
| Pamela Rittelmeyer | ... | first assistant camera |
| Paul Ronald | ... | still photographer |
| Isabella Rossellini | ... | still photographer |
| Roswita Schmidt | ... | still photographer |
| Martin Scorsese | ... | still photographer |
| Enzo Silvana | ... | still photographer |
| Sergio Strizzi | ... | still photographer |
| Giorgio Tonti | ... | still photographer |
| Pierre Zucca | ... | still photographer |
Location Management
| Paul Kramer | ... | location manager |
Additional Crew
| Deanna Avery | ... | archives and iconographical research |
| Peter Bondanella | ... | presenter |
| Michael Boonstra | ... | production coordinator |
| Julie Brennan | ... | assistant: Mr. Scorcese |
| Giulio Calvani | ... | general organiser |
| Gretchen Campbell | ... | assistant: Mr. Scorsese |
| Anne Carrott | ... | production assistant |
| Duncan Chinnock | ... | teleprompter operator |
| Anita Dunn | ... | assistant coordinator |
| Sarah Feinberg-Galan | ... | assistant: Ms. De Fina (as Sarah Feinberg) |
| Cecilia Ferrari | ... | delegate: Mediatrade |
| Tracey Grimaldi | ... | teleprompter operator |
| Erica Levy | ... | assistant: Ms. De Fina |
| Cristiana Munafio | ... | press office: Mediaset |
| Paolo Pacetti | ... | assistant: Ms. Del Punta |
| Marcello Paolillo | ... | researcher |
| Silvio Tonino | ... | dailies advisor |
| Claudio Triomfera | ... | press office: Mediaset |
| Vinny Vella | ... | consultant |
| Enrico Falzetti | ... | production coordinator (uncredited) |
Thanks
Production Companies
- MediaTrade
- Cappa Production (in association with)
- Paso Doble Film S.r.l. (in conjunction with)
Distributors
- Miramax (2001) (United States) (theatrical)
- Divisa Home Video (2009) (Spain) (DVD)
- Miramax (2004) (United States) (DVD)
- Nowonmedia (2004) (Japan) (DVD)
- Umbrella Entertainment (2004) (Australia) (DVD)
- Umbrella Entertainment (2009) (Australia) (video) (VOD)
- Umbrella Entertainment (2012) (Australia) (tv)
- Video Film Express (2009) (Netherlands) (DVD)
- absolut MEDIEN (2010) (Germany) (DVD)
Special Effects
Other Companies
- Alan Upchurch Collection (photographs)
- American Film Magazine (photographs)
- Associazione Studio Patellani (photographs)
- Bettmann/Corbis (photographs)
- C5 (post-production sound facility)
- CBS News Archives (photographs)
- Cahiers du Cinéma (photographs)
- Camera Photo Venezia (photographs)
- Castle Hill Productions (photographs)
- Cinecittà (collaborator)
- Cinecittà (color)
- Cinecittà (telecine)
- Cinema Communications (thanks)
- Cineric (opticals)
- Cinesicurtà (insurance consultant)
- Civico Museo Biblioteca dell'Attore Genova (photographs)
- Classics Illustrated (comic books)
- Frawley (comic books)
- G.B. Poletto - Archivo Storico del Cinema (photographs)
- Institut National de l'Audiovisuel (INA) (photographs)
- Istituto Geografico De Agostini (photographs)
- Istituto Luce (photographs)
- LVR (telecine)
- Library of Congress (thanks)
- Magno Sound and Video (telecine)
- Mercurio Films S.A. (photographs)
- Museum of Modern Art Film Stills Archive (photographs)
- New York Times Company (photographs)
- Nikkatsu (photographs)
- Pacific Title (opticals)
- Panavision (grip and lighting equipment)
- Photo Fest (photographs)
- Post Perfect (telecine)
- Publifoto (photographs)
- Reporters Associati (photographs)
- Scuola Nazionale di Cinema (collaborator)
- Shochiku (photographs)
- Sound One (post-production facilities)
- Studio Elle (titles)
- Svensk Filmindustri (SF) (photographs)
- The Effects House (opticals)
- Turner Entertainment (photographs)
- Warner Bros. (photographs)
- Wesleyan Cinema Archives (photographs)
- Worldwide Photos (photographs)
Storyline
| Plot Summary |
"I saw these movies. They had a powerful effect on me. You should see them." That's Martin Scorsese's message for this documentary. We meet his family on Elizabeth Street in New York; he's a third generation Italian with Sicilian roots. Starting in 1949, they watched movies on TV as well as in theaters, lots of Italian imports. Scorsese, with his narration giving a personal as well as a public context, shows extended clips of these movies. Films of Rossellini and De Sica fill part one; those of Visconti, Fellini, and Antonioni comprise part two. Scorsese takes time with emotion, style, staging, technique, political context, and cinematic influence. It's his movie family.
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Did You Know?
| Goofs | Scorcese claims that Obsession (1943) was the first screen version of "The Postman Always Rings Twice"; it was actually the second, the first being The Last Turning (1939). See more » |
| Movie Connections | Edited from Days of Glory (1945). See more » |
| Soundtracks | Titoli di testa - Viaggio A Donnafugata See more » |
| Quotes |
Host:
What was important was that, for the first time, illusion took a backseat to reality. See more » |