"The Edgar Wallace Mystery Theatre" Candidate for Murder (TV Episode 1962) Poster

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6/10
rather good actually
UncleAimless6 September 2010
I must disagree with the previous commenter: this is not a bad film at all. The plot is constructed in such a way that it does keep you guessing about one thing or another for almost the entire running time, which I think is usually considered the key to the success of a movie like this. Whether the conclusion is plausible or not I don't know; I didn't mind it. The scriptwriter was Lukas Heller, and it's easy to see why he went on to have such a successful career: this movie is taut, suspenseful, and as I said it keeps you guessing. As for the cast: Michael Gough is great as always; Hans Borsody is also excellent as the killer; no one else is a real stand-out but no one lets the film down too badly either, though a better actress than Erika Remberg would have bumped the film up a notch.

According to several sources this is based on a Edgar Wallace story called "The Best Laid Plans of a Man in Love," which was published in Cosmopolitan magazine in 1927.
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A better Edgar Wallace mystery.
jamesraeburn200329 December 2016
Warning: Spoilers
Donald Edwards (Michael Gough)hires a professional killer from Germany called Kirsten (Hans Bersody) to kill his wife; the actress Helene Daniels (Erika Renberg) whom he believes is having an affair with a young barrister called Robert Vaughan - no, not The Man From UNCLE star) (John Justin). Helene is due to fly to the States to appear in a new film and is having a drinks party at their home as a send off. Donald arranges to be in London as an alibi while Kirsten shows up at the party as one of the guests. Helene is suspicious that her husband has sent him there to harm either Robert or herself - she is alarmed that Kirsten seems to know a lot about her. Robert dismisses her fears as nonsense, but agrees to telephone her as soon as he arrives home after the party and he does. However, Kirsten had hidden himself in the flat as the other guests departed and he pulls a gun on Helene as she hangs up the telephone. Meanwhile, Donald makes his way home from town but arrives to find his home ransacked but no trace of his wife's body.

One of the better entries in the long running series of Edgar Wallace mystery thrillers. It sustains the suspense throughout under David Villiers' direction and you will be kept on the edge of your seat throughout wondering what has happened to Michael Gough's wife. Did Kirsten really do the deed? Did Erika Renberg know about Gough's plan all along and hire Hans Bersody herself to turn on him? Or were they in fact lovers and was she simply using John Justin? All of these questions will pass through your mind as the plot unravels and, unlike so many Edgar Wallaces, this is a genuine mystery and the final twist when it comes is good and not easily guessable.
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3/10
Feeble Thriller
malcolmgsw28 January 2010
Edgar Wallace had such an individual style of writing that you have a sense when those in this series are not based on one of his works.whilst i cannot say that it wasn't written by him i doubt that he could display such a basic inability to construct a plot.This film literally falls apart at the seams.There is very little logic to much of the action and the climax is so ludicrous as to destroy any tension that might have built up.Quite apart from the fact that it is difficult to understand why the contract killer does not carry out his part of the bargin,it is difficult to find any empathy for the victim and her lover.I suppose that every series much have a few clinkers and this is certainly one of them.
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4/10
Candidate for Murder
Prismark106 May 2021
Candidate for Murder is a very pedestrian thriller which rather rambles along with very little momentum.

Michael Gough plays Donald Edwards who has hired a German hitman to kill his wife whom he suspects of having an affair.

Somehow the hitman distrusts Edwards and suspects he will be double crossed. The hitman kidnaps the wife and tells Edwards he has killed her.

Edwards wants the proof of a dead body as both men turn on each other.

A routine and subpar Edgar Wallace mystery. Gough is increasingly deranged. The hitman manages to struggle on after being shot and hit by a car. It is all a bit forgettable.
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