Bullet on a Wire (1997) Poster

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6/10
A bit goofy and referential!
Manicheus20 December 2002
I guess this goofy and awkward attempt at wedding Jim Jarmusch' early style with film noir in its later day incarnations would be highly excusable for a debutant in his early to say mid 20's. It's not much worse than lots of European artsy movies shown at the amateur film festivals. It's too bad that very seldom if ever any of these film enthusiasts can manage to record the sound properly! You've got to turn the volume high up and still strain to discern the dialogue. However, Sikora's film is way more coherent than about 95% of the home made film & video products as shown at your local Public Access TV. And, hey, if this film was French and director's name was, not a random shot mind you!, Francois Truffault I doubt not that the film would get many accolades. I wonder if Sikora must have seen films like "Tirez Sur Le Pianiste"? He could have if he went to a film school or, even better, if like Truffault he thought himself through watching great masters of the moving magic! I will definitely check out this author's other work...I've seen a preview for ROCK AND ROLL PUNK which, naturally, is not even listed in his IMDB filmography!! Salut!
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9/10
Jeff Strong is brilliant
mrdsharp18 November 2005
Jeff Strong did a large body of strong work in Chicago as a theater actor but the understated quality of his performance in Bullet shows that the transition to screen only enhances the subtlety of his work. Strong never has to say a word to convey the loneliness and longing of his character. He creates sympathy even as his darker selfish intentions become painfully obvious. Luara Fisher is perfect, showing vulnerability and strength with absolute conviction. While this character could descend into a stock female victim she and the script rise above that possible cliché and use her situation to show the steel hidden within her bruised spirit. Writer /director Jim Sikora, spinning gold out of straw ,budget wise, once again provides a unique script and vision that should be seen on a much larger scale.
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9/10
An excellent and engrossing modern-day film noir thriller
Woodyanders1 December 2006
Warning: Spoilers
Bald, dumpy, bespectacled average schmo Raymond Brody (superbly played by Jeff Strong), a meek, browbeaten insurance salesman and over-the-phone telemarketing scam artist par excellence, is so fed up and frustrated with being pushed around and ignored by women that he decides to ventilate his pent-up rage by making a prank call. He tells the abusive, overbearing ex-cop father of a luckless young woman named Tanya (a fine and heartbreaking performance by the lovely Lara Phillips) that Tanya has tested HIV positive. Tanya shoots her dad dead when he gets on her case about it. She goes to jail. Tanya's useless layabout sleazeball boyfriend wants to opportunistically cash in on her severe misfortune by selling the rights of the whole sordid affair to a tabloid TV show. Meanwhile, the guilt-ridden Ray pretends to be a sympathetic stranger and befriends Tanya so she will forgive him for being indirectly responsible for her current dismal predicament. Director/producer/co-screenwriter Jim Sikora's creepy and quietly unnerving film noirish tale about how even the most seemingly petty and meager of actions can perpetuate shockingly harsh consequences explores the themes of fate, conscience, loneliness and redemption with genuinely disturbing and provocative results. Sikora's fiercely stark, no-frills, weirdly timeless every-minute-counts efficient style, ably aided by the steely black and white cinematography, a skittish jazz score, a deliberately slow pace, the low-key, splendidly naturalistic performances, and a totally credible and meticulously detailed evocation of grindingly banal day-to-day pedestrian life, lends a startling conviction and rigid, ruthlessly unsparing austerity to the frightfully believable story, thus making this tautly focused and unmercifully icy indie feature a most praiseworthy effort.
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